Cómo hace falta una visita a Colombia. No hay palabras para calificar su perfección y empatia que tiene en sus presentaciones. Su arte tiene debasiada belleza.
Janine herself. If you go listen to Hilarys performance, she goes into the relative minor, where it develops quite nicely and has a contrast to the original music, a bit like cadenza 1.E. on the other hand, Janine recaps the major key, which matches the whole 1st mvmt. the sheer talent of them is just insane, and although i can play it, i cannot write such a beautiful cadenza.
Cuál? El tema A, el tema B... El desarrollo... El segundo tiempo, el tercero...? Esto no es una canción. Hay varios temas en un concierto, en una sinfonía o en una sonata...
Lacking the Mozart joyful character, typical of this concerto, see Prihoda for example. The notes do not fly into the air, they stay grounded to the violin, in Jansen’s
All a matter of taste I guess. But I feel Janine is one of the "lighter" players and by far the most interesting interpretation for me. There is so much going on with bow and vibrato. And it tells a round story. Peihoda makes some weird accents and seems to have not such a control. But it's as I said a matter of taste and we are lucky, every person is different 😉
just a different interpretation. they are all different. try playing a piece of music without hearing it before, play it, then listen to different recordings, you will be surprised!! ex, i like to take less time for the grace notes in the passage of the 1st mvmt, which is what Hilary did, but my staccatos are stronger and more pronounced like janine. everyone has their own style and just try to enjoy it, and if you dont, you always have your favourite soloist!!
Jensen brilliant as always? Delightful musician and woman. Great complicity between her and Järvi.
It feels like a silky sound, like an ear massage.
Yes so clear :)
Ive heard her play the 5 th live. Its some kind of magic.
Comfort and Grace of her performance is unparalleled
Cómo hace falta una visita a Colombia. No hay palabras para calificar su perfección y empatia que tiene en sus presentaciones. Su arte tiene debasiada belleza.
Agreeee! Es hermosa! Es hermoso todo lo que hace!
Had many options to come and listen to this concerto, of course I would choose you Janine, over everyone in this world, for ever 🖤 maestra, Belissima!
19:38 Master and Commander
Came also to my mind! But i like the Albums version slightly more. Nonetheless an absolute beautiful Concert
Thank you!!!!
world class performer on a strad, nothing finer
Thank you for uploading!
wauw, wauw subliem. een subliem vioolconcerto , subliem gebracht. hoor eens op 14.20, uniek
so good
19:37
How about this? Or are you in the mood for something more aggressive,
Ik hou van Janine!
Una maravilla
17:00 3rd mvt
0:25 19:38
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
btw, cadenza by janine.
the easiest but the hardest violin concerto. paradox concerto
So true! For instance, the transition in the 1st movement from the development section to the recap is so simple, and yet almost unplayably hard.
@@uliwidmaier5192 when does that occur ? Sorry i'm new to classical music
@@pierrebitant From 4:47 to 5:11.
@@uliwidmaier5192 i totally agree, it's borderline unplayable, the amount of notes and practice for that few lines are mad.
Un concierto exquisito, para disfrutar de la 1ra a la última nota.
Jansen: una maravilla y la orquesta con Jarvi en la batuta impecables
Anyone have the link to the maazel performance? Is there a recording of him with the Vienna philharmonic ?
Do you know who wrote the cadenza that she plays in the first movement?
The same question
I’m pretty sure it was wrote by her.
@@familiaweritos2460 yea same
Janine herself. If you go listen to Hilarys performance, she goes into the relative minor, where it develops quite nicely and has a contrast to the original music, a bit like cadenza 1.E. on the other hand, Janine recaps the major key, which matches the whole 1st mvmt.
the sheer talent of them is just insane, and although i can play it, i cannot write such a beautiful cadenza.
Anyone listening to this as their final exam in there music school? By the way, it sounds amazing ❤
That was just rich velvet ...
9:46 2mov
1:36
Where can I find the cadenza she used in the second movement?
Most likely wrote by herself.
26:47
3:54
Temazo
Cuál? El tema A, el tema B... El desarrollo... El segundo tiempo, el tercero...?
Esto no es una canción. Hay varios temas en un concierto, en una sinfonía o en una sonata...
@@elchatismiquin6445 intento simplificar todo eso en una sola palabra. Osea todo, todo es sublime, un milagro como lo diría Salieri
👏😎👏😎👏😎👏😎✌️😎👍
👏😎👏😎👏😎👏😎✌️😎💐😎👍
日本語のキャプション入れたのだれ?日付もオーケストラ名も全然違う。
An actress... Ña... Playing the first violins part... It' s necesary? Too imposted...
Lacking the Mozart joyful character, typical of this concerto, see Prihoda for example. The notes do not fly into the air, they stay grounded to the violin, in Jansen’s
All a matter of taste I guess. But I feel Janine is one of the "lighter" players and by far the most interesting interpretation for me. There is so much going on with bow and vibrato. And it tells a round story. Peihoda makes some weird accents and seems to have not such a control. But it's as I said a matter of taste and we are lucky, every person is different 😉
its more subdued which makes it even more savory
i mean were only here for her...
just a different interpretation. they are all different. try playing a piece of music without hearing it before, play it, then listen to different recordings, you will be surprised!!
ex,
i like to take less time for the grace notes in the passage of the 1st mvmt, which is what Hilary did, but my staccatos are stronger and more pronounced like janine.
everyone has their own style and just try to enjoy it, and if you dont, you always have your favourite soloist!!
In Mozart generally the 'joyful' will be offset by a darker mood, sometimes within the space of a few bars. This is the essence of Mozart.
何とも弱体なソロとオケ
1:36