Qui siamo allo ZENIT!!!!!! delle voci baritonale/tenorile. Più li ascolti più questi due DIAMANTI acquistano lucente brillantezza. L'eternità conservi queste testimonianze. Orgoglio della nostra cultura Italiana nel mondo!!!!!!!! 🌹🙏👍
да, сейчас развалилось. Дирижеры заставляют певцов кричать, т к играть надо громче. Агенты "затаскивают" голоса. Певцы срываются. И культуры пения меньше.
I know Im asking randomly but does anyone know a way to log back into an Instagram account?? I stupidly lost my account password. I would appreciate any assistance you can offer me!
Now that I said what I think of Corelli here, I will comment on the great, incomparable, unforgettable Bastianini! His voice is certainly the most beautiful, rich, dark, velvety voice I heard from a baritone in my entire life! And the fact that he was a bass before gives that special weight and darkness to his lower register. Apart from that, he acts convincingly, just as thrillingly as Corelli, and I think his singing itself reflects pretty well the character he is portraying!
I had heard that it was Giulietta Simionato who stated that if black velvet had a sound, it would be the voice of Ettore Bastianini. I've always loved that description.
@@jphubert You will not even find one single italian baritone anymore who is comparable to the rich voices like Bastianini, Taddei, Protti, Panerai, Sereni, Guelfi, Gobbi and many more...The same with german Heldentenors...What happened?
@@WolfgangAPalm-ju9er I think it is multifactorial. First, wireless microphones can now be attached to every major cast member. They have no need to develop a voice that will carry throughout the house. Second, for the past several decades and perhaps even longer, what was once thought of as outstanding opera singing (almost a controlled, yet highly resonant/focused yell in a certain sense) has been demonized as in-artful and almost vulgar by major music programs at the university/conservatory level, all to the detriment of producing credible opera singers (comparable to the great artists of the 20th century). Students are now told by voice teachers/coaches not to sing loudly or to develop an effective "chest voice" unless base-baritone or contralto. This virtually eliminates the possibility of producing a dramatic tenor. Third, we must accept that the social/cultural developments of the past several decades has produced a kind of affect in males that is incompatible with virile/highly masculine singing. Note that in popular music, males and females sing virtually in the same octave, men too high and women too low. All the pop females sing in an alto range, the males as high tenors or countertenors. This was not the case prior to 1970. These developments no doubt had an effect on the classical world as well. Fourth, as a result of these and other factors, the art of opera singing in the Italian mode of the 19th and 20th centuries has in large part been lost. Neither singers or teachers know or care how to emulate the superb artists of the past. This has led to mediocrity vocally and the prominence of physically attractive (especially females) singers being featured who in the past would not have been part of major companies. Admittedly, these are only my opinions, although arrived at after much consternation, analysis and decades of interest in opera. I'm sure there must be other reasons as well.
There are no words! I take that back! Electrifying!!! Both of them had me on the edge of my seat!!!! Chilling performance!!!! Absolutely incredible!!!! I wish I could have been in that theater!!!! Thanks for posting this!!!!!
Thank the Lord that this video exists .. just to show the young singers of today (especially in the UK) what 'grown up' opera singing was and is all about .. Along with Merrill and Tucker, these two were the greatest ...!! John Rawnsley
And of course, I have this entire DVD, and I must say Tebaldi is a superb Donna Leonora as well, both singing and acting (I can't believe I read somewhere she was static on stage!) Boris Christoff, Bulgarian bass, is authoritative Padre Guardiano! And scenery, costumes, conducting is all high-class! What I would give to acquire a time machine and return to the 50s, 60s and 70s, to see live all those oustanding artists that performed at that period! Almost none of them is no longer with us!
Its also on Spotify here: open.spotify.com/album/75L33MbNduQVdlECNSEEkM?si=jrNMBH3uQ-qt6gXsV1bXEw (Part 1) open.spotify.com/album/1ZQWu1JS4wMhppmgsHetkU?si=eVTlnnSxSKOdm3y3AIpNVQ (Part 2)
Mi sapete dire oggi chi potrebbe allestire la Forza con Corelli, Bastianini, Tebaldi etc...oggi le opere di Verdi hanno al massimo una celebrità che non necessariamente è un/a grande cantante... Simili cast sono solo storia !!!
