12 Angry Men (10/10) Movie CLIP - Not Guilty (1957) HD
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- čas přidán 22. 04. 2015
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CLIP DESCRIPTION:
Faced with his own short-comings and failures as a father to his own son, Juror #3 (Lee J. Cobb) finally breaks down and pronounces "Not Guilty."
FILM DESCRIPTION:
A Puerto Rican youth is on trial for murder, accused of knifing his father to death. The twelve jurors retire to the jury room, having been admonished that the defendant is innocent until proven guilty beyond a reasonable doubt. Eleven of the jurors vote for conviction, each for reasons of his own. The sole holdout is Juror #8, played by Henry Fonda. As Fonda persuades the weary jurors to re-examine the evidence, we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying self-made man, has estranged himself from his own son. Juror #7 (Jack Warden) has an ingrained mistrust of foreigners; so, to a lesser extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11 (George Voskovec), so certain of the infallibility of the Law, assume that if the boy was arrested, he must be guilty. Juror #4 (E.G. Marshall) is an advocate of dispassionate deductive reasoning. Juror #5 (Jack Klugman), like the defendant a product of "the streets," hopes that his guilty vote will distance himself from his past. Juror #12 (Robert Webber), an advertising man, doesn't understand anything that he can't package and market. And Jurors #1 (Martin Balsam), #2 (John Fiedler) and #9 (Joseph Sweeney), anxious not to make waves, "go with the flow." The excruciatingly hot day drags into an even hotter night; still, Fonda chips away at the guilty verdict, insisting that his fellow jurors bear in mind those words "reasonable doubt." A pet project of Henry Fonda's, Twelve Angry Men was his only foray into film production; the actor's partner in this venture was Reginald Rose, who wrote the 1954 television play on which the film was based. Carried over from the TV version was director Sidney Lumet, here making his feature-film debut. A flop when it first came out (surprisingly, since it cost almost nothing to make), Twelve Angry Men holds up beautifully when seen today. It was remade for television in 1997 by director William Friedkin with Jack Lemmon and George C. Scott.
CREDITS:
TM & © MGM (1957)
Cast: Martin Balsam, Ed Begley, Ed Binns, Lee J. Cobb, John Fiedler, Henry Fonda, Jack Klugman, E.G. Marshall, Joseph Sweeney, George Voskovec, Jack Warden, Robert Webber
Director: Sidney Lumet
Producers: Henry Fonda, George Justin, Reginald Rose
Screenwriter: Reginald Rose
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This movie is proof that you don't need fancy scenery and special effects to make a movie amazing.
The best part of this scene is that they aren’t responding to him because they know that he himself deep down knows and it’s pride and stubbornness that’s keeping him in his position. They don’t need to present arguments anymore, he’s heard them all and he knows they are right. They just let him ramble on until he allows himself to admit it.
The look on his face after he tears up the photo. It actually looks like a man coming out of a blind rage feeling sorry and ashamed of what he did! This movie is amazing.
Maybe the greatest acting I've ever seen by a cast.
This scene with him tearing up the photo of his son then regretting it deeply the instant he did it and grasping it hoping that it would revert back to it's original state (as he would like to happen to the relation with his son) touched my heart. It made me cry for a good 5 minutes.
"I got all the facts here...here..." The way his voice starts to crack is heart-breaking.
I love that you could make the argument that him saying “Not guilty…” was him admitting to himself that it wasn’t his son’s fault for their relationship becoming strained - it was his, and through that, he can finally sympathize with the boy on trial who’s father beat him till he ran from home. What a brilliantly written script.
When almost the entirety of a film can take place in one room and still be an incredible cinematic experience, 50 years after it's been made and not feel aged, you know it truly does deserve to be labelled as one of the best films ever made.
When Lee J. Cobb's character breaks down and sobs, "Not Guilty", I burst into tears and sobbed, too, when I first saw this film. I did that because of two men I know who were estranged from their fathers and who never reconciled before their fathers died.
The photo ripping and the regret following after is just honestly upsetting, you can see how happy he is in the photo and you can tell he misses it, then when he rips the photo, probably the only one with his son, it's just heart breaking
SPOILERS:
I love this part...he's sort of reminded of his own son and how his son was like the kid on trial. It shows that people are mostly prejudiced...nice timing too when he says "Well thats it thats the whole case" after a picture of him and his son was shown.
This is one of the greatest ensemble casts ever put together. Pretty much anyone in that room could've come home with an oscar and deserved it.
This is honestly some of the best acting I've ever seen. I am mesmerized. Every face expression, ever blink, the pauses. Everything is so precise.
when we first saw this movie in school I thought it'd be boring, boy was I wrong :D
It’s so incredible how the whole story takes place within one room and still manages to captivate the audience. Simply incredible.
amazing how just a simple plot, one room, and incredible acting can accomplish. no special effect, no make up. this movie look like it could be made on a child's allowance was more breathtaking than anything I've seen from Hollywood in the last decade.
Some of the finest acting from Lee J. Cobb in this scene. When Fonda's character says "You're alone," it refers to so many things, including Cobb's estrangement from his son. Cobb ripping the photo and immediately regretting his action is heartbreaking, as is the final shot at the end of Cobb wearily walking down the courthouse steps.
Lee J. Cobb was absolutely magnificent in this film: belligerent, bullying, menacing, pathetic and sad. You really didn’t know whether hate him or hug him. A masterful performance...should have won him an Oscar!
Cobb's performance here always makes me bawl. I can see my dad doing this to a photo of me so easily and I feel like i was thrown away just like that photo all over again. It breaks my heart. I hope Cobb's character tried to write his son and apologize. I hope he learned.