(UPDATE IN DESCRIPTION) Over Blown & Over Exposed Footage When Exporting in Premiere Pro Fix!
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- čas přidán 4. 10. 2022
- UPDATED VIDEO HERE - • Fixing Colors & Exposu...
This should fix your issue and it's really easy!
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Heyo!
The solution that worked best for me:
1. Import footage normally
2. Place footage on a track
3. Adjust sequence settings
- Change "Working Color Space" to Rec. 709
- Make sure "Auto Tone Media Map" is checked
4. Interpret Footage
- Right click clip in bin. Modify > Interpret Footage...
- Very bottom, "Color Space Override" set to Rec. 709
5. Export
- I use HEVC (H.265)
- Check "Render at Maximum Depth"
and "Use Maximum render Quality"
Everything looks great now.
EDIT: I'm glad it's working for y'all, happy to help! 😁
Mason! This is excellent!! Thank you so much for taking the time to comment this and let people know. This is a fantastic How-To and setup!!!
@@NightOwlsMedia Happy to help! Thank you for making this video 😁
@@MasonsGunRoom Ah you're making my day with your kindness! thank you so much!!!!
You sir, are my heavenly sent hero! I cannot thank you enough!
@@AdamHipwellthank you so much for the kind words. And thank you @masonsgunroom for the tutorial.
You just gain a subscriber! Been having this issue myself and thought my laptop was the problem . Thanks for the tip!
:) thank you so much! I'm glad it worked for you. It seemed so weird to me that prempro would do this. Happy to help!
Ye never had this issue, updated to premier pro '23 and nee export process as well as color over exposed issues, etc!
Can't wait to get home to see if this works
Thank you thank you so much! I've been dealing with this for weeks now and I've tried a lot of solutions but this is the only one that worked for me! My only problem is the file size got too big >
AH, thats so great to hear! Thank you for letting me know. ANd thank you for the comment. I might suggest - I think you are setting your bitrate higher. If you are following my video exports, then you will absolutely see the giant jump in file size, becuase CZcams crushes the quality when it compresses the videos when you uypload, but by starting high, it won't crush too bad and your quality will stay high. But it all depends on where your video is going to live - if it's for CZcams / online, 100mbs is great and what I suggest. If it's for in-house use, then 1080 could be 30-40mbs, and 4K can be 50-60mbs for high quality. Hope this helps
Hey I have a problem where in my export screen the video looks just like the videos I entered in. But when it exports, it’s way too bright. Do you know any fix to that?
Did you try the PremPro LUT correction as well?
My footage looks fine in the preview until I actually export then the video looks way over saturated. Help!! I shot with my iPhone and I’ve editing and exported before with same settings but after premiere updated it seems to have messed it up??
First off check to see you're still using a rec709 color space on your sequences and exports. That's happen to me before. Otherwise, try this other thing I made - czcams.com/video/uLZ_0xqXDms/video.html
@@NightOwlsMedia tried the lut and a different lut someone else had made for iphone footage and still no use...do you have an email to talk further about this issue?
@@maggierose7689 Hello Maggie , did you solve this yet ? I have the same issue I can’t solve this for 2days now 🥲
same thing happens with me. i'll make video on my iPhone and edit on Adobe premerie and when i export, the preview is perfect. when i check in my gallary. video blow out.!!!!
@@AbrarKhokhar-hz6dr I wonder if there is something in the iPhone codecs that are causing color issues. This has me super interested as I can't see this anywhere else, and since I don't have any Mac products, can you and @maggierose7698 send me an example video you shot on your iphone? Message me at jaysin@eo7media.com
thank you! Saved me!
I know its old video but can you please tell me where i can find this option? Its happening to me when i try to export single frame.
I was editing a video with iPhone X and iPhone 12 footage. In the preview b4 export everything seems fine but when I export only the iPhone 12 footage has the problem so I guess it has to do something with the HDR setting. But there's more. I first made a rough edit with no effects and no footage had the problem after exporting. Then I put wrap stabilize on my footage and the iPhone 12 footage has the problem. Any thoughts ?
did you find the solution to this i think thats whats happening to m
this is correct. IT's due to HDR, i found a video on this months ago and i can't find it rn
😮 oh boi would love to make that work in capcut.
