The Newest Filmmaking Tech from NAB 2024
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- čas přidán 15. 06. 2024
- 💭 Comment - Let us know what your favourite product from NAB 2024 was down below!
📦 Order here - buff.ly/3wbGI3I
🔔 Subscribe - buff.ly/2ymYMJQ
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Home Page - buff.ly/3B849es
Blackmagic - buff.ly/3QbA1Wj
Freefly S2.5K - buff.ly/3QdQ85Q
ARRI L-Series Plus - buff.ly/44f05Ws
DJI Focus Pro / RS4 - buff.ly/4d6kVeL
DJI AVAT2 - buff.ly/449ZiWv
RED Cine-Broadcast Module - buff.ly/3xEu9yi
Panasonic S5 II FW - buff.ly/4d6U5mA
Panasonic S5 IIX FW - buff.ly/3Jvfw3a
Atlas Orion - buff.ly/447bCqA
Blazar - buff.ly/3U61hXp
NiSi ATHENA - buff.ly/47U0wGx
DZO - buff.ly/4aImiP6
Dulens - buff.ly/3xUbIWs
Laowa - buff.ly/3ywSILS
Tokina Vista-P - buff.ly/4aLFKKz
Module8 Mounts - buff.ly/3Us4pOA
Sony 16-25mm f/2.8 G - buff.ly/3UqacnZ
Fujinon 14-100mm DUVO - buff.ly/3Utbu1C
Canon CJ27ex7.3B-⅔” - buff.ly/3w5fqfC.
Sirui 16mm & 75mm Night Walker - buff.ly/448EQFG
Atomos Ninja Phone - buff.ly/3Uu4CkC
Atomos Sun Dragon - buff.ly/3UpSzVc
AtomOS Update 11.05.00 - buff.ly/3UwcqCs
Aputure - buff.ly/3xOlNEz
Teradek - buff.ly/4aM4Nx6
CoreSWX - buff.ly/3UsY2ur
Tilta Tripods - buff.ly/3w1wPps
Smallrig - buff.ly/3Uv8uSp
MID49 - buff.ly/4aPBNoj
CRDBAG - buff.ly/3UtXvbV
Deity - buff.ly/4aLM0lD
Honourable Mentions -
Accsoon CineView 2 SDI Wireless Video - buff.ly/44bpU9N
CoMo intercom system - buff.ly/4d8kjoz
SeeMo 4K support for frame.io - buff.ly/3xUhUh8
AJA ColorBox V2.1 - buff.ly/44a6zpk
ASUS PA32KCX - buff.ly/4d1Riex
Bebob V240 Micro - buff.ly/4d59CmX
Bebob CUBE 1200/700 Block - buff.ly/3xKvgNd
Bit Part - buff.ly/4djj2LM
Birddog - buff.ly/44c5X2L
Chimera TubePro Lightbanks - buff.ly/4aMMLeg
Easyrig Boom Rig - buff.ly/44cRNOU
Frame.io V4 beta - frame.io/v4
HollyLand Pyro - buff.ly/49KzZeV
INOVATIV Motorized Apollo - buff.ly/4daMYta
iFootage Cobra 3 Strike Monopod - buff.ly/3W4RQKv
Insta360 X4 8K 360 - buff.ly/4d5pHcd
KinoFlo Celeb IKON 6 - buff.ly/449CWVa
Litepanels Astra IP - buff.ly/3W7iwKw
Miller Tripods SkyFX 9 - buff.ly/44hE2yf
Nanlite - buff.ly/4aHOVfd
OBSBOT - buff.ly/3xNa2OG
PROTON CAM - buff.ly/49T5mnv
Rigwheels t-zero - buff.ly/4b06JCB
Sachtler Ace M / XL - buff.ly/49T5m6Z
Shape BASECAMP - buff.ly/4d6WayU
Shure MV7+ - buff.ly/4d075KC
SmallHD PageOS 6 - buff.ly/4aJ2Xgp
SmallHD Quantum 32 - buff.ly/3wKxk72
Sony BRC-AM7 - buff.ly/4aB4OE9
Sony A6700 FW - buff.ly/4d9RZm4
Swit OMBI V Mounts - buff.ly/49NCRI5
Tilta Khronos - buff.ly/49T5mE1
ZCAM E2Z+ - buff.ly/49PTqTH
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Piece To Camera Kit:
Canon R5 C (PTC) - buff.ly/3ljDNAO
Canon 24-70mm f/2.8 II - buff.ly/40dVjoG
Canon RF to EF Adapter - buff.ly/3mQPbnX
Canon PD-E1 - buff.ly/3Lswtxa
Sennheiser MKE 600 - buff.ly/3AufQv5
CueScript EMC15 Teleprompter - buff.ly/3JpwejS
Sachtler Ace XL Tripod System - buff.ly/3Lx46xY
Aputure 200D - buff.ly/3JLRVMk
Aputure Light Dome II - buff.ly/3JHfKVN
Amaran P60c - buff.ly/408iDnW
Aputure B7c - buff.ly/3JJiEJt
Studio / B-Roll Kit:
RED KOMODO - buff.ly/3LuhrHw
Sachtler Video 18 S2 - buff.ly/3LtSR9B
