WOW: Lillie and Leo together speaking about Dorico! Just wonderful! Your passion for Dorico and music engraving and your sympathy and simplicity and enthusiasm are very welcome and they confirm the passion that you all have for well made things, as in all the other videos also by Daniel S., Anthony H., John B., Markus H. in the english and german Dorico channel! Dorico is truly a revolution that will bring music as a written and well presented language to the posterity in a very elegant and amazing way and enables people who want to engrave music to be able to present it at the best possible level. I hope to see someday the results of your effort in engraving such a big Project! Thank you very much for this very interesting video! Christian_R
This project sounds very impressive indeed! I've completed a fairly similar project using dorico to bring a piece of forgotten music back to life, and I know full well the editorial struggles you guys are going through. Mad props to you!
Great to see you both on this video and on this project! I’m sure your feedback will be a gold mine for refinements in the software. This huge project reminds me of massive works that were happening at that time, for an open air festival in Béziers (which, at that time, was a very rich city, because of the wine, until phylloxera destroyed the plants). The Castelbon de Beauxhostes’ festival era spanned between 1898 and 1926, Saint-Saëns and Fauré created massive operas there.
I'm currently making a new edition of Holmès's "Andromède" tone poem. This isn't exactly a resurrection as yours is, but the only freely available score and parts are an absolute mess. And yes, I'm using Dorico to do it.
Amy Beach is another 19th century female compose who wrote at least one large scale work - her grand mass in Eb major. I've transcribed part of it in Dorico from a PDF of a scan of a handwritten score, so I feel the pain. I'd like to get the choir I'm in do some of it, which is why I'm transcribing it, though we won't be able to afford the augmented symphony orchestra she calls for.
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WOW: Lillie and Leo together speaking about Dorico! Just wonderful! Your passion for Dorico and music engraving and your sympathy and simplicity and enthusiasm are very welcome and they confirm the passion that you all have for well made things, as in all the other videos also by Daniel S., Anthony H., John B., Markus H. in the english and german Dorico channel! Dorico is truly a revolution that will bring music as a written and well presented language to the posterity in a very elegant and amazing way and enables people who want to engrave music to be able to present it at the best possible level. I hope to see someday the results of your effort in engraving such a big Project! Thank you very much for this very interesting video! Christian_R
So... 25 minutes of video about (editing) a piece of music... and we don't even get a glimpse at the score or a bit of sound? Sad.
Yeah, I'm fine with hearing a lot about their process but given the title of the video I was expecting at least a taste of the final product 😐
There are some examples now on blog.dorico.com/2023/11/augusta-holmes/
@@danielcarkner1548 There are some examples now on blog.dorico.com/2023/11/augusta-holmes/
This project sounds very impressive indeed! I've completed a fairly similar project using dorico to bring a piece of forgotten music back to life, and I know full well the editorial struggles you guys are going through. Mad props to you!
Great to see you both on this video and on this project! I’m sure your feedback will be a gold mine for refinements in the software. This huge project reminds me of massive works that were happening at that time, for an open air festival in Béziers (which, at that time, was a very rich city, because of the wine, until phylloxera destroyed the plants). The Castelbon de Beauxhostes’ festival era spanned between 1898 and 1926, Saint-Saëns and Fauré created massive operas there.
Nice to see you chat over this uncommon project !!
Gustav Mahler: Behold! I have written ze symphony zat needs 1000 people!
Augusta Holmes: Silly German! Hold my wine.
I'm currently making a new edition of Holmès's "Andromède" tone poem. This isn't exactly a resurrection as yours is, but the only freely available score and parts are an absolute mess. And yes, I'm using Dorico to do it.
Amy Beach is another 19th century female compose who wrote at least one large scale work - her grand mass in Eb major. I've transcribed part of it in Dorico from a PDF of a scan of a handwritten score, so I feel the pain. I'd like to get the choir I'm in do some of it, which is why I'm transcribing it, though we won't be able to afford the augmented symphony orchestra she calls for.
Beach wrote one symphony as well and it's fantastic.
Very interesting, but you could have dubbed it a podcast if you're not gonna use visuals.
Lily Harris is the best ❤
Hm, these Dorico people are real after all.
"The 32nd notes? 32nds? The three bar ones." 🤣