Semmai è il contrario: nessuno canta la Forza come Ettore, mentre l Alvaro di Del Monaco è superiore a Corelli. Ha la voce più pulita, gli acuti più squillanti.
@@marisamassimino6418 Listen to a live version of Del Monaco singing this duet. You are likely used to the studio version. Remember this is a live performance on stage. Corelli sounds smoother live then Del Monaco, his low notes also had more weight. That being said they actually sound extremely similar in most sections of this duet. If you just took a second or two from the singing, you likely wouldn’t even know if it was Corelli or Del Monaco. They are both great. Richard Tucker and Robert Merrill also does a great version, but I would say Tucker doesn’t have the refinement of Corelli and Del Monaco. I do have video comparison of this duet on my channel.
I don't have better but I certainly have some notable references: czcams.com/video/gf5tSNk5QQg/video.html - Here there is Sondra Radvanosky and Dmitri Hvorostovsky. czcams.com/video/ZzXHZ3zPZQw/video.html - Here there is Renee Fleming and Thomas Hampson czcams.com/video/ZOSzAj2rb90/video.html - Sondra Radvanosky czcams.com/video/wRG_6h_Eqww/video.html - Renee Fleming and Joseph Calleja czcams.com/video/Yjf6WcfwZVs/video.html - Here is the full version of La Traviata Obviously, Corelli is better but I think these are the artists to be looking at today. Another notable mention is Elina Garanča too when singing Carmen.
Its also on Spotify here: open.spotify.com/album/75L33MbNduQVdlECNSEEkM?si=jrNMBH3uQ-qt6gXsV1bXEw (Part 1) open.spotify.com/album/1ZQWu1JS4wMhppmgsHetkU?si=eVTlnnSxSKOdm3y3AIpNVQ (Part 2)
The crazy thing was that the San Carlo claque who didn't want this " Northener" singing in their opera house and what their tradition was, and they did was to throw cabbages at Corelli on the stage! They didn't realize or want to realize that they were watching one of the greatest ever performances of this opera!!
My opinion is that he was an extremely convincing actor, who both acted and sang with true passion and deep understanding of the character! I am not saying he didn't have the terrible stage fright, because we all know he did, but that didn't prevent him to be both a marvellous singer and actor, and he didn't only act with his gestures on stage, he acted equally powerfully, thrillingly and convincingly with his unique voice!
This, of course, is historical and the singing is simply magnificent. To think that within 10-12 years of this the "junk singing" begins and teh great singing comes to a definitive end!
Verdi was a bel canto composer. These two were masters at the legato and vocal colouring demanded by Verdi's music. Not to mention the vocal expression of high drama, all within the context of "beautiful singing". That they excelled at verismo as well is a bonus.
@@giglistignanipinza thanks. It just seems more difficult if your whole body isn’t lined up with your throat. In any case, I’m utterly impressed! Appreciate your comment...cheers!
Con Bastianini y Corelli comencé a escuchar ópera hace casi 60 años, los he escuchado infinidad de veces, en arias, en duos, con otros cantantes y aun hoy sigo disfrutando de sus extraoridinarias voces y proyección escénica. . Será que mi oído es viejo, tal vez ya decrépito, pero no he encontrado entre los cantantes actuales algo comparable al interpretar este duo de la Forza del Destino..
Agree but here are some good but not comparable stuff too: czcams.com/video/gf5tSNk5QQg/video.html - Here there is Sondra Radvanosky and Dmitri Hvorostovsky. czcams.com/video/ZzXHZ3zPZQw/video.html - Here there is Renee Fleming and Thomas Hampson czcams.com/video/ZOSzAj2rb90/video.html - Sondra Radvanosky czcams.com/video/wRG_6h_Eqww/video.html - Renee Fleming and Joseph Calleja czcams.com/video/Yjf6WcfwZVs/video.html - Here is the full version of La Traviata Obviously, Corelli is better but I think these are the artists to be looking at today. Another notable mention is Elina Garanča too when singing Carmen.
