10th Session - Techniques of Raga elaboration Hindustani Music By Pt. Arvind Parikh
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- čas přidán 29. 08. 2024
- 10th Session
11th October 2015
Baithak All Inclusive Talim
Techniques of Raga elaboration Hindustani Music
By Pandit Arvind Parikh
Audio Recording Engineer : Priyo (PrivianRecords)
Sound : PrivianRecords
Videography : PrivianRecords - Hudba
Just to put it out there that Panditji must be over 85 years old at this time! May you continue living healthy like this always.
I am 93 years old.
Shaura Patel
@@pt.arvindparikh Sat Sat naman Panditji. Thank you for being an inspiration.
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आदरणीय गुरुजी आपने इस चॅनल के माध्यम से वो सारी बाते खुली कर दी जो आजतक किसी को सहज नहीं थी। आपकी नम्रता और कला के प्रति श्रद्धा अपने आप में एक मिसाल है....! आपको मेरा भावभरा प्रणाम !!!!
Pandit Arvind Parikh is a legend!...His baithak sessions are like a book of knowledge for Indian Classical Music students!
i realize I am pretty randomly asking but does anyone know a good place to stream new tv shows online?
@Quinton Braylen Flixportal =)
@Kaiser Jon Thanks, signed up and it seems to work :) Appreciate it !
@Quinton Braylen happy to help =)
This lesson from Pandit Ji is an asset to all classical music aspirants. I am so unlucky that didn't get a chance to learn from him. His students are extremely fortunate. On this auspicious day shat shat naman. Happy Teacher's day Guru Ji.
Sir, i love music but have no formal training in music but I just started learning sitar. My first lesson was today with Nitin Sir (Vadodara). I watched all your videos, started few months back and I couldn’t stop the urge of learning sitar. The biggest surprise is that I wasn’t aware Nitin sir was your student- it feels like this meant to be. I live in US (Bay Area) and I knew my options were limited but I’m so happy to find one of your disciple as my guru. Please give me your blessings that I can become a worthy student of our gharana. 🙏
Lastly, without your videos and Sujat ji’s singing with sitar I would have never known beauty of sitar, so thank you so much for all your work in creating and sharing the knowledge. 🙏
I don't think I have any qualifications to be your disciple. But will follow your baithaks regularly to start on the journey again. Pranam.
I had been waiting for a session like this, in which Pt Arvind Parikh would play. I'm looking forward for more sessions of Parikhji playing and also sharing his valuable knowledge.
This channel is incredible!!! Thank you Pandit Arvind Parkih ji for this initiative!
I can watch this hundred times...Pandit ji is a legend and store house of musical tradition and knowledge
Students who learnt from you directly are blessed.
What a great wealth of knowledge to an uninitiated person who will certainly be motivated to take up the instrument. Arvindji pranam.
My hats off to Arvindji for his devotion to music and teaching. A great service, indeed. As a 70 year old professor, my deep and sincere appreciation of all the effort, energy and devotion that the disciples have shown in their demos. What more can a teacher expect!
Panditji, this series is invaluable. Really grateful for explaining in such a lucid manner.
Wonderful and illuminating perspectives on alaap development, thank you Panditji! Asthai, Antara, Sanchari and Abhog explanation is very good + 3 sections of jor, + toda for vilambit gat - wow/// very few gurus can explain these challenging musical concepts!
दंडवत प्रणाम गुरुवर जी ............. ! आप ने इस वीडियो में, सितार बजाने का खजाना ही खोल दिया । आप के दरियादिली का प्रमाण है जो आजकल विरल है ।
My name is Iqbal Naroth Sarod player from South Africa shagrid of Ustad Amjad Ali I followed your rag behag lesson I'm battling with find the rags soul thank you punditji I now got a small glimpse of the soul
This kind of video brings tide to youth mixed with ancestral tradition.
Guruji Pranam,
I feel highly blessed after watching your episodes.
I have no words to show my gratitudes for you.Thank you so much for enlighting us with the power your knowledge.
The way Guruji speaks and explains, one can literally sit and take note as a theory as well. So much depth. Guruji is our treasure ❤️
Amazing sound from this sitar by this incredible legend. Thank you.
Top class patient expose of this great sitar tradition. What a contribution to the world of music. :-)
Sir just stumbled upon these great masterpieces (Baithaks), the first one I watched without flinching a muscle was where you had invited Pandit Ajay Pohankar. I have listened to that almost a 100 times. The yaman bandish was out of this world. Then this one is awesome, beyond words. Would like to touch your feet one day...