No matter if sdr 709 or hdr HLQ or LP nothing change in exported files. 😢
#capcut #capcutissue #capcutproblem #colorrange #sdr #hdr
I cannot believe how easy that was, as I was about to go insane from trying to figure this out.. wow..
Thank you for the comment and the watch - be sure to watch the newest video on this to ensure your settings are correct as well so you are actually seeing what color you are producing in the editor.
I tried everything, in the export preview it looks fine but when I actually export its over saturated. any help?
Thanks for taking the time to comment! I Made you a video just now to help with this - czcams.com/video/uLZ_0xqXDms/video.html
@@NightOwlsMedia hey i been working on it all morning & i found something. in my export setting there is an option labeled “Export Color Space” & i need to change that but it’s greyed out, any idea how to get it on?
@@DellBillionMob that sounds like you might not be editing on the correct color timeline. Did you shoot and edit on a rec709?
@@NightOwlsMedia How Can I check? I recorded on my iPhone 14?
@@NightOwlsMedia I also really need to sort this out is there any other way I can contact you or consultation of some sort?
THANK YOU!!
You're most welcome! I hope it helped
Thank you!!
Thank you for taking the time to comment! Glad it helped
A couple of things here...my export preview doesn't appear blown out at all. Match Source didn't fix the issue and I don't know what "make sure everything looks great and nice and clean" means when looking at the video settings. So back to the internet I guess?
When you say the export preview doesn't look blown out, do you mean to say that your actual exported file is then blown out? Match source is just s simple quick fix that sometimes works. Typically one of the biggest culprits I have found when the footage is overblown is either the wrong color space in recording vs the color space in the sequence setup or you can use the other popular fix with the correction LUT from Adobe. That helps other times I get issues as well. I have that video I made as well.
As for the "make sure everything looks great" - meaning that all your export settings are set correctly. This was a super low end video on timing as I was crunching work at the same time (I don't get paid to make youtube videos, so I have to be pretty quick about making them and back to my paying editing gigs). I just like to try and help people when I can.
@@NightOwlsMedia I appreciate the explanation.
THANKS!!
Thank you!
Fixed it on export settings, but still shows up when i go to the video fileA AFTER export
Make sure you're on a REC709 timeline /work flow + you have your Display Color Management unchecked
Bro ngl i tried these settings and I can't export my video at all now :( some error that i dont know how to fix
Oh man. That's stressful when PremPro does this. Worst case scenario, try starting a new project and then importing your current projects sequence into the new project. This acts as a failsafe sometimes and can clear up issues like not being able to export at all.
Goat
Didn’t work for me. The project looks great, but after exporting, all saturated and over exposed.
I did a video prior and it came out great. But or this specific video, it’s all messed up.
I've noticed its happened from time to time when I use a baked in color profile from the camera. But when I shoot slog and grade it tends to export how I want it to look, but when I use HLG or Cinetone it goes wonky. Not sure why prempro likes to switch it up. Try the "match timeline" option pre-export. That helps me every time.
You will see a preview of the look of the image before you render out.
@@NightOwlsMedia yeah. I did that the preview looks perfect, but still, after exporting is complete, I watched the vid, over exposed and saturated so bad. Ughhh. I’m growing grey hairs haha
@@maxtwinturtle830 the over saturated situation makes me think it might be something- but first - prempro has this other issue of exporting video a bit under-saturated, there is a super simply solution for that I will make a video for later. But your situation with it being over saturated... I'm wondering if your timeline / sequence is set up incorrectly. If you shoot in something like HLG sometimes prempro will read the data wrong if you put that into a REC709 time line. Just in case, rec 709 is the industry standard for color, and if you set up a sequence normally without making too many changes to it it's set up automatically as rec 709, but if you shoot in another color format like HLG, Rex 709 will read it incorrectly. Meaning inside premier it might look okay, but when you go to export it it's export it with rec 709 color spectrum, and excuse me if I'm using the wrong terminology, but basically it's going to export it as the wrong colors, and oversaturate them. Try creating a new sequence with the exact settings that you shot with, the settings inside your camera, and copy and paste the timeline into the new sequence. This might fix the issue
@@NightOwlsMedia thanks bro! I’ll do this after work!
wow man, thank you!
