Space, time, and TZIMZTZUM | Chapter 7 of Shaar HaYichud VeHaEmunah

In Chapter 7, we explore the concept that despite Hashem's transcendence, He is present within space and time through His attribute of Malchus. Additionally, we examine the Alter Rebbe's interpretation of the Lurianic concept of Tzimtzum, clarifying that it does not imply Hashem literally withdrew Himself to allow for finite creation, but rather concealed His light.
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SoulWords is a virtual community hosted by Rabbi Shais Taub where people come together to study the spirtual insights of the Torah to understand their purpose and commit to meaningful action. This channel is here to facilitate your spiritual growth through sharing the mystical teachings of Judaism in contemporary language.

[@leeneidich1444]

whats the distinction between, and/or need for both, Ayin and Effes?

[@davidcoote249100]

Is the clock maker part of the clock? Or is he just familiar with the design?

[@gavinriley5232]

This is not a good analogy.
In the first line of the Shema we state “הי אחד” echad is a complete unity. There is nothing outside of HaShem.
The clock is outside of its maker.

[@TorahHaShem]

Consider the analogy of a symphony and its composer. Unlike the clock and its maker, a symphony exists not as a separate entity but as an extension of the composer’s very essence. Each note, every crescendo, and all the harmonies and melodies are manifestations of the composer’s creativity and intention.
In this analogy:
- The Symphony: Represents creation, including all of existence.
- The Composer: Represents HaShem.
Just as a symphony cannot exist independently of its composer and remains an expression of their will and genius, all of creation is an expression of HaShem’s will and presence. The composer is not outside the music; their essence permeates every part of it. Similarly, HaShem is not separate from creation but is present within and sustains every aspect of it.
This analogy helps to illustrate the concept of “HaShem Echad”-the absolute oneness and unity of HaShem, where everything is an integral part of His infinite essence. There is no part of existence that is outside of HaShem, just as there is no part of the symphony that is outside of the composer’s influence.