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Fixing Colors & Exposure in Premiere Pro Exports
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- čas přidán 24. 04. 2024
- This is the FIX! If you're coming from the older videos, I hope this works much for you. The last ones sadly were a band aid - THIS IS THE FIX.
Are your videos looking weird when you export them from Adobe Premiere Pro? Not looking the same way as in the program? Colors off ? Over Blown & Over Exposed Footage ? Desaturated Colors ? Here's the tutorial walk thru of how to fix this so you footage you're editing in Premiere looks like that when you export!
Big thanks to Nick Faldstein for help on the Thumbnail!
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genius! thanks so much for making a fun and easy to follow tutorial. have been very frustrated with my past projects & videos being blown out, i finally got the export to work! hope you have a great day!
I had to heart this comment! 😊 Thank you for the positivity and kindness, it made my day so much happier. Thank you!
This was by far the best fix I've found. Everyone else recommends a correction lut at export. The Saturation does drop a little bit tho
That's great that this worked well for you! It's so frustrating to be sure. I hope your editing goes smoothly! Thank you for the comment
i've watched many videos ,but this is the actual one that worked out for me ,thanks a lot bro
Ah, I'm really happy that it helped! Thank you for letting me know!
For Mac users (with clients who are Mac users) it's also worth viewing with the 1.96 (Quicktime) Gamma because this is exactly what it will look like in Quicktime when you export. I toggle between 2.2 Web and 1.96 Quicktime now before finalising my grades so I know what it'll look like in those different scenarios. VLC player shows it in 2.4 broadcast Gamma so that's useful for getting an idea of what the grade will look like at festivals or screenings where they'll be screening it properly.
This is excellent to know! Thank you for the education!
Love it! Quick explanation and fixed! Thanks!
Thank you! I appreciate the love and the watch!!!
Hello, thanks for the video. I have an issue where on Lumetri colour, there is no 'edit' & settings ' option. Is there any way to fix that?
fixed! new to editing, really appreciate it.
Really happy it worked for you! Congrats on your journey so far! Studying and learning about Filmmaking is the best thing I have ever done
Super tutorial. Straight forward and to the point! Thank you man!
@@notionbonsai that's really nice of you!! Thank you for the comment to!
life saver!
Being a Midwestern fat kid, it is always been my hope to be correlated with a candy! I hoped It wasn't going to be baby Ruth or Butterfinger, I will absolutely take lifesaver. Lol. Thank you for the morning giggle and thank you for the comment!
this tutorial saved me!! thank you so much, I was getting so fed up with my premiere pro. And thank you for not making it an unecessary ten minute video haha perfectly explained in a short amount of time
@@averydow-kenny that's really kind of you to say. Im happy that it helped. Usually I do like to go into stories. Lol. So I'm glad this was the video you found!
I don't know what I'm doing wrong but I think I'm following your instructions correctly and after exporting 3 tests at 1.96 , 2.2 and 2.4 looking at the files in Quicktime they all look exactly the same.
i was getting so annoyed by this problem... the Rec 703 made it work... thank you
Very happy to hear it worked for you! That rec709... Even though it's basically industry standard..... Thank you for the comment in the watch, man!
This has been the best solution I've seen! Thank you so much!
I'm so happy that it worked with you! Thank you for letting me know, and thank you for the watch and comment!
i dont see the seeing of the lumetri color ( premier 2022 cracked version)
Awesome video helped me out even more by turning off the display management not making it to dark thank you. But Do you still use the Qt gamma cube to export it tends to put footage just a tad darker
Happy that it helped! Thank you for the comment. I do not use any additonal lut to alter the color / toning anymore. I've been exporting with my normal settings and it's coming out fine
wow, this is so precise and helpful, thank you so much!
Thank you so much for the kind comment! Hope it helped!
Still not 100% accurate, but much better than previous solutions. I hate that this is so much more complicated than it needs to be. Thanks for your help man, much appreciated.
I feel you. I really do. Hope this helped a little.
