1932, Stop the Sun Stop the Moon, I Found You, Ted Dahl Orch. Jimmy Newell voc, HD 78rpm
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- čas přidán 14. 12. 2018
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"Stop the Sun, Stop the Moon" 1932 voc: Bert Tilton
"I Found You" 1932 voc: Jimmy Newell
"That's When I Cry Over You" 1932 voc: Jimmy Newell and The Variety Girls
FAIR USE DECLARATION
All posting on this channel conforms to the United States Code: Article 107., Chapter 1., Title 17., “Fair Use” Act of 1976 which supersedes all copyright. The material herein is of a strictly non-commercial intent, and is created for the sole purpose of nonprofit education, research, information, and social comment. As presented in the CZcams forum, this video in no way violates actual copyright ownership for which I make no claim. All soundtracks use my own vintage, original 78rpm recordings. Copying of any portion of these videos is prohibited without permission of the author. Ref: www.copyright.gov/fls/fl102.html - Hudba
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OH! MY DEAR GOD! I Have not Heard this Version of "Stop The Sun, Stop The Moon" Before "I Found You" is just Beautiful! And "That`s When I Cry Over You" is too Die for! I LOVE THESE!
Jimmy Newell was very handsome! Great versions of these wonderful songs! I'm really surprised none of these were issued commercially!
Super excellent
0:00 "Stop the Sun, Stop the Moon" 1932
3:25 "I Found You" 1932
6:51 "That's When I Cry Over You" 1932
BOY! These Get Me! Great Records indeed!
Recorded on March 2, 1932. None of the four tunes from that session were commercially released.
you are back! I missed You!
The violin section seems never to stop playing, and always in high harmony. The effect gums up the sound of a very good band, whose one failing might have been that they didn't play overtly sweet enough for some publishing executive.
Must be a rarity - a white Victor Scroll record label - first I've seen anywhere.
It's a little like Auden's poem Funeral Blues.
Am I correct in assuming that you play all your vintage 78 r.p.m. records heard here on an ultra-modern turntable with very accurate speed control and provided with a contemporary tonearm and monaural phonograph cartridge supplied with the correct radius stylus for tracking these 78s' record grooves properly - and at today's (2023's) very low tracking pressure of under two grams? Furthermore, I assume that you then use advanced digital noise-reduction or -removal technology to reduce surface noise, scratches, ticks and pops to a bare minimum and/or eliminate them outright?
As you present them here, your vintage records sound amazingly good, proving that the sound-recording engineers of the 1920s and 1930s did their absolute best to capture the artistry of these wonderful musicians despite the considerable limitations of the equipment they had to work with back then.
....yes, you are mostly correct. But I use 5 grams tracking.
What do they mean by "Special Recording" and "For Personal Use Only"?
Years ago came across many records in bookstore from estate of Victor engineer or pressing department employee of period from BatWing accoustic to early 30s. Gerally SPECIAL RECORDING was meant something done for outside person or trial, though there were also designated AUDITION, of SETUP TRIAL as specific. FOR PERSONAL USE ONLY on a standard design label was for muswicians or staff and as here placed to right or left of center hole.
There were other non trademark labels like PRESS TEST or SET UP.
My guess this was for artist for hi use
of center hole. Others of these we items the public could special order.re on black ink, plain labels, have also seen golwith notation as to stamper number marked quality checinch outer margines wer k and dated with time. These were done to check wear duing run.
I have also seen while gold ink batwing Victors with order numbers, that were non CURRENT CATALOG items public could special order through a dealer. The 1924 edition of VICTOR BOOK OF THE OPERA, mentions that discontinued items could be so ordered. In "the wild" I have seen such of Early ,
Caruso Victors of around 1904-06 perioud with piano accompaniment, these were discontinued after that year when Caruso recorded same titles with Orchestra accompaniment. Some also have announced titles
Generally when you see a VICTOR TALKING MACHINE or until mid 30s with a WHITE label and GOLD ink, it means it's a special order commercial recording. Especially in VRM era it meant a special order recording.
The OERSONAL USE implies it was given to an artist or Victor employee, who could buy such at reduced rate.
Test pressings for internal use didn't have trademarks, or standard label designs and we're marked most often FACTORY RRPORT or COMPANY USE or NOT FOR SALE, andhad BLACK INK.