Da brividi!!!! Come non inchinarsi di fronte a due interpreti del genere. Irraggiungibili per voce e ed interpretazione. Quanto se ne sente la mancanza!!!!! Eterni!!!!
Абсолютно гениальный. Переслушала его в сотый раз и поймала себя на том, что почти с замиранием сердца следила за ходом действия. Почти как в первый раз
Ieri sera per il centenario della Tebaldi hanno trasmesso sui rai cultura tutta questa registrazione del 58 dal San Carlo. Veramente meravigliosa. Tutti stellari anche Corelli, anche se preferisco quella con Del Monaco. Nonostante la visione sbiadita dal tempo è stato emozionante rivedete questi mostri sacri. Che nostalgia. ❤️❤️❤️
Corelli isn't acting. He really did have a hair trigger temper. He once jumped off stage and chased a heckler into the box seats. He had fist fights as an adult. He was a mass of contradictions.
Coreli an inscrutable mess. Met's Bing say Corelli was "barely human". Nelsson say when the mood struck Corelli threw out the score, made faces on stage to throw her off balance but otherwise was "good natured", Bumbrey say Corelli excruciatingly shy almost "timid". Eileen Farrell said Corelli a maniac who once stopped her in her tracks during performance, grabbed her, picked her up and gave her a kiss full on the mouth bordering on surgical that nearly suctioned her throat out. No- a kiss not called for in the scene. Farrell added many women would have been thrilled but under the circumstances she could have killed him. Corelli also had a preference for bar brawls, once went for Boris Christoff with a sword and got off playing games lying about minor details when there was no reason to lie. Corelli's wife say initially she rejected his advances because he was "strange". (Farrell say "Signora Corelli" even stranger than Corelli, a "piece of work" who was chiefly responsible for his nerve situation.) --Bastianini was in awe of and fast friends with Corelli. A compliment returned by Corelli.
@@cathyborrege5373 these anecdotes regarding Corelli sound like good after dinner stories to me; very entertaining. Even if they are true, I wish we had 5 tenors like him in each generation of singers.
Sono d'accordo con lei. Oggi la lirica annoia, si salva solo la musica poiché e'sempre quella, il resto e' da buttare, dai costumi che non sono e dico non sono attinenti all'opera, i cantanti poi a parte qualche spruzzo di applauso, per carità non hanno personalità, le scene poi da bocciare e infine i registi che dire, dovrebbero prendere esempi, capisco la modernità, i giovani vorrebbero creare qualcosa di nuovo e personale però poi alla fine?
@@paolonostini3693 Anche io sono d'accordo, viviamo di ricordi, le emozioni di un tempo sono ricordi. Ma non capisco perché oggi la lirica è così povera, perché non ci sono più i talenti di un tempo... Cosa è successo?
@@ritanicosia è successo che tutti vogliono cantare tutto subito. Arrivare subito nei grandi teatri, cantare subito in parti importantissime, guadagnare subito e così via. Quelli di un tempo hanno studiato a lungo, eventualmente hanno cambiato stile e maestro, hanno continuato a studiare tutta la vita. E poi credo proprio che neanche nascano più con queste voci divine. Sarà l inquinamento?....😂
@@marisamassimino6418 Cara Marisa, non so se la mediocrità che regna sovrana nel mondo della lirica è frutto dell'inquinamento. Fatto sta che da tempo mi sento proiettata nel passato, nei ricordi del tempo che fu. Come ho detto in più di un commento, suscitando le critiche feroci di qualche giovane amico, ben prima del covid avevo smesso di andare all'opera
Esta versión de la Ópera es considerada la mejor versión de la historia. En disco la de Del Mónaco y Bastianni junto a la de Domingo y Milnes son superlativos
Semplicemente, il duetto tra il più grande baritono con il più grande tenore. I più grandi di sempre.
