130905 1/2 Korea Opera Fastival - LA TRAVIATA 나승서,박미자,노대산 (Seung seo Na,Mija Park,Dea San No)
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- čas přidán 15. 09. 2013
- 130905 1/2 Korea Opera Fastival - The Jo sun Opera -
LA TRAVIATA (Seung seo Na,Mija Park,Dea San No)
라트라비아타
1막 1장 ~ 2막 1장 ( 1 Act 1 Scene ~ 2 Act 1 Scene)
[제작진]
예술총감독_ 최승우
지휘_ 아달베르또 또니니
연출_ 방정욱
음악코치_ 김지은
협연_ 서울필하모닉
해설_ 오페라평론가 손수연
합창_ 메트오페라합창단
무용_ 롤라플라멩코무용단 (롤라 장)
[ production staff ]
art director - Seungu Choi
conductor - Adalberto tonini ??
direction - Jeonguk Bang
opera coach - Ji Eun Kim
accompanied performance - Seoul Philharmonic
commentator - Suyeon Son
chorus - Met Opera Chorus
corps de ballet - Lola-Chang
캐스팅 Cast
비올레타 Violetta (Sop)_ 박미자 Mija Park
알프레도 Alfredo (Ten)_ 나승서 Seung seo Na
제르몽 George Germont (Bar)_ 노대산 Dea San No
안니나 Annina (Sop)_ 김현정 Hyeonjeong Kim
플로라 Flora (M.Sop/Sop)_ 김순덕 Sundeok Kim
가스통 Gastone (Ten)_ 정성철 Seongcheol Jung
듀폴남작 Douphol (Bar)_ 한진만 Jinman Han
그랑빌의사 Dr. Grenvil (Bar/Bass) 이두영 Du Yeong Lee
도비니후작(Bar)_ 김대연 Dae Yeon Kim
쥬세뻬 Giuseppe (Ten)_ 전성완 Sung Wan Jun
메신저 Messenger (Bar)_ 황 혁 Hyeok Hwang - Hudba
고맙습니다
I have been listening and watching opera for 50 years or so. This is a very heart felt rendition. The faces and singing translate the emotions. Bravo.
오늘 파리 오페라 바스티유에서 라트라비아타를 보고 왔습니다. 첫 오페라여서 미리 영상을 보고 갔는데 많은 도움이 되었어요. 감사합니다
박미자선생님은..정말 차원이다른영역에 계시네요 최고의 소프라노십니다.
브라바!
완벽한
소프라노!
This production is a true Gem. Violetta left me wanting for more so to speak.
bravissima violetta mija park
얘들아 안녕
Where’s the half of the Alfredo’s aria? It was chopped off abruptly, it sounds so strange. He would have done the angry rage aria very well. And also that particular part is one of the significant arias of Alfredo’s whole arias. Very strange decision on their part considering it is a well done performance
SEUNG SEO NA
Born in Korea, he made his first musical and vocal studies at Seoul National University , graduating in 1988 with a specialization in lyrical and singing in concert .
He moved to Italy in 1989 , he graduated from the Conservatory of Pescara; since 1997 perfected vocal technique , repertoire study, language training in Rome under the guidance of soprano Margaret Baker- Genovesi .
In addition to the operatic repertoire , which he has already achieved considerable success , Seung Seo Na dedicated with enthusiasm to the concert repertoire and chamber music.