The Yaman bandish (if I recall correctly), 'Mai sugam roop suhave', is a Bhendibazar gharana bandish, composed by Aman Ali Khan ‘Amar’. This has also been sung by his student Pt T D Janorikar.
Incredible raga elaboration by Pandit Arvind Parikh. I usually follow all the Baithaks he is organising. It would be immensely helpful for the instruments players who want to learn primarily and then going for higher and higher peaks.
Dear Sir, thank you so much for open-heartedly & open-mindedly bringing our beautiful music to ardent lovers like me when the barrier to entry for classical music is mostly guarded by ego and arrogance.
I have no words to thank you for your tapasyaa and your contribution! Bless us that we too can make our lives so worthwhile.
Pandit ji himself is the definition of Pandit...
Pranam Pandit ji, you have explained everything so well, it has helped me greatly to have a better understanding of raga delineation. I am sure this will now help me grow musically. Thank you so much for sharing your immense knowledge with us so generously. I watch all your baithak videos daily. They all are immensely enriching. Warm regards and charan sparsh!
The Khan Sitar has Sudha Ga. Therefore in Vilayat Khan's Sitar he could tune one of the steel drone strings to Ga. So a kind of triad chord effect. He changed the Sitar stringing arrangement.
Thank you, maestro for this. I dream of taking lessons with you. Much love for this tradition.
This is fantastic. Thank you so much, Panditji.
Within the first two minutes, I started to understand several concepts and ideas which I had been struggling to understand for years.
Pranams and greetings Panditji. Very generous of you to do this. Kiya baat hai!
Pandit ji, you are doing a great job. May God bless you!!!
jod in any form of music is to join all aspects steps and techniques of music at a time alone by performer that includes all techniques of aalap with different tempo without tabla player is jod. in shourt jor is a combination of Aalap and different levels of tempo. i have very high love and respect for purest soul Pandiji.
Thank you pandit ji for providing a consolidated architectural view of different chapters in a sitar performance
Wah! Beautiful spirit from ancient tradition.....
Thank you so much Pandit ji for this initiative, These lessons & learning will help every budding student like me to improve our craft. THANK YOU SO MUCH. God bless you with all health & Prosperity. PRANAAM 🙏
Thank you thank you thank you for sharing this! What a contribution to all music students!
New to sitar,but what a lovelly flowing style.love it.
Very beautifully explained and shown, many musical lovers will benefit big time from your shared knowledge, thank you Pandit Ji
Sir your explanation is very beautyful
Lots of thanks and good wishes for you .you have cleared a great technique which without you one cannot get sitting far.
Adab Sir,
I am very lucky to happened to watch you lesson. You are well known to me. I am from Pakistan. Our friend (Late), Ustad Muzafar Akber, aften discussed your highness and
your skill of playing on sitar. I am highly interested in learning sitar but unfortunately, here we have no teacher and proper atmosphere in this regard. I implore your highness to help
me. God will bless you, if you do so. please convey my complimets to all family and friends.
please share your whatapp's
I am very sorry to hear about Akbar‘a passing away. When? How was his financial condition? Send your e-mail address and Mb no. We need to talk
Pandit Arvind Parikh honoured Sangeet Natak Academy Award in 2003.
Dhanya Vad Pandiji, now To Riyaz !!!!
Very unique interpretation of the techniques and grammars of the Raaga.
Very informative, sir.
Thanks a lot to share...
💐💐💐🙏🙏
You're absolutely class.... Respect......
Arvind parikh ji you r great sir ji kaya bat hai
Thank you for sharing detailed explanation of raga elaboration.
Enjoyed throughout.
Namaskarams.
खूप खूप धन्यवाद गुरुजी 🙏❤️
He is an awesome guru
oh my god his (Pt. Arvind) tone is like butter 😍
Arvindbhai, thank thank you. This is so wonderful and informative. Music lovers like us can learn so much and enjoy more. Please do some more of these types of videos. Once again thank you.
Thabk u soo much for this unbelievable knowledge.. What a legend
Beautiful.Amazing artists.God bless you all.
Pranaam Guruji 🙏
God give you best health Pandit ji.
Pranams; Pandit. Thank you very much for this video. It is helping me a lot to resume my practice.
Invaluable treasure! 🙏
Guru dev ke charno me vandan
Nicely explained.Thank you so much for your time.
Bravo! Sitar it is in the perfect original Sa! 432Hz! COMPLIMENTS!
Panditji has spent his life playing and you talk about his tuning skills.🤦🏼
@@nareshbagewadi And? so what?
