Kalinga Narthana Tillana (Isha Yoga Center 2013) by Aruna Sairam
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- čas přidán 12. 12. 2015
- A Thillana is a special type of composition where the rhythmic aspect is emphasised by using special words and is best suited for dancing. This Thillana is one of the jewels of Oothukkadu Venkata Subbaiyer’s compositions. He describes the dance of the Lord Krishna as a little boy on the ferocious five headed snake, Kalinga on the river Yamuna. After a long fight, the snake Kalinga begs forgiveness and escapes to a far away place, thus bringing safety to the lives of the villagers. Lord Krishna's victory is symbolic of gaining control over the five senses, while the five headed snake begging forgiveness is symbolic of it being afflicted with the dreaded disease called ‘Ego’. This composition brings alive Lord Krishna's victorious dance both aurally and visually.
Raga: Gambheera Nattai
Tala: Adi - 8 beats
Composer: Oothukkadu Venkata Subbaiyer (1700 - 1765)
Language: Sanskrit
*Artists*
Vocal: Aruna Sairam
Violin: Padma Shankar
Mridangam: J. Vaidyanathan
Ghatam: S. Karthick
Tabla: Chandrajit
Flute: Vishnu
Sitar: Kishore
*Kalinga Narthana Tillana Lyrics*
Taam dhim tarana taam dhin takita
Taam dhim tarana taam dit takita dhigirtakita dhigir takita tadinginatom
Taam dhim tarana taam yamunaatadaaga pankeruhapada
Takita takita sarasa dala naya
Nayaka sayaka mudrita jayajaya
Taamita tajjam taka tajjam takadika tajjam taam
Deela manohara jaala vibushana
Nirata jalantara bujanga nartana
Neeraja tadaaga adika mrudulapada
Nikata taranga tunga tatanga
Nirdaka nirdaka taam tat taai
Taka tadimidhiyada taka
Taakita takajaga dhigirjaganandham
Takajaga takajaga dhigirjaganandham
Yamuna tataka tungatarangam
Himagarasnimita yamita subaangam
Itas tatastara karunapangam
Yadivara hrudaya saroruhabangam
Dinata tillana dinata tillana dinata tillana dhigirtakita tillana
Anakasindoora anakasringara madana gambeera
Urakapana sanchara
Nandasukumara navaneeta gaticora
Canda manihara jalabavavinutadeera
Jayavijayeebava nandakumara
Brajajanaparama nandakishora
Kaliyanatana nandagambeera
Karunarasayuga bavasareera
Dheem ta taam ta dheem ta taam ta taai (3)
Dimi tadimitakita janu
Jugunagu nandari tagunagu nandari
Dimita taku dimi tadimitakitajanu
Braja kumara mahimalanka
Vanamala pulandara krita kritadara
Ta jam ta taka jam ta taka nam ta tagurram(2)ta
(taku janantari tataku janantari
Taku janantari tadimitakitajanu) (2)
(arputa nardana chitrita mudrita vidyaka mudbhava marputamarputa (taku)) (2)
Vidisuta kala vidisuta seela gatisaya neela grudapadalola (taku)
Ta dimitakita dimitaka dimitakita dimitaka
Ta taai ta tom ta taai dimitakita tom tarikita tarikita (taku)
Ta dimi ti taiya tarikita taka taka jam
Adisaya suka mrudupadakara parta jam
Sarasa loka muralirava nada
Sakala loka sammohana geeta
Taku tinnan taka tinnan taka taka ta taai taanga ta taai ta
Dhigirtaka taka tinnan tanga tataai tanga ta taai ta
Kadam vapisalaya vilita noopura
Padam jalita kruta padatam
Tillana driga tillana drigadriga tillanakitatom
Ga tannan nangitatom ta tom ta taai ta tom
Taka takita tarikita taam ta deem ta tom ta taai ta
Gajoraga banda arpudanga sirashee calanam calanam
Druthanam idanam krudanam
Ida chandra vadangara kankana kincita nangananam
Vada rada rada dimi dimi junu junu taam
Ta taka tillanaka naka booshana
Takita tagas tatakabudakara mandas
Mitakara hara booshita pada yugala hari
Jayavijayeebava nandakumara
Brajajanaparama nandakishora
Kaliyanatana nandagambeera
Karunarasayuga bavasareera
Madamadhukara madhupadaralasama nayana kamaladalacalanamunihrudaya mapi