International awards in vocal competitions :
1995 ! Iris Adami Corradetti , " Padova - III prize
1996: " Francesco Paolo Tosti ," Ortona - II prize
1997: " Mascagni " , Cerignola - The Prize
1998: " Toti dal Monte " , Treviso - The prize, coll'assegnazione the role of Faust
2000: " Verdi Voices " , the city of Busseto - The prize coll'assegnazione the role of Alfredo
2000: " Callas Competition - New voices for Verdi" , Parma - Finalist content
Lyrical Roles Performed :
Pinkerton ( Madama Butterfly) Abu Dhabi 1997
Faus ( Faust ), Treviso , Rovigo , Trento, 1998
Benci (Easter Fiorentina- Isidore Capitanino ) Brescia 1998
Rodolfo ( La Bohème ) for the Opera House Teatro Brancaccio , Rome, 1999
Poète Le Moine ( The jongleut de Notre Dame) , Teatro Costanzi , Rome, 2000
Alfredo ( La Traviata ) Theatre of Villa Pallavicini , Busseto , 2000
More lyric roles studied:
The Duke of Mantua ( Rigoletto )
Le Chevalier ( Dialogues des Carmelites )
Lord Arturo (Lucia di Lammermoor )
Lyric roles in preparation :
Nemorino ( L'Elisir d'Amore )
Tamino ( Die Zauberflote )
Cassio ( Othello)
Concert performances :
Schubert : Lazarus (Festival of Sacred Music , Perugia, 1995)
Dear : Jepthe ( Baroque Festival , Viterbo, 1995)
Masciangelo : Miserere ( Solisti Aquilani , tour Abruzzo 1997)
Tosti : Recitals of chamber songs ( Abruzzo tour 1997)
Rossini : Petite Messe Solemnelle ( Camerata Musicale Sulmonese , 1998)
Britten : SaintNicholas ( Collegium Musicum , Bari, 1998)
Britten : Serenade for tenor and horn ( Collegium Musicum , Bari, 1999)
Concert repertoire studied :
Berlioz Te Deum
Beethoven's IX Symphony
Beethoven's Christus am Olberg
Haydn Die Schopfung
Verdi's Messa da requiem
Not to bad a Violleta! The voice is nice and strong.
Is there ANY possibility of obtaining this wonderful presentation on DVD? I would be most happy and honored to buy and own it. I don't even care that much about the Korean subtitles; I just purchased the Italian/English libretto so I can follow the opera more closely. I've written to KBS but they haven't responded. And I've been told that you can't burn a DVD from anything on youtube :-(
I would also love to have Don Carlo, as well.
And while I'm at it, will someone upload Seung seo Na in the recent production of Carmen??? He is so excellent.
Unfortunately, the opera DVD of Korea is not yet activated.
Seung seo Na - carmen ...I've found no broadcast video.
However, I have file naseungseo sung in korea national opera 2013 opera gala - carmen : Jose's aria (La fleur que tu m′avais jetée)
duddmsrhdms Yes, thank you; I have seen your upload of that aria. I have been fortunate in being able to purchase several little-known Cd's in which naseungseo has participated.
I keep hoping; thank you again.
i mean another version video : la fleur que tu m'avais jetee - korea national opera - opera gala 2013
( "NOT " la fleur que tu m'avais jetee - Seung seo Na 나승서 - summer night's dream park concert)
another version video please wait a few days..
duddmsrhdms Thank you, yes. I saw the 2013 1/2 Opera Gala, and at the very end of that first part, Na comes in with the red flower (a rose?) and sings "La fleur que tu m'avais jetee." Then that crazy look in his eyes as he exits the stage. I loved it all.
I didn't like all the performers - the Matador, for instance.
Not Bad, but flawed. The soprano has a strong voice and she can hit the interpolated E above high C at the end of the first act. She could do the coloratura clearly hitting each note without sounding mushy; she can emote and at times her performance was truly touching. The tenor has a decent tone and sings well also. The production (setting, props etc.) was great; one of the best I have ever seen. Elegant is the word to describe it. This is a good basic opera company with some strong qualities, but it is not world class. Why? I have sung and been involved with opera for most of my life. This is not a golden age of opera and I feel somewhat reluctant to be critical when so many productions I see from "world class" houses like the MET are often worse. But this production has such strong points that it is worth pointing out how it can be improved.
The bad points were all in the style of the singing and orchestra.The soprano's tone is a bit strident. She can sing forte but she has a better tone when she is not forte. She hits the high E but not for long and it is not a robust sound. That note is what they call, in opera, a "money note." if you take it you need to hit it with strength and let it shine. She did neither so probably should have not taken it. Both she and the tenor do not modulate their voices enough. Italian opera is sung exactly by the score. the singer uses timing and coloring of the voice and varies dynamics to give expression to the music. Too often she just sang forte and when you do that it starts to sound like a yell not like music. The tenor was better but could have been more modulated. Italian opera is over the top and if it isn't sung that way then you are missing the point. The fact that the all the singers needed to be more modulated, leads me to think the music director is partially at fault.
