Hybrid Mixing Studio One | Routing Audio Explained
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- čas přidán 22. 08. 2024
- In this video, I show you how I physically hooked up my hardware to my interface and how I route my audio in Studio One. Hybrid Mixing Studio One show in detail!
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I've been waiting for this for a long time!
Thanks for watching
@@HomeRecordingMadeEasy ive been waiting 20 years for someone to explain this to me ! thank you lol ! :)
Great video David I actually use this today to route out to a couple of analog devices from Studio 1 and my 192 interface... My old school DBX, Lexicon, and Avid Guitar pre along with an Analog phone interface all run out to my patch bay and come back in for the analog 'real world' touch. When I first started with S1 I couldn't find a lot of resources online on how to do it but figured it out, thankfully with this video you'll help new users for a few years to come!
Glad it was helpful! Be sure to check out my website for additional training.
www.homerecordingmadeeasy.com
FINALLY! Someone who shows how to insert hardware into a an audio interface!! I have been looking for months - Thank you for this!!! Thank you, thank you, thank you!!!!
You're very welcome! If you really want to learn about using hardware and mix hybrid then check this out.
czcams.com/users/mixingmusicanalog
Hey Dave,
I have been strongly looking into setting up a hybrid system, but of course I had no clue on routing. As always your instructions are on point. I have heard and seen Pipeline but never used it. I will look at your Pipeline XT tutorial to gain some knowledge on that had how to use it.
Your the best!!!
Thank you so much Tony!
Definitely helpful hopefully now I can route my gear correctly thanks
Glad it was helpful!
very helpful and insightful to see how you are doing this. Thankyou :)
My pleasure!
I realy like the pace of your teaching and that you are very thorough. Thanks!
You're very welcome!
Thank you!! This was great. Just getting into hybrid mixing. I needed this. Interesting that once you integrate hardware, the mixdown automatically switches to realtime. Slows the workflow a bit moving between mixing and mastering but a small price to pay.
You're very welcome!
This was incredibly helpful and very well explained. Thanks for doing this 🙏
Glad it was helpful!
Oh my God thank you!!!!! I just purchased the Neve and am getting into the outboard gear and needed help. Bro thank you so much!
Glad I could help!
I'm moving from an analog summing system to the S1 Pipeline hybrid set up. Too many limitations with a summing mixer because of my preferred workflow. Thanks for this awesome video.
Thanks for watching!
This is a great video, thank you.
You're very welcome!
Thank you so much. Great video.so helpful.👍️👍️
Glad it was helpful!
Excellent video. Thank you!
You are welcome!
I will definitely contact you to help me, once I’m ready.
Sounds good!
And this how we do it. Pipline is a really great tool for hybrid mixing. Wondering if you ever tried the sum cable by pro audio La? Looks interesting especially for uad appolo owners.
I have never hear of it. I'll have to check it out. What does it do?
Another good video. I'm a bit confused because you implied that with Pipeline XT you can "export a mix" as usual rather than using an interim print track. Does Pipeline XT automatically force Studio One to use 1X (realtime) speed for creating the exported mix?
When using Pipeline, the mix exports in real-time. Sorry for the confusion.
Hi firstly thanx for the content real huge help...my question is can yo make a video of how you rerecord the audio that you sending through the chain...since that is why you are using this system...also cause it will help someone like me who would like to use a analogue mixing console to mix
I will try!
Great video Dave!!! So, would you still be using parallel compression in Studio One along with the 500 series stuff you have?
Yes, absolutely
I wish someone would do a video on pipeline xt to a studio live 32s,it would sure be helpful
Noted!
Great job on this video as well. I watched your previous video before this one (missed it live due to work). I do the hybrid setup. I love using control surfaces and outboard hardware with real knobs, switches and faders. I mentioned previously I currently do a chain with WA 19 in clone hardware (1073EQ-1176- Pultec tube EQ) on the input side and had great results. I just picked up a Purple Audio Sweet 10 chassis for 500 series experimentation from Sweetwater and will build another analog chain on the output bus/mix/analog summing like you did here. The Pipeline XT use was really cool and simplified things. I'm not sure I would have thought of that as I don't use much of the native Studio One plugins and probably taken the long road to get there :). I'm sure I'll be back to this video once I start getting in some 500 series modules. Are you running anything through patch bays in your set up? I ask because you mention the outboard chain gear it eats up I/O's on your Apollo and you would need to add another one for more I/O capacity. I have an Apollo Twin as my main AI and will use a patchbay since I don't have the luxury of keeping static I/O wired if not in use. I do have a PreSonus Studio 1824c which has enough I/O's but I like the Apollo's audio quality over the 1824c.
I don't use a patch bay at this time and maybe at one point, I will.
I really want to have dedicated "chains" instead which would keep me from having a patch bay.
You got some very cool pieces there!