Cora jaakara dayaakaraa muraari sreekara
*About Aruna Sairam*
Aruna Sairam (Padma Shri) is a Carnatic vocalist, composer, collaborator, humanitarian, and speaker. In addition to her performances in India, Aruna has taken Carnatic music to the global arena, at prestigious venues including the Royal Albert Hall and Carnegie Hall. Currently Vice Chairperson of the Sangeet Natak Akademi, Delhi, she was appointed in 2008 by the Chief Minister of Tamil Nadu as Advisor to the Department of Culture. Aruna works towards the musical education of underprivileged students, through the Nadayogam Trust, which she founded in 2011. Aruna is grateful for the training she received under her mother Rajalakshmi Sethuraman and the legendary T. Brinda, and the mentorship from several masters throughout her musical journey. Her music erased geographic borders when she was the first to incorporate Abhang, a Western Indian musical form, into a traditional, South Indian concert.
*Stay Up To Date*
Official Website: smarturl.it/ArunaSairamWebsite
Like on Facebook: smarturl.it/ArunaSairamFacebook
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Follow on Twitter: smarturl.it/ArunaSairamTwitter - Hudba
Southern culture, the real and original Bharatiya culture!
Love from महाराष्ट्र! 🕉️🙏🏻🌺
I'm addicted to this song for 3 months now. I wonder how this gem of a composition and amazing rendition by Padma Shri Aruna ji missed my notice
if you listen carfully, this song will make you visualise Krishna standing on that multi headed snake and jumping on its heads one at a time, giving unexpected punch to that snake so that it gets tired after some time, the snake gets exhausted and hisses at 7:22 and leaves out of the pond, and every one dances in joy after that. Who ever composed it, this is extremely brilliant and the composor had excellent visual skills, that he converted visuals into sound !
Woww
Thanks for letting this know.. 🙏🙏👍
Yes me too
Finally in a loop , I learnt this song, I am so happy 😁
Aruna Sairam is so talented that no wonder she has been awarded the prestigious Padma award for her contribution to Carnatic music world
I am from north India when first time i listen this gem . i felt it was Tamil but later came to know it was Sanskrit . Happy to see our culture :) it was transcendence experience . I wish we Indians able to respect our culture .My personal opinion south Indian culture is more flourished and spiritual. Madam it was awesome :)
Composed by Oothukadu Venkata Subbaiyer who lived bet 1700-1765
South India was never under much invasion like in North India. Thus, there was enough time for music and culture to flourish. For eg. Kerala has three classical art forms!
Ooka.thakali
She can make dead person alive with her music.. wish I can go to her concert once in my life
@Raj Narayanan rightly said, thank you
She sings it like a Sanskrit rap 😍
Aruna akka is brilliant ❤️ no doubt, but I’m very proud of my ancestor who wrote this beautiful piece
I don't know the carnatic terms...but making goosebumps
Though it was partially Telugu and Sanskrit, it was written by a Tamil man down south in a village in those times.
I attended a few of her concerts here in US. She is a great singer.
She sings with a great passion. She puts her heart into every word!
Ma’m felt like Krishna is dancing right in front of you !!!
Goosebumps while listening Ma’m🙏
I recently had the blessed opportunity of hearing Aruna Sairam-ji perform this live in Kolkata on 18.11.2023. Her rendition of this Tillana was just mesmerising & mind-boggling.
God only knows or is counting how many times I would have heard this....