Thank you so much for the watch in the comment, make sure you follow the link to the updated version to actually fix this instead of just put a Band-Aid on it
@@NightOwlsMedia I did! Very helpful! Thanks a lot man
@@pedrorivera1892 perfect, thank you for letting me know. I just really hope this is going to help some people, I was so frustrated for so long dealing with this
its not working for me its worse in my exporting video can someone helping me out
Check out masonsgunroom comment belowb
A friend does HDR cosplay videos and he abandoned Premiere over this issue. I don't understand why Adobe can't fix this. He's on Davinci. I might take the leap.
The hammer doesn't build the table. I totally understand what you mean. I have been editing on premiere since 2001 and there have been tons of annoying aspects like this over the years, but I do like the over all build and features (which is why I've never jumped shitlp) but I've used FCP, Resolve and Avid Symphony + Media Composer. Again, the program isn't what makes the edit, it's the person using the tool. If your friend finds resolve better for their needs, that's amazing!!! Sadly I cant suggest anything for resolve tips, but I wish you and your friend the best in editing!
We realized we had the wrong color settings in our sequence, had to change the settings to 709
Nice!!!! That's the big one! I have made that comment a lot on the video comments, I should just make the video on how to set it up including how to turn off the annoying 2.4 gamma
That didn't work for me. When I click Match Source, the preview looks like my sequence, but my exported video is still overblown.
1. Make sure you're in rec709 workflow from start to finish
2. Go into your lumetri color settings, preferences, Make sure display color management is unchecked. Then under project, find viewer gamma, set it to 2.2 web.
Adobe does the stupid thing that it'll auto set that color spectrum to 2.4 broadcast. Because that's the color spectrum for TV. If your exporting for web, your color spectrum needs to be different. This should clean it up. I haven't made an update video yet but I figured this out and I've been trying to help everyone who comments
@@NightOwlsMedia This helped! It looks so much better. Thank you 🙌🏼
@@GoOffGabe happy it helped!
Hello, everything except for one thing in this tutorial worked for me. When I try to choose 100 MBPS CBR bitrate, the maximum it will allow me to choose is 40MBPS.
It sounds like you are trying to export 1080p or lower. Are you exporting 4k?
This might not be the case, perhaps PremPro is throttling depending on your set up (ie, hard drive, processor, data transfers (cabling), etc).
@@NightOwlsMediaYes, I am trying to export in 1080p. Is there a hard cap on the maximum bitrate for that resolution?
@@NightOwlsMediaAlso I wanted to ask, have you tried nesting footage after using this method? I notice once I change how my footage is interpreted that every clip except for nested clips get fixed. Those ones become extremely oversaturated. Unfortunately there is no option to change how nested sequences are interpreted to my knowledge.
@@mattcanacari I'm not positive what the hard cap it, I honestly thought it was 50mbs, but yes, there is no need to go above that for 1080 because there isn't as much data. So you're all good
@@mattcanacari nesting - I have not. I have actually figured out the best way to solve this, just haven't gotten to edit the video yet but basically it's a setting in lumetri where Adobe thinks we're all making for broadcast and not online so the color actually incorrect in pp. I'm on a shoot right now otherwise id look it up.
and now off to the part 2 of this problem.. my videos look great but now i lost my graphic colours lol. with any graphic my offwhites have gone all white
When you're saying your graphics, you mean things like text and image graphics over the video? That is super peculiar. Hmmm. If you can't figure it, I would try rendering / exporting the graphics layer only as an animation-level quality MOV with alpha layer. That is basically what After Effects does to export and then bring that back into PremPro, lay it on top of your video tracks and turn off your original graphics track layer and try exporting again - wondering if PremPro is reading those graphics differently. I would also suggest you're exporting your final video at CBR 100 to ensure the quality is up there and at MAX RENDER and MAX QUALITY. Let me know what happens
@@NightOwlsMedia yeah that's what i've been doing so far, it just doesn't seem sustainable to do so in the long run. what i've found works best is to export it via media encoder, not the export tab (i know weird, but stay with me) and set the format to Apple ProRes 4444. loses a fair bit of quality but works if you're looking for a quick socials upload tbf
@@iremturkmen374 OK, I know it's a crappy work around, but I have to do things like this from time to time as well. As for the ProRes 4444 - that might be overkill unless that you're seeing that the colors aren't exporting correctly with out it. When I deliver videos for clients who need them shown on a theater-sized screen they request ProRes 422, but again - there isn't one exact rule to exporting, every one does things differently and that's totally fine if it works for you. I'm sorry to hear there is still quality loss.
