An Alternative Slab Building Technique
Vložit
- čas přidán 28. 03. 2022
- This is a ceramic slab building technique that I really like using occasionally. It allows me to capture the soft qualities of the clay in the final piece of ceramic work. The form is made from soft clay rather than the more conventional practice of allowing slabs to go leatherhard before building with them. The stability of the soft slabs while building is achieved by the all important wooden block that supports the clay and gives the final ceramic piece its general form.
I like the looser overall feel that is captured in these pieces and the expressive quality that can be achieved. On the negative side, the forms that can be build are dependent on the form of the wooden block that you work with.
Instagram craigunderh...
Website www.craigunderhill.co.uk/
Want to learn more, get my Online Video- links.ceramic.school/craigund... - Jak na to + styl
![tattoo printer tutorial[제품단순선물]](http://i.ytimg.com/vi/g40_GwEJak0/mqdefault.jpg)
Lieber Craig, mich erinnern ihre Werke an alte Gemäuer auf eine schöne Art und Weise. Ich werde es einmal versuchen, nachzuempfinden. Lieben Dank fürs Teilen.
My kind of working, fabulous, I absolutely love how you think and work. Each piece tells a story. Thanks, this takes the fear out of using clay in the “correct manner” I knew that there was a way. Newbie here and loving learning. ❤️
Of all the pieces I've admired and watched you create, this one is my favorite for all the reasons you described! I'm a retired primary school teacher so the added lettering with the pastel against the black background reminds me of the wonderful days of teaching penmanship on a slate blackboard. How you've added pieces against a 'too thin' side and straightened up the piece with a 'glob' at the bottom reminds me of how children think to "fix" their creations. The unevenness across the top delights me. I'm just beginning to take handbuilt clay classes. My instructor makes comments about smoothing out the seams and making everything perfect like a machine may create. I've explained to her that I like how I'm making mine a one-of-a-kind piece. After all, Pablo Picasso said, "It took me my whole life to learn how to paint like a child." I wish I could admire your creations in person but I live across the ocean. Wishing you all the best and thank you for allowing me to learn from you via your tutorials.
It’s important to enjoy the process of making and not feel the need to work in a certain prescribed way. Thanks for the message, it’s great to know that people really understand what I’m doing. Clay is a wonderful material and it should be enjoyed for what it is rather than trying to make it do things it’s less good for.
When I first started watching I thought- what on earth?! But I couldn’t stop watching! The result is mesmerizing and so moving! Thanks!
Lovely work!
I love what you do. Thank you for sharing.
Excellent post. Love your vision of compositional skills.
LOVE this!! 👍🏻👍🏻👍🏻
Great work! I really like your contrasting underglazes. Thanks
.... awesome video, thanks for sharing!
WOW REALY INSPIRING
Thankyou for sharing this technique,very inspiring
I learn so much from you. Thank you so so much
Thank you so much for sharing your knowledge and creativity
Your work is amazing!!! Thanks for sharing. Tell us more about engobes, particularly how to apply and layer them.
very inspirational
Very interesting and I had the same thought as a previous viewer...WHAT ON EARTH? However, I was really surprised by the results. I actually saw a landscape in that piece, the bottom where you added your hand made grog reminded me either of snowy trees or a mountain scene with the black being the night sky. But I also pictured blues and greens and the bottom being an undersea coral bed. Your technique is way different then my style but I surely learned a few things and also learned that I don't have to be precise all the time. Thanks!
I love the softness of the edges, and the contrasting textures on this piece. Very inspiring to make hand built work show the hand.
I think leaving evidence of how the piece is made is so important for me.
Love this. Wanted to know how you get the glaze parts to crackle. I love the grog too.
I so enjoyed watching your process. This work ‘speaks’ to me. Thank you
Oh, that’s great. It’s rewarding for me when people understand it.
Thanks
Great work Craig. Organic and full of character. Nice one.
I absolutely loved watching this video. Can’t wait to try something like this. You are a good teacher.
Thank you so much for this video. To me, this is an old castle and it tells so many interesting stories about ...
Thanks, I want my work to suggest a feeling or narrative without being too literal. Your response is just right.
Well...adding myself to the others who felt "just my kind of work". I love the intuitive way of working, the mess in the studio...I felt at home. You work is absolutely beautiful and refreshing.
Thanks for the positivity. It’s good that you can relate to it.
Ha ha ! even the mess on the table reminded me of...me :)
❤
It's just gone 7 on a Saturday morning and I've just finished watching this, now, instead of scrolling I'm about to jump out of bed and get cracking on a alternative slab building pot... Now, where to get the wood slabs from... Is the DIY shop open yet😂Thank you for the indpiration🙏
Enjoy yourself. It’s a great way to work.
