BOSS SY-200 ALL SOUNDS + Ctrl Switch On 128 Tones
Vložit
- čas přidán 21. 01. 2023
- Looking to improve your live performance? Check out the Boss SY-200! In this video, we'll show you how to use ALL 128 tones in the Boss SY-200. Learn to create all sorts of amazing sounds along with the CTRL switch to control different functions. The Boss SY-200 is a great piece of technology.
Buy This Pedal Here: sites.google.com/view/gearsou...
Donate to me on PayPal: bit.ly/2VfmSiJ or Venmo @Pyriscent
CZcams does not pay me, please help support my content financially if you enjoy it. Thank you!
Follow Gear sounds to see content that doesn't make it on the channel!
Gearsounds
GearSounds
groups/gearsounds
My Music -
CZcams: • Alternative Acoustic G...
Pyriscent
Pyriscent
00:00:00 - Intro (Clean Tone)
00:00:10 - #1 Saw Lead
00:00:38 - #2 5th Lead 1
00:01:11 - #3 Sqr Lead Oct Up
00:01:53 - #4 Soft Pad
00:02:30 - #5 198X Synth Brass
00:03:27 - #6 Detuned Str
00:03:50 - #7 Dramatic Str
00:04:53 - #8 Magical Bell
00:05:22 - #9 Rotary Fast 1
00:05:47 - #10 Dirty Organ
00:07:11 - #11 Filter Bass
00:08:08 - #12 Wide Dual Lead
00:08:55 - #13 Game Dual
00:09:49 - #14 Roll Up Sweep
00:10:29 - #15 Slow Sweep
00:11:24 - #16 Dark Bass 1
00:12:14 - #17 Bubble
00:12:33 - #18 Moving Filter 1
00:13:39 - #19 Rhythm + Bass 8th
00:15:01 - #20 Arpeggio 1
00:16:41 - #21 Saw Lead Octave Up
00:17:10 - #22 Sqr Lead
00:17:39 - #23 Sync Lead 1
00:18:12 - #24 Sync Lead 2
00:18:47 - #25 Sine Lead
00:19:15 - #26 Brassy Lead
00:19:25 - #27 Tri Lead
00:19:40 - #28 Whistly Lead
00:19:59 - #29 5th Lead 2
00:20:42 - #30 Oct Lead 1
00:20:56 - #31 Oct Lead 2
00:21:41 - #32 PWM Lead 1
00:22:07 - #33 Filter Lead 1
00:23:09 - #34 Cello Lead
00:24:34 - #35 Oct Lead 3
00:25:44 - #36 Ring Mod Lead
00:26:49 - #37 Filter Lead 2
00:27:56 - #38 Sync Phase Lead
00:29:22 - #39 Sqr+Noise Lead
00:30:10 - #40 PWM Lead 2
00:31:06 - #41 Attacking Lead
00:31:58 - #42 Saw Pad
00:32:40 - #43 Orchestral Pad
00:33:03 - #44 Heavy Pad
00:33:23 - #45 Synth Brass 1
00:33:52 - #46 Synth Brass 2
00:34:10 - #47 Phased Pad
00:34:33 - #48 Sequence Pad
00:37:00 - #49 Synth Brass 3
00:37:33 - #50 Voice Pad
00:38:01 - #51 Glassy High Pad
00:38:33 - #52 African S.Brass
00:39:29 - #53 198x Synth Str
00:40:34 - #54 Fall Pad
00:41:19 - #55 Dual Detune Pad
00:42:16 - #56 High Oct Str
00:42:26 - #57 Low Oct Str
00:42:36 - #58 Low+High Str
00:43:17 - #59 Light Str
00:43:29 - #60 Layered Str 1
00:43:55 - #61 Phased Str
00:44:30 - #62 Electric Cello
00:47:50 - #63 Str for Chords
00:49:01 - #64 Bell 1
00:49:18 - #65 Bell 2
00:49:50 - #66 Bell Sqr