Non possiamo fare confronti con i cantanti
Di oggi altre scuole
Ora voci costruite colori neutri
.mm........,..,mmm?&
Senza nessun dubbio
Duetto incomparabile
Giganti, per tecnica e potenza vocale, inoltre bravi e credibili in scena. Un duetto che non stanca mai
Qui siamo allo ZENIT!!!!!! delle voci baritonale/tenorile. Più li ascolti più questi due DIAMANTI acquistano lucente brillantezza. L'eternità conservi queste testimonianze. Orgoglio della nostra cultura Italiana nel mondo!!!!!!!! 🌹🙏👍
Incredibile ! Due voci celesti che ci rendono la vita più bella.
Запись на вес золота. И подумать только , что это практически рядовой спектакль. Золотые времена...Корелли, Бастианини... Титаны, рыцари оперы
да, сейчас развалилось. Дирижеры заставляют певцов кричать, т к играть надо громче. Агенты "затаскивают" голоса. Певцы срываются. И культуры пения меньше.
Vse tochno k sazhaleniu. Svyata slova drug moi
@@florindacar8659 czcams.com/video/O8NLvE9tH6I/video.html
Verdi-Corelli-Bastianini.- Una congiunzione sublime e irripetibile.
I know Im asking randomly but does anyone know a way to log back into an Instagram account??
I stupidly lost my account password. I would appreciate any assistance you can offer me!
@Troy Callan Instablaster :)
Ma come??!! Adesso abbiamo Bocelli che sul palco fa dei pio pio irripetibili!!!
Bastianini è veramente bravo.Di Corelli bisogna coniare nuovi aggettivi perché quelli che ci sono non bastano.
Se li avesse sentiti Verdi avrebbe scritto opere apposta per loro ...... Sconvolgenti
von solchen aufführungen kann man heute nur träumen
Two great legends! Great singers! My love, Franco Corelli, and Ettore Bastiani. I was born too late, and I am not even that young.
Now that I said what I think of Corelli here, I will comment on the great, incomparable, unforgettable Bastianini! His voice is certainly the most beautiful, rich, dark, velvety voice I heard from a baritone in my entire life! And the fact that he was a bass before gives that special weight and darkness to his lower register. Apart from that, he acts convincingly, just as thrillingly as Corelli, and I think his singing itself reflects pretty well the character he is portraying!
I had heard that it was Giulietta Simionato who stated that if black velvet had a sound, it would be the voice of Ettore Bastianini. I've always loved that description.
God's gift to us!
Each time I heard Corelli, i'm crying off happynes. This Voice make happy, nostalgyc and melancholic.
Two giants of Bel Canto, forever the greatest....
Pure energy, incredible voices...Today there is nothing comparable...
You are, tragically, quite correct. It is terribly depressing.
@@jphubert You will not even find one single italian baritone anymore who is comparable to the rich voices like Bastianini, Taddei, Protti, Panerai, Sereni, Guelfi, Gobbi and many more...The same with german Heldentenors...What happened?
@@WolfgangAPalm-ju9er I think it is multifactorial. First, wireless microphones can now be attached to every major cast member. They have no need to develop a voice that will carry throughout the house. Second, for the past several decades and perhaps even longer, what was once thought of as outstanding opera singing (almost a controlled, yet highly resonant/focused yell in a certain sense) has been demonized as in-artful and almost vulgar by major music programs at the university/conservatory level, all to the detriment of producing credible opera singers (comparable to the great artists of the 20th century). Students are now told by voice teachers/coaches not to sing loudly or to develop an effective "chest voice" unless base-baritone or contralto. This virtually eliminates the possibility of producing a dramatic tenor. Third, we must accept that the social/cultural developments of the past several decades has produced a kind of affect in males that is incompatible with virile/highly masculine singing. Note that in popular music, males and females sing virtually in the same octave, men too high and women too low. All the pop females sing in an alto range, the males as high tenors or countertenors. This was not the case prior to 1970. These developments no doubt had an effect on the classical world as well. Fourth, as a result of these and other factors, the art of opera singing in the Italian mode of the 19th and 20th centuries has in large part been lost. Neither singers or teachers know or care how to emulate the superb artists of the past. This has led to mediocrity vocally and the prominence of physically attractive (especially females) singers being featured who in the past would not have been part of major companies. Admittedly, these are only my opinions, although arrived at after much consternation, analysis and decades of interest in opera. I'm sure there must be other reasons as well.
