Panasonic LUMIX GH7 Explained
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- čas přidán 5. 06. 2024
- ► Read more: www.cined.com/panasonic-lumix...
The new Panasonic LUMIX GH7 camera features a new 25.2MP Micro Four Thirds sensor with phase detect autofocus (PDAF) and faster AFS and AFC in both photo and video. The camera now offers internal ProRes RAW recording in 5.7K or 4K (CFexpress or SSD) as well as raw HDMI output, 32-bit float audio recording (Via the new XLR adapter, and more
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Do you think Micro Four Thirds will have its place in video productions in 2024? What is your take on the new LUMIX GH7?
This was a fail for GH7. No future proofing for high frame rates. 4K 200 fps or 240 fps should've been a feafure. Icing on the cake would've been good quality 1080P or 2K 960 fps.even if limited to 2 second recording end trigger mode.
Still using the GH4!!
@@chinitopinoy1726 lol
I love it ❤ coming from the GH5!
It's an interesting choice. You get consistent DR, and better rolling shutter. If you want 35mm DOF. Just use a speed booster.
i can't wait to see Johnnie make a little doc with this.
Definitely!
Thanks for the great review, I'd like to know how is Arri log working in GH7, look forward to your next review.
Shawns everywhere! Awesome.Thank You
11:26 unfortunately adobe changed their terms of use for their cloud service and now they can use your data to train AI so you shouldn’t upload any client work that is copyright sensitive onto adobe cloud
I love it ❤ coming from the GH5!
So now that you don’t need an Atomos device to record Prores Raw, I wonder if BM will decide to support it in Resolve.
We‘re not sure that decision is only down to Blackmagic Design, also Apple as the technology owner.
Is there a video about how to mount all accesories used in this presentation? and what are each of them? Thanks in advance.
They do a lot of partnership to achieve great functionalities, ok , but then since they are already a partner with blackmagic in the L-mount alliance, why don't get us the option to shoot braw as well ???
Maybe Blackmagic doesn´t want to give the advantage of they own cameras (internal braw) to competitors.
Good point
They might wait for later cameras and firmware updates it’s bound to happen I just think they were prioritizing that Arri deal more than anything no other brand has that and I know that was expensive on their end
@@omaralcantara1142 whatever it is, so far, it open a new door for Panasonic
Excited to see the future updates to the EVA and the S1H. If they can figure out how to do internal ND with an L mount EVA and/or S1H that would be amazing.
If the sensor can do 5.7k 120fps why couldn't we get 5.7k 60fps😭
Is the Christmas tree of attachments on the top connected to the hot shoe or a cage? Not enough light on the subject to verify. I never mount attachments to hotshoe other than flash or shotgun microphone. Anything bigger has potential to snap the hotshoe off unless otherwise specified to withstand a given weight and leverage.
Don't see a cage.
Was wondering the same. I think the monitor here is mounted to a top handle.
I saw an older DPR video (with an older LUMIX camera) where Jordan actually had a monitor/recorder mounted on top of the XLR unit with cables dangling all over. Very stupid idea for 2 reasons. The high center of gravity is terrible for hand held use and the XLR1 mount is all plastic. Would snap off with little effort.
Panasonic shoud design the XLR accessory so it can be mounted another way and connect to the hot shoe with a cable.
u could theoretically do logc3 in realtime lut (its what i've done and was originally hinted at by lumix themselves) though i presume the logc3 in camera preforms much better as it is working directly with the camera?
yeah there's another interview with another lumix guy, apparently the implementation of the arri log has the sensor mapping middle grey and color based on the arri curve.
So if this is true, then the arrilog image should not look the same as the vlog one no matter what color transform lut you apply.
unless you tweak the exposure and colors.
i believe the sensor is mapped to arrilog based on the arrilog curve and not vlog, so color tones, and exposure should be captured and preserved different to vlog.
so csts and conversion luts won't give you the same results. or at least that's what i'm understanding as i comb youtube for information on this, cause i too am skeptical hahahah.
but if arri is involved... they can't possibly be gaslighting us with this $200 LUT. right? hahahah
Happy to see Lumix is still upgrading the GH line. But I'll stick to my GH6... I use manual focus lenses and Davinci resolve which doesn't support pro res raw. The real time lut feature is super cool, but not worth the upgrade for me.
Now cram all that tech in a small camcorder style body. Why has nobody talked about SMPTE time code sync? Is it supported?
Yes, as it is supported in the gh6 or at least timecode is.
I have the G9II. I will probably not use Pro Res Raw. But if Lumix will offer the $500 extra trade in like they did on the G9II I might get the GH7. I wish this camera would have 2K.
That's great! A Wonderful camera the GH7😍🎉... But users need as well fast lenses to take advantage of this great GH7 camera. Like, affordable and fast f/0.85 Autofocus m43 primes lenses (equivalent to f/1.8 in fullframe). If you doing that guys, so take all my money: I'll stay with M43 forever!!😍
I just wonder if that LogC3 or ProResRaw is in 12 or 14 bit... because if it is just 10 bit its kinda "meh".
