Idu Bhagya Idu Bhagya - Brindavana Saranga - PurandaraDasaru by Thanmayee Krishnamurthy
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- čas přidán 11. 09. 2019
- Vocal - Thanmayee Krishnamurthy
Violin - Srindhi Mattur
Mridanga - Adamya Ramanand
#purandaradasa #BrindavanaSaranga #devaranama - Hudba
Absolutely Divine Blissful & Superb Rendition All the Best Wishes 👋👌👋
Bhakti, lovely yearning at the feet of the Bhagavan Padmanabha. So nice. Thanks amma.
Excellent...❤❤
Mesmerizing . God bless you amma
ಸುಶ್ರಾವ್ಯ ಸ್ವರ ಮಾಧುರ್ಯ...❤
This is Sung in Brindavana Saranga, Khamboji Ragams etc
This Krithi is on Lord Hari (Narayana)
Beautiful
What a blissful singing Thanu!!! Just amazing !! Your voice touched the soul !
Brindavanasaranga
This is another hot topic for discussion amongst the experts. I read somewhere that there are as many as two arohanam/avarohanam for this ragam Brindhavani and its sister ragam Brindhavana Saranga has 4 types of notes and there is yet another Brindhavanasaranga which is derived from another melakartha ragam!
I make an assumption that Brindhavani and Brindhavana Saranga are very closely related ragams derived from the same melakartha, Karaharapriya. The differentiating factor is the presence of the Gandharam in the avarohanam in the latter.
Brindāvana Sāranga Aro S R2 M1 P N3 S // AV S N2 P M1 R2 G2 R2 S
Brindāvani Aro S R2 M1 P N3 S // S N2 P M1 R2 S
Ragapravaham ny Smt D Pattammal puts it under 22 Mela Karahapriya as under
S G R M P N S // S N P M R G S
S R M P N S // S N P M R M R G S
S R M P N S // S N P M R G S
S R M P N S // S N P M G S
Under 65 Mechakalyani
S R M P N S // S N P M R S
While Brindhavasaranga is heard often in concerts with number of krithis like Sri Rangapura Vihara, Soundara Rajam Ashraye etc, Brindhavani is rarely heard .
All vrindavani and vrindavana saranga versions circulating in CM (Carnatic Music ) seem to be imports from HM.(Hindustani Music)
Indeed this issue creates considerable confusion.
2. The HM brindavani sarang has no gandhara, this is an addition in CM
3. The CM "vrindavana saranga" has three different versions:
- Dikshitar's version (referred to as either "vrindavana saranga" or "vrindavani" in literature) has only N2, no N3. Some of his compositions also have shades of other related HM ragas. In HM, the counterpart of Dikshitar's version is "madhmad sarang" (SRMPN2S-SN2PMRS), not "brindavani sarang" (which also has N3).
- Tyagaraja's version, which has gandhara (G2) as in the composition "kamalaptakula". This G2 seems a CM modification/insertion. Also this version (as far as I have heard it) has no N3 either.
- The third version is the the one that identical to the HM "brindavani sarang" (SRMPN3S-SN2PMRS). This one is the most popular on the current CM circuit, there are a number of compositions in this version.
In my opinion the musicologists should resolve this confusion and "rename" the ragas as "dikshita saranga", "tyagaraja saranga", and leave "brindavana saranga" for the third type of raga. As far as I can see the first two versions did not exist in CM before Dikshitar and Tyagaraja...if there are previous compositions in these versions they should probably be named after the persons who introduced these ragas in CM.
Indeed this issue creates considerable confusion. :
All vrindavani and vrindavana saranga versions circulating in CM seem to be imports from HM.
2. The HM brindavani sarang has no gandhara, this is an addition in CM
3. The CM "vrindavana saranga" has three different versions:
- Dikshitar's version (referred to as either "vrindavana saranga" or "vrindavani" in literature) has only N2, no N3. Some of his compositions also have shades of other related HM ragas. In HM, the counterpart of Dikshitar's version is "madhmad sarang" (SRMPN2S-SN2PMRS), not "brindavani sarang" (which also has N3).
- Tyagaraja's version, which has gandhara (G2) as in the composition "kamalaptakula". This G2 seems a CM modification/insertion. Also this version (as far as I have heard it) has no N3 either.
- The third version is the the one that identical to the HM "brindavani sarang" (SRMPN3S-SN2PMRS). This one is the most popular on the current CM circuit, there are a number of compositions in this version.
In my opinion the musicologists should resolve this confusion and "rename" the ragas as "dikshita saranga", "tyagaraja saranga", and leave "brindavana saranga" for the third type of raga. As far as I can see the first two versions did not exist in CM before Dikshitar and Tyagaraja...if there are previous compositions in these versions they should probably be named after the persons who introduced these ragas in CM.
ಇದು ಭಾಗ್ಯ ಇದು ಭಾಗ್ಯ ಇದು ಭಾಗ್ಯವಯ್ಯ ಧನ್ಯವಾದಗಳು
ನಿಮಗೆ ಈ ಹಾಡು ಹಾಡುವ ಭಾಗ್ಯ.
ನಿಮ್ಮ ಮಧುರ ಧ್ವನಿಯಲ್ಲಿ ಈ ಹಾಡು ಕೇಳುವುದು ಕೂಡ ನಮ್ಮ ಭಾಗ್ಯ
P Idu bagya idu bagya idu bagyavayya
Padumanabana padabajane sukavayya||
This is good fortune(bAgya), this is good luck(bAgya), repeating the name of padumanAbha is happiness in itself.
C1 Kallagi irabeku kathina bavatoreyolage
Billagi irabeku ballavarolu
Mellane madhavana manadi meccisabeku
Bellavagirabeku bandhujanarolage||
One must conduct onself like a rock(kallAgi) while sailing through life, and must be like a bow while in the midst of knowledgeable(ballavaru) persons. One must slowly(mellane) try to impress(meccisabeku) the mind of Madhava(Krishna) and must be like jaggery(bella) among relatives (bandhu jana).
C2 Buddhiyali tanumanava tiddikolutirabeku
Muddagi irabeku muni yogigalige
Madhva matabdhiyali minagi irabeku
Suddhanagirabeku karanatrayangalali||
One must correct his body and soul(his behaviour) in his own mind, and must be agreeable (muddagi) to sages and yogis. One must be like a fish(mInagirabeku) in Madhva matabdi(ocean), and must be pure(shuddha) in karana trayas [ note: Karana trayas(3) are thought, word and deed. If all these three are in unison, people achieve greatness. What one thinks, one should say. What one says, one should show in action. Otherwise, the person will be termed a hypocrite and nobody will believe him. May be, initially, some people will respect but later on they too will drop out. This harmony should be attempted and achieved, whatever be ones stage or status in life, whatever be his age]
C3 Vishayabogada trunake uriyagi irabeku
Nisi hagalu srihariya bajisabeku
Vasudheyolu purandaravithalana namava
Hasanagi nenenenedu sukiyagabeku||
One must resist material(viSaya) enticements(bhoga), and remember shri hari day and night; And one must serve / associate with (sEvisalu) good dasas of vasudeva purandaravithala.
அற்புதம் .இது பாக்யமே .
இனிமையாக இருந்தது
Edhu Bhagave Mam . 🙏🏼🙏🏼🙏🏼
@@geethavenugopal7244 thank you . Regards
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