Don Alfonso, Duke of Ferrara: Chistian Peregrino, bass Donna Lucrezia: Florencia Fabris, soprano Gennaro, young nobleman in service of the Venetian Republic: Dario Schmunck, tenor Maffio Orsini: Vanina Guilledo, mezzo soprano Jeppo Liverotto, young nobleman in service of the Venetian Republic: Santiago Ballerini, tenor Don Apostolo Gazzella, young nobleman in service of the Venetian Republic: Walter Scharz, bass Ascanio Petrucci, young nobleman in service of the Venetian Republic: Sergio Carlevaris, baritone Oloferno Vitellozzo, young nobleman in service of the Venetian Republic: Dario Leoncini, tenor Gubetta, in service of Lucrezia: Norberto Marcos, bass Rustighello: Mauro D Bert Astolfo, in service of Don Alfonso: Fernando Alvar Nunez Porter: Sergio Vittadini, tenor Waiter: Juan Feico, baritone Voice from Within: Augusto Nurena Santi, bass Gravedigger: Julian Mardirosian Time: Early 16th century Place: Venice and Ferrara Prologue The Palazzo Grimani in Venice Gennaro and his friends, including Orsini, celebrate on the brightly lit terrace, in front of which lies the Giudecca canal. The friends' conversation turns to Don Alfonso, Duke of Ferrara, to whose house they will be travelling the next day, and to his wife, the infamous Lucrezia Borgia. On hearing Lucrezia's name, Orsini tells of how Gennaro and he, alone in a forest, were warned by a mysterious old man to beware her and the entire Borgia family, and that the two of them would die together (Nella fatal di Rimini). Professing his boredom with Orsini's tale Gennaro wanders off and falls asleep nearby. His friends are invited to rejoin the festivities, and he is left alone. A gondola appears and a masked woman steps onto the terrace. She hurries over to the sleeping Gennaro and observes him with affection. (Com'è bello! Quale incanto in quel volto onesto e altero!) She kisses his hand, he wakes and is instantly struck by her beauty. He expresses his love for her and sings of his childhood as an orphan brought up by fishermen. He adds that he loves dearly the mother he has never met. (Di pescatore ignobile esser figliuol credei.) The others return and instantly recognize her as Lucrezia Borgia, listing in turn the members of their families she has killed to Gennaro's horror. Act 1 Ferrara The Duke, believing Gennaro to be Lucrezia's lover, plots his murder with his servant Rustighello (Vieni: la mia vendetta è meditata e pronta.) Gennaro and his companions leave the house for a party and pass the Duke's palace with its large gilded coat of arms reading Borgia. Keen to show his contempt for the Borgia family, Gennaro removes the initial "B", leaving the obscene "Orgia" (orgy). In the palace, Lucrezia is shown into the Duke's chamber. Having seen the defaced crest, she demands death for the perpetrator, not knowing that it is Gennaro. The Duke orders Gennaro to be brought before her and accuses him of staining the noble name of Borgia, a crime to which he readily confesses. Lucrezia, horrified, attempts to excuse the insult as a youthful prank, but Don Alfonso accuses Lucrezia of infidelity, having observed her meeting with Gennaro in Venice. In a scene full of drama and tension, she denies any impropriety, but he demands the prisoner's death and forces her to choose the manner of Gennaro's execution. Pretending to pardon him, the Duke offers Gennaro a glass of wine and he swallows it. After a stunning trio (Guai se ti sfugge un moto, Se ti tradisce un detto!) the Duke leaves and Lucrezia hurries to Gennaro, giving him an antidote to the poison the Duke has mixed with the wine. He drinks, and in a last duet, she implores him to flee the city and her husband. (Bevi e fuggi ... te'n prego, o Gennaro!) Act 2 The palace of the Princess Negroni Ignoring Lucrezia's advice, Gennaro attends a party at the palace, swearing never to be parted from his friend Orsini. Orsini leads the party in a brindisi or drinking song ("Il segreto per esser felici") and they drink. Lucrezia enters and announces that in revenge for their insults in Venice she has poisoned their wine and arranged five coffins for their bodies. She has hitherto believed that Gennaro fled Ferrara on her advice, and is thus dismayed when he steps forward and announces that she has poisoned a sixth. Orsini, Liverotto, Vitellozzo, Petrucci and Gazella fall dead. Gennaro seizes a dagger and attempts to kill Lucrezia, but she stops him by revealing that he is in fact her son. Once again she asks him to drink the antidote, but this time he refuses, choosing to die with his friends. In a final cabaletta ("Era desso il figlio mio"), Lucrezia mourns her son and expires.
![Puccini IL TABARRO [DER MANTEL] in German](/img/n.gif)
The musical direction is perfect bravo maestro . for having included the rare amo una dama .you are stupendous. but alas the singers are inadequetes.
quite peculiar ideas of "bel canto"
@@podkowalesna not a real Bel canto technique. You want real Bel Canto then listen to Sutherland or Callas or Caballe
@@crazyorganist1609 I've been listening to them for 40 years but at last would love to hear someone new of similar class
La gran Lucrezia de la inolvidable Florencia..
