How Does Jazz Improvisation Work?
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- čas přidán 4. 05. 2023
- In the very first episode of "Theory with Bob," trumpeter @bobbyspellman discusses the fundamental mechanics of jazz improvisation with help from Julia Chen on electric piano, Julian Smith on bass, and Evan Hyde on drum set.
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Bob's IG: @bobspellman
FB: Facebook.com/bobbyspellmanmusic
Twitter: @bobby_spellman
Ridgewood School of Music FB: ridgewoodschoolofmusic
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Julia Chen: juliachenpiano
Julian Smith: juliansmithmusic
Evan Hyde: evanhydedrums
Super cool this was done in one continuous shot! 👏🏻😮
Old school Jazz feels
This is just a fantastic incredibly well thought out video, I'm dipping my toe into jazz composition and learning flugelhorn and this and your other lessons have been amazing thank you so much!
Thanks! Happy to hear it!
All i can think about is if you really did the main part in one take without stuttering or anything
And only one take! It was a bonafide jazz miracle.
I’m quite sure you can talk about this subject for hours…. You LOVE this, one can tell…😂
I believe they could do that all day long... scuuze me, comin' through!
I've been looking for a video just like this...amazing job! thank you!
Brilliant! Wnat an amazing jazz appreciation crash course!
this could have been a lot of help yesterday when i was soloing lmao
Yeah man!
I've only been with the trumpet for about a year and a half; your channel is a continual help and motivator. This is one of the very best videos I've seen explaining form and function.
Your trumpet sounds fantastic. Great choice of notes; great timing. Thank everyone for their playing!
Thanks, Jeremy! Happy to hear it!
Amazing video, very thorough but also concise
Great feel! Very capable players. Loved it.
Awesome. Simple but very well articulated description of whats going on … great job
such a good and easy follow long video, really appriciated. Super nice and tight
I dont play trumpet but this is super helpful as a drums and piano player
Very, very kewl! Subscribed!
Fantastic presentation. A breath of fresh air and some great playing. Feeling inspired.
Loved this video! It was like a lesson & a wonderful performance all in one. What a joy to see such top tier musicians! Thank you for the effective instruction.
Bobby, I absolutely love this video. Thanks to you and your band for putting this together.
All the skill in this video is unmatched
Fantastic introduction to jazz impro! Hats off! 😃🎹🎶🎵🎺🥁
Man, underrated video. It's incredible that the whole thing came out in one take
Brilliant 🤩
Loved this. Cheers!
Beautiful production! God bless you guys 🙏🏾
I learned so much. Thanks
Great tutorial video well explained good job
Yes! The blues!
This really nice. Thank you for putting it together.
This is such a fantastic thing you've created. Kudos to all 4 of you 👏
Just excellent intro to how jazz works!
That was very good thank you
Thats phenomenal! What a joy
This video is absolutely amazin
What a great video, really helpful and fun x
Just beautiful!
Thanks for the amazing video Bob.
This information and instructions is awesome, gave me a greater insight and understanding Thank you!
Great job!!!
Wow! Such a great explanation and demonstration! I’m surprised it doesn’t have 1 million views yet.
Amazing! Thank you for this great video exposé! The lighting is exquisite by the way! 👌
Great video, what would be some examples of common dissonant scales used along within that sequence? Is it just one of those, whatever happens to pop into your head whether it fits in the sequence or not, just make it work/let it do it’s thing situations?
That was a great method of teaching improv!
Thanks, Patrick! I’m generally conscious of what I’m playing when I’m playing outside the conventional modes. I’m gearing up to do a couple of videos on the topic, but a couple of “out”-er scales that would work in this context include diminished (half-whole diminished on a dominant 7th chord), whole tone (check out Monk’s use of whole tone), phrygian dominant, or the chromatic scale to obliterate the sound of any tonic key of the phrase.
nice video sir!!
What a great video thanks 👌👍🎸🎶🎶🎶🎸
This is pure gold!
Amazin video🎉
Very cool video. This definitely will help beginners getting into jazz in the future.
Truly, thank you for doing this video - a great introduction into jazz/blues but more importantly it shares why I love playing saxophone - unlimited possibilities. Neil
Tremendously talented group of musicians.
This is the best thing i’ve ever seen …or heard 🙏👍
Really good knowledge, competent delivery, confident, with a really cool approach which was enjoyable, thank you all for your musical talent.
Wow!
5:24 she knows the mario chord lmao
Great video; trumpeter sound reminds me of young Miles in the great C/R/W/S quintet
Charlie Parker does a great job showing how to play “outside” the chords
Fantastic explanation. I played in school jazz bands for many years when I was younger, and no one ever explained any of this to me. I always thought you just played the key, and I could never figure out how to play over changes. It is only recently that I've begun to understand all this, as I have been taking a deep dive into guitar.
You all sound good😃👂😁
⭐️⭐️⭐️⭐️⭐️⭐️ beautiful
I really enjoyed this vid...really helped me with jazz guitar, love jazz, I wish you would make 1 with a minor 251 turn around. No matter the instrument this vid really breaks it down, loved it.