00:50:09 - #67 Bell Saw
00:50:19 - #68 Bell Bass
00:50:53 - #69 Bell Str
00:51:05 - #70 Steel Pan 1
00:51:49 - #71 Rotary Slow 1
00:52:23 - #72 Comp Organ 1
00:52:50 - #73 Comp Organ 2
00:53:52 - #74 Layered Organ
00:54:20 - #75 Chorus Organ
00:54:48 - #76 Sheep Organ
00:55:16 - #77 Filter Bass 2
00:55:44 - #78 Filter Bass 3
00:55:57 - #79 Saw Bass
00:56:44 - #80 Dirty Sqr Bass
00:57:10 - #81 Bowed Bass
00:57:32 - #82 Synth Feedbacker
00:58:01 - #83 Fat Reso Dual
00:58:30 - #84 Sin+Sqr Dual
00:59:00 - #85 Saw+Tri Dual
00:59:34 - #86 Tri+Noise Dual
00:59:53 - #87 Tri+Sqr Dual
01:00:45 - #88 Saw+Sqr Dual
01:01:27 - #89 Bass Sweep
01:01:53 - #90 Slice Sweep
01:03:35 - #91 Space Sweep
01:04:16 - #92 Phased Sweep
01:04:42 - #93 Oct Sweep
01:05:05 - #94 Saw Seep
01:05:55 - #95 Sin Sweep
01:06:05 - #96 Fuzzy Noise #97 Attack Noise and #98 Techno Noise
01:06:24 - #99 Choir Noise
01:06:59 - # 100 Wind, # 101 Laser Beam and # 102 Lof-Fi
01:07:39 - # 103 Beep
01:07:56 - # 104 Lo-Fi Phase
01:08:23 - # 106 Going Down 2
01:08:33 - # 109 Touch Filter
01:09:24 - # 110 Sensitive Pitch
01:09:48 - # 111 Ring Mod 1
01:10:04 - # 112 Simple Bass 16th
01:11:23 - # 113 Simple Bass 8th
01:12:22 - # 114 Moving Organ
01:12:58 - # 115 Sequence 1
01:14:25 - # 116 Sequence 2
01:15:24 - # 117 Noisy Sequence
01:17:54 - # 118 Bass Sequence 1
01:19:25 - # 119 Bass Sequence 2
01:20:35 - # 120 Bass Seq+Rhythm
01:21:00 - # 121 Arpeggio 2
01:21:49 - # 122 Arpeggio 3
01:22:22 - # 123 Arpeggio 4
01:23:04 - # 124 Arpeggio 5
01:23:24 - # 125 Arpeggio 6
01:24:12 - # 126 Arpeggio 7
01:24:51 - # 127 Arpeggio 8
01:25:28 - # 128 Arpeggio 9 - Hudba
00:00:00 - Intro (Clean Tone)
00:00:10 - #1 Saw Lead
00:00:38 - #2 5th Lead 1
00:01:11 - #3 Sqr Lead Oct Up
00:01:53 - #4 Soft Pad
00:02:30 - #5 198X Synth Brass
00:03:27 - #6 Detuned Str
00:03:50 - #7 Dramatic Str
00:04:53 - #8 Magical Bell
00:05:22 - #9 Rotary Fast 1
00:05:47 - #10 Dirty Organ
00:07:11 - #11 Filter Bass
00:08:08 - #12 Wide Dual Lead
00:08:55 - #13 Game Dual
00:09:49 - #14 Roll Up Sweep
00:10:29 - #15 Slow Sweep
00:11:24 - #16 Dark Bass 1
00:12:14 - #17 Bubble
00:12:33 - #18 Moving Filter 1
00:13:39 - #19 Rhythm + Bass 8th
00:15:01 - #20 Arpeggio 1
00:16:41 - #21 Saw Lead Octave Up
00:17:10 - #22 Sqr Lead
00:17:39 - #23 Sync Lead 1
00:18:12 - #24 Sync Lead 2
00:18:47 - #25 Sine Lead
00:19:15 - #26 Brassy Lead
00:19:25 - #27 Tri Lead
00:19:40 - #28 Whistly Lead
00:19:59 - #29 5th Lead 2
00:20:42 - #30 Oct Lead 1
00:20:56 - #31 Oct Lead 2
00:21:41 - #32 PWM Lead 1
00:22:07 - #33 Filter Lead 1
00:23:09 - #34 Cello Lead
