J. Harrison Ghee, Z Infante "Impossible" Full Scene and Song - Broadway Backwards 2022

At Broadway Backwards 2022, J. Harrison Ghee sashayed to Z Infante’s rescue as their fabulous Fairy Godperson in a reimagining of “Impossible” from Rodgers and Hammerstein’s Cinderella. Infante’s deliciously scornful stepmother was played by Janelle Farias Sando, who slights and insults them saying, “You will always be who you were born to be.” During their empowering, groove-heavy duet of “Impossible,” Ghee assures Infante that living as their authentic self is more than possible.
Broadway Backwards, the annual Broadway extravaganza celebrating the LGBTQ+ community through the great songs of musical theater, returns to Broadway’s New Amsterdam Theatre on Monday, March 13, 2023. The beloved evening and its star-studded cast will embrace love and self-expression in true Broadway fashion.
www.broadwaycares.org/pre-eve...
"Impossible" with Z Infante, J. Harrison Ghee and Janelle Farias Sando
by Richard Rodgers and Oscar Hammerstein II from Rodgers & Hammerstein's Cinderella
Choreographed by Robert Bartley and Joshua Buscher-West
Costume Design by Tyler Carlton Williams
Speciality Cinderella Costume Design by John Kristiansen
Arranged, Orchestrated and Conducted by Matt Aument
Broadway luminaries and cheerful audience members united in full and jubilant force May 23, 2022, lending their light to celebrate LGBTQ+ lives, culture and contributions with the in-person return of Broadway Backwards.
Broadway Backwards creator Robert Bartley wrote and directed this year’s return to the stage alongside associate director Adam Roberts. Bartley and Roberts joined James Kinney and Joshua Buscher-West in choreographing the show. Mary-Mitchell Campbell served as music supervisor; Ted Arthur was music director with Nicholas Connors and Nick Wilders as associate music directors.
The 16th edition of the show, which had not been performed live since 2019 because of the coronavirus pandemic, raised a record-breaking $758,582 to benefit Broadway Cares/Equity Fights AIDS and The Lesbian, Gay, Bisexual & Transgender Community Center in New York City.
Jenn Colella returned as host, leading a cast of 86 performers and a 13-piece orchestra that enchanted a standing-room-only audience at Disney’s New Amsterdam Theatre with LGBTQ+ affirming numbers.
Broadway Backwards creator Robert Bartley wrote and directed this year’s return to the stage alongside associate director Adam Roberts. Bartley and Roberts joined James Kinney and Joshua Buscher-West in choreographing the show. Mary-Mitchell Campbell served as music supervisor; Ted Arthur was music director with Nicholas Connors and Nick Wilders as associate music directors. The creative team included lighting design by Craig Stelzenmuller, costume design by Tyler Carlton Williams, Jeff Johnson-Doherty, John Kristiansen and Natalie Loveland, prop design by Jenna Snyder and Alexander Wylie and sound design by Marie Renee Foucher. Jeff Brancato was production supervisor and Gregory R. Covert was production stage manager. Binder Casting’s Mark Brandon and Chad Eric Murnane served as casting consultants.
Video by Bardo Arts Productions.
What began as a small, grassroots concert performed in the community room at The Center in 2006 has grown into a highly anticipated event presented in one of Broadway’s most beautiful theaters. In its 16 editions, Broadway Backwards has raised $6.3 million for Broadway Cares and The Center.
Broadway Cares/Equity Fights AIDS is one of the nation’s leading industry-based, nonprofit AIDS fundraising and grant-making organizations. By drawing upon the talents, resources and generosity of the American theater community, since 1988 Broadway Cares/Equity Fights AIDS has raised more than $300 million for essential services for people with HIV/AIDS, COVID-19 and other critical illnesses across the United States.
Broadway Cares/Equity Fights AIDS is the major supporter of the social service programs at the Entertainment Community Fund (formerly The Actors Fund), including the HIV/AIDS Initiative, the Phyllis Newman Women’s Health Initiative and The Friedman Health Center for the Performing Arts. Broadway Cares also awards annual grants to more than 450 AIDS and family service organizations in all 50 states, Puerto Rico and Washington, D.C., providing lifesaving medication, healthy meals, counseling and emergency assistance.
For more information, please visit Broadway Cares online at broadwaycares.org, at BCEFA, at BCEFA, at tiktok.com/@bcefa and at / bcefa .