@@jphubert You are completely right, unfortunately...
Truthismaster timjph interesting analysis! Thank you!
Представьте себе, посмотреть оперу с таким составом артистов!
Un segno divino di grazia queste due voci mai più ripetibili
Fantastico Corelli
ВЕРДИ , ВЕРДИ , ВЕРДИ ..!!! ТЫ НЕПОДРАЖАЕМ , ВЕЛИК И НЕПОВТОРИМ ! КАК ЖЕ Я ЗАВИДУЮ ТЕМ ЗРИТЕЛЯМ , КОТОРЫЕ СЛУШАЛИ ЭТОТ СПЕЕКТАКЛЬ.!
When God listens to these two grandioius singers He thinks having created Humanity was worth it!!!
Agree, what a nice way tu put it.
You speak the truth !
Corelli had huge hands wow, never seen that before.
Oh, you are right!
Corelli and Del Monaco are amazing on record, but live they are incredible. This video is simply gold.
It's Ettore Bastianini.
Due grandissimi. Nella leggenda per sempre!
❤❤❤❤❤❤❤
Bravissimi . Meravigliosi. Grandi Artisti !!!
Each time I hear Corelli my jaw drops, he was amazing. And what a gorgeous man he was.
There are no words! I take that back! Electrifying!!! Both of them had me on the edge of my seat!!!! Chilling performance!!!! Absolutely incredible!!!! I wish I could have been in that theater!!!! Thanks for posting this!!!!!
Anche Bastianini bravissimo
Due interpreti passati alla storia per la loro grandezza...irripetibili...grazie
Thank the Lord that this video exists .. just to show the young singers of today (especially in the UK) what 'grown up' opera singing was and is all about .. Along with Merrill and Tucker, these two were the greatest ...!!
John Rawnsley
You weren't too bad yourself. The ENO mafia Rigoletto must have been a career highlight.
And of course, I have this entire DVD, and I must say Tebaldi is a superb Donna Leonora as well, both singing and acting (I can't believe I read somewhere she was static on stage!) Boris Christoff, Bulgarian bass, is authoritative Padre Guardiano! And scenery, costumes, conducting is all high-class! What I would give to acquire a time machine and return to the 50s, 60s and 70s, to see live all those oustanding artists that performed at that period! Almost none of them is no longer with us!
Its also on Spotify here:
open.spotify.com/album/75L33MbNduQVdlECNSEEkM?si=jrNMBH3uQ-qt6gXsV1bXEw (Part 1)
open.spotify.com/album/1ZQWu1JS4wMhppmgsHetkU?si=eVTlnnSxSKOdm3y3AIpNVQ (Part 2)
Who was Melitone?
Mi sapete dire oggi chi potrebbe allestire la Forza con Corelli, Bastianini, Tebaldi etc...oggi le opere di Verdi hanno al massimo una celebrità che non necessariamente è un/a grande cantante... Simili cast sono solo storia !!!
Corelli e Bastianini perfetti♥️♥️
Grandiosa interpretazione di Corelli:nella voce,nei gesti rende completamente il personaggio e ciò che prova al momento.UNICO!
resta per me una versione unica immortale!
Il 'Finalmente!'di Ettore è ineguagluabile!
Corelli was one of the better acting tenors. Watch his Carmen.
Yeah I can testify to that
Pelle d'oca alta due dita...che artisti impareggiabili!
Ineguagliabili. Corelli è grandioso, voce e presenza scenica non plus ultra. E Bastianini non sfigura accanto a lui
Semmai è il contrario: nessuno canta la Forza come Ettore, mentre l Alvaro di Del Monaco è superiore a Corelli. Ha la voce più pulita, gli acuti più squillanti.
@@marisamassimino6418 Mah, il timbro di voce di un tenore è una questione di gusto personale. Ma se potessi scegliere... Li vorrei tutti e due!!! 👋
@@marisamassimino6418 Listen to a live version of Del Monaco singing this duet. You are likely used to the studio version. Remember this is a live performance on stage. Corelli sounds smoother live then Del Monaco, his low notes also had more weight. That being said they actually sound extremely similar in most sections of this duet. If you just took a second or two from the singing, you likely wouldn’t even know if it was Corelli or Del Monaco. They are both great. Richard Tucker and Robert Merrill also does a great version, but I would say Tucker doesn’t have the refinement of Corelli and Del Monaco. I do have video comparison of this duet on my channel.