00:24:34 - #35 Oct Lead 3
00:25:44 - #36 Ring Mod Lead
00:26:49 - #37 Filter Lead 2
00:27:56 - #38 Sync Phase Lead
00:29:22 - #39 Sqr+Noise Lead
00:30:10 - #40 PWM Lead 2
00:31:06 - #41 Attacking Lead
00:31:58 - #42 Saw Pad
00:32:40 - #43 Orchestral Pad
00:33:03 - #44 Heavy Pad
00:33:23 - #45 Synth Brass 1
00:33:52 - #46 Synth Brass 2
00:34:10 - #47 Phased Pad
00:34:33 - #48 Sequence Pad
00:37:00 - #49 Synth Brass 3
00:37:33 - #50 Voice Pad
00:38:01 - #51 Glassy High Pad
00:38:33 - #52 African S.Brass
00:39:29 - #53 198x Synth Str
00:40:34 - #54 Fall Pad
00:41:19 - #55 Dual Detune Pad
00:42:16 - #56 High Oct Str
00:42:26 - #57 Low Oct Str
00:42:36 - #58 Low+High Str
00:43:17 - #59 Light Str
00:43:29 - #60 Layered Str 1
00:43:55 - #61 Phased Str
00:44:30 - #62 Electric Cello
00:47:50 - #63 Str for Chords
00:49:01 - #64 Bell 1
00:49:18 - #65 Bell 2
00:49:50 - #66 Bell Sqr
00:50:09 - #67 Bell Saw
00:50:19 - #68 Bell Bass
00:50:53 - #69 Bell Str
00:51:05 - #70 Steel Pan 1
00:51:49 - #71 Rotary Slow 1
00:52:23 - #72 Comp Organ 1
00:52:50 - #73 Comp Organ 2
00:53:52 - #74 Layered Organ
00:54:20 - #75 Chorus Organ
00:54:48 - #76 Sheep Organ
00:55:16 - #77 Filter Bass 2
00:55:44 - #78 Filter Bass 3
00:55:57 - #79 Saw Bass
00:56:44 - #80 Dirty Sqr Bass
00:57:10 - #81 Bowed Bass
00:57:32 - #82 Synth Feedbacker
00:58:01 - #83 Fat Reso Dual
00:58:30 - #84 Sin+Sqr Dual
00:59:00 - #85 Saw+Tri Dual
00:59:34 - #86 Tri+Noise Dual
00:59:53 - #87 Tri+Sqr Dual
01:00:45 - #88 Saw+Sqr Dual
01:01:27 - #89 Bass Sweep
01:01:53 - #90 Slice Sweep
01:03:35 - #91 Space Sweep
01:04:16 - #92 Phased Sweep
01:04:42 - #93 Oct Sweep
01:05:05 - #94 Saw Seep
01:05:55 - #95 Sin Sweep
01:06:05 - #96 Fuzzy Noise #97 Attack Noise and #98 Techno Noise
01:06:24 - #99 Choir Noise
01:06:59 - # 100 Wind, # 101 Laser Beam and # 102 Lof-Fi
01:07:39 - # 103 Beep
01:07:56 - # 104 Lo-Fi Phase
01:08:23 - # 106 Going Down 2
01:08:33 - # 109 Touch Filter
01:09:24 - # 110 Sensitive Pitch
01:09:48 - # 111 Ring Mod 1
01:10:04 - # 112 Simple Bass 16th
01:11:23 - # 113 Simple Bass 8th
01:12:22 - # 114 Moving Organ
01:12:58 - # 115 Sequence 1
01:14:25 - # 116 Sequence 2
01:15:24 - # 117 Noisy Sequence
01:17:54 - # 118 Bass Sequence 1
01:19:25 - # 119 Bass Sequence 2
01:20:35 - # 120 Bass Seq+Rhythm
01:21:00 - # 121 Arpeggio 2
01:21:49 - # 122 Arpeggio 3
01:22:22 - # 123 Arpeggio 4
01:23:04 - # 124 Arpeggio 5
01:23:24 - # 125 Arpeggio 6
01:24:12 - # 126 Arpeggio 7
01:24:51 - # 127 Arpeggio 8
01:25:28 - # 128 Arpeggio 9
Thank you for doing this
@@StratsRUs You're very welcome, thanks for tuning in.