Zeiss Otus EF Set - 28, 55, 85 - buff.ly/40b8tCX
Zeiss Milvus 100mm - buff.ly/3mZy6br
Aputure 600D Pro - buff.ly/3ZVwIWe
Litepanels Gemini 1x1 Soft - buff.ly/4081knz
Aputure LS 60x - buff.ly/3mTCUiK
Quasar Science Rainbow 2 Linear - buff.ly/3ZPX7Vp
Quasar Science Double Rainbow Linear - buff.ly/3LtGbQe
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Follow us on:
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/ cvpgroup
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/ jakerratcliffe
/ joefcannon
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Chapters:
Intro - 00:00
Blackmagic - 00:16
Freefly - 09:42
ARRI - 12:54
DJI - 14:58
RED Cine-Broadcast Module - 16:40
Panasonic - 17:42
OFG GFX100II - 18:45
Atlas Orion - 19:52
Blazar - 20:34
NiSi - 21:34
DZO Film - 22:14
Dulens - 23:17
Laowa - 24:05
Viltrox - 24:41
Tokina Vista-P - 25:03
Module8 - 25:40
Sony 16-25mm f/2.8 G - 25:59
Fujinon 14-100mm DUVO - 26:37
Canon CJ27ex7.3B-⅔” - 27:00
Sirui 16mm & 75mm Night Walker - 27:24
Atomos - 27:43
Aputure - 29:28
Teradek - 30:18
CoreSWX - 31:09
Tilta - 32:57
Smallrig - 34:03
MID49 - 35:32
Deity - 36:08
CRDBAG - 36:44
Honourable Mentions - 37:23
#quickkit #CinemaIndustryNews #filmmakingnews - Krátké a kreslené filmy
CORRECTION - Freefly has reached out to us to say that pre-roll on the 4TB S5K will not work now. They originally told us it would be possible but unfortunately, that is not the case and the new pSLC SSD will be needed to do so! Jake
Blackmagic booth was really exciting this year and the vibe at the show seemed more energetic and exciting than the last couple years.
Justin Porter was in the building
It is insane to me how so many people are glazing over the Easy Rig's boom rig, without showing any features or how groundbreaking it is in design, simplicity, and reliability. I am not even a sound person but come on....
Check out the Ready Rig with Nimbus crossbar. Game changer
Thank you so much for getting all that together. My word; a lot of work. appreciate that. 🙏🏻
Seeing Irix lenses taking the spotlight on the newest Black Magic camera fills me with genuine pride! Your trust in Irix's capabilities and your appreciation of their unique qualities mean the world to us!
I actually really like the new pyxis body. I wish it was slightly smaller, but in terms of design, it's great for me.
I just wish they made a s35 6k or 12k version. I just like the footage off those sensors more than the ff 6k.
The Ursa 6K broadcast. Same pocket 6k sensor, with all the bells and whistles of the bigger cam. Slightly larger than the Pyxis body but you get even more usability.
Awesome wrapup - thanks for pulling all of this together!
Thanks for watching! Jake
honestly... the recap i was waiting for. thank you.
The cineD video confirms the PYXIS mount is not meant to be user swappable.
Under warranty at least 😉
In multiple interviews BM has said you have to choose mount at purchase.
while this is true, with the shown design it appears that the mounts are capable of being swapped out, and I'm sure some creative third parties will offer solutions to this problem if Blackmagic doesn't.