@@anandanam4336 ofcourse it will be perfectly tuned!
beautifully explained the steps of unfolding a raga
I hope to view some of my FARMAISH granted from a great generous person like you
Excellent exposition.
लाख प्रणाम पारीख साहेब !!
Superb, saadar pranaam Panditji
Thank you so much for this education🙏, priceless
thank you for sharing your knowledge Panditji!
Sounds amazing...🙏
Parikhji Sir, you are just incredible . Your contribution to music is so vast, and invaluable , Thank you kindly
respected sir, i request you to invite Pt Budhaditya Mukherjee on your next Baithaks
respected sir (guruji), could you kindly explain or interview someone special who could help us learn the tuning of sitar, pulling string (i tried to pull from Ga to Pa after sometimes string broke, many times), how to maintain jawari (my sitar has now diminishing sound quality) in detail. Thank you so much.. I enjoyed and loved all the Sessions. Feels like I am having Talim. Many Many Thanks to you..
Amazing
My dear Daryush Sir, i humbly request you to listen to Pt Budhaditya Mukherjee's sitar to understand real Imdad Khani Style(of course the other VIRTUOSO is Ustad Shahid Parvez Khan Saheb)
I am sorry sir, I dont intend to insult any one, and definitely not Pt. Paarikh Saab, He is a great man , artist and human being.I have met him personally and he did show a lot of love when I told him that I was a disciple of Pt Bimalendu Mukherjee. But i must say that you agree that there is always some kind of rivalry or bias between artists of same gharanas, that "my style is more authentic than your style" type, so, if one is not any Khan sahib's disciple, there is some sort of unintended bias.Thats my point. If I hurt anyone's feelings I APOLOGISE. Kindy forgive me
Beautiful explanation
thanks for sharing this knowledge Pandit ji
Amazing guru❤️
Wow wow wow
I'm a guitar player and Mandalin player, I have a compelling desire to start to study & play the sitar
Where do you reside? If in Mumbai, then one of our sr. students could teach you.
@@pt.arvindparikh That would be great, I'm in south NJ, I will travel to north Jersey, I prefer in my area, I'm 30 miles from Atlantic City NJ, 2 strings broke, one we replaced, but, one of the sympathetic strings broke ! I want it turned to D, but it's in C
The Great Chain: I am sorry- we could help if you were in Mumbai. However, you could contact our student Abhik Muckerji at +1 (608) 738-9661 in New York.
Beautiful!
In music there should not be any rivalry, all artists are unique, irrespective of whether they learnt from Khan saheb Ust. Vilayat Khan or Pandit Bimalendu Mukherjee, who also was the shagird of Ustad Enayet Khan Saheb, Thats my idea of OPEN MIND
he is great!!
Pandit ji, please elaborate on practicing meend, and practicing for recognition of conversion of vocal to swaras.
Very informative.🙏
VERY VERY GOOD TO MACH MASTER!
🙏
Pranam pandit ji
शुक्रिया
Panditji... Can you please provide 168 selected taans from Merukhand which you mentioned in other lecture... Thank you very much... Enjoy your lectures and baithak
🙏🙏🙏
🙂💚🙏
I am sorry sir, I dont intend to insult any one, and definitely not Pt. Paarikh Saab, He is a great man , artist and human being.I have met him personally and he did show a lot of love when I told him that I was a disciple of Pt Bimalendu Mukherjee. But i must say that you agree that there is always some kind of rivalry or bias between artists of same gharanas, that "my style is more authentic than your style" type, so, if one is not any Khan sahib's disciple, there is always some bias. thats my point, If anyone is hurt I deeply APLOGISE sir, Kindly forgive me.
Dear srinivas pai,like u i am also eagerly waiting for the baithaks of B mukharji and Irshad khan.Even in one of the vedeos of baithak probably of s.parveez sir to conduct baithak wirh such artist. However i want to know ur email or mobile no.can u share it.From which placed u are.
dear srinivaspai, from which place u are.Are u from karnataka.
ultimate.
Please ignore my ignorance. Is this raag bihag?
Yes it is Bihag
Best
why an upper tumba? not able to understand please help
1)The joint of the tumba with main dand (fret board) gets a extra weight, making the sitar sound more rounded. ( this is a personal opinion) 2) with upper tumba, the sitar does not roll away 3) It looks picturesque.
Thank you alot pandit jee
Uncleji it's extremely painful when I play with my finger. Can you please let me know what I can wear in my finger to protect my finger?
Where can I get the SitarGuru Cd please? It is unavailable on Amazon and eBay. Please help me🙏🏼
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