Such an energetic song .... More than a excercise... Our whole body dances to ammas song ... Instructor madhiri
Appidiyae kettundae Kannan Kitta sandhoshama poiyudalam ...
Always mesmerising ....
എന്ത് ശാന്തത ആണ് ഈ പാട്ട് കേൾക്കുമ്പോൾ മനസ്സിൽ കണ്ണൻ അങ്ങനെ കാളിയന്റെ ശിരസിൽ നൃത്തം ആടികൊണ്ടിരിക്കുന്ന ഭാഗം ആണ് മനസ് നിറയെ ❤❤
My heart goes for the rendition of the same song by Kuldeep Pai and Sooryagayatri. What an amazing performance.
I enjoy both the renditions. They are of different flavours.
Yep. The rendition by Kuldeep Pai, Sooryagayatri and Rahul is just WOW. I get goosebumps everytime I hear them. God bless all of them.
@@santoshkumaraluru6317 True that!! I agree!!
Both are different but earthy Aruna madam has given live performance versus edited in studio which is also a excellent composition
Link?
A gem that came out of the spiritual traditions of an unbroken civilization that is Southern India.
The Dravidian parties are working hard day and night to destroy our Hindu civilisation
കൃഷ്ണ കൃഷ്ണ ഗുരുവയുരപ്പാ 🙏🙏🙏
We are gifted to live in this age of Padma Shri Aruna Sairam- Dr Harihara Puthran
I never knew a song can give so much happiness and make difference in the days quality
Когда же я ее выучу) Обожаю Калинга Нартана!
Aww...this is beyond words, simply. She must be seeing "nandkumar" with her closed eyes while singing this, that's how she sings. "Adbhut" 🙏
My daughter addicted to this song 🎵😍 lovely voice of aruna sairam mam 😍
Wonderful is too shallow an expression for this rendition. She sings almost playfully, but with utmost concentration. She even put back her fallen bindi, without missing a beat. Extraordinarily talented.
Gururaj BN
Gururaj BN u whoishenowl understood
This is just so beautiful! Puts a smile on my face each time looking and hearing this song by Aruna amma
Percussionists' delight -- Krishna's dance cannot be described any better -- Madam Aruna Sairam in her best.
This is the original song in its entirety:
kalinga narthana thillana - gambheeranata - adi | oothukadu venkata kavi
P
tām dheem tarana tām dhina takiṭa
AP
tām dheem tarana tām
dhittakiṭa dhrgutakiṭa dhrgutakiṭa tadhingiṇatom
tām dheem tarana tām yamunā taṭāka pankēruhapada
Ṡ,ṘṠ Ṡ,ṘṠ sārasa daḷa nayanāyata sāhasa mōdita jagadiha
C
tāmita tajjham taka tajjham takadhika tajjham tām
1.
mada bhujanga shira pādayuga pāṇidhrụta madhunināda vēṇurava
2.
gōpānganā kulavrta mādhava madhusoodana hari
sammadana pada nāṭana taga tagana natajana parivrta sadayamuda hrdaya
3.
nirantarānanda mukhakamala ananta naṭānga padayugaḷa
madhu muraleedhara hari laharee mareechi sageeta manōramaṇa
vraja dhurandhara jalada shōbhamāna dhara chikura mukula makuṭaneela
shikaṇḍaka mōhanānga kaḷinga naṭana
4.