[@nowhere_boy_oli]

As a trans male theatre kid, this is beautiful. I have never seen representation in theatre so this a fabulous. Thank you for showing me that I am not alone

[@rellenoz]

I'm gay and over it.

[@thewiz2003]

Can we please get a full show? This needs to become a actual musical.

[@laurenirk536]

The costumes, the voices and the mix of Disney and Rodgers and Hammerstein is a thing of beauty!

[@ruffboimags]

This made me start crying in Chipotle. The tiny enby theater kid still in me is living

[@mousepariah3884]

this is so much better with the full scene. Like I love the song "Impossible" but without the full context it just kinda came up flat the first time I watched it (starting at just the song). I think it's cause the stepmother part sets up the tone change.

[@NayvieNoir]

I got a little choked up at the sheer emotion post transformation

[@janicegreenberg6680]

Thanks for sharing the whole scene. It definitely puts things in context. The acting and singing is superb. The chemistry between J. Harrison & Z is powerful!

[@owlMouce]

We really need a full show based on this. This is so good. Bravo!

[@maurihogan8530]

The mixture of the intro to Out There and Impossible so SO well done 🥹

[@KittyCatThang]

Oh my god that's so sweet. This is just...so perfect. Ad oh my god???? The dress?????? Fairy's outfit??????????? I'm in love.

[@bonsaigecko9153]

I’ll be honest a openly weeped at this as a non-binary transmasc person, the moment you see Em gain hope just kinda ruined me.
It’s like a message to all the trans folks out here, that even if it seems completely impossible rn there *is hope*
Rly needed that

[@jennapatchkeady]

Why isn't the audience clapping more!!!!!!!!!!! I would have been screaming on my feet the whole time, that was beautiful, incredible, phenomenal!!!!!!!!!!! 💕💕💕💕💕💕💕💕💕💕💕

[@MikeA15206]

Because they have decorum. Google it!

[@FuyuOtaku08]

A big reason is theatre etiquette. There are appropriate times to applaud a performance. All throughout it is disruptive.

[@katwitanruna]

Brava! Brava! Encore! Encore! Brilliantly done!

[@Beautyonthebrain_]

Absolutely love this.

[@marvinraphaelmonfort8289]

i sashayed lol

[@stormaggeden]

Beautiful

[@shawnthompson940]

THIS IS FUCKING AMAZING!

[@JaneDoe13666]

I just want everyone to know that this is the best thing ever!

[@AsmrAmurana]

*GORGEOUS*

[@jerald_r]

This is ♥️♥️♥️!!!

[@tonyadams4989]

The costume designer is brilliant!

[@alvinmedina7121]

just incredible

[@a.gonzalez610]

THAT WAS AWESOME

[@aarongilmore1254]

What a GREAT MESSAGE for the trans community

[@lauraandreapatonsiles6958]

en 1.5 tambien se escucha re bieeen

[@missdarkravyn]

Love how they used Hunchback of another Dame for this.

[@tavodar]

just amazing! Why is this not a whole play?

[@tonyadams4989]

My wonderful friend, Janelle Farias Sando! Such a talent! Incredibly versatile!

[@gracebaumgarten3926]

I never saw him before. What an amazing performer❣️❣️

[@mike-m123]

Why not Fairy Godparent?

[@RLucas3000]

I like that too!

[@antonio.chau531cc]

Maybe I know the name of the first song that Min sing?

[@mousepariah3884]

The first song (where she pressures them to call her mother) was the begining of "Out There" from The Hunchback of Notre Dame.

[@minniesaab7255]

❤🏳️‍🌈❤🏳️‍🌈❤