I did hear 12 bit in one of the recent videos.
a CST from their own log to Arri log C will soundly convert the color space. The argument of someone graduating to using an Alexa makes sense, but I think this 320 iso only on Arri log C is a software paywall, albeit a small one. The difference in color science and actual sensor hardware image processing pipeline will still be there.
Maybe Panasonic during the development of the new sensor, made adjustments so their offer of Arri log C does include hardware integration?
3000$ now with the 32 bit float. Yikes. Yeah. Still very tempted
Why would you need 32bit Float? Did you have trouble setting up your audio levels before?
7:27 + 7:52 "I'm excited to test that out specifically..." CineD is going to flip a car for us! ;-)
I can neither confirm nor deny that I would like to flip a car for a camera review.
@@grahamesheldon1487 😹
Now I feel compelled to buy a GH7.
I expect most people "here" are picture oriented and they might not understand the significance of 32-bit float audio. One way to look at it is that in effect, you can set up a recording and never bother changing the "level" during the recording. You can then go back later to convert it to a regular sound track with literally everything well recorded. Previously, the only way to "get everything" without doing adjusting on the fly would be to use an "ALC" or a "limiter". But those approaches don't work optimally. An "ALC" watches the level and adjusts after-the-fact trying to get the "next section" right. An automatic "limiter" can kill dynamics, making things that should be louder sound quieter then they should be. If you have "all the sound" recorded, you can duck the sound in advance and allow a big gain to actually sound big, but without clipping. That sort of adjustment takes judgment and is best left for a human sound man. Properly recorded with 32-bit float you can get all this and everything down to whispers.
Riiiight. Can you name one example where we have so much dynamic range in audio where we would need that?! The only thing I can thing of is if you are plane watching and are close by a landing strip!?
Edit: And in 24bit you have enough room to boost a signal in post.
@@michaelkupfer3723this. I’m beyond stoked for 32-bit float, but OP makes it sound like magic lol. 32-bit float doesn’t magically eliminate preamp noise, mic self-noise, or capsule-level clipping-i.e., factors that often limit dynamic range _before_ A/D conversion. That said, 32-bit float is totally a game-changer and worth the upgrade for anyone who wants to record internally.
*When it actually comes to making money in our industry, I would have to say workflow is the most essential logistical nightmare to solve if you want to deliver a project on time, or not get fired. If you have to collaborate with more than one shooter/editor, then you have no choice but to establish a rock solid collaborative workflow.*
posso utilizzare il canale per inviare un messaggio a panasonic? vito che ormai ha alzato barriere impenetrabili,
Panasonic smettila di pensare solo hai profitti .. è inutile lanciare prodotti che camuffi come nuovissimi ed invece sono piccoli firmweare di quelli precedenti.ma sopratutto non buttare nella spazzatura i prodotti precedenti ..visto anche l'inutilità dei firmweare che lanci per questi apparecchi, prima usi i clienti come beta tester e poi te ne freghi dei clienti e degli apparecchi ...dove sono i miglioramenti promessi??? vedi isobuster vedi colorimetria vedi tantissimi bug che sono diventati difficili da dirti perchè è impossibile contattarti. scusa ma invece di lanciare un firmweare totalmente inutile per gh6 ( compatibilità con accessorio 32bi audio) perchè non lanci un firmweare per lut istantanea che contribuirebbe a migliorare le colorimetrie e mi fermo qui
grazie
its a G9ii sensor
Why is this shot so bad?
🫤 Did what we could in a really dark theater, and I was supplied an operator. I did try to find you a nicer spot to roll some b-roll tho.😉
@grahamesheldon1487 not trying to be super critical. It just you expect a camera review video to be put together a little more. But trust me, I understand limitations.
Oh, no worries! :) Just prioritized getting the info out on this one in a tricky location! Appreciate the comment!
Eff Adobe
This was a fail for GH7. No future proofing for high frame rates. 4K 200 fps or 240 fps should've been a feafure. Icing on the cake would've been good quality 1080P or 2K 960 fps.even if limited to 2 second recording end trigger mode.
Personally, I'll buy the GH7 for 50 other reasons besides high frame rates. I'll use the high rates so seldom it's not even a passing thought.
@@williamburkholder769 I guess to each their own.
Stil trying to get a mft to sell like the GH5. Give it up Lumix. Most people left the GH5 for Full Frame. No one is coming back for this camera. I haven't seen 1 GH6 yet. If they wanted to get back in the camera market they should've dropped the S1h2 by now.
Patience, grasshopper. I talked to a guy with a GH6 this morning. He's a STILL photographer. This is a very versatile camera. Micro 4/3 has many benefits that outweigh the advantages of low light performance and shallow depth of field for some of us. Every platform has a niche. Don't bash others because you don't understand their advantageous purposes.
@@williamburkholder769EXAAAACTLYYY 🔥🔥🔥
I got 2🎉