neela manōhara jāla vibhooṣhaṇa nirata chalanchala bhujanga nartana
neeraja dalāt adhika mrdulapada nikaṭa tarangōttunga tāḍanga
nrttaka nrttaka tām taka tai taka tadhimi dhittaiya taka
tākiṭa nakajaga dhrgujaga nam tam takanaka nakajaga dhrgujaga nam tam
yamunā taṭāka tunga tarangam himakara sthimita ramita shubhāngam
itastatas chara karuṇāpāngam yativara hrdaya sarōruha bhrngam
dhinata tillāna dhinata tillāna dhinata tillāna dhrgu takiṭa tillāna
tilaka sindoora alaka shrngāra vadana gambheera uraga phaṇa sanchara
nanda sukumāra navaneeta dadhi chōra cchanda maṇihāra jalajabhava nuta dheera
jaya vijayee bhava nanda kumāra vraja jana paramānanda kishōra
kāleeya naṭanānanda gambheera karuṇārasa yuta bhāva shareera
dheem ta tām ta dheem ta tām ta tai
dheem tattōm ta dheem tattām ta tai dhimi tadhimi takiṭa jhaṇu
jagaṇaga nam tari tagaṇaga jham tari dhiriku tāku dhimi tadhimita kiṭa jhaṇu
vraja kumāra mahimālankrta vanamālā dhurandhara krta krtākāra
tajjham ta takajjham ta takaṇṇam ta takurram ta
tāku jhaṇam tari tataku jhaṇam tari tā jhaṇam tari tadhimi takiṭa jhaṇu
tāku jhaṇam tari tataku jhaṇam tari tata jhaṇam tari tadhimi takiṭa jhaṇu
adbhuta nartana chitrita mudrita vidyutam udbhavam adbhutam adbhutam
tāku jhaṇam tari tataku jhaṇam tari tata jhaṇam tari tadhimi takiṭa jhaṇu
tāku jhaṇam tari tataku jhaṇam tari tari tā
didhi sutah kāla vidhinutah sheela atishaya neela dhrta pada lōla
tāku jhaṇam tari tataku jhaṇam tari tata jhaṇam tari tadhimi takiṭa jhaṇu
tadhimi takiṭa dhimi tāka dhimi takiṭa dhimi tāka tadhimi takiṭa dhimi tāka
tā tattōm tattai kiṭatakatarikiṭa dhōm kiṭatakatarikiṭa tarikiṭakiṭataka
tāku jhaṇam tari tataku jhaṇam tari tā jhaṇam tari tadhimi takiṭa jhaṇu
tadhimi dhittaiya tarikiṭataka tā tajham kiṭataka tadhimi dhittaiya
atishaya sukha nirupamakara pāda jham kiṭataka tadhimi dhittaiya
sarasamōha muraḷeerava nātha sakala lōka sammōhana geeta
taritajham taka taritajham takiṭa katōnga katōnga
tāmta dheemta tōmta taita karakamala dhrta abhaya varaprada
taku dhinam taka dhinnam kiṭataka tātai tāngu tātai tām
dhrga takataka dhinnam tāngu tātai tāngu tātai tām
kadamba kisalaya milita noopura padam chalita krta pāda tām
tillāna dhrga tillāna dhrga dhrga tillāna kiṭatōm kiṭataka
ta tan na nam kiṭa tōm nam kiṭa tata tarikiṭa tari kiṭataka
tarikiṭa taka taḷāngu taka tām kiṭataka tām kiṭataka tarikiṭa tām
kiṭataka tarikiṭa tarikiṭa tām
tāmta dheemta tōmta tai tyajōraga bandha tad bhujanga shirasi
charaṇam chalanam krtanam dhrtanam vadanam jita chandramadam
kara kankaṇa kinkiṇi nam na na nam
pada taka taka dhimi dhimi jhaṇu jhaṇu tām
tadāg ta tillāna kanaka bhooṣhaṇa takiṭa tagattagāya
mukhabhara mandasmita navavara poojita padayugala
hari jaya vijayee bhava nanda kumāra vraja jana paramānanda kishōra
kāleeya naṭanānanda gambheera karuṇārasa yuta bhāva shareera
5.
madamadhukara madhupa taralasama nayana kamaladaḷa chalana muni hrdayamapi
chōra chātura dayākara muradi bheekara
👌👌👌👌👍👍👍👍
Wow superb
Thanks a lot for lyrics
Speechless performance
Hats off to all legends ☺️ 💕
Kalinga Narthana Thillana..😙
Radhe Krishna ❤
அம்மா நீங்கள் பாடும் போது அந்த கண்ணன் என் கண் முன்னே நர்த்தனம் ஆடுகிறார் .என் கண்களில் நீர் வழிகிறது.வாழ்க நீங்கள் பல்லாண்டு.
