There is an uncanny, entirely fluent, no nonsense directness of expression here in Yulianna's playing without any trace of ostentation or mannered excess - just a self-assured, ever-present nobility, dignity and fierce patriotic fervor that characterizes her playing of Chopin's works. Her playing is elegant, powerful, eloquent, poetic and ever so emotionally affecting. You know, while she played this Polonaise, I stared at her countenance and I swear that for a few moments that it seemed that it was not Yulianna Avdeeva sitting erect on the piano bench, but Frédéric Chopin himself! This reaction on my part is supported by one of the comments right below mine, here in this video... You will notice that 2 years ago Marekczekanski1519 got the same impression when he states: "The most perfect rendition of Chopin's deepest intentions! If She were His incarnation, I wouldn't be surprised." Notice that this commenter capitalizes "His" because Chopin is arguably the God of the piano. Well, certainly Avdeeva has an illustrious career ahead of her. Her rubato playing is as captivating as it is intriguing. About an hour ago, I was mesmerized by her powerful interpretive output in the E-Minor Piano Concerto here on CZcams. Yulianna Avdeeva immersed me totally in a colorful outpouring of jewel-like quality with her performances on CZcams!
Snad žádné jiné prsty by nesvedly s kláves vzbudit a přivést na svět tu hloubku duše, kterou do skladby za- nesl již její autor. Asi nikdo jiný by nemohl člověka tak povznést do snů, jako Julie Avdejeva. Za takový dar a schopnost nelze se dost naděkovat. Vše to byly da- ry shůry, na které asi jiný nemá, dík a žel.... 💖🌷💝 Slávek SL. ( Prosek III......) Takže : Avdejeva, Avdejeva Avdejeva a její prsty a duše 🌹💖🌿🦋......
Co ještě zbývá říci? K hudbě F.Chopina? K interpretce ? Vždyť ta krásná symbiosa je jen těžko opakova- telna',takže jen ❤❤❤, ...🌿🌿 takže zbývají jen zbožna' přání, aby to vše naši Juli. Avděeve^ co nej- déle v y d r z^ e l o ......🌿 ❤ 🔥 v tom druhu umění, které je ze všech nejpu'- sobive^js^i, nejsil- nější,přístupné bez zřetele na jazyky či narodnost. Stanislav Slanec...
@@gamergod9377 It's funny that my posting touched you, but as a human beeing here my explanation: I think he means human race, not specially the person chopin. Because nobody of us have met chopin. So we can'treally say how clever or dumb chopin was, so the question "how can *chopin* compose such a beautiful piece?" didn't make really sense... What do you think about that?
Thank you Sir for your posting of great quality as usual in this case i enjoed specially for i ta ke it as a present for playing it in my birthday (sure unconciously) Some people didnt like it I take it as a compliment i remembers Cervantes quotation in Don Qixote Ladran Sancho señal que cabalgamos They bark Sancho its a sign we are riding !
...Because too many pianists get up on that stage to *play the piano* (or themselves, or their technique, their emotional dramas or whatever).... Yulianna Avdeeva gets on the stage to play CHOPIN, which is a kind of patriotic poetry executed on a piano. She uniquely gets it.
WONDERFUL< WONDERFUL PERFORMANCE.I have been a fan since Chopin Competition. I have questions unrelated to the content though. about 2 months ago I was constantly searching for this piece on youtube to watch all the different performances but this video never came up. and its impossible for me to have overlooked it because I know Ms. Avdeeva and for sure I would have watched the video if it had come up. But today, this vid suddenly shows up on my youtube home. Whats up with this issue?
@@bjornviir3333 The problem w/ Charles Hamelin is that he doesn't have the absolute slavic dance feel in his Chopin playing. Listen to the Ukrainian pianist Anna Fedorova play it, my favorite rendition of the piece.
