THIS IS GOLD MATERIAL for sax players (and clarinet doublers as well I think), thank you very much for sharing it. "dagadaga" Is the "go to" for us as woodwind players (most of cases as you say), let the brass players learn the "takataka" first.
This helps so much, I the bari sax and my band is playing Feste Roman. which has a low reed low brass not so much feature but part that contains triplet sixteenth note rhythms which can be hard to tongue all notes consistently but this opens me up to a while different world. Thanks a lot, videos like these really help!
PacmanRocks100 good question. I don’t think that there is a note range. I can comfortably double tongue the entire range. Let me think and get back to you.
Thanks Joey!
THIS IS GOLD MATERIAL for sax players (and clarinet doublers as well I think), thank you very much for sharing it.
"dagadaga" Is the "go to" for us as woodwind players (most of cases as you say), let the brass players learn the "takataka" first.
This helps so much, I the bari sax and my band is playing Feste Roman. which has a low reed low brass not so much feature but part that contains triplet sixteenth note rhythms which can be hard to tongue all notes consistently but this opens me up to a while different world. Thanks a lot, videos like these really help!
This helped a lot i just started getting into double tounging! Is there any way you could do a video on glisses and bends?
Aaron Bagger please do this, sagawa does this all the time it’s insane
Hey Joey. Are you still in Rowlett? I have lived here for about 20 years.
Would you say there is a note range to double tonguing? Because for me right now, the palm key notes are prone to scooping with the back syllable.
PacmanRocks100 good question. I don’t think that there is a note range. I can comfortably double tongue the entire range. Let me think and get back to you.
@@dallassax I have run into the same issue that PacmanRocks100 described.