S..... S true
This is awesome. Jai Sri Krishna 🙏🏻
The glory of her voice and music is mesmerising 😍😍😍😍🌸❤️
Aruna ji, It is indeed a beautiful composition by Oothukadu Iyer and you have rendered it in an amazing manner. I wanted to tell you that my 1.7 year old son likes all your songs especially this one. He tries to imitate you and sings along the thillana. He says Paati Paati when listens even your voice from far. We were amazed to know this. Probably the most youngest fan of yours.
Ooo
LEGEND ❤️!! This song is just so awesome . Ma'am 's presentation is like Ornament to our Lord Krishna!!
Wauw this is good for My ears, heart and soul. Thank you India, for your beautiful music. ❤
The Goddess Saraswathi is here in person to bless us with this performance!
Her rendition reflects truly & vividly shows Bal Sri Krishna's Nrityam in Kalia
Super performance...outstanding accompaniments.....
Am addicted to this song
Pindivantalu recipi
Same here
i am also addicted
Me Watching 7th time.. I don't know What happened to me, Pls Watch Sawmik Datta Version Also
Me too.everyday I hear once
One of the best song by Aruna Sairam madam. This is my favorite.
Ms. Sairam, you have won my heart. Its almost like the story comes alive in my minds eye when I hear your most melodic perfect voice. Thank You so much.🙏🙏
Aruna sairam exlant
தெய்வமே...எம்எஸ் க்கிற்குபிறகு வாழும் நடமாடும் சரஸ்வதி....பல்லாண்டு பல்லாண்டு வாழவேண்டும்
Words r inadequate to describe this performance
I just can envision the entire eternal dance of shree krishna !!! She sings in such an unforgettable tone !! Charan sparsh maam
ತುಂಬಾ ಸೊಗಸಾಗಿ ಮೂಡಿಬಂದಿದೆ ಬಹಳ ಚೆನ್ನಾಗಿತ್ತು
తుంబా సొగసాగి మూడిబందిదె బహళ చెన్నాగిత్తు
🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
Thajjam tha thakajjam tha thakannam tha thakurrrram.................. greattt...... great greattt........
Amazing singing as usual.. amazing presence of mind to notice and realize that her sindhooram had fallen down and fixing it without breaking a beat.....
She is too good. Look at her naughty wink 4:59. I guess, Sri Krishna is dancing inside her mind.
🙏
🙏
👌loved it
I think because she add two sur which I never listen before in her other tillana
Exactly
सुंदर........फार सुंदर गायला अरुणाजी........फारच आवडले
@Shubham D UK hindusthani classical music madhye jasa tarana asto tasa carnatic music madhla thillana
this crosses all the limits of music and style ,such a unique piece i bet world have ever seen.
Amazing............... amazing singing.
The entire unit works in unison with Aruna Sairam to prove 'the more you know, the less you need'. Violin stops at 3:07 allowing the lyrical/ rythmic beauty to shine. Percussion alignment is profound in its subtelity. Excellence achieved through precise, persistent and elegant annotation. Bravo!
Absolutely beautiful
Iam addicted to the singer... .... song.... pranamam arunammaaa.......
Madam is great,a gift to enchanting and enhancing love for Indian Carnatic music all around
Love the song of sooryagayathri and Rahul vellal rendition. Soulful young and refreshing.
Exactly
yeah that was beautiful. But this was a live concert, no chance to finetune and upload the best version
She is magnificent, just fantastic ❤️
KALINGA NARTHANNA THILLANA BY ARUNA SAIRAM .....IN ISHA YOGA CENTER.......IS AMAZING.... THANK YOUR GOODSELF MADAM ... NAMASKARAM 🎉
Wow.....no words to say ....amma....how much beautiful
This... World needs more of this..