@@marisamassimino6418Del Monaco acuti più squillanti di Corelli? Ma in quale universo???
Can it get any better? Incredible piece of music, two titans delivering!!!
I don't have better but I certainly have some notable references:
czcams.com/video/gf5tSNk5QQg/video.html - Here there is Sondra Radvanosky and Dmitri Hvorostovsky.
czcams.com/video/ZzXHZ3zPZQw/video.html - Here there is Renee Fleming and Thomas Hampson
czcams.com/video/ZOSzAj2rb90/video.html - Sondra Radvanosky
czcams.com/video/wRG_6h_Eqww/video.html - Renee Fleming and Joseph Calleja
czcams.com/video/Yjf6WcfwZVs/video.html - Here is the full version of La Traviata
Obviously, Corelli is better but I think these are the artists to be looking at today. Another notable mention is Elina Garanča too when singing Carmen.
Its also on Spotify here:
open.spotify.com/album/75L33MbNduQVdlECNSEEkM?si=jrNMBH3uQ-qt6gXsV1bXEw (Part 1)
open.spotify.com/album/1ZQWu1JS4wMhppmgsHetkU?si=eVTlnnSxSKOdm3y3AIpNVQ (Part 2)
The crazy thing was that the San Carlo claque who didn't want this " Northener" singing in their opera house and what their tradition was, and they did was to throw cabbages at Corelli on the stage! They didn't
realize or want to realize that they were watching one of the greatest ever performances of this opera!!
My opinion is that he was an extremely convincing actor, who both acted and sang with true passion and deep understanding of the character! I am not saying he didn't have the terrible stage fright, because we all know he did, but that didn't prevent him to be both a marvellous singer and actor, and he didn't only act with his gestures on stage, he acted equally powerfully, thrillingly and convincingly with his unique voice!
viva Verdi !!!
Mamma mia che due mostri sacri! Ho visto tutta questa versione della Forza Del Destino, troppo bella 🤩
Two of the greatest of all time
La più bella registrazione di questo duetto con "Corelli - Bastianini " due leggende irripetibili ...!!!
GB..beh...si.
This, of course, is historical and the singing is simply magnificent. To think that within 10-12 years of this the "junk singing" begins and teh great singing comes to a definitive end!
Glorious singing by two glorious verismo interpreters, whose voices go to the very depth of the Italian soul. Wonderful!
Verdi was a bel canto composer. These two were masters at the legato and vocal colouring demanded by Verdi's music. Not to mention the vocal expression of high drama, all within the context of "beautiful singing". That they excelled at verismo as well is a bonus.
@@brunnhilde7193 assolutamente d'accordo, valutazione ineccepibile.
Невероятно ! Вот она ВЕЛИКАЯ ОПЕРА и её представители !
Due così eccelse vette musicali ed interpretative purtroppo oggi sono inimmaginabili...
How does Corelli sing so magnificently from a kneeling position!?
Not sure if you wanted an answer lol, but it shouldn't be any more difficult to sing while kneeling as long as your base is solid. Cheers!
@@giglistignanipinza thanks. It just seems more difficult if your whole body isn’t lined up with your throat. In any case, I’m utterly impressed! Appreciate your comment...cheers!
czcams.com/video/wRG_6h_Eqww/video.html
Есть запись дуэта Корелли и Бастианини. Корелли поет полностью лежа, так как его герой умирает.
Con Bastianini y Corelli comencé a escuchar ópera hace casi 60 años, los he escuchado infinidad de veces, en arias, en duos, con otros cantantes y aun hoy sigo disfrutando de sus extraoridinarias voces y proyección escénica. . Será que mi oído es viejo, tal vez ya decrépito, pero no he encontrado entre los cantantes actuales algo comparable al interpretar este duo de la Forza del Destino..
No
Meraviglioso
Я в полном восторге от этого дуэта!!!
Звездный дуэт...
