Formal Portraits on Location! Studio Style Images Made in a Client's Home.
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- čas přidán 30. 12. 2019
- Join Tim as he creates beautiful portraits of three generations brought together for some very special images. This big scene was lit simply with one 3'x 4' Main light for directional modeling of the subjects, plus three bounced heads (off of wall and ceiling) for Fill light which were placed 10' apart and 10' high, behind the camera. This episode features people management, composing, posing and soliciting expression. Enjoy!
Part 1 of 3
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Szuper!!!!!!
Thanks for watching!
🙏 thanks 👍👍👌👌
Most welcome
Lol Tim... picked a challenge with this little guy and still... beautiful!
I’m having PTSD watching pose the child. 🤭 OMG! By the time I get the shot with my grandson I feel like I’ve been wrestling and alligator and octopus! I felt like I was there! 😆
Photography with toddlers isn't a piece of cake
True. But, rewarding .. Thanks for watching.
Great stuff, thank you
That takes a ton of patience and energy! Gorgeous photos!
Thanks for watching!
superb sir☺
Thank you! - and thanks for watching!
I enjoyed this! Thank you
Glad you enjoyed it!
Outstanding job. I like your confidence with your group of people, your background is nice 👍
Thank you!
Wow! That's impressive! Nice work!
Thanks!
You ended up using the 70-210 to maximize the backdrop width... clearly you knew that was a possibility when you set the backdrop facing that doorway. Excellent.
Yes, we ended up with enough depth to do it. You never want to box yourself in if there's an option!
Great work Tim, was this a 3 light set up, with key, backdrop, spot on backdrop and reflector for fill? I couldn’t see a hair light in the scene. A quick camera pan over lighting would be appreciated on the next video. Love your work, totally inspirational and I can see me applying your principles in a shoot environment in the future.
One main, three bounced (very high) fills, which account for some "hairlighting",and a grid bkgnd light which we didn't end up using. We always expect to open up shadows with a little spot, put we didn't need it, and when we did it cross-lit and enhanced the wrinkles. Of course, the large standing white reflector sends back what it receives from the feathered main light. A reallt simple set up.
☕️👍
HI Tim. Awesome video... quick question .. How wide is your backdrop in this video? I have many 10' but this looks maybe 12"? Im about to order from David Thanks
This one is 12'
How in the world did you get the wrinkles and folds out of the floor drop. Was sooo clean and straight
We use lots of little clamps for the "wall", and either gaffer tape or 5lb weights to hold the floor in place. In this nice home, we used weights.
💃
Hi there I would like to know what lens was used to capture the group photos thank you.
Because there was room to back up, it was probably my canon 70-200 at about 120-150mm. Thanks for watching
Can’t wait to see the tiger 2 videos. Was you f stop at 4.0 or ... ?
Thanks for watching ... I always shoot at f/8-f/11 with studio lights.
Tim Kelly's Master Photo Techniques
yes. I forget about eliminating ambient lighting in the room.
Did the client request backdrop? Is that something you would normally do in the home?
They generally preferred studio looks. The location was nice, but chosen just for their convenience. (An hour+ away from the studio).
I designed a new background just for the shoot and had it painted by David Maheu. www.backgroundsbymaheu.com