Very good performance 👍👍👍👍
அதி அற்புதமான ஒரு அனுபவம் 🙏🙏🙏
I am lucky person that I hail from telugu, which is derived from Sanskrit language. We easily understand most of the words from the above composition in Sanskrit. I also thank, carnatic music composer tyagaraja, made all his keerthanas in telugu which still are in syllabus of music learners,
Telugu is not from Sanskrit. Telugu has different origin from sanskrit.
Kalinga narthana” literally means “Kalinga dance” in Sanskrit, and it refers to a popular real story in which the god Krishna, as a young boy, danced on the hood of serpent Kaliya (aka Kalinga) to stop him from poisoning the Yamuna river.
A thillana contains many rhythmic sounds and words and intricate sequences that are fused with repetitive musical notes.
In Kalinga Nartana Tillana various rhythmic sounds are beautifully interwoven harmoniously interlaced with Sanskrit lyrics by the poet.
Oothukadu Venkata Kavi had even set the singing style in such a way that, at one place, a particular word is enunciated to resemble the hissing sound made by the great serpent. He has liberally used gati-bhedam, that is change of rhythm, something that very few major Carnatic composers have done before or since. Jatis [rhythmic syllables] and lyrics intermingle, thereby giving a dramatic and striking effect of the rapid and cadenced foot movements and adroit swings of the dancing Lord.
Oothukkadu Venkata Kavi or Oottukadu Venkata Subbaiah Iyer was one of the pioneering composers in Indian classical Carnatic music.He lived in South India in the present-day state of Tamil Nadu. Also known by the name Oothukkadu Venkatasubba Iyer, he composed hundreds of compositions in Sanskrit, Tamil and Marathi of which over 500 are available. These were handed down from generation to generation by the descendants of the composer's brother's family.
As per available information (from the Family Tree) Oottukkadu Venkat Kavi was born to Subbu Kutti Iyer and Venkamma in Mannargudi, a temple town near Tanjavur in South India, sometime in early 1700s. Later on, they are said to have migrated to Oottukkadu, which was a small neighbouring village.Currently, around 500 compositions of this great composer have been discovered through various sources. Over 300 of these have been published by noted harikatha exponent, Needamangalam Krishnamurthy Bhagavatar (who was a descendant of the poet's brother's family), who was instrumental in popularizing Venkata Kavi's works.
Venkata Kavi's compositions reveal that he was a complete master of the science and art of music in all senses of the term - melody, rhythm or lyrics and was eloquent in Sanskrit and Tamil. Renowned for his rare depth, scholarship and sublime appeal,he was proficient in a variety of musical forms such as the kriti, tillana and kavadichindu. He used talas and themes that not many other Carnatic composers have preferred to handle. His compositions are a blend of a high degree of scholarship on a variety of subjects and inspired expression. During a lecture demonstration on the composer by Needamangalam Krishnamurthy Bhagavatar in December 1955, The Music Academy Madras Experts' Committee noted that "Venkata Kavi's compositions filled a gap between Purandara Dasa (1484-1564) and the Carnatic Music Trinity of Tyagaraja, Muthuswami Dikshitar and Shyama Shastri, who lived around 1760s-1840s.
While he has rightfully been acknowledged as one of the greatest composers on Krishna, Venkata Kavi composed hundreds of pieces on other deities too. Several pieces also reveal his humility, reverence for the great personalities before his times and the high state of bliss that he probably experienced almost ceaselessly. His works scarcely contain autobiographical notes and show that he had reached great spiritual and philosophical heights. Deeper studies have dispelled myths about some of his compositions like "Alaippayude kanna" (Kanada) being autobiographical, and shown that this and numerous other pieces on Krishna in lilting Tamil were parts of his opera based on Bhagavatam. His works also reveal the proximity he felt towards God and show his deep devotion.
