Orchestration Tip: Touch-5 Harmonics

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  • čas přidán 30. 01. 2020
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Komentáře • 20

  • @laurajhball
    @laurajhball Před 4 lety +8

    We can tell you've been working really hard and long hours, yet your output has remained top notch. Make sure, when you're done with your book, that you give yourself a well-deserved brain and body break! :)

  • @marekdrzewiecki3780
    @marekdrzewiecki3780 Před 4 lety +2

    Thank you! I had always problems with harmonics!

  • @enriquesanchez2001
    @enriquesanchez2001 Před 4 lety +6

    RATHER========== WE are the luckiest students in the world right now +++++++++++++

  • @brodymclaughlin
    @brodymclaughlin Před 4 lety +5

    Could you do an orchestration tip on writing for organ?

  • @e2strom
    @e2strom Před 4 lety

    great tip!

  • @dhu2056
    @dhu2056 Před 4 lety +12

    1:03 it's a half step isn't it?

  • @nothanks4255
    @nothanks4255 Před rokem

    As a violist I am fine with touch 5 stopped harmonics but I do agree that it isn't something you should just write for any violist
    A violist with smaller hands may not be able to reach or find it uncomfortable

  • @caterscarrots3407
    @caterscarrots3407 Před 4 lety +3

    I have heard of natural harmonics on string instruments too within the context of string instrument techniques, that sometimes it is better to write a natural harmonic for a purer tone than to simply write the note an octave higher(which is what the natural harmonic achieves, 1 octave, am I right). And the natural harmonic, that's where you just barely touch the string with your finger in 1 spot to raise the pitch, right? I have never bothered using harmonics, natural or otherwise. If I get into the third octave or higher on a violin, I just write a soloistic passage in that octave and then go back to equal treatment once it goes below C6. So my string quartets sometimes end up being basically a chamber violin concerto for a short period of time.

    • @xbird532
      @xbird532 Před 4 lety +2

      Caters Carrots Natural harmonics can occur in multiple spots, but they come out best an octave, a twelfth, and two octaves above.

    • @nilsfrederking62
      @nilsfrederking62 Před rokem +1

      The sound of harmonics is very different to a solo passage of the same pitch and high pitches can be achieved by a tutti easily in tune with a harmonic, if it is in a lower position (on the string). And of course a tutti sound with harmonics is very different from a natural solo sound. Also you can have divisi harmonics and play chords with lots of octave doublings in a string section.

  • @marichristian1072
    @marichristian1072 Před 4 lety

    Natural harmonics have an other worldly sound

  • @caterscarrots3407
    @caterscarrots3407 Před 4 lety +1

    Mandocello? Is that a mandolin with the range of the cello?

  • @alfredneubert1288
    @alfredneubert1288 Před 4 lety +1

    Will your book be available in other languages either?

    • @OrchestrationOnline
      @OrchestrationOnline  Před 4 lety +1

      I'm sorry, but I'm a one-man operation, and I don't have the ability or the funds for translations. All I can hope is that my book is worth it to read even if English is not the reader's first language.

    • @alfredneubert1288
      @alfredneubert1288 Před 4 lety +1

      @@OrchestrationOnline thank you

  • @rothko1234
    @rothko1234 Před 4 lety

    Where abouts are you based mate? Which state?