Van Doeselaar on Bach Trio Super: Nun komm, der Heiden Heiland BWV 660 | Netherlands Bach Society
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- čas přidán 14. 08. 2019
- "It's one long battle. Lots of dissonance, lots of syncope." Organist Leo van Doeselaar talks about Trio Super: Nun komm, der Heiden Heiland, which he performed for All of Bach.
Recorded for the project All of Bach on June 23rd 2013 at the Walloon Church, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the complete performance of Trio Super: Nun komm, der Heiden Heiland go to • Bach - Trio Super: Nun...
For more information on BWV 660 and this production go to allofbach.com/en/bwv/bwv-660/
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederla....
Leo van Doeselaar, organist
Organ: Christian Müller, 1734 - Hudba
"One trombonist from Germany...one from France" - Leo van Doeselaar. Maestro Doeselaar has a sense of humor, too. These videos of the performers (directors) offering insights into Bach's masterpieces, are great...please continue posting them. Thanks, again.
The choosing of registrations - that is 'the name of the game' - in order to express one's own interpretation on this piece. It might have been exactly what Bach wanted for this trio. Very very interesting and convincing! Thanks Leo van Doeselaar for this dramatic performance and NBS for this upload and the previous one.
Happiest of memories studying this piece in the late '80s with the late David Sanger, whose views were entirely congruent with wonderful Leo's. Thank you 🙏🏻
Very interesting and beautiful!
I feel that this piece expresses the time in Advent very well. The piece is a longing for Christmas. It strives forwards.
This man should play all massive organ works of Bach. That would be something special
Such a clever and interresting idea to use the same stops on both bass lines, i loved that minor, but significally important decision
Ive been listening to recordings and none match the dramatic tension and fullness of sound of this organ and Leo's playing. Is it made differently? It's almost miraculous.
This video illustrates the difference in English between uninteresting and disinteresting.