(I got this on Google....this should be here for us.....!)
It is a popular historical story and not a mythological story. Sri Krishna was very much a real and historically-present person.
Everything is good except the word mythological. When Venkata Kavi composed, he might have experienced the real Krishna himself. If it was mythological he would never have
@@austin426512 thanks for marking this....i made a correction.... thanks again. vandan
@@AgdamBagdam7 🙏🙏
My daughter sleeps after listening to this song.
Even my son
அமெரிக்காவில் என் பேரனோடு இருந்த 6+6+6 மாத காலமும் என் அருணாம்மா பாட்டுத்தான் எனக்கும் என் பேரனுக்கும் யூ ட்யூபில் கேட்டுட்டே இருப்போம் அது ஒரு சொர்க்கம் அருணாம்மா பாடலும் என் பேரனின் அருகாமையும் ஆனந்தம்
It is supposed to wake up the sleeping ones.
शब्दों का जादू जगाती आप अति विशिष्ट गायिका हैं....कमाल कर रही हैं ! आपका ये वीडियो मैं बहुत बार देख चुकी हूँ और हर बार नवीन लगता है....आपको सादर प्रणाम ! 😊🌹🍀❣🙏🙏
SO SWEET, BEAUTIFUL!
Beautiful yes 🙌 thank all for it swami lovees it all very much thank all for sharing all in swami s project proud ❤
Paavam my Krishna, crying because of this mam.....
No words to express my feelings
This is beautiful!! wow
Speechless performance ma'am Hat's off 👏 🙌
kaalinga narthana thillana (thaam dheem tharana)
raagam: naaTTai
36 calanaaTTai janya
Aa: S R3 G3 M1 P D3 N3 S
Av: S N3 P M1 R3 S
OR
gambheeranaaTTai
36 calanaaTTai janya
Aa: S G3 M1 P N3 S
Av: S N3 P M1 G3 S
taaLam: aadi
Composer: OothukkaaDu VenkaTasubbaiyyar
Language: Sanskrit
pallavi
taam dhIm tarana taam dhIn takiTa
anupallavi
taam dhIm tarana taam dit takiTa dhigirtakiTa dhigir takiTa tadingiNatOm
taam dhIm tarana taam yamunaataDaaga pankEruhapada
tAkita tAkita sArasa dala naya
nAyaka sAyaka mudrita jayajaya
caraNam
taamita tajjam taka tajjam takadika tajjam taam
1
deela manohara jaala vibushana
nirata jalantara bujanga nartana
neeraja taDaaga adika mrudulapada
nikata taranga tunga tAtanga
nirdaka nirdaka taam tat taai
taka tadimidhiyada taka
taakiTa takajaga dhigirjaganandham
takajaga takajaga dhigirjaganandham
yamuna taTAka tungatarangam
himagarasnimita yamita subaangam
itas tatastara karunApAngam
yadivara hrudaya sarOruhabangam
dinata tillana dinata tillana dinata tillana dhigirtakiTa tillana
anakasindoora anakasringAra madana gambeera
urakapana sanchAra
nandasukumAra navaneeta gaticora
canda manihAra jalabavavinutadeera
jayavijayeebava nandakumAra
brajajanaparama nandakishora
kaliyanaTanA nandagambeera
karunArasayuga bAvasareera
dheem ta taam ta dheem ta taam ta taai (3)
dimi tadimitakiTa janu
jugunagu nandari tagunagu nandari
dimita tAku dimi tadimitakiTajanu
braja kumAra mahimAlanka
vanamAla pulandara krita kritAdAra
ta jam ta taka jam ta taka nam ta tagurram(2)ta
(tAku janantari tataku janantari
tAku janantari tadimitakiTajanu) (2)
(arputa nardana chitrita mudrita vidyaka mudbhava marputamarputa (tAku)) (2)
vidisuta kAla vidisuta seela gatisaya neela grudapadalola (tAku)
ta dimitakita dimitAka dimitakita dimitAka
ta taai ta tOm ta taai dimitakiTa tOm tarikiTa tarikiTa (tAku)