La mejor realización de esta OPERA con los mejores Exponentes de la época de Oro de la Ópera: Bastianini, Corelli y la Tebaldi
Che duetto virile:da brividi...
Voci uniche e inarrivabili!!! Oggi ci dobbiamo accontentare...
Corelli’s larynx is just made of iron. How it stays still, unwavering, no matter how high or low his voice goes. What a marvel
MEU DEUS!!!!! E' SUBLIME , CORELLI, SEMPRE FANTASTICO , SEM COMPARACOES.....
I can't describe this unreal wonderful aria by this two great singers.
Agree but here are some good but not comparable stuff too:
czcams.com/video/gf5tSNk5QQg/video.html - Here there is Sondra Radvanosky and Dmitri Hvorostovsky.
czcams.com/video/ZzXHZ3zPZQw/video.html - Here there is Renee Fleming and Thomas Hampson
czcams.com/video/ZOSzAj2rb90/video.html - Sondra Radvanosky
czcams.com/video/wRG_6h_Eqww/video.html - Renee Fleming and Joseph Calleja
czcams.com/video/Yjf6WcfwZVs/video.html - Here is the full version of La Traviata
Obviously, Corelli is better but I think these are the artists to be looking at today. Another notable mention is Elina Garanča too when singing Carmen.
Laperfection! Et le chant parait facile, aucun effort. Sublime et jamais nous ecouterons mieux
Due leoni della lirica.
Sensational! A great treasure with the two greatest acting and singing impeccably!
永远的两位大神
De antologia, exttemadamente hermosa conjunción!....He repetido 10 veces, estas voces cautivan el corazón y se quedan en el alma!!
One of the best ten clips in history!!
Спасибо. Обожаю этот дуэт!!!
Ettore Bastianini: Master of the "snarl" :-D
Bastianini = squillo definitivo!!
Due straordinari interpreti che hanno lasciato un segno indelebile...saluti
Incomparable signing and acting by two of the very greatest of all recorded time.
WELL!!!! Bastianini was so underrated! Both Titans, and once incredible piece of music!
If you can the greatest baritono of all time underrated
Nessuna sbavatura. Meglio di un disco
Such extreme visceral excitement never had I seen anything live like it in the last 30years
❤Die Macht des.Schicksals von Verdi.Grossartig..La Forzza del.Destino,.eine.der.schoensten.Verdi.Opern..Unverkennbare.Overtuere!. Listen closely!
HISTORICO. MARAVILLOSO.
Da brividi!!!! Come non inchinarsi di fronte a due interpreti del genere. Irraggiungibili per voce e ed interpretazione. Quanto se ne sente la mancanza!!!!! Eterni!!!!
Ogni volta l' emozione è sempre più grande !
Два принца оперы. Гениальный дуэт
Абсолютно гениальный. Переслушала его в сотый раз и поймала себя на том, что почти с замиранием сердца следила за ходом действия. Почти как в первый раз
Присоединяюсь к каждому слову!
Fantastic... interpretation--wonderful voice-greatest artist,,aria! I oove!!
Мне ещё очень нравится дует Марио Дель Монако и Этторе Бастианини.
А ещё Вольпи и Джино Бекки. Мне даже Вольпи больше нравится. А ещё с Дель Монако нравится Гобби
@@cirilo7218 Спасибо,так приятно. Я вас обожаю.
Magnifique !!!!!!!!
Amazing passion and singing......I do have to give the acting node to Bastianini. These two did operas with Callas in her prime. Can you imagine?
Ieri sera per il centenario della Tebaldi hanno trasmesso sui rai cultura tutta questa registrazione del 58 dal San Carlo.
Veramente meravigliosa. Tutti stellari anche Corelli, anche se preferisco quella con Del Monaco. Nonostante la visione sbiadita dal tempo è stato emozionante rivedete questi mostri sacri. Che nostalgia. ❤️❤️❤️
Two great artists
BELLEZA !!!!!!!!!!!!!!!!!!!!!!!
Grandiosi tutti e due
VERI ARTISTI.
Грандиозно!!! Браво!!!