The orchestra was precise but also could have been more expressive. The overuse of the percussion at times was very distracting and sounded like an airplane was landing on the stage. It totally ruined the end of "Addio del passato." The orchestra should never be noticed over the singers and unfortunately that was often the case. She did not die in the end which was a mistake. It grates against all the underlying currents in the rest of the opera.
I enjoyed the opera. It was good enough that I felt frustration at its flaws. It is not easy to embrace the art of another culture. Italy, wisely, does not try to perform Panson (a Korean form of theater). But opera is an international art form and there is no reason why Korea should not join in. But Italian opera has a certain style that brings out its best qualities, learing the style is difficult when it is alien to your own culture The company has great potential but needs to understand style better. It will take effort, but I think that effort, if taken, will bring excellent rewards.
So fortunate to have found this! I feel like a real cyber-detective :-)
I am following Sebastian Na (Na Seung Seo- 나승서). I'm wondering when this was performed; he looks older and his voice is much richer than when he sang Edgard in Lucie de Lammermoor with Natalie Dessay in Lyon, France (2004). Is he permanently singing in Korea, then? Or is he a participant in this opera festival, only? I love this soprano, by the way. Her name, I think, is Mija Park. I'm watching Act 1 so far; I want to see how this develops. See who plays the father; see the party scene where Violetta is denounced… and all the rest.
ㄴ click my nickname .. all act watching ^ ^;;;;
Korea Opera Fastival - LA TRAVIATA (The Jo sun Opera)
performance date : 2013.05.10 ~ 2013.05.12
You said soprano (Violeta) is "Mija Park" that's right.
16:30 un di felice
23:38 3.e strano.
32:37 lunge dal lei
37:40 duetto 알프레도 아버지가 찾아옴
41:20 purasicco,e un
58:35 dammi tu ra
1:02:48, 1:05:30 di provenza il mar -
Singing offstage:
La Traviata, Rigoletto,
Cavaliero Rusticana
splendid Really Manny Thanks
Could I have more of the cast names and conductor
Thanks very much
I hope you saw the cast list that our gracious duddmsrhdms has included;if not, I have copied it and repeat it here:
[ production staff ]
art director - Seungu Choi
conductor - Adalberto tonini ??
direction - Jeonguk Bang
opera coach - Ji Eun Kim
accompanied performance - Seoul Philharmonic
commentator - Suyeon Son
chorus - Met Opera Chorus
corps de ballet - Lola-Chang
캐스팅 Cast
비올레타 Violetta (Sop)_ 박미자 Mija Park
알프레도 Alfredo (Ten)_ 나승서 Seung seo Na
제르몽 George Germont (Bar)_ 노대산 Dea San No
안니나 Annina (Sop)_ 김현정 Hyeonjeong Kim
플로라 Flora (M.Sop/Sop)_ 김순덕 Sundeok Kim
가스통 Gastone (Ten)_ 정성철 Seongcheol Jung
듀폴남작 Douphol (Bar)_ 한진만 Jinman Han
그랑빌의사 Dr. Grenvil (Bar/Bass) 이두영 Du Yeong Lee
도비니후작(Bar)_ 김대연 Dae Yeon Kim
쥬세뻬 Giuseppe (Ten)_ 전성완 Sung Wan Jun
메신저 Messenger (Bar)_ 황 혁 Hyeok Hwang
+Lynn Ash :For sure the conductor is Adalberto Tonini!!
where's o mio rimorso??? ☹️
i m sad too
I am sure that sacrifices are still made in favor of family duty over the love of one's life, but isn't it the family member and not someone outside the family who is asked to make the sacrifice? I'm thinking of King Edward VIII of England, for example. He gave up his crown. Just as well, in my opinion; his brother made a better king.
Though I guess some people are bought off…
저희가 공연한작품인데요 자료가없어서 퍼갑니다 죄송합니다
Hm..... so so........
1막
10:38 축배의 노래
16:34 빛나고 행복했던 어느날
23:36 27:33 28:40 비올레타 아리아
2,3막
32:25 비올레타 아리아
39:40 파리를 떠나요
Always feels weird to me when I see asians all dressed up in renaissance clothing. Something just feels odd haha! Still, great rendition here ! Wonderful Violetta, with a beautiful clear and high, but still full voice. I can't wait to hear her solo arias ! :D
That is so racist. U should know that.
Маладца! Поют хорошо, но не играют.