Don Alfonso, Duke of Ferrara: Chistian Peregrino, bass
Donna Lucrezia: Florencia Fabris, soprano
Gennaro, young nobleman in service of the Venetian Republic: Dario Schmunck, tenor
Maffio Orsini: Vanina Guilledo, mezzo soprano
Jeppo Liverotto, young nobleman in
service of the Venetian Republic: Santiago Ballerini, tenor
Don Apostolo Gazzella, young nobleman in
service of the Venetian Republic: Walter Scharz, bass
Ascanio Petrucci, young nobleman in
service of the Venetian Republic: Sergio Carlevaris, baritone
Oloferno Vitellozzo, young nobleman in
service of the Venetian Republic: Dario Leoncini, tenor
Gubetta, in service of Lucrezia: Norberto Marcos, bass
Rustighello: Mauro D Bert
Astolfo, in service of Don Alfonso: Fernando Alvar Nunez
Porter: Sergio Vittadini, tenor
Waiter: Juan Feico, baritone
Voice from Within: Augusto Nurena Santi, bass
Gravedigger: Julian Mardirosian
Time: Early 16th century
Place: Venice and Ferrara
Prologue
The Palazzo Grimani in Venice
Gennaro and his friends, including Orsini, celebrate on the brightly lit terrace, in front of which lies the Giudecca canal. The friends' conversation turns to Don Alfonso, Duke of Ferrara, to whose house they will be travelling the next day, and to his wife, the infamous Lucrezia Borgia. On hearing Lucrezia's name, Orsini tells of how Gennaro and he, alone in a forest, were warned by a mysterious old man to beware her and the entire Borgia family, and that the two of them would die together (Nella fatal di Rimini). Professing his boredom with Orsini's tale Gennaro wanders off and falls asleep nearby. His friends are invited to rejoin the festivities, and he is left alone. A gondola appears and a masked woman steps onto the terrace. She hurries over to the sleeping Gennaro and observes him with affection. (Com'è bello! Quale incanto in quel volto onesto e altero!) She kisses his hand, he wakes and is instantly struck by her beauty. He expresses his love for her and sings of his childhood as an orphan brought up by fishermen. He adds that he loves dearly the mother he has never met. (Di pescatore ignobile esser figliuol credei.) The others return and instantly recognize her as Lucrezia Borgia, listing in turn the members of their families she has killed to Gennaro's horror.
Act 1
Ferrara
The Duke, believing Gennaro to be Lucrezia's lover, plots his murder with his servant Rustighello (Vieni: la mia vendetta è meditata e pronta.) Gennaro and his companions leave the house for a party and pass the Duke's palace with its large gilded coat of arms reading Borgia. Keen to show his contempt for the Borgia family, Gennaro removes the initial "B", leaving the obscene "Orgia" (orgy). In the palace, Lucrezia is shown into the Duke's chamber. Having seen the defaced crest, she demands death for the perpetrator, not knowing that it is Gennaro. The Duke orders Gennaro to be brought before her and accuses him of staining the noble name of Borgia, a crime to which he readily confesses. Lucrezia, horrified, attempts to excuse the insult as a youthful prank, but Don Alfonso accuses Lucrezia of infidelity, having observed her meeting with Gennaro in Venice. In a scene full of drama and tension, she denies any impropriety, but he demands the prisoner's death and forces her to choose the manner of Gennaro's execution. Pretending to pardon him, the Duke offers Gennaro a glass of wine and he swallows it. After a stunning trio (Guai se ti sfugge un moto, Se ti tradisce un detto!) the Duke leaves and Lucrezia hurries to Gennaro, giving him an antidote to the poison the Duke has mixed with the wine. He drinks, and in a last duet, she implores him to flee the city and her husband. (Bevi e fuggi ... te'n prego, o Gennaro!)
Act 2
The palace of the Princess Negroni
Ignoring Lucrezia's advice, Gennaro attends a party at the palace, swearing never to be parted from his friend Orsini. Orsini leads the party in a brindisi or drinking song ("Il segreto per esser felici") and they drink. Lucrezia enters and announces that in revenge for their insults in Venice she has poisoned their wine and arranged five coffins for their bodies. She has hitherto believed that Gennaro fled Ferrara on her advice, and is thus dismayed when he steps forward and announces that she has poisoned a sixth. Orsini, Liverotto, Vitellozzo, Petrucci and Gazella fall dead. Gennaro seizes a dagger and attempts to kill Lucrezia, but she stops him by revealing that he is in fact her son. Once again she asks him to drink the antidote, but this time he refuses, choosing to die with his friends. In a final cabaletta ("Era desso il figlio mio"), Lucrezia mourns her son and expires.
merci pour FLORENCIA FABRIS partie trop tôt !!!!
💐📄🌸🎧🌿💝🪅⛑📚🎶✒🇲🇬😇💞🎼📒🦁📺😊☎️💒🇻🇦✝️🇻🇦💐🤗🫂📻🦁🎼📚🇲🇬🎶😇✒💞🌸📄🇻🇦✝️🇻🇦📄🌸💐⛑❤🇻🇦✝️🇲🇬❤🪅🙋♂️
46:45
The soprano has one of the most unpleasant instruments I’ve heard in some time!
I guess you could have sung it better 🤔
Lucretia Borgia is not supposed to have a pleasant voice ....
@@podkowalesna Of course she is suuposed to have a pleasant voice. 😂