Jazzy Blues in F 🎹 Practice important concepts with a track
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- čas přidán 25. 03. 2024
- Blues tutorial on the F Blues.
►Study sheet: shorturl.at/eguA1
►Free track (downloadable): shorturl.at/ozHJ9
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Many videos about jazz and classical piano can be found in my
PLAYLISTS : bit.ly/3dkbaK2
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Block chords and 'Drop 2': bit.ly/3AEaDxF
But, your A7 was b13❤
indeed !
Thank you, Tony! Really appreciate the simplicity of this. I think sometimes I get "Art Tatum itus", thinking I have to fill up all of those empty spaces and it just gets overwhelming. You are reminding me that those empty spaces are very desirable when in their right places. Also, I appreciate just some simple licks on the improv side, not huge runs and scales, but just some simple lines well played and developed a bit from one to the next, sometimes moving in different parts of the time signature (simple Straight No Chaser style).
thank u mr Winston for this golden nugget of blues piano playing distilled in very learnable blues chord progression
also i very much appreciate your comments ideas opinion ibserbation as they are very enlightening very Insightful very helpful . Really thanks a lot
Wonderful job as usual Tony. Your lessons are fantastic. Greetings from Italy
A thousand thanks for sharing your knowledge and talent 🙂
Great Inspiration, Great advice in the end…thank you and greetings from Berlin 🌸
Tony, love the shirt. Also great tips 'take what you know, and really get to know it' plus 'get those chords under your fingers'.
What a great simplicity, simple but effective, simply Toni!
Fantastic work Tony, loved this. Can’t believe you’re nearly at 100k! I’ve been with you since 1k, enjoying the journey
Really?! That's amazing, thank you so much!!
Wow, thanks. I love this guy.
Love you too!
Thank you very much Maestro! Track works perfectly: I use to practice with a metronome but this is so much better 😊. And thank you for stressing how many times you have to practice something before you really interiorise it, I was getting to think that I was hard of thinking.
Increíble se avanza de una manera absoluta se necesitan más de cien veces pero ahí está el secreto de avanzar
gracias - tengo que hacerlo 200 veces jajaja
Tony Winston, you are the Best here!
Great show of jazzy blues nice explain
Good morning Doc Tony. Thank you very much 😊 best of wishes always Teddy korbos.
Thank you, Maestro ⭐🌹⭐
Master, I enjoyed reading “you must believe in spring” last time. This time I want to study Black Nile
studying it now. McCoy sounds good
lovin' these. I think F is a good key as the flat 5 is a white key and a better position in the high-low range than C. (keep the middle finger tip bend going - I had 7 surgeries on mine and is 98% now)
And a well deserved 100k it is.
Night Train, you took my baby so far away 💓
😂😂 great teacher always again
3 nota es mejor que 4 porque no define. Revelador. Gracias.
Btw: nice shirt, or whatever It Is.
Hey Tony, do you know some particular blues tunes in F, like this. Some examples, what is your favourite maybe. ❤thanks a lot for your lesson. Greetings from Russia 🇷🇺
😂😂😂love you much
hey i am a piano beginner where should i start on your channel . my goal is to learn to make melodies.
My channel isn't well organized but I do have a playlist for beginners: czcams.com/play/PLIOpTqumB5Kz6u90ixg70cPPlgfapQHcr.html
Tony, to a classically trained pianist, your discussion of "position 1, position A, shape one, B position" etc. is a bit confusing. You start with an F13 chord in what you call "position 1", which appears to be a third inversion, with the 7th at the bottom. Then you go to Bb in "position 2", with the third at the bottom-- a first inversion chord. Should I stop trying to think about these hand positions in terms of chord inversions? Do you have a video in which you explain this business of positions, shapes, etc. and how they related to the traditional idea of chord inversions?
Search my channel for box voicings or shape voicings I think more often it is called A position or B position
@@TonyWinstonAs far as I can tell, the concept of boxes revolves around the position of the tritone-the 3rd and 7th of the chord-and how inverting the tritone makes possible an economy of movement while working through a progression of rootless chords. Boxes 3 and 4 would seem to be simply alterations of boxes 1 and 2.