SY Prime Edition: Walkthrough by Fabio Amurri

And once again, Fabio Ammuri is inviting everyone to join him to take a closer look at all the sections and his personal highlights that come with our newest library: www.vsl.co.at/Synchron_Prime_...
Eplore the many FREE tutorial project files our top composers have prepared for you!
00:00 Welcome
00:22 FREE Demo Licenses & Tutorials
00:58 Synchron Prime Edition
02:05 Selection: Violoncellos
05:32 MIcrophones
06:25 Selection: Harp
07:07 Mixer Presets
08:18 Selection: 2nd Flute
11:11 Selection: Bass Clarinet
12:13 Selection: 4 Trumpets
14:00 Selection: 1st Trumpet
15:27 Selection: Tenor Trombone
16:26 SY Player: Timbre Adjust
17:39 Selection: Taiko
18:21 Selection: Timpani
19:03 Selection: Concert Toms
19:26 Selection: Celesta
20:18 Upgrade Paths
21:39 Thanks for Watching
#vsl #prime #primeedition #synchron #keyless
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Vienna Symphonic Library is one of the leading developers of orchestral sample libraries and award-winning music production software for all genres. For over 20 years, we've been recording high-quality samples of almost every instrument of the symphonic orchestra in the city of music, Vienna. Driven by our passion, we've built by far the largest sample database ever created by a single company. For our users worldwide, we continue to innovate and develop the most advanced virtual instruments. Our goal is to inspire artists and excite them to turn their musical ideas into reality.
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[@Zaleskee]

I am a fan of these Walkthroughs!, VSL 💪🏼💪🏼💪🏼!!!

[@Frank.Zimmermann]

Thank you Fabio, great walkthrough!

[@stevemartinalmonds]

Thank you Fabio for this walk through. You really do a great job showing us what these are capable of. 🙂

[@RobertWildling]

Nice! Would have loved to see how you handled CC 8 and CC 11 at the same time. Being new to the MIDI world I have no clue where CC 8 usually sits. Any chance you could drop a line and explain? I have a Komplete Kontrol S88 MK2: what would I have to do to control CC 8 (and CC 11) from my keyboard AND still being able to play the right hand? Thank you! 👋

[@scottglasgowmusic]

What is the difference between the "VelXF Sus - MOD" and the "VelXF - MOD" patches?? They both load the instrument with MOD wheel changing the dynamic layer of the instrument and basically sound the same. Why include both? Makes no sense to me and totally confuses people which set of patches to use. Velocity crossface is obvious.

[@ViennaSymphonicLibrary]

Hey Scott! "VelXF - Mod" will set all articulations to Mod Wheel controlled, "VELXF Sus - Mod" will only set sustained articulations to Mod Wheel controlled and articulations like shorts to key Velocity controlled. - Ben

[@scottglasgowmusic]

@@ViennaSymphonicLibrary Excellent! That is brilliant and perfect! Obviously we want the shorts to change dynamics with how hard we play but the sustains to be controlled by our midi controller fader. I'll be loading the "sus - mod" patches only.
The secondary question would be why include "VelXF - Mod" patches at all? Who would want a shorts patch that changes dynamic level via a midi cc message? Does anyone do that? It seems this patch set just confuses people and especially new people working with samples with patches that I've never heard of anyone using.
Maybe you guys should get rid of those patches completely or offer as some sort of "extra" download because I am certain I am not the only one confused by these and will never use them. Just something to think about--- often simpler is better then trying to give everyone too many options especially ones hardly anyone uses.

[@ViennaSymphonicLibrary]

There are people out there that like to control everything via Mod-Wheel :)

[@scottglasgowmusic]

@@ViennaSymphonicLibrary Cool. I've never met one and other sample libraries don't seem to make those types of patches but do what you think is best of course

[@OGrauMusic]

I love your Synchron software and your Vienna ensemble, they are magnificent. But his instruments sound very artificial to my ears. I hope that in the future they improve the sampling process and that it sounds more real.