If you are buying more good gear from Sweetwater, here is my link for you to use now and anytime in the future. It helps support the HRME channel and your cost is exactly the same. I thank you very much in advance!
davids Sweetwater link - imp.i114863.net/c/2224454/792013/11319
I'd like to see a video of your viewers' 'rats nests of wires' behind their racks. Partly out of curiosity but mostly because I want to feel better about the absolute horror show that I have going on.
LOL.....mine is not that bad....yet
Great info.
Glad it was helpful!
If I heard correctly, you're using TRS cables to make the connection from your Apollo to the hardware, yes? If you were using the mono Pipeline plugin, would you switch to TS instead? Also, any tips on how this setup might work on an Apollo Twin? I'm trying to hook up a Strymon Timeline as a plugin on a single track.
correct
Thank YOU!!!!!!
You're welcome!
Thanks man this is great. Quick question, can i use multiple pipeline xt plugins with just one compressor?
not running at the same time.
Hey David, I've been trying to figure this out in the Projects page. Any insight into that?
I dont understand the question.
Hey brother. How do you make the channels in the mixer skinny like that??
there is a button on the left side of the console.
gr8 vid ...
Thank you
Wonderful. It makrs a lot of sense. So with pipeline l do not need a print track? Wow where have you been budd? I have been using print track 7/8 in logic with my D bus+ .
But is this unique to Studio One only?
no print track required
Thank you for this. Perfect timing! I HAVE A QUESTION... On my first rig ("Studio A") I am running out into an analog stereo mixbus chain using analog summing, plus a compressor & EQ, and then printing back in the full stereo mix to S1 (the older way like you mentioned, without Pipeline). However, I am now setting up a 2nd rig ("Studio B" in a different location) where I am about to add in a couple of analog pieces of gear for a hybrid setup (literally almost the same way as you are now)... S1, Apollo x4 (only 4 ins and 4 outs), Tegeler Creme (Buss Compressor and EQ for the full stereo mix). However, I want to tie in a dedicated piece of gear as well, strictly for the drums (pretty much just like you with the other compressor). So here's my question (I don't think you mentioned this part exactly/specifically).... But your drums are coming back in 3&4, and the full mix on 5&6. How do you get your drums from 3&4 to ALSO then route through 5&6 as well (into your stereo mixbus chain) for that final stereo print? Thanks Dave!
Dave, I'm sorry I've never used Pipeline (yet). I am watching your other video right now (the Live video from the 8th). You are explaining this exact scenario that I listed above. So basically.... Pipeline is just amazing and sort of routes all of this for you? This is pretty insane. I can't wait to try it. It's hard to imagine not having to actually "print" the track(s) anymore when running through physical analog gear. I guess that's why I was confused. That's actually pretty incredible!!!! What a great concept. The problem now is that it might be way too easy to incorporate analog gear into our projects. In which case, WE'RE ALL GOING TO BE BROKE!!!!!!! :-) I know I will!!!!
Yes, however the FINAL mix is done in real-time like it was in the past BUT......only on the final export. You don't need print tracks for all of the hardware chains. So, the drum bus hardware compressor does not need a "print track" like in the past.
@@HomeRecordingMadeEasy Ok yes, that's what I thought. Makes sense. No biggie. So in some sort of magical way, in the end, Pipeline kind of sums everything back together for that final print. I was thinking that I would have needed to either print separate tracks (like you just mentioned), or that i was going to need another summing mixer in order to bring everything back through that master buss mix-chain. But instead, Pipeline is actually makes this all possible now. Great stuff! Thanks for the reply and thanks for the videos!
Thank U....
You're welcome!
I may be misunderstanding, when you render your mix down, though you’re not “printing it” to a track, are you still real time out-putting your final mix, OR, with pipeline, can you mix down at the “warp speed” like if it was 100% in the box? I was trying to wrap my head around how it would work, sending audio out pipeline at warp speed, would that work the same on the compressor? I think I missed something...
Yes, when you "export" a mix it doe sit in real time. You can print it in the DAW itself if you want.
im trying to run my tracks out of studio one into my console.but my console is not getting any sound. im missing something..do I have to hit the line button on interface?
no idea, try it and see if it works..
awesome video!!! are you still using the studio live? would it be almost the same as the Apollo in routing?
Not using the Studio Live
As alway's Thank you.
Thanks again!
cool Dave Is there a way to route only a guitar track to "out 3" and return to record NOT using Pipeline? I want to use a Voice Live for harmonies. To do that i need to send a guitar track "out 3" into the VL for a chord guide, Then I want to send a vocal track "out4" for VL to create harmonies to be recorded back in on harmony track. Or is Melodyne easier to create harmonies?
you can do it with recording a "print track" back into S1 and not need Pipeline XT
@@HomeRecordingMadeEasy Thanks I saw after my comment that Pipeline was an insert native to S1 not something I had to download. I have it working now.
What happens when you want to use something as a mono aource thats daisy chained as stereo? You bypass everything else but the pc of gear that you want to use?