👏👏👏👏👏
really enjoying your videos! May i ask how and of what you make your "homemade grog" just dried bits of clay and maybe some sand? also, you use a term i have not heard of, OnGo or wron-go maybe?? is that just very watered down slip, same color as your clay? Thanks! Melissa from St Louis MO, USA
Hello Melissa, the homemade grog is made from bits of dried up clay and slip that I fire to a low temperature and then grind up. The other material you mention is engobe, which is very similar to slip but has some flux in it that makes it less dry than a slip. I hope to do a video on “What is engobe” soon. All the best.
What is the sand like stuff
I love your work, and have a question:
What’s the material you used to do the texture like sand on those sculptures?
I use different types of grog to add these textures
Awesome, thanks! How do you finish the inside?
I generally use a mix of manganese and copper oxide. I’ve made another video about now I do the insides. Glad you like it.
Hi, lovely work. Where do you get your ongob from?
Hello Judith I make it myself. I’m thinking about doing a video on engobes as they appear to cause some confusion.
I was wondering how the slabs of wood would be removed.
I’ve been enjoying your videos! Today I got into the studio to make 2 pieces inspired by your work. It was So Fun! I don’t have engobe though. Can I use slip like you use engobe? Spray it and have it drip? (New to ceramics) I would at some point love to try the engobe but didn’t want to wait for your engobe/slip video. Hoping you will put a vid out for how to make engobe, pastels (really excited to try that!) and slips for newbies :). Thank you for sharing! 🙏🏻
Thanks, glad you find my videos inspiring. You can certainly use slip like I use engobe. They are similar to each other. I hope you get some good results from working in this way.
@@CraigUnderhill7 Hi Craig, is engobe underglaze, or something different?
@@denisesarazin6753
This webpage will explain all….
www.vincepitelka.com/wp-content/uploads/2016/03/Surface-Design-Engobes-and-Underglazes.pdf
Just bought some high grog clay for slab building and came across your videos. Thankyou so much for sharing. I tried your technique tonight and ran across some issues: 1)the wood feels heavy so I can't really tell if the walls are thin or thick. Do you correct this after leather hard stage? 2) after removing the wood, the newspaper stuck to the clay walls. I tried scraping out, but bits and pieces are stuck in clay. Does it burn off in bisque fire? The grog clay is very nice and textured, but I have to mist it more than the plasticized stoneware. 3) I assume you are not creating these as a vase that holds water, which I would like to do. Is there anything i should add/change for a liquid holding vessel before leather hard stages? Thanks for any solutions! I'm thoroughly enjoying your style and inspired by your use of stains and slip. Well done!
In case he missed to answer you. The paper burns of. And to make it hold water you need to put a glaze on the inside and fire to a high temperatur (ca 1250 degres celcius)
You talk about the application of clay slip and engobes. Can you explain when you choose to use which and what the differences are in the way they apply/effects they give? I’m struggling to understand the difference. Thank you… and absolutely stunning work. Your processes are mesmerising!
Thanks, glad you’re liking my videos. Slip and engobe are very similar, so similar that there’s a lot of overlap between one and the other. Think of slip as being a mix of clays and engobe as a slip but with a small amount of flux in it, such as feldspar or frit. The difference in terms of their look when fired is that slip is quite a dry matt surface and engobe slightly less dry and matt because of the effect of the frit or feldspar. I hope to do a video soon about engobe.
@@CraigUnderhill7 that’s brilliant.. thank you! So much to learn! Will get going with experimenting. Thanks for the videos… so inspiring 😊
@@CraigUnderhill7 Another quick question! Do you make your own or do you buy them off the shelf?
Absolutely stunning pottery art! You are a great master of color, texture and shapes!Thanks for sharing your videos❤
One more question: the mustard yellow one, is that underglaze or glaze?
I create that yellow with a mix of underglaze and yellow engobe
Craig, how do you do the lettering on your vessels?
I use different techniques, sometimes it’s monoprinted, sometimes stencilled or just scratched into the surface. Let me know which piece you’re referring to and I’ll let you know. Thanks for watching
@@CraigUnderhill7 Hi again, well, the one you did in this video has lettering that looks like chalk, but you call it "pastels" -- also there is a mostly yellow piece that looks like pencil. Also do you ever just use traditional underglazes instead of engobe? Thank you
nice...wonder what kind and temp. or firing?
Fired to cone 1 in an electric kiln.
What paint is that
All ceramic materials that include slip, engobe, underglaze and oxides.
What is on gobe?
Engobe is very similar to slip but has some flux in it that makes it a bit more vitreous. Sometimes it’s called vitreous slip.
the volume is really low. its almost impossible to hear with my headphones even with max volume, but I'm not sure if its that low for everyone or its just me.
Volume is fine.
Same here
It is too low. Cant get it to go louder😢
Just Too Darn Loud for me...Speak up my friend...
I’ll take that on board.