VERITÀ - G.P.Telemann Sonata Metodica Nr. 3 in E minor
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- čas přidán 3. 05. 2021
- Taya König-Tarasevich - Flute
Bartolomeo Dandolo Marchesi - Cello
Alexander von Heißen - Harpsichord
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Telemann, Georg Philipp (1681-1767)
Sonata Metodica Nr. 3 in E minor
19:45 Grave
22:37 Vivace
25:19 Cunando
27:21 Vivace
This sonata by Georg Philipp Telemann is the only piece on our Vol.2 program where the cello plays the role of basso continuo, supporting and leading the flute at the same time. Upon encountering this set of sonatas titled the „Methodical Sonatas,“ one may assume them to have an instructional function, and thus, to be musically amateur. These pieces for solo violin or flute with accompaniment, however, are not intended for instruction in performance, rather, instruction in ornamentation. In his publication, he provides the bare melody and underneath it, his suggested ornamentation of the given melody.
Lovely, and very well recorded too. Not muddy with echo as the room suggests it would be. Good mic placement. My goodness what a beautiful flute! Taya, your plain, but elegant black outfit really compliments it. Thanks all of you.❤🇨🇦
Oh wie schön,- solch ein Genuß!!! Vielen Dank und Bravi!
Thank you all from Israel.
The music, how is played and that Oberlender flute are beautiful.
Nice ornamentation! Last Vivace is very intresting. Thanks a lot.
Exquisite music and players. Nice color of flute also.
Brava! And I miss you.
Fantastique !! Magnifique !!!
beautiful lyrical playing, thanks!
Absolutely beautiful performance.
Magnifique interprétation de cette superbe sonate méthodique ! Un grand bravo à tous et, en particulier à Taya. Quel est le modèle du traverso utilisé ? Copie d'après Hotteterre, Bressan, Palanca ... ? Et quel est le bois de la facture ? Je suis moi-même flûtiste à bec et pratique le traverso en progressant petit à petit. Encore merci pour la pureté et la précision du discours musical !! Christian en France
Bravi!
Absolutely great!
Toll
Incredible!! ❤
Thanks you all from France. When a cd?
May I ask- Is That an Oberlender Copie?
Yes, is an Oberlender copy.
Elbows not needed to make sound
Well played, but it ruins the experience of the music that the flute player stands and twists in that way!
I look forward to your playing the piece as well as she without the movement. Seriously, I'm waiting. OH? NO? Then be quiet and enjoy.
Really? This is expression and I as a traverso baroque player too, even not professional, but I can tell,making that high octaves needs some movememt, not in the process of tomemaking, but to compemsate the multitasking that the body is having to do. As you watch alot baroque flute players, all move quiet notoceably, this is, in my opinion also due to the baroque fingering, you have no keys, everything must be fingered within 6 holes, this is requiering very much movement out of the Fingers, inwich the body is folloeing...other than that, in my opinion it is pure beauty, how the Player is one with the music. No instrument like the traverso, has this royal and elegant bodymovements! If you want to See people stay still, just watch a modern flute Player ... or, as said, play it for yourself...
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I can hardly get the point of what you said.
I seriously studied traverso for more than 20 Years.
I don't know about this flautist. But I was moved from the first bar when I heard the music she renders .
She plays superb and her music was perfect.
What matters is her music she makes and transfers to us , no matter what motion she takes when she plays!
I know She was struggling to perform what she wanted to draw from her flute.