ta dimi ti taiya tarikiTa taka tAka jam
adisaya suka mrudupadakara pArta jam
sarasa lOka muralirava nAda
sakala lOka sammOhana geeta
tAku tinnan taka tinnan taka taka tA taai taanga tA taai tA
dhigirtaka taka tinnan tAnga tAtaai tAnga tA taai tA
kadam vapisalaya vilita noopura
padam jalita kruta pAdatAm
tillAna driga tillAna drigadriga tillAnAkitatOm
ga tannan nangiTatom ta tOm ta taai ta tOm
taka tAkita tarikita taam ta deem ta tOm ta taai ta
gajoraga banda arpudanga sirashee calanam calanam
druthanam idanam krudanam
ida Chandra vadangara kankana kincita nangananam
vada rada rada dimi dimi junu junu taam
ta tAKa tillAnaka naka booshana
takiTa tagas taTAkabudakara mandas
mitakara hara booshita pada yugalA hari
jayavijayeebava nandakumAra
brajajanaparama nandakishora
kaliyanaTanA nandagambeera
karunArasayuga bAvasareera
madamadhukara madhupadaraLasama nayana kamaladaLacalanamunihrudaya mapi
cOra jaakarA dayaakaraa muraari sreekara
Varagooran Narayanan thanks for lyrics sir
Varagooran Narayanan thanks
need in telugu please
vamshi krishna cry
Varagooran Narayanan
Such a fantastic song . No words to you Aruna Amma👌👏
unbelievable. just amazing...
Arunaji Hatts off to ur voice,singing, also how u express while preforming. U have rocked in Thilana.
DIVINE voice of mother Aruna
Imagine dancing to this music. Oh wow. What joy.
Mam thanks is song ke liye. Aap Ka ye song aur music ek medicine bhi hai. Kuch time pehle meri tabiyat aisi thi ki bola bhi nahi jaa raha tha but Aapke song ne medicine ka kaam kiya. Kuch raahat mili. Thanks is music ke liye, aur singing ke liye.
Magnifique ; et dans la détente totale. J'adore.
czcams.com/video/dKqLEhFf6Cg/video.html
wow! Great .. really 👌👍💐 marvelous your singing style....
Hi Aruna Amma, you elevated this beautifully.. Sorry for seeing your concert one day back.. I am addicted to this song and daily i am hearing this song thrice and i am learning too..
No words to express my feelings excellent mam.
Vow wonderful song n rhythm thanq amma
superb perfomance!! i was stupified with such a capturative voice
Adbhut performance❤
Goosebumps ❤❤❤
What a recital amma, padabhivandanam amma🙏🙏🙏🙏🙏🙏🙏🙏.
This is an absolute absolute gem
Amazing!!! Hare Krishna
😥😥Beautiful jiiiii 🙏🏻🙏🏻🙏🏻iam addicted....
Mam first time mein aapki singing sunn Kar Mai aapki fan ho gaee hu.
Woww what a beat paravasyam❤️
പറയാൻ വാക്കുകളില്ല അതി മനോഹരം 🙏🙏🙏
Excellent mesmerising superb mam
I love ur Singing.. I will like to learn Singing from you.. Such a gr8 😇😇😇😇
👌👏👏Mesmerizing,my salutes to the great singer,scholar 🙏🏻🙏🏻🙏🏻
Excellent mam...wonderful wonderful no words to explain....you just amazing...we love you , our heart felt pranams....I don't knw how many times I watched this video but still continuing more and more
Wonderful.. I've been watching this many times for the past 6 years, still like a new for me bcoz of the beauty of presentation.. Thanks a lot m'am again.. Lots of love from Guruvayur
Shanti milti hai is singing se aur is music se