@@8lec_R so you're going to buy a second Pyxis just to unscrew the mount of the second pyxis you bought and put it onto the first pyxis you bought? Because blackmagic aint making separate mounts to buy like they do for the ursa line lol
@@billyoung9538get L mount, you can adapt that to any lens you want.
So much stuff... thx for the summary!
Thanks for the tip and for watching! Jake
lots of great info here. excellent recap video!
Thanks for your great video and all your efforts, really do appreciate it.
Thanks for watching! Jake
Didn't even bother watching other videos. Was waiting for yours to drop!
Thanks for watching! Jake
Thanks for sharing. that was Great to see all about those new gears/upadate
informative content Thanks CVP
Ah glad i could totally watch the whole thing.
Love your work, please keep it coming
Thanks for watching! Jake
Thanks for your hard work in bringing this to us!
Thanks for watching! Jake
I love the look of the new pixus And the view finder is awesome too❤❤❤❤❤🎉🎉🎉🎉🎉
Great coverage! Please make a dulens apo mini lens full review!
Tidy round-up. Really appreciate the work you put into this.
awesome job i just subscribed and watch again
Thanks CVP!
It’s wild how many new lenses are coming out. Especially the ones that are small and have a fast t stop, it’s like they’re defying physics. I’ve never seen lens designs, this compact that allow this much light through! Does anyone actually check that their light transmission levels are what they say they are?
Does the new Blackmagic micro panel come with Davinci Resolve Studio like the previous panel?
That 12k 12ms readout is just BMD flexin on the burano
It's very impressive given its size and resolution! Jake
Solid releases at NAB this year. The URSA mini 12k, micro panel, Aputure infinimats and dmx system, and tilta tripods are all things I'll be very interested in. Just gotta see real world reviews
When i saw the demo of ranger s35 zooms, they have kinda string focus breathing, hopefully they will get it fixed on production units
I find the Pyxis screen position rather well designed from Blackmagic. From my experience shooting long concerts and docs with the 6K Pro, the screen on the back was completely obsolete mounted on a shoulder, and way too low on a waist level. I would use a monitor arm in both cases to bring the monitor to my desired position and height. So at that point saving space and money on a built in settings/control screen makes a lot of sense.
Nice!
This was cool and all, but I was really hoping to hear more about the Lumix S1H II. Ah well.
great video, thanks! is there gonna be a test on the blazar remus lenses? :)
Potentially! If we do, it will be an anamorphic comparison. Jake
The best channel
loved it
Thanks for watching! Jake
When do you release the blazar review?
Also GVM announced the 1200W RGB & Bi-color Monolights.
thank u
I love this #channel 🎉🎉🎉🎉🎉❤❤❤❤❤
One thing i heard is that the colbor ones are supposed to be compatible with nanlite mini bowens accesories, is this true?
CAMERA conspiracy sent his people to check you out new sub.
Great video as always! I'm hoping to get the new L-mount eventually, and I'm also wondering how it handles.
As soon as we get one in and video will be made asap. Thanks for watching! Jake
@@CVPTV Thanks again for your brilliant channel
ahh i remember the days when i would only get super excited about conferences like E3. if only i had known back then....
Other than the fact that Red Connect does 8k ST2110 what are the differences between Red Connect and Red Cine-Broadcast module?
I would love a review of the viltrox anamorphics (if possible including the 25mm & 100mm) since I feel they really are quite interesting lenses. Anamorphic and yet relatively clean regarding CA, „only“ 1.33x yet more anamorphic character than one would expect and not that expensive. I guess this are the first clean anamorphics wich I find quite appealing for some use cases. Really something else. Great content as always!
Noted and thanks for watching! Jake
Anyone have more info on the Smallrig E to PL prototype with electronic ND?
35:26 where i can find more information about the Sony E to PL from Smallrig?
There's nothing online yet. Jake
The year is 2024, and after being in the evolution from DV tape DVX100B, HDV and the XHA1 with a Letus adapter, to 5D, XF100, to RED and Alexa, to C300, FS7, and FX6, now I want is a solid camcorder again.
