Shooting on 500T VS 250D | Kodak Vision 3 ECN-2 Film Comparison

We now develop ECN-2 Film at Safelight ! So today we're going on a quick walk around Berlin to compare two cinema film stock, the Kodak Vision 3 250D and 500T, using the Canon AF35ML.
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Timestamps:
00:00 Intro
00:36 Loading Film
00:50 Daylight Shooting
03:11 What is ECN-2 Film ?
03:51 Shooting Around
05:07 Berlin Undergrounds, Tungsten
6:09 Shooting Around the Alex
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Crew in this episode :
Paula : / jpgmustdie
Iara : / iara_sisa
Chris : / __chrismorgan
Tristan : / tristanscholteden
safelightberlin.com/
/ safelightberlin
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Shot + edit : ‪@TristanScholteden‬
Thanks for watching !

[@wearetrackclub]

Love the vibes of this video, the shots came out great! Really interesting comparison 👏

[@michaeldimmitt2188]

AWESOME! I leave Berlin for two months and now your doing ECN2!!! Wish I could be there! Hello from San Jose CA! Keep up the awesome film loving efforts and keep making analog photographs!

[@GlaciaDay]

I think you are supposed to shoot Tungsten Vision film with a 85 color filter under daylight. But I do like the overall blue-ish color of that 500T. I wish I could get labs that develop ECN-2 here in Japan.

[@diegobluc]

I shoot without it and the scanner noritsu ls-600 autocorrects the whitebalance and still leaves you room to do some changes, I might have to say that using this method can leave some artifacts in shadows like from greens, especially from grass and plants, you'll see some blue on the greens. But I like it!

[@violentxsaintful]

Nice shots. But for everyone wanting to try it out, please don't use ECN-2 film on compact or non manual advance/winding cameras, contrary of as shown in this video. ECN-2 film is too thick and WILL break gears or winding motors eventually. So definitely a thing to consider

[@jordanlaine7412]

I've pulled looots of bulk loaded Vision3 with no problems. The money I save on shooting 250d over Portra 400 can easily buy me all new cameras IF that ever happens...

[@garethVanDagger]

I’ve never had that problem and I’ve shot hundreds of rolls.

[@NorbiWhitney]

Really fun video, and great news that you're developing ECN2 in house now!
I knew 500T was going to be cold outdoors, but I was surprised at how similar the looked under tungsten. I think I even preferred Ds rendering indoors.

[@safelightberlin]

yeah, i think it also is the way the scanners are interpreting the colors. we are scanning on noritsu and frontier which is always trying to give a "natural" look for C41 films. I guess if you were to do the full ECN2 proper develop and scan with cinema stuff there would be a much bigger difference.

[@NorbiWhitney]

@@safelightberlin Makes sense, thanks.

[@krd_explorer]

500t is better for outdoors?

[@ditonaufal5022]

the first cool photos 250D I've ever seen! what iso they shoot both?

[@safelightberlin]

Thanks a lot ! We shot at 200iso for the 250D and 400 for the 500T

[@fabriciolima.01]

Muito bom. O 500t tem um tom mais frio. O 250d tem um tem mais quente e realça bem o vermelho.

[@alexanderssonst]

When did kimi raikkonen become a film photographer?😅

[@MiracleWinchester]

Bwoah

[@andreaxyz3959]

U guys in Kotti?

[@safelightberlin]

We're located in Prenzlauer Berg !

[@GeorgeChipo]

Chris jaywalking on camera. hahaah

[@HoangAnhLe.]

i think you should not shoot kodak vision on pns because the motor on this camera too weak to pull this film overtime it will break the motor

[@silvesterstronach2756]

"Promo sm" 😓

[@Dehancer]

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