Corelli isn't acting. He really did have a hair trigger temper. He once jumped off stage and chased a heckler into the box seats. He had fist fights as an adult. He was a mass of contradictions.
Coreli an inscrutable mess. Met's Bing say Corelli was "barely human". Nelsson say when the mood struck Corelli threw out the score, made faces on stage to throw her off balance but otherwise was "good natured", Bumbrey say Corelli excruciatingly shy almost "timid". Eileen Farrell said Corelli a maniac who once stopped her in her tracks during performance, grabbed her, picked her up and gave her a kiss full on the mouth bordering on surgical that nearly suctioned her throat out. No- a kiss not called for in the scene. Farrell added many women would have been thrilled but under the circumstances she could have killed him. Corelli also had a preference for bar brawls, once went for Boris Christoff with a sword and got off playing games lying about minor details when there was no reason to lie. Corelli's wife say initially she rejected his advances because he was "strange". (Farrell say "Signora Corelli" even stranger than Corelli, a "piece of work" who was chiefly responsible for his nerve situation.) --Bastianini was in awe of and fast friends with Corelli. A compliment returned by Corelli.
@@cathyborrege5373Thank you for those interesting stories about him ;) Best regards.
@@cathyborrege5373 these anecdotes regarding Corelli sound like good after dinner stories to me; very entertaining. Even if they are true, I wish we had 5 tenors like him in each generation of singers.
@@MOV1983 As for me, I would be happy if there were ONE such tenor nowadays.
Ah! The incomparable Ettore Bastianini and Franco Corelli, together in supremely dramatic fashion!!!! Love it!
Damn! Get me some boots like that! :-)
Fantastico
¡¡¡DOS TITANES; ESTAN DEMOLEDORES. MAGNIFICOS!!! NO HAY NADA QUE
AGREGAR SOLO VERLOS, DISFRUTARLOS Y ADMIRARLOS ENTRAÑABLE-
MENTE.
Corelli, if anything, proves that he can act, too.
Che meraviglia
La provvidenza dovrebbe darci ancora due artisti così... purtroppo farà fatica a darcene uno, o forse mezzo...
Sono d'accordo con lei. Oggi la lirica annoia, si salva solo la musica poiché e'sempre quella, il resto e' da buttare, dai costumi che non sono e dico non sono attinenti all'opera, i cantanti poi a parte qualche spruzzo di applauso, per carità non hanno personalità, le scene poi da bocciare e infine i registi che dire, dovrebbero prendere esempi, capisco la modernità, i giovani vorrebbero creare qualcosa di nuovo e personale però poi alla fine?
@@paolonostini3693 Anche io sono d'accordo, viviamo di ricordi, le emozioni di un tempo sono ricordi. Ma non capisco perché oggi la lirica è così povera, perché non ci sono più i talenti di un tempo... Cosa è successo?
@@ritanicosia è successo che tutti vogliono cantare tutto subito. Arrivare subito nei grandi teatri, cantare subito in parti importantissime, guadagnare subito e così via. Quelli di un tempo hanno studiato a lungo, eventualmente hanno cambiato stile e maestro, hanno continuato a studiare tutta la vita.
E poi credo proprio che neanche nascano più con queste voci divine. Sarà l inquinamento?....😂
@@marisamassimino6418 Cara Marisa, non so se la mediocrità che regna sovrana nel mondo della lirica è frutto dell'inquinamento. Fatto sta che da tempo mi sento proiettata nel passato, nei ricordi del tempo che fu. Come ho detto in più di un commento, suscitando le critiche feroci di qualche giovane amico, ben prima del covid avevo smesso di andare all'opera
Bonjour un morceau d une rare beauté avec deux grandes voix un regal pour les yeux comme pour le chant superbe merci
Cantano in due tempi diversi...comunque stupendo duetto...due fuoriclasse della lirica
Esta versión de la Ópera es considerada la mejor versión de la historia. En disco la de Del Mónaco y Bastianni junto a la de Domingo y Milnes son superlativos
My God. What a stunning performance from these two giants. None better.
Bravissimi!
Non c'è nulla da dire!!!!! Sublimi!!!❤️
Espléndidos
Una obra de arte (la obra y ellos)
Grazie mille !!!