J’ai jamais entendu une meilleure interprétation, une merveille d'intensité et de raffinement, sous sa baguette je redécouvre milles couleurs, nuances et articulations dans la musique que j'ai peut être le plus écoutée dans ma vie. Myung-Whun Chung est un très très grand chef. Je vais écouter tout ce qu'il a fait maintenant.
I was just in my car listening to 99.5 Boston symphony station and I heard this piece of mind blowing, gorgeous music. I couldn't believe my ears. This music moves you. It's as if you've gone to a netherworld. I'd love to see this performed one day, live. Incredible!
Bravo flute section...splendid!! Absolutely killed the flute runs, especially that piccolo and the Alto flute!!! All around amazing flutes and the solo!!
It is a tribute to Ravel that when Daphnis et Chloe is performed, the conductor, the musicians, and the audiences are in another universe of joy! Look at the faces of the conductor and the musicians. Sublimity and sheer joy! Whenever I go to performances of Daphnis et Chloe whether done as Suites or complete, there is always a standing ovation and an enthusiasm that follows the performance of this work! What has Ravel achieved here? He is divine!
THANK YOU KIM CUL DEOK FOR SHARING THIS SUITE CONDUCTED IN THE MOST TOUCHING AND HEROIC WAY BY MAESTRO MYUNG WHUN CHUNG . . .. . . IT COMES FROM HIS HEART DIRECTLY TO OURS !!!! . . . BRAVO . .. !!!! . . GREETINGS FROM MEXICO . . . . . ... . !!
Since de point of view of the conductor this score is absolutely needed to be played by a female flutist. Woman have their sound. I can know if a flute or a cello is played by a woman or a guy. Maybe some male can too, but it would be really wird. I enjoy also Magdalena Martínez version, flute soloist at Barcelona City Orch. thanks to whom i heard this Suite for first time. I was playing cello and my mind opened and flyed away nearly for ten minuts until last part. Herr Decker was at the baton. Thas was an before and after point. Let's congratulate Magalí, all the soloists, the whole orchestra and the conductor Mr. Chung, as he is so clear, nothing superflous added, impressive, efective, a pleasure since my point of view of humble conductor
From de point of view of a conductor this score is absolutely needed to be played by a female flutist. Woman have their sound. I can know if a woman or a guy is playing a flute, or a cello. Maybe some male can too, but it would be really wird. I enjoy also Magdalena Martínez version, flute soloist at Barcelona City Orch. thanks to whom i heard this Suite for first time. I was playing cello and my mind opened and flyed away nearly for ten minuts until last part. Herr Decker was at the baton. Thas was an before and after point. Let's congratulate Magalí, all the soloists, the whole orchestra and the conductor Mr. Chung, as he is so clear, nothing superflous added, impressive, efective, a pleasure since my point of view of humble conductor.
I love seeing different performances of this part and comparing/contrasting them. I have synesthesia, so they all have slightly different textures to me. This one feels like it has a lot of sleek, metallic/glassy edges and more contrast in light and dark than some of the other performances of Daybreak!
Thank you for the correct interpretation and for the choir. Ravel insisted to choir when Djagilev wanted to leave out by reason of costs. Since than nearly every orchestra plays without choir, but that is a hubris to the composer.
It is not hubris if it is what the composer had in mind. THE COMPOSER, and not you. Do you know more than Ravel. Yeah, I don't think so. Hubris....groan.
@@gilbertdaroy6080 Are you a Frenchman? I suggest to read this english comment one more time and try to understand it before you are indignant at that.
@@gilbertdaroy6080 Your comment comes from 'left field'. Mr. Contrapunct is saying that the composer wanted the choir when the orchestra performs this piece. What in the hell are you talking about?
The complete Daphnis & Chloe recording on CD with this conductor and orchestra is gorgeous.
J’ai jamais entendu une meilleure interprétation, une merveille d'intensité et de raffinement, sous sa baguette je redécouvre milles couleurs, nuances et articulations dans la musique que j'ai peut être le plus écoutée dans ma vie. Myung-Whun Chung est un très très grand chef. Je vais écouter tout ce qu'il a fait maintenant.
I was just in my car listening to 99.5 Boston symphony station and I heard this piece of mind blowing, gorgeous music. I couldn't believe my ears. This music moves you. It's as if you've gone to a netherworld. I'd love to see this performed one day, live.
Incredible!
Magical and bliss wonderful melody.
Bravo flute section...splendid!! Absolutely killed the flute runs, especially that piccolo and the Alto flute!!! All around amazing flutes and the solo!!
It is a tribute to Ravel that when Daphnis et Chloe is performed, the conductor, the musicians, and the audiences are in another universe of joy!
Look at the faces of the conductor and the musicians. Sublimity and sheer joy!
Whenever I go to performances of Daphnis et Chloe whether done as Suites or complete, there is always a standing ovation and an enthusiasm
that follows the performance of this work! What has Ravel achieved here? He is divine!