Im not sure I understand
@@HomeRecordingMadeEasy 2 of the same mono sources of hardware make stereo... If I want to use one mono piece of gear would I bypass everything in that chain just to use that one piece??
Can Presonus AR12 be use to connect to Pipeline so I can use my Alesis Compressor/Limiter? Thanks
Yes you can!
@@HomeRecordingMadeEasy My output from song set up are 4 OUTPUTS PLAYBACK, and from AR12 MIXER my outputs are MAIN, FX, MON 1 AND MON 2. Which outputs from the mixer to input of the compressor i'll use? thanks
Hey man good video. I am about to get my first analog gear. Should I get an external preamp or a compressor first? I have the studio1824c.
Thanks
it depends. If you do a lot of recording then get a good preamp. If you are more into mixing then I would suggest a mix bus compressor
I've been going through a few different videos on the channel as well as research on other channels. Because my focus is mainly mixing and mastering through headphones (following in the footsteps of Glenn Schick and Andrew scheps) I decided to purchase an AD/DA converter (RME ADI-2 pro fs) as my first piece of hardware and proper monitoring for my headphones. With just my audio interface and converter is pipeline necessary? Does my converter have to be connected a certain way in order for the conversion process to take place through the converter and not my audio interface. Thanks for your help in advance.
no, just connect the audio interface to your computer as normal
@@HomeRecordingMadeEasy Thank you
For some reason when I'm connecting like you did in the video, my main output gets a sound like a motorbourding. I can't solve this! If someone is able to help me... Thanks
I am really not sure. I recommend that you go to the Presonus user forum and post your question there. I am sure someone there can help. Thanks!
how do you do this with studiolive 32 s, there are no inserts
You can't. That is a digital mixer not and analog mixer
This has been such an informative lesson David. Thank you. This isnt conducive to the video, but Studio One itself. Sorry, I havent found the answer really elsewhere. Is the upgraded Pro version that much better for (sound) and/or functionality?
I have S1 3 and thats old I know, but ive read that if you dont back up all your files, it wont transfer over from old version to new.
I have a LOT of work, so wondered how to tackle that.? I have all my raw wav files, but do stems and channels also have to be backed up>?
Also, in the master bus stereo out (main), I see you have no post tools, as theyre all in inserts at the top. Do you have any vids or info on this routing and how inserts and post tools work?
Im very new to the whole game and in the middle of some bad sounding mixes. thanks!
Open up each session in version 3. Then go to FILE - SAVE TO NEW FOLDER and that will make an exact copy of the session and all the files so you now have two copies on your system. Then you can open up one of those sessions in version 5 and save it. Now you have a session that you can open in either version. That's the way to do it if you feel that you need to have the ability to open each session in either version. Honestly, I would never do that. I would just keep version 3 on your system and install to version 5. You can have both versions on your computer. Then you can open older session in version 3 and all new projects going forward you create in version 5.
Hope this helps
@@HomeRecordingMadeEasy Outstanding. I missed this reply because it went to a tertiary email. I cant thank you enough. You're smart, focused and a great value to our industry. We all appreciate your time and work. I will attempt your suggestion.
I see you no longer use a summing mixer anymore.Was there a specific reason for this? Did you feel it wasn't particularly needed over other outboard gear?
Interested to know.
It was not necessary after adding the other outboard gear. Plus, I had an issue with my summing mixer unit and never bothered to repair it
@@HomeRecordingMadeEasy whats you feelings towards analog summing now?
Do you need a ad converter
Its in the interface, my Apollo's
Hi David, have you stopped summing via the tegeler tsm?
Yes, the unit died on me and I never replaced it
@@HomeRecordingMadeEasy oh sorry to hear!
@@HomeRecordingMadeEasy sorry to hear mate, has tegeler offered any valuable support by any chance? I was thinking of buyting that summing mixer but am now a little be hesitant..i might change approach and consider your current set up
Cheers for your content, always top notch
Hello my friend
I'm not an expert in hardware, but I want to do something that seems simple to me, and I haven't found a solution yet
I want to buy an audio interface device that has two headphone outputs
and 6 output lines
All I want to do is to make use of the output lines for the band's headphones and for each person to mix each headphone individually through the six output lines. , knowing that the mixer program that comes with the audio interface company I want to buy has this feature Which enables me to mix each headphone individually
Is this thing difficult? And what devices (headphone amp, distribution ,,,) how i hook the output lines to the headphone amp ?
can you explain it with a video that simplifies it for people who are not advanced level
the interface with 2 headphone output and 6 line outputs could be the Universal Apollo X6
Watch a 100 videos hooked up my external equipment getting loud crazy screeching noises from all of them. Study one DAW
PRESONUS 192 INTERFACE.
It seems monkey simple but I guess not
If you watched 100 videos and cant get it to work then I have no idea what to say other than you may need to 1 on 1 coaching to get it right. I do have that if you are interested. Just visit
www.homerecordingmadeeasy.com/services?