Same, better but still not even close
Same, it was pretty bad now much better but still not close.
I would make sure your screen is calibrated and then after exporting be sure to watch it on several different screens (a couple TV's, a phone, etc). I have the spider color calibrator and 3 screens and still it's off for me too. So I am just trying to help out a little with what I am finding out
Whenever I have display color management ticked on,when exported, the color matches in my QuickTime Player. BUT it loses saturation. When I have display color manger ticked off, my premiere preview shows a vibrant picture. When I export that to preview on QuickTime it’s as if I had the display color management ticked on.
@@lilisland27 QT player is a skewed look to other players. Kind of how like back in the day when we would burn DVDs for clients You always want to check it on a player before sending it out because while it might work on one machine, you could have errors on something else. This is how it is with media players. Unfortunately most people do play media playback on inferior players like QuickTime or Windows Media player. These programs are really not good. Check the video in VLC player, but also be sure to check it on another source like a television from something like a Roku or another breakout media box.
At the end of the day, the most important thing is to know where the video is going to live. If it's going to live on CZcams, upload it to CZcams and see how it looks from different sources - PC, tv, phone, etc. If it's going to live as a digital file and not be online, then check where people would play it, i.e, computer, TV. But you always want to make the final product for where it's going to live
cheers mate. that`s a great video!❤
I hope it helped! Thank you for the kindness!
Thanks a lot
Thank you so much for the watch and the comment. I hope this helped
thankssssssss
graciasssss
De nada! Thank you so much for the comment!
yo this helped!
This still hasn't changed anything. I use a sony slog-3 - LC709 lut. Will the slog3- 'low contrast' lut be effecting the output colours?
This isn't about the LUT, this about setting up the settings so the work flow is correct with your footage and then being able to see everything correct on the computer. Filming in another color space space, be sure to edit and export in the same color space. When you export without the LUT, does it look the same as the program window?
Thanks!
Thank you! Good luck editing
Awesomeeeee! Thannkssss
@@TheJohnArmless dude! That's a lot of awesome!!! Thank you for the kind message and the watch!
I could really use some help - I’ve tried everything in this video and tons of other ideas from other videos and nothing has worked for me.
I use iPhone. When I upload into adobe it makes the video way overexposed, and after export it looks even worse. When changing to rec 709 it makes everything look foggy and dull. I’ve played around with lumetri colors too. Still nothing has worked for me. I can’t get anything even remotely close to what it looked like when shooting on my iPhone
So this sounds like you're not shooting in rec 709. And while I am not 100% sure because I don't have anything Apple because of this kind of thing, I don't think Apple shoots natively rec 709. I think they shoot HLG. So here's my suggestion and let me know if it works. Import your video like normal, right click on the file in the project window, create new sequence from clip, that should set up a sequence with the clips settings.
While you're at it, going to your phone and see what your video settings and your color space is. This 100% sounds like a color space issue
@@NightOwlsMedia it looks like you’re right that apple is HDR, I’m not sure why so many videos out there say for iPhone users to turn on rec 709 in adobe, but that def does not work for me.
I just tried what u said. I opened a new sequence as normal, then I right clicked on the project and hit “new sequence from clip.” I now just have a duplicate video in here, but look exactly the same color-wise. Super overexposed.
I’m able to alter the lumetri colors and get it looking good, but usually when I export all the colors get messed up. However, this time they did not! Maybe it’s bc I did what u said? Could also be because it was only an 8 second clip. I’m going to try this again with a full 15 min clip and lyk the results. Thank you!
@@NightOwlsMedia looks like it worked for the larger video as well! Thank you so much! I wonder why I have to open a new sequence from the same clip 🤔 but hey whatever works!