Somehow this pianist is just a bit young, not seasoned enough for this mature polonaise. She hasn't settled into the piece nicely yet like in an old shoe. She knows the note but the tone has a struggling sound, not a confident tone. The tempo is not steady, and the climax points are not calculated for best effect. She plays with constant tension and not enough room to breath. There is no lull moments for rejoice, only of bold statements after bold statements. Even in the soft passages she paces hurriedly to get through the passage but not really resting. There is too much sense of anxiety throughout the piece. But her general architectural idea is right on. She really knows this piece. It just wasn't executed in a truly ideal manner. In short, she wasn't able to bring the outstanding beauty in the piece because she doesn't feel it. She plays it w/ too much strain. It takes maturity to know how to turn that pain into a thing of beauty.....but she is still young.
The sense of line and propulsiveness in this intensely slavic polonaise makes me recall Horowitz. This is a great performance.
There is an uncanny, entirely fluent, no nonsense directness of expression here in Yulianna's playing without any trace of ostentation or mannered excess - just a self-assured, ever-present nobility, dignity and fierce patriotic fervor that characterizes her playing of Chopin's works. Her playing is elegant, powerful, eloquent, poetic and ever so emotionally affecting. You know, while she played this Polonaise, I stared at her countenance and I swear that for a few moments that it seemed that it was not Yulianna Avdeeva sitting erect on the piano bench, but Frédéric Chopin himself! This reaction on my part is supported by one of the comments right below mine, here in this video... You will notice that 2 years ago Marekczekanski1519 got the same impression when he states: "The most perfect rendition of Chopin's deepest intentions! If She were His incarnation, I wouldn't be surprised." Notice that this commenter capitalizes "His" because Chopin is arguably the God of the piano. Well, certainly Avdeeva has an illustrious career ahead of her. Her rubato playing is as captivating as it is intriguing. About an hour ago, I was mesmerized by her powerful interpretive output in the E-Minor Piano Concerto here on CZcams. Yulianna Avdeeva immersed me totally in a colorful outpouring of jewel-like quality with her performances on CZcams!
The historical irony of strong Russian technique lending itself best to the playing of polonaises is not lost on me. Wonderful performance.
Snad žádné jiné prsty by nesvedly s kláves vzbudit
a přivést na svět tu hloubku
duše, kterou do skladby za-
nesl již její autor. Asi nikdo
jiný by nemohl člověka tak
povznést do snů, jako Julie
Avdejeva. Za takový dar a
schopnost nelze se dost
naděkovat. Vše to byly da-
ry shůry, na které asi jiný
nemá, dík a žel.... 💖🌷💝
Slávek SL. ( Prosek III......)
Takže : Avdejeva, Avdejeva
Avdejeva a její prsty a duše
🌹💖🌿🦋......
Co ještě zbývá říci?
K hudbě F.Chopina?
K interpretce ? Vždyť ta krásná
symbiosa je jen
těžko opakova-
telna',takže jen
❤❤❤, ...🌿🌿
takže zbývají jen
zbožna' přání, aby
to vše naši Juli.
Avděeve^ co nej-
déle v y d r z^ e l o
......🌿 ❤ 🔥 v tom
druhu umění, které
je ze všech nejpu'-
sobive^js^i, nejsil-
nější,přístupné bez
zřetele na jazyky či
narodnost.
Stanislav Slanec...
Yes, I've noticed most of the better performances by Russians and thought the same.!
Yulianna is one of the best interpreters of Chopin's music
How a man can compose such a beautiful piece...
*human
@@wedemeyerr chopin was a man though?
@@gamergod9377
It's funny that my posting touched you, but as a human beeing here my explanation:
I think he means human race, not specially the person chopin. Because nobody of us have met chopin. So we can'treally say how clever or dumb chopin was, so the question "how can *chopin* compose such a beautiful piece?" didn't make really sense...
What do you think about that?
@@wedemeyerr i think he meant only Chopin, he used an expression(?
Absolutely incredible performance ... she is the future of pianism!
Truly exquisite... perfect legato, great crescendos, true Chopin. Beautiful marcatos on the left hand!
No wonder she was Chopin first prize...
Beautiful playing . true identification with Chopin`s idiom.
yulianna is the best!!
Still the best polonaise op.44 to me.
Agreed!
I like it too, but still return to Horowitz at Carnegie hall
Great rendition of Polonaise in F sharp minor!
