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"yamaha trombones are not professional trombones"
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- čas přidán 5. 05. 2022
- This video was originally posted on The Trombone Channel on Feb 17, 2022 where it had 22,594 views and 562 likes. The Trombone Channel was demonetized for reused content on April 7th, 2022 so I reuploaded the video here.
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Amazing! I remember meeting Wycliffe Gordon at the Jen jazz festival in Atlanta many years ago! He's a super cool dude! Really makes those horns growl and sing! Such a legend! 😁👍🏻
I’ve always been of the mind that you find the horn that works for you, that feels the best in your hands, responds to your style of play, and you play it. I’ve gone through everything from Conn to Bach to Getzen to Edwards to Shires to King, and have come back to Yamaha because of not only the sound but the feel of the horns. They are not the right solution for everyone- that’s why different companies make different horns. They are the company overall whose products work best for me
Totally disagree....I was a Bach 42B guy but there were a number a Yamahas that I absolutely loved. They played much easier than the Bach, the partials in the upper register were very distinct and accurate.
I have a student bass and a professional. The professional ones project further but take a more experienced player. Carole Paul Trombonist Composer Arranger
I am amazed at how many commenters actually think this video was actually saying Yamaha trombones are not professional instruments when the whole point of the video is to clearly demonstrate that they are. Did you actually watch it before making your comments?
Yamaha trombones are easy to play
While personally a Getzen/Edwards player on trombone, Yamahas are amazing if they fit you as a player. I have a Neo euphonium that feels minimally different from a Besson, with none of the Besson tuning quirks. They are amazing instruments if you are willing to put the extra work into making them sound the way you want.
I will not trade my Yamaha for any other!!!
Hahaha Kiding right?
@@JL-bu8bz no, i'm serious
I had a Bach and a Yamaha and I preferred the yamaha because it was easier to play😂
You could easily add some Nils Landgren stunts!
Love the last one the most. Met Gordon at college once, very chill dude
said nobody ever
LOL. In the late 90s, everyone said this. Yamahas "scream" when pushed. If you want to be a professional, you buy a Bach. So I did - 2 of them. A Bach 42OG and a 50OG. Great horns, hated both of them. Sold them finally in 2014 and bought my Yamaha Xeno 822G. No one ever has complained about my sound on it, in any ensemble I've ever played it from quartett to symphony orchestra. So just to be different (I suppose) I not only went with Yamaha, I went with an dependent bass instead of the "usual" independent bass. Retired now, so only play for my own enjoyment. If I were still active, I'd probably sell my Rath R400 and buy a Yamaha 882xx tenor.
I like this Andy Martin guy, never heard of him, tasteful playing!
I have never heard this in my life 😂
I like my Yamaha student horn, but I am buying a better trombone just because I have started to grow out of it and it isn’t the sound I want.
I love the sound of my yamaha.🧡
Words are cheap
Who says that lol
Eijiro Nakagawa...
didnt bousfield play a xeno for a while?
It was a Yamaha YSL-681B and the YSL-682B with short-throw valve, the secret weapon in the film score industry.
Irony
Why not ?
Definetely professional trombones. I think there was a meme video about it years ago that someone put shitty sound intentionally on yamaha trombone demonstration video but can't find it anymore.
Wait really?
@@user-qr3uj6wq2z I think it’s more that almost all student trombones are Yamaha that give them that reputation
I'm happy with my '81 restored Bach 42b, & I don't want to spend the money to replace it, but pro Yamaha horns are definitely an option as well. Steve Shires even called Yamaha "a good company." It's what works best for you. George, Canada