@@travisegger1316 SUper freaking happy to hear that it worked!! The point of creating a new squence from the clip is because when you create a new sequence, DO NOT USE the templates ones PremPro gives you as is. You should go into the settings to be sure that each sequence is set up EXACTLY how you need it before you start editing. What you were doing is starting a new sequence and keeping the stock settings and using video that doesnt match the color space of the sequence (then again exporting with settings that don't match the color space). It's kind of like CMYK vs RGB (RGB is used for screens and shoudn't be used for printing, while CYMK is not good with screens, and should be used for printing). Color space determines how the colors work / gamma, hue, shade, etc.
When you create a seq from the clip, you are taking the data from the clip and setting the seq to those settings. My advice, create custom sequences and save them as tempaltes for each type of project and each type of camera / color space you use.
@@travisegger1316 You'll only need to set it up in REC709 if you shot in REC709. Otherwise, it's not going to help you.
hey this setting option is not showing in premiere version 2022 which premiere version is you using ?
I am always up to the date. I keep the software up to date on release days as to not confuse myself ever. When it rolls over to a new version like v23 or v24, I keep the previous version program until all my client projects are complete from the previous version. But I always try to keep it updated daily.
This is for Premiere 2024, i have Premiere pro 2022 installed too and the "fix" is using a LUT
@@NeoKuranecorrect. And sadly it's not a fix but rather a bandaid.
Unfortunetly not working for me :/. With 2100 HLG my export is extremely overexposed, but with 709 it is oversaturated and a bit overexposed. I've tried all of the other settings as well. Any ideas?
Be sure to read through the notes in the comments that we've talked about. But the most important thing is your workflow, not just the export. I mentioned this in the video. The color space you shoot in should be the same color space you edit in and then export the same color space
@@NightOwlsMedia okay perhaps issue is i'm using iPhone so should be HLG. It is HLG in squence and lumitri settings. But In export, it is Rec 709, but Premiere won't lett me change it. It is stuck as 709. Do you know work around?
@@twistpixel In Export, set your format (if it's living online then h.264 or h.265), click the carrot for Video and under basic video settings click the button "MATCH SOURCE"
THis should set your export settings to the proper color space.
Then do your export settings as normal. I always suggest for Online video platforms (CZcams, h.264 or h.265 at CBR 100mbs), if it's for in person viewing (on a media player at home or office and not used online: VBR2 50/70), or if its for another professional, archiving or editing purposes (ProRes 4444).
i cant see this menu anything in prmier pro 2015
You will most likely have to update as that, at time of writing, is 9 years out of date. Having the more up to date version will allow you to control more.
Hey I'm currently facing the same problem as described, yet the result is disappointing to say the least.
Situation is the following:
I'm working with footage I didn't record myself (not my choice but definitely my problem now).
The footage was recorded on iPhone so I set up the project accordingly to HLG/HDR instead of Rec 703 and otherwise followed the instructions from this video to a t. Yet whenever I move to the Export Window the whole color space in the preview window is completely oversaturated and the export exactly matches the export preview and not the sequence footage.
Any idea on what I might be doing wrong?
You have to follow the color space from recording to export. So if your sequence is set up HLG be sure you're exporting in HLG as well. In export you have these controls, in my experience NEVER use the Prempro presets, they are just not good. You have to create your own. So set up the export settings with the correct color space. So rec709 shouldn't come into play at all for you. Unless you want to convert to rec709 color but that's a whole other topic.
@@NightOwlsMedia first of thanks for the quick reply.
I've just found something out while testing around. The following is mainly for people who might encounter the same issue. Even while setting the Preset section in the Export to "Custom," the color space option is greyed out and uneditable. There is no option to choose "None" as a preset.
However, once you choose "Match sequence preview settings" almost at the bottom of the options, everything is editable, and it just exports as it should.
Why Adobe chose for it to be this unnecessarily complicated will be a question to which we may never know the answer.
@@TEG13 YUP! That's the starting point to exporting. Sorry, I should have said that. The presets are garbage because they don't do what we need. Always start your export with "match settings" the tweak everything everything. For example of you're posting 4K to CZcams you want it to be CBR 100mbs. If it's for in person viewing (think a TV in a bakery showing baked deserts on video 4K) it could be VBR 40-60. Where the video lives is always the first question we as the editor should ask.