Pretty disappointed that we didn’t see a new Sony camcorder to compete with the XF605. No, I don’t want to buy a 6-8 year old Sony Z90/190/280 camcorder with no touch focus. That would be silly. I’ll probably get
The XF605, but come on Sony, don’t abandon the camcorders all together!
Chapters really help out for a forty-minute video.
Done! Jake
You missed the C500 mark 3 from canon? and wheres the C70 mark 2 with full frame sensor? 😅 I mean that lens could not be the only thing from Canon at NAB right?
Boy , us humans sure do love our high rez ENTERTAINMENT.
That 17k can finally come close to 70mm imax not quite but still far far better than other digital solutions that were available until now from arri & panavision
This is the only video I've seen that mentioned the Remus 33mm
I think in one interview (Cined i think) Blackmagic said, users can't change the mount of the PYXIS.
Regarding the Pyxis side screen. Handheld, what’s the big deal? Fold out screens add weight, bulk, and a major additional failure point especially for a screen that large. Instead, you cradle the camera in your arm and have a big screen on a firm foundation that’s easy to tap-as compared with so many flippy screens that as you tap, the camera twists in your hand and some taps don’t register. It’s an even better arrangement for shoulder rigs. But on sticks a bit of a mixed bag. If you’re working down low then crouching to make changes could get a little tough on the knees and back. Which is why I anticipate BM releasing a control screen of some kind to run off the USB-C port. Then a lot of the issues completely go away. Oh and on a gimbal it’s only a problem when you mount vertical. Otherwise the screen is very accessible and taps on the side of the camera are less likely to unbalance the gimbal while on. Steadicam? Well that’s where an external control monitor would be essential.
Can you keep your auto-captions on?
this year is caviar for us
37:22 what’s the name of app?
Kinda surprised you didn't mention the Viltrox Luna 30-300mm T4
We mentioned it in our roundup last month! Should have mentioned it again! Jake
I've seen many claim that the power connector for the PYXIS camera is the same of previous BM Cinema Cameras. Furthermore on the BH listing for the Blackmagic Design 12V Power Supply for Pocket Cinema Camera 4K (30W) claims to have compatibility with the PYXIS. Although I have noticed that based on photos and videos of the PYXIS the locking lug on the PYXIS is in-line with the pins whereas previous connectors, the Pocket 4K for example, the locking lug is perpendicular to the pins. Furthermore I've noticed that the end of the older cinema camera power adapter cord is female, but the power input on the PYXIS itself is female too. Does this mean the PYXIS will have a new power connector type?
I was at NAB and asked a BM technician about interchangeable mounts on the Pyxis... They are not.
I read the mount isn't user replaceable
Hey, guys. Can anyone identify the lens at 18:59?
Thats a Tribe7 Blackwing 27mm. Jake
I will enjoy a test of anamorphic 2x full frame séries. Dzo & viltrox thx
I dunno - overall - I think we have a lot more on the horizon.
How about a head mount camera, and a VR interface
The head mount camera could swivel around controllable by the user in their VR interface.
Camera's up on top. Perhaps the mount connects to the VR headset in some manner.
Yawza! That was a mammoth roundup!
Chronos released their new slowmo cam too
Which model is that? Jake
It's called the 4K12
As a CZcamsr with two channels, I feel this is a must attend to be seen and see what the industry is doing.
Lumix Sigma Blackmagic DJI and Leica. L mount alliance is best.
If Cobra 3 Stike isn't priced too high, it would be a perfect monopod for me. Has been using Cobra 3 for half a year and every shoot got me thinking "if only it had a one lock height adjustment".
Yeah, it looks like quite a tidy solution! Jake
About Nisi: Did they say anything about availability in Europe ?
We should have the lenses in stock for Europe delivery! What mount are you after? cvp.com/catalogue/manufacturer/nisi/category/lenses
No other box camera has a built in viewing monitor. the pyxis screen is just for settings and viewing the recorded clips or when applicable for anyone to look at the video. The idea of a side monitor like a camcorder was not part of the plan. it was just a little extra that has backfired for some wannabe users , maybe as an excuse foe not being able to purchase it. So when you do get the money factor in for a monitor.
How a camera without global shutter can be considered a cinema camera is beyond me.
Imma call my pelican cases, "pelis" now
I would like to see something in the format of an original pocket camera.