Thanks
👏🏽Bravo
My jazz improv keeps turning into funk lol
Great video, but I miss a bit a transposed score line for B instrument, it would be nice to have it on the screen too in other colour or similar for playing along with trumpet, as most lead instruments are in B or Eflat tuning.
I am ashamed to admit that I am going to transcribe this solo to guitar. Really great playing, and you even made those scales swing hard.
Thank you for this wonderful and helpful video.
I was wondering if it is common for horn players to support the solos of the piano or the bass with small backings or base notes of the chord. Or would this be considered to be intrusive?
Where does the wrong notes come from? I don’t mind if anyone would explain the theory behind it. Asking for a help
Very nice. I would nominate you all for the Nobel peace prize, if I could
Thank you for making this video. When you’re playing blues scale, are you playing a corresponding blues scale for the chord your playing over? E.G. - G Blues over G7, or D Blues over Dm7, or are you playing just one type of blues scale?
Generally you'd play the one blues scale based on the key of the tune over all of the chords. So, in this case, I'm playing concert F blues over the whole form.
Bob keeping his speeches within the form is boss shit
use a Lavaliar mic sir... your job of explaining and demonstrating will lot easier... love n respect from India 🇮🇳
❤❤❤🙏🙏🙏
Hello Bobby, how do I know when the 12 bars of my solo are up? I play Alto sax and I can't count while I'm soloing.
I have a question. Sometimes I wonder; do jazz musicians frequently transpose standards to another key mid-tune on the fly? Or is that something that was probably planned before? Or maybe it's just the way it seems when I've never heard it before. Or perhaps there are some outside of the scale stuff going on?
Do I need to transpose the key to the instrument I play? So if I’m play on alto do I need to play in the key of D?
6:33 10:50 (solo)
This would be fun to take around elementary schools
Que tema es?
what is your trumpet model?
I play a Martin Committee from 1945/46.
@@RidgewoodSchoolofMusic great sound. thank you
One thing I sometimes wonder about: Is it possible to play jazz music well, in a small group like this, without knowing theory, by just spontaneously going on profound feeling and experience?
Afraid not. You have to have had usually years of training/learning and experience to do this - no short cuts I'm afraid. You can play simple rock or pop music fairly quickly, but anything more sophisticated takes a long time to be able to do.
@rickjensen2717 , you mention experience in your reply, but I already included that as a necessary prerequisite ("by just spontaneously going on profound feeling and experience"). And that obviously requires a long time of training. What I am wondering is if a person, in a small group like this, could play jazz well by only going on profound experience and feeling, but without having learned music theory. Just like a person is able to talk and converse fluently without ever having learned grammar.
@@BigParadox yes I understood you - theymust understand music tbeory, not neccessarilyhow to readmusic, but must understand harmony.
@@rickjensen2717 , that is what I wonder. I am a musician myself with 50 years of experience, all kinds of music but particularly jazz and classical music, but I know theory. So I cannot answer my own question. What makes you think that theory is necessary? I mean, as I said, people who never learned grammar are still able to talk and converse fluently.
@@BigParadox theory is solved after there's already something you can observe. I don't think the dudes that created jazz cared about professionally knowing how it works, however you still need a formula to achieve better results
Question please. If the band is playing in concert F , are you playing in concert F as well since you are playing a Bb trumpet? The only flat in Concert F is Bb is that why it works?
Trumpet is a transposing instrument like how the saxophones and other horn are. If they're in concert F, to match them on trumpet for an example is ur G. So Concert instruments: piano, guitar, and others, all play on F. To match them, u have to play in G if playing 🎺
Example for note matching: If a piano plays the note F, ur matching note is G for Bb horns.
I hope that answered ur question. I tend to suck at explaining stuff xD
Chord wise example: Fmajor7 concert pitch is Gmajor7 on Bb horns
@@Apollo360XD thank you for your time to explain I appreciate it
👏👏👏👏👏👏👏
Off topic, but Julia is such a sweetheart!
This video consists of straight 21 minutes and 42 seconds of pure improvised jazz, right?
"I'mma take your entire stock."
Let’s say you’re in the key of Cmaj playing over a 2-5-1 progression so… Dm7-G7-C7.
Applying what was done in the video you would solo in D Dorian, G Mixolydian, and C Mixolydian.
Playing C Mixolydian instead of C Ionian is what throws me off. Is it basically just a matter of taste? For a rule of thumb you just have certain modes that work (Dominant 7 - Mixolydian, m7 - Dorian, etc)?
This is brilliant! If we lived in a just world, it'd have more likes than a Mr. Beast video.
More importantly how do Jazz Improvisors find work?
Hahaha good one
Can play trumpet and trombone fairly well, but failing to do basic improvisation.
Jazz is not dead, it just smells funny
You haven't acquired the New York City accent. Consider yourself fortunate. :)