Instagram is different from Facebook, is different from CZcams, is different from websites, is different from in person viewing.
Would this be a good video I can make? I apologize, I didn't think this would be a good topic as people tend to not watch these kind of videos on my channel.
@@TEG13 additionally - super high fives for figuring out the Match setting!!!!!
@@NightOwlsMedia It's definitely something that should be included in any beginners guide, as it's something most tutorials leave out for the reasons you listed.
The thing is I have a bunch of custom export presets I made in the past that perfectly work within my usual workflow, but the record settings that were used are just the antithesis to all I had previously used. Once you're very used to a certain workflow, it's sometimes quite difficult to find the details you're overlooking. Personally, I also think Premiere had the setting a lot better organized in some previous versions. The worst part is that I'll have to combine it with Rec 703 files later on, so I'll probably have to throw it into Handbrake afterward just so it'll work in the full project. In my experience, it's still miles better than Media Encoder when it comes to converting QuickTime .mov-files to .mp3 without much loss in quality.
hello, I film on my iphone and I have been trying multiple things with the finished exportation and nothing works please HELP!!!!
Check the comments. Someone had an iPhone issue today as well. iPhone shoots in HLG / HDR, so you need to ensure that you are editing in the same color space as the iPhone footage. Since you aren't filming in rec 709, you shouldn't be editing or exporting in rec 709. You should be editing an exporting in HLG or HDR. So instead of creating a sequence from the presets inside prem pro, create a sequence from the clip itself. Right click on the clip and select new sequence from clip. This will create a sequence with your footages color space.
@@NightOwlsMedia so I have to star all over again? 🤕
@@tiffanyauza you might be able to just start a new sequence with the proper settings and just copy and.paste all the clips from the first seq and paste into the new seq
@@NightOwlsMedia hey just tried what you told me and it didn't work. thanks
Love you brotherrrrrrrr
Love you too man. That was an excellent way to start my day. Thank you so much for the positivity.
Did you find it out or did you find the tutorial of William Wolf (934 subs) like me and then found it out?
I was actually getting ready to teach my class before the semester started and I was messaging around in the settings (new laptop for teaching) and saw the section. So I tried it and then I googled it on the Adobe forums and manuals
Buen top
Thank you!!!
I've set up all with your options but still export desaturated color....
I'm going to ask a couple questions, please don't take offense to anything, I'm just trying to figure out what might be the issue.
1. Did you record and edit in the same color space? Rec709? HLG? Etc. For example, if you filmed on an iPhone and edited in rec 709 that would be an issue as I think iPhones are standard different color space.
2. Is your screen calibrated with a color calibrator? I use a Spyder calibrator once a month, and every month it ends up tweaking it just a little bit. Meaning, it goes out of color calibration in a month. I'm not saying that's normal, but for the monitors I use, that's the case.
3. When your exporting, are you exporting to high quality? Make sure your exporting in the same color space, hi bitrate, Max depth, Max render. As well as a file format and codec that is appropriate
I haven't made a video yet about exporting settings and why they matter, but maybe I should
@@NightOwlsMedia no problem, i've write trying to work around the problem... i've all the color space set up on Rec709, Sequence on Rec709, all the high quality option check boxed, filmed on Sony FX30, editing on a Eizo Monitor
@@claudioCarraro super jealous of the Eizo, that's really nice! How do you like it? I've been eye balling them for a while.
As for exporting with incorrect colors - this is tricky. I wish I had a 100% answer for this. Have you tried exporting an un-graded ProRes 4444 into DaVinci Resolve? Try adjusting the colors in Resolve and export out a test. See if that works, just as a test of a couple shots.
I know Resolve is a different beast, and one I'm not qualified to teach on, but whenever I need something higher end, I use it (very slowly) for grading.
I know this isn't the best answer - we're all trying to figure this out and Adobe is not being very helpful with it.
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useless
@@wutang5409 how come ?