There are plenty of people that would love that! Jake
I would have left the screen off and made the camera cheaper. Then had an accompanying sleep monitor bit like komodo
Pyxis can’t do 5.7k 60fps. Huge bummer
They flat out said Pyxis mount is not user replaceable. Also WTF happened to HDMI? They better have an updated monitor coming that uses USBC!
what the heck is the high pitch whistling sound in this video??? ok it's the music track. wow. it is so low at some points I could barely hear the synth lines.
We are the optical lens factory, looking forward to cooperation opportunities
when are sony bringing out new camcorders?
We haven't heard anything, but it's been a long time since they refreshed them hasn't it! Jake
11:48 100% CGI
What makes you think that?
Not gonna lie, Black Magic is making things look they’re worth jumping the Sony ship for. Ah… different cameras, different purposes.
No sign of the ZCAM E2-M5G? Was it all just marketing lies or did they gut the project?
nothing about the Kondor Blue Matte Box 😔
It’s still in preproduction but they assured me that it will drop soon. The demo was 3d printed 😜 but super nice.
Big fail on the Black magic screen. It could have been a home run,
Canon release new B4 Zoom and not much else! 😭
I absolutely can not BELIEVE Sony is actively asking companies NOT to use their mount. I can literally feel my sony lenses dropping in value every time a new camera is released without native support.
I feel like i should pay to watch this
Thanks for watching! Jake
Im glad prorez is not there so people can get on board with BRAW.
17K seems a bit... excessive 🤔
Meant to be super sampled when exporting. Basically Grant's answer to 65mm imax film cameras and the rental only alexa65.
ffs I wish camera manufacturers would go with wifi over BT, as a programmer who has worked on BT it is a rubbish standard.
Why does this channel refuse to utter the word “Kinefinity” 😂
Lol
lol CoreSWX something like 300 USD for 50watt hours, kind of a joke.
The new black magic box camera with the side screen is such a bad design, what were they thinking 👎
chapters REALLY wouldve been useful for a 40 minute video lmao
Done! Jake
@@CVPTV Thanks mate! THIS is the NAB video i have been waiting for!
I don't understand the obsession around rolling shutter which seems to be more discussed now than its ever been, it;s been solved for years, every major digital camera from top end to low end has it, (global shutter options aside) so there very quickly was a post solution for it. Not talking about the black magic specific gyro fix which is fine, but rolling shutter compensation has been a part of post for over a decade now. It's not a problem anyone needs to be worrying about. It's a simple fix that's well established in post.
Exactly.
Sometimes I notice big hollywood movies, where a in-car or in-train shot has moving background trees and lamp posts bent 45-degrees because of rolling shutter. But nobody cares about it except youtubers in their small budget videos.
Damn. Idk about it. How do you fix it
Readout for the PYXIS/CC6K is perfectly adequate in the 4-perf Super35 mode - as long as users can get over the “full-frame is more cinematic” snake oil.
With ARRI positing the Alexa 35 as their flagship camera for the future, I don’t understand how manufacturers continue to advertise with slogans like that.
@@8lec_R just look up rolling shutter compensation and whatever software you're using. Earliest I remember seeing it was from foundry about 13 years ago. But you've even been able to add it in premiere since around cs6
You can fix some things easily but not others. For example a static shot with cars moving across the frame, those cars cannot be fixed without very extensive vfx work. That’s just one of many examples.
That Sony did not allow freefly to have e mount is just horrible... Sony does not even have a competing camera! I have things like that and it is a horrible choice on sonys side imo
I don't get it either :/ Jake
@@CVPTV i mean, for the customer it is awesome and a reason to buy into the e mount world if there are even other brands like kinefinity, dji and freefly that offer e mount cameras... it is like the l mount alliance ... for me that move is like self sabotage
CVP telling it like it is with the side monitor of the Pyxis..... Blackmagic did a Canon there....
Had no idea so many people were relying on onboard monitors for critical focus? It's probably enough screen to be annoying if you had the camera shoulder mounted, but half of my footage would be out of focus if I were relying on a camera's built in monitor.
BOX camera with no ND. what a JOKE!
SONY 16-25 🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣 What a missed op to release something special as they have promised.
I need a camera for my onlyfans!