@@iremturkmen374 just get .lut hdr conversion
And literally troubleshooting this all day… My exports come out, blown out …
I cannot for the life of me figure out why
Did you get it work ok?
@@NightOwlsMedia I did think so yes
@@scottwallacejr how’d you go about figuring this out?
I cannot remember right now. Let me think about it… It’ll come to me
I don't think it came to you@@Stakewithnerd
it didnt work :(
even after exporting video is very over exposed . its very frustrating
I totally understand the frustration. Have you also tried this - czcams.com/video/uLZ_0xqXDms/video.html
Also, be sure you are editing + exporting in a REC709 color space. That sometimes throws me for a loop. Another, longer workaround is to export an XML, bring into Davinci, and export there.
@@NightOwlsMedia yes i have just tried this as well. still the same over exposed file no idea what to do next
@@shirazghafoor Have you tried to export ProRes 422 or higher? I know sometimes it's the compression in the codec that is an issue. If you exported an XML to Davinci and tried to export there, that might mean footage is an issue. What color space was it recorded in?
@@NightOwlsMedia U said in your video to change the sequence to rec709 . can i apply that to the whole edit or i have to do it every single clip one by one ?
i used cinematic video option in iphone 14pro max . i ve no idea what color space it use
is not working :(
Did you go to the link for the new video?
@@NightOwlsMedia no, I have to check it
did not work for me broooo! grr
Did you try the Adobe fix with the correction LUT ? czcams.com/video/uLZ_0xqXDms/video.html
did not work
Did you try the other trick on this page too? Record, timeline and export in rec709?
I clicked Match Source - dont working nothing
Did you also try the other adobe correct lut fix? It's on my channel
@@NightOwlsMedia dont worked(((
@@vip_video_gift ok. You tried both the match source color and the Adobe LUT compensation . Are you shooting, editing and exporting a REC709 workflow?
thank you so much. this did not help.
MATCH SEQUENCE PREVIEW SETTINGS! WAY SIMPLER IF THIS ONE DIDN'T WORK 4 Y'ALL
Awesome. Thank you so much for the comment and helping others out!
Didn't work
Hi Matthew, did you try the other things on the page as well? I have a few different videos for this. Did you record in Rec709? If you didn't did you convert the footage to REC709 first?
Starts at 1:47
Nice looking out, thanks
doesnt work
Thank you for letting me know, did you try making sure you have rec709 footage on a rec709 timeline and made sure the lumetri color display was switched off?
Display color management
This is such fuckin BS! Not you, Adobe! Premiere software? Expensive as shit?! And this BS is what I get?! This is quite new as well, been using PP for years and never had this problem, dropping BS PP for free CapCut in a second, atleast they dont screw up there BS Premiere software.
Haha - I appreciate the note of "Not you" - I understand the frustration all too well. I've been trying to equate these issues I get in Premiere / Adobe with filmmaking in general. When I was first starting out, I always ran into some issue while making a video (locations, actors, my shot wasn't right, the take didn't record, the NLE would crash, etc). When I was in school, the teacher I had and I called my mentor (BJ Sears) told me "as editors, our main job is to create the story - however, our second job is to fix the fuck up. Because no matter what show you're on, there will always be problems. No film has ever been created with our problems." And if the editor who worked on Jacob's Ladder and Amadeus could say that, I knew the problem wasn't me. So every time PremPro fucks up... yes I get furious for a second, but then I think - hey, this is my job to fix the fuck up. While it doesn't fix the issue, it does kinda give me a zen moment so I can go back to focusing on the work.
@@NightOwlsMedia I appreciate youre answer but I just get mad because PP has been working for years and now this. I think its Adobes job to fix this and not mine. I could accept the responsibility if it was free software, but this is expensive A-F!? Am seriously considering switching to Capcut free or something.