Quite stunning performance, among the very best of this titanic work.
really the very best version of this polonaise 44 i've heard till now ! She 's the one who lives it really
Charles Richard Hamelin played it even better in 2015 i think.
horowitz at carnegie?🤩
Brilliant performance!
She's awesome! Thanks for sharing.
She eats this piece for lunch… and this piece usually eats most pianists for lunch
Que eterno Chopin en esta interpretación, simplemente brillante !!
The most perfect rendition of Chopin's deepest intentions! If She were His incarnation, I wouldn't be surprised.
Thank you Sir for your posting of great quality as usual in this case i enjoed specially for i ta ke it as a present for playing it in my birthday (sure unconciously) Some people didnt like it I take it as a compliment i remembers Cervantes quotation in Don Qixote Ladran Sancho señal que cabalgamos They bark Sancho its a sign we are riding !
2:54 beauty of the world
Quite simply - Avdeeva owns Chopin.
her hands : 2 dancers on the piano : that's it !!! thank you very much
Beautiful!
The best of the best.
...Because too many pianists get up on that stage to *play the piano* (or themselves, or their technique, their emotional dramas or whatever).... Yulianna Avdeeva gets on the stage to play CHOPIN, which is a kind of patriotic poetry executed on a piano. She uniquely gets it.
@@AnonYmous-ry2jn I wholeheartedly agree!! So She does.
Grandiosa polonesa, con la fuerza de la escuela rusa.
Uma perda imensa daqueles que não a conhecem, a nós esse deleite espetacular!
👍👍👍Именно во время прослушивания данного шедевра, вспоминается почему то Ференц Лист
Ференц Лист любила этот полонез.
Извини, любил*. Я говорю по-английски, а русский - новый для мне.
Less than 10,000 views ? ? ? ! ! !
Now 66000 but still😲
I'm 8,923. Likes: 177. Dislikes: 1 (one idiot who wouldn't know great music if they fell over it).
Reminiscent of Rubenstein to my ears.
Pure Chopin
WONDERFUL< WONDERFUL PERFORMANCE.I have been a fan since Chopin Competition. I have questions unrelated to the content though. about 2 months ago I was constantly searching for this piece on youtube to watch all the different performances but this video never came up. and its impossible for me to have overlooked it because I know Ms. Avdeeva and for sure I would have watched the video if it had come up. But today, this vid suddenly shows up on my youtube home. Whats up with this issue?
those synchronized 12th or 16th notes at 2.55 are the hardest part, rest is not too bad. Its so tough to play those clean...
Chopin sin edulcorante.
この曲と出会って30年も経過したけど、未だに弾けない（諦めた）。
すげー
There are a lot of pedalings which makes it blurry to hear the important lines.
yeah you are right i think....Charles Richard Hamelin played it a better in 2015.
@@bjornviir3333 The problem w/ Charles Hamelin is that he doesn't have the absolute slavic dance feel in his Chopin playing. Listen to the Ukrainian pianist Anna Fedorova play it, my favorite rendition of the piece.
1:36 momento de puta jefa
アヴちゃん(^ω^)骨太な音だしてくれるよねぇやっぱ、、、細身だが腕の筋肉がっしりしてるかんじだ
Eh
Loo
Somehow this pianist is just a bit young, not seasoned enough for this mature polonaise. She hasn't settled into the piece nicely yet like in an old shoe. She knows the note but the tone has a struggling sound, not a confident tone. The tempo is not steady, and the climax points are not calculated for best effect. She plays with constant tension and not enough room to breath. There is no lull moments for rejoice, only of bold statements after bold statements. Even in the soft passages she paces hurriedly to get through the passage but not really resting. There is too much sense of anxiety throughout the piece. But her general architectural idea is right on. She really knows this piece. It just wasn't executed in a truly ideal manner. In short, she wasn't able to bring the outstanding beauty in the piece because she doesn't feel it. She plays it w/ too much strain. It takes maturity to know how to turn that pain into a thing of beauty.....but she is still young.
Mark for performance - is 3! Not interesting, very simple performance, without Inspiration!)
please show us your performance then
@@boriswala1305 Oof