Achieving Volume and Airiness using the UNLIMITED Palette | Demonstration by Kristine Onsrud
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- čas přidán 27. 12. 2021
- Jan-Ove Tuv makes a visit to Kristine Onsrud's studio space to attend an hour long session where she continues to paint on a self-portrait.
In this video you will learn about:
• Increasing contrast of a newly painted face
• Temperature difference between light and dark colors
• Using black and white pigments to create cool skin tone
• Big and small brushes and when to use them
• Why the Apelles palette is the UNLIMITED palette
• Finger painting techniques
• Using aspects of Olga Boznanska's portraits in your own work
• Scraping off newly painted layer with a palette knife
▶️ Full video: / 60417517
🎵 Full audio: caveofapelles.com/podcast
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I love how she sharply turns to the mirror “I think it needs to go up” and squints
Lovely
Brilliant...
Amazing paining!!😍
Brilliant , incredible work.very haunting effect, ghostly . Great sense of dimension. Using temperature in color .
How was the raised background done ? Excellent
She's so pretty and talented, i love it when she laughs 😃
If you use sandpaper or your finger you will not use disolvents ?
Is not necesaraly use disolvents right?
You use solvents like white spirit only to clean your brush. Solvents are not used to thin down your oil paint in classical techniques.
You use linseed oil for that. If you want your linseed oil to be more runny - you can add small amount of white spirit in the mix (or walnut oil).
You can also use pure walnut oil if you want your paint to be extra runny - but walnut oil cure VERY slow (you may need to add sicative to help with that) and doesn't make that strong connection with the paint (just to be aware).
You can use white spirit if your technique is impressionistic and experimental of course. Toulouse Lautrec famously were painting almost aquarelle with oil and solvent. The finished look will be dull and mat by design.
If you use professional series paint you don't need that much linseed oil too. Try using as little as possible as a test. The ground/canvas have enormous importance here. If your ground is very absorbent and ill isolated - you will have hard time to achieve runny paint. I recommend preparing the ground with oil primer. Acrylic gesso gives more absorbent ground. You should sand the surface obviously.
Using fingers have nothing to do with the use of solvent or not. It's simply a form of brush. I have not seen people to use sandpaper while the paint is fresh (but I am not very familiar with the technique). The sandpaper technique is used to subtract the upper paint layer and to introduce some tonal/structural effect.
awesome
super nice
She has a beautiful face to paint , and she nails it. I'm in love.
I am concerned she might be exposing herself to lead poisoning using her fingers as a painting tool. What kind of white paint allows this method?
titanium white
Flake White Hue
whats her colour palate ?
@@flaviop.4079 thanks for the info mate! appreciate
She's so jovial..however the subjects she paints are sombre..
When I watch these School of Apelles videos, I always see piggy, orange or very bleached ghostly skin tones that have absolutely nothing to do with any reality, be it ever so ideologically whacky.
I beg you, at least include blue in your palette again. Otherwise it will make you sick to watch. This is a pure cabinet of ghosts that you are running.
How will you ever free yourself from the clutches of Odd Nerdrum. All his students paint only worse versions of Nerdrum. But what's worse is that it's this kind of kitsch that's to blame for the fact that you hardly ever see contemporary realist painting in museums anymore.
it's how it works when you learn under an artist. you typically learn their style as a way to develop drawing/painting skills and then your own style will develop as a matter of course.
@@skrewler This is usually only possible in very few cases! If the teacher, in this case Nerdrum, is so incredibly dominant and also incredibly ideological, then that's what you get. Pure imitators!