THANK YOU KIM CUL DEOK FOR SHARING THIS SUITE CONDUCTED IN THE MOST TOUCHING AND HEROIC WAY BY MAESTRO MYUNG WHUN CHUNG . . .. . . IT COMES FROM HIS HEART DIRECTLY TO OURS !!!! . . . BRAVO . .. !!!! . . GREETINGS FROM MEXICO . . . . . ... . !!
One of my favorite works. That was amazing. I'm grateful to my high school music teacher for exposing me to this, Debussy, Stravinsky...
Ravel can write, and this orchestra can play
Flutes and harps evoquing the shepherds love story in the old greece.
So dreamy!
Bravo Bravo! What a beautiful rendition! Congratulations to Maestro Chung Myung-Whun, Orchestre Phil. Radio France and the sound engineers!
Incredible piece of music, great performance, great flute work. Love wordless singing, also called open vowel or vocalizing, I think.
this group has the best flute section i’ve heard in any orchestra
i made myself the same reflection (and the loveliest and cutest female flutist ;) ).
@@geneosis 7:00 Magali Mosnier, Principal Flutist of the Orchestre Philharmonique de Radio France
Even magical, could be said!
Since de point of view of the conductor this score is absolutely needed to be played by a female flutist. Woman have their sound. I can know if a flute or a cello is played by a woman or a guy. Maybe some male can too, but it would be really wird.
I enjoy also Magdalena Martínez version, flute soloist at Barcelona City Orch. thanks to whom i heard this Suite for first time.
I was playing cello and my mind opened and flyed away nearly for ten minuts until last part. Herr Decker was at the baton. Thas was an before and after point.
Let's congratulate Magalí, all the soloists, the whole orchestra and the conductor Mr. Chung, as he is so clear, nothing superflous added, impressive, efective, a pleasure since my point of view of humble conductor
Ravels paints fabulous pictures with the orchestra.
Beautiful! We are one.
must have been marvelous to hear this evocative, moving score in person--because it moves me to my very soul watching on a computer screen at home
windstorm1000 same here!!
Cette musique nous transporte a l'au-dela.
From de point of view of a conductor this score is absolutely needed to be played by a female flutist. Woman have their sound. I can know if a woman or a guy is playing a flute, or a cello. Maybe some male can too, but it would be really wird.
I enjoy also Magdalena Martínez version, flute soloist at Barcelona City Orch. thanks to whom i heard this Suite for first time.
I was playing cello and my mind opened and flyed away nearly for ten minuts until last part. Herr Decker was at the baton. Thas was an before and after point.
Let's congratulate Magalí, all the soloists, the whole orchestra and the conductor Mr. Chung, as he is so clear, nothing superflous added, impressive, efective, a pleasure since my point of view of humble conductor.
Merveilleuse flûtiste.
Very moving piece. Kudos to the performers.
I love seeing different performances of this part and comparing/contrasting them. I have synesthesia, so they all have slightly different textures to me. This one feels like it has a lot of sleek, metallic/glassy edges and more contrast in light and dark than some of the other performances of Daybreak!
Ravishing
It grabbed me the first time, just amazed more people never heard of ravel. He is number one with me!
사람의 목소리로 화음을 쌓은건 정말 탁월한 해석이다. 음악이 정말 살아있다는 느낌. 원래 있어야 할자리에 있는 느낌.. 다른 지휘자의 곡을 들을수 없게 만들었다 크윽..
esto me transporta!!!!!!!!!!!!!!!!!!!!!
five stars!
Thank you for the correct interpretation and for the choir. Ravel insisted to choir when Djagilev wanted to leave out by reason of costs. Since than nearly every orchestra plays without choir, but that is a hubris to the composer.
It is not hubris if it is what the composer had in mind. THE COMPOSER, and not you. Do you know more than Ravel. Yeah, I don't think so. Hubris....groan.
@@gilbertdaroy6080 Are you a Frenchman? I suggest to read this english comment one more time and try to understand it before you are indignant at that.
@@gilbertdaroy6080 Your comment comes from 'left field'. Mr. Contrapunct is saying that the composer wanted the choir when the orchestra performs this piece.
What in the hell are you talking about?
6:48 flute solo
браво!
That contrabassoonist is a BABE good lord
+InstrumentManiac AND the oboe 1?? The double reed section is on fire
+InstrumentManiac LOL!!
+InstrumentManiac I agree, the French wind players (in particular) are amazing.
Keep it to yourself. No one cares about your visual assessment of a person's appearance.
half of the population cares
5:53
Bravissimi !, grand performance... But ...Ha Ha Ha 4: 46 sec..Obo
duca what happened?
If the oboe solo isnt right, i simply cant finish watching these people play it
Shame about the audio quality.
What happened at 4:47?
Wow! Was that an alto or bass flute? I have never seen that!
Nancy Thorgaard An Alto
My god the audio is garbage, what's the compression rate???
how can you dare to cut Ravel with other things ! you should put them at first ! you are not musician
5:57
5:56