D Mixolydian Funky Groove Backing Track
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- čas přidán 3. 12. 2023
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Good for channeling my inner funk.
Purrfect!
Are you funking kidding me... awesome. 😂
This one is extremely fun! I play to this one a lot.
Thank you for watching!
Good afternoon, sir. Thumbs up for you. Thank you, best regards.
Thank you!
Excellent
Thanks!
Thank you 🙏🏾 groovy sing ❤
Thanks for jamming!
the tempo and feel is just pure goodness .... woah
Thank you!!!
Nice track, thanks!
Thank YOU!
Awesome!
Thank you!
What the funk! Dang you got a lot using the one chord...hats off and thanks!
😎
that was really fun thank you!
You are very welcome my friend. Thank YOU!
That distorted riff that came out of nowhere blew my fucking mind
Hahah thanks for watching!
didn't think I'd enjoy a one chord vamp but this pocket too deep to complain!
Hahah thank you my friend!
why it go so hard do
am i tripping or is this in dorian
Hi there! Well, Dorian and Mixolydian modes are very similar except for one note/interval: The 3rd. Mixolydian has 3, but Dorian has b3. In this case 3 is F#, and b3 is F. Depends on what you've been playing, "Dorian" will "fit", but this is really a one dom7th chord vamp, so Mixolydian would be the "right" scale. Hope that helps, and thanks for watching/playing!
It really is D Mixolydian, however, if you’re more comfortable visualizing the fretboard in Dorian, you could play thinking in A Dorian, which would give you all the same notes as D Mixolydian, because the parent key for deriving both of those specific modes is G. Then you just need to adjust your ear to hear it as D Mixolydian to help you phrase things.
Oh! You know what else also occurred to me. Mixolydian is a very bluesy mode, so if you were playing the flat or minor third (i.e., the “blue note”) it will work just fine, but you can open up your world of Mixolydian by incorporating both into your playing. You can play that A Dorian I was talking about (or just D Mixolydian if you either are or become familiarized with it), or a D blues scale or minor pentatonic, (or even major pentatonic, though my point is to highlight the use of the m3/#9 as a functionally valid sonority to justify your conclusion that this could be Dorian).