My Patreon page: / chamberlainpaintings to help support this channel. My Instagram: / chamberlainpaintings or @chamberlainpaintings My Email: chamberlainpaintings@gmail.com Thanks!
Pitch perfect format and content. Chamberlain's words to remember - keep the design, keep it abstract. Keep painting. Thank you! - and please keep posting.
This was great. In such a small painting you articulated the way to simplify a really complex scene so well. Love for you to expand on this process with a longeR video. Thanks so much!
I've seen a lot videos about using photo reference, but this one is definitely the most helpful. How much time did you spend working on this panel roughly, I'm just curious
Can you do a video on mixing different values of blue? I’m obsessed with cobalt teal but windsor and newton water mixable paints don’t come in that color! I’d love to know how you get so many different blues in your seascapes
Have just discovered your this week - where have you been for most of my life? Thank you for your clear, understandable demonstrations. Please consider having some online - pay for view workshops un the future.
great design, Michael!!...one thing I would change would be the color of the distant water..I thinkit's should be cooler and darker since it's in the background..right now it seems to come forward because it's too wrm.!
Michael I know the old adage, view a painting from 6 feet back, had a good reason. Especially when looking at Impressionistic work. Sometimes the concept can’t be fully realized staring at the fine details and needs to be seen in whole with all its parts surrounding it from a small distance. Do you find that in our on-line world it’s hard to present your paintings in the best possible way. We photograph our work up close and show every tiny bump magnified. Sometimes the essence is skewed by observing it so close up. The phrase, can’t see the forest for the trees, comes to mind. What do you think?
Showing work online definitely creates problems. Shrinking a loose 36x36 down to laptop or phone viewing size makes the painting look tight and detailed. Dark paintings are very difficult to photograph for some reason. There are so many challenges. It's always better to see a painting in person!
Like your free floating frames for canvases (and watched your video on how you install the canvas), but how do you frame your panels? Are they not too thin to treat the same way, with screws from the back?
@@chamberlainpaintings Ah! Of course, mounting tape! I must say I enjoy watching your videos even though I am working in watercolor--the principles are the same: composition, value, contrast, focal point, etc. I do envy that you can start with the dark colors and work up to the lights with the oils. I have to know where the whites and lights are at the beginning of the painting so I can protect those areas from being painted over and lost! (And, yes, I can use a bit of white gouache...) Thank you for sharing your struggles as well as your time and talent. The path is never the same for any of us and it is encouraging to hear how we all "arrive"!
Eres un crack, me gusta mucho tus pinturas y tu estilo, ya lo creo que me gustaría tener un cuadro tuyo en mi casa, lo pondría en el mejor sitio. Un saludo desde España You are a crack, I really like your paintings and your style, I think I would like to have a painting of you in my house, I would put it in the best place. A greeting from Spainom Spain
I love how you simplify...could use some of that courage, too ;-)
Pitch perfect format and content. Chamberlain's words to remember - keep the design, keep it abstract. Keep painting. Thank you! - and please keep posting.
i love these videos they’re so informative and great to watch :) thank you for sharing your talent
I love watching your videos during this time and I hope your safe and well 😌❤
This was great. In such a small painting you articulated the way to simplify a really complex scene so well. Love for you to expand on this process with a longeR video. Thanks so much!
Amazing, love seeing your process. Helps more than you know! Thank you
love you Mr.Chamberlain
I was realllllly wishing for a video from you exactly like this . Wanted to see your brush strokes. Fab thanks
Thanks Sima, glad you enjoyed it!
You can feel the afternoon warmth in this painting. Stay safe Mike 🎨🙏😷
Thanks, you too Tez!
@@chamberlainpaintings 🎨🙏
Hi Michael, this is incredible, when i look at the photo i see absolutly nothing for a painting. Love your paint.
can you tell me what you see interesting in this photo ?
So much fun watching you do a complete painting.
Thank you this is so helpful!, take care..
great and interesting paintings😍 also your advice is quiet useful
I've seen a lot videos about using photo reference, but this one is definitely the most helpful. How much time did you spend working on this panel roughly, I'm just curious
It’s hard to say since making a video slows the process a bit. I’d say it took about an hour. Glad you found it helpful!
i know I am kind of randomly asking but does anyone know a good website to watch new movies online?
@Kody Baker I dunno atm i have been using flixportal. just google for it=) -santiago
@Santiago Cassius Thanks, I signed up and it seems to work :) I appreciate it!!
@Kody Baker glad I could help =)
Thanks for simplifying the steps and stressing not breaking up each section by adding too much detail (which is me going off on the wrong path!)lol.
Very good explanation, thanks.
Can you do a video on mixing different values of blue? I’m obsessed with cobalt teal but windsor and newton water mixable paints don’t come in that color! I’d love to know how you get so many different blues in your seascapes
Ok I'll see what I can do!
Alabama in the house!
Yes! Thanks John 😊🙏
Fantastic
Have just discovered your this week - where have you been for most of my life? Thank you for your clear, understandable demonstrations. Please consider having some online - pay for view workshops un the future.
For some reason we Alabamians love you and your work! Don’t let anybody hold it against you 😉
😊💛
Another Alabama artist here who loves Chamberlain painting!
great design, Michael!!...one thing I would change would be the color of the distant water..I thinkit's should be cooler and darker since it's in the background..right now it seems to come forward because it's too wrm.!
Lovely
Leaving details out it's the hardest thing
Michael I know the old adage, view a painting from 6 feet back, had a good reason. Especially when looking at Impressionistic work. Sometimes the concept can’t be fully realized staring at the fine details and needs to be seen in whole with all its parts surrounding it from a small distance. Do you find that in our on-line world it’s hard to present your paintings in the best possible way. We photograph our work up close and show every tiny bump magnified. Sometimes the essence is skewed by observing it so close up. The phrase, can’t see the forest for the trees, comes to mind. What do you think?
Showing work online definitely creates problems. Shrinking a loose 36x36 down to laptop or phone viewing size makes the painting look tight and detailed. Dark paintings are very difficult to photograph for some reason. There are so many challenges. It's always better to see a painting in person!
Like your free floating frames for canvases (and watched your video on how you install the canvas), but how do you frame your panels? Are they not too thin to treat the same way, with screws from the back?
The frames for panels aren’t as deep and the panel is attached with 3M mounting tape. 😊👍
@@chamberlainpaintings Ah! Of course, mounting tape! I must say I enjoy watching your videos even though I am working in watercolor--the principles are the same: composition, value, contrast, focal point, etc. I do envy that you can start with the dark colors and work up to the lights with the oils. I have to know where the whites and lights are at the beginning of the painting so I can protect those areas from being painted over and lost! (And, yes, I can use a bit of white gouache...) Thank you for sharing your struggles as well as your time and talent. The path is never the same for any of us and it is encouraging to hear how we all "arrive"!
Eres un crack, me gusta mucho tus pinturas y tu estilo, ya lo creo que me gustaría tener un cuadro tuyo en mi casa, lo pondría en el mejor sitio. Un saludo desde España
You are a crack, I really like your paintings and your style, I think I would like to have a painting of you in my house, I would put it in the best place. A greeting from Spainom Spain
😊
👍👍👍
This is random but the song that you use when painting "duh du duuh duh duh duuuh" is so strongly associated with you in my ind
That’s my “go to” bossa nova 😊👍
I love that song and always turn it up! Makes me smile 😃 what is it btw?