Thank you for much for this ❤
You're very welcome. It's been fun to see this channel grow thanks to these fun pedals.
Thanks for a nice overview of all the different sounds. Very helpful!
You're very welcome. This is what gearsounds does best! I hope I earned your subscription 😁
Thanks for taking the time to make this :D
It's my pleasure to make these videos. My hand was hurting and I had to take a break halfway through but I enjoyed it. Especially the ending. I hope to see you in the next one. I also did an "all sounds" video for the sy-1000 you can check out here 👉 czcams.com/video/T62i1mSc6eA/video.html
You can link a cable from the "send" to another amp. You can then play over the synth sound when pressing the hold button. Hope this helps.
That is an interesting use case but I don't split this into two amps just yet. I probably should do a direct demo as well as a wet dry demo.
Well played and explored. Great vid, brother ❤ cheers
Thank you, I hope I earned your subscription and I'm glad you enjoyed the content. I'm always striving to make better videos.
Thx for this vídeo brother. Helped me a lot. Cheers
You're very welcome Andre, thanks for tuning in!
Thanks for going thru every patch
You're welcome Sean, That's what I do here and I hope I earned your subscription.
Awesome!!!
Thank you, I'm glad you enjoyed it.
Nice pedal & amp. As of recently discovered the TCE Combo Deluxe '65 pedal, just as the SY-200 a very nice one 👌🤠
Yes I really enjoy this pedal but I have to admit after I got the GM 800 I haven't played it in a while.
Buy This Pedal Here: sites.google.com/view/gearsounds/boss-sy-200
Donate to me on PayPal: bit.ly/2VfmSiJ or Venmo @Pyriscent
CZcams does not pay me, please help support my content financially if you enjoy it. Thank you!
Hello, can I use the pitch-shift function on the SY200 to simulate bass without the synth effect? Like a dry signal but in a lower octave?
Hello, unfortunately no the dry signal is independent and unaltered. The only thing you can do to the dry signal is adjust the volume. There aren't even any effects inside this unit. However what you can do is create your own tones with all the voices inside this pedal, and have them played alongside the dry signal. You can also independently route the dry signal and the synth signal out of the pedal.
I want to emulate Jazz bass sounds. Do you think this will do it or should I go with EHX Bass9?
If you wanting to emulate jazz bass sounds I think the EHX would be better for you as this unit is far too expensive for what it does. The SY200 will probably track better and you could definitely customize it more but I'm not sure that it's going to recreate the sounds that you want. If you just want to recreate bass sounds go with the EHX.
Hello ConvexFx, I answered your question and much more detail on the first episode of question and answer. You can watch that here. czcams.com/users/liveg4-SYgup3Rc?feature=share
These are presets, but Can u do a simple review of the raw synth modes and their submodes. The bottom knobs, u know ...that would b great to hear them. Thnxx ❤
I will be doing many more videos about the GM 800 before I go back to this pedal again.
Hello! One question, does pressing the pedal increase the gain a lot? Because I bought it and when I turn it on the gain goes up a lot.
No pressing the pedal doesn't produce any gain whatsoever. The issue that you're having is that you're probably running this through a guitar amplifier. That is not how a synthesizer is supposed to be run. I wish boss would give better instructions with this but the synthesizer needs to go into what's called a full range speaker. Not even a solid state amplifier is good enough if it's designed just for guitar frequencies, it has to be a keyboard amplifier designed for synthesizer and keyboard frequencies. Plug it into that and you're not going to hear that gain and distortion. The gain and distortion you are hearing is the synthesizer attempting to produce frequencies that the amps itself can't be reproducing. For instance the synthesizer can hit very low and high frequencies and since the amp you're playing it through is a guitar amp, it can't replicate those and when it can't do that it clips and when it clips it sounds like game. That's why you are getting such harsh high end. I hope that helps.
Do you have the sy300? Im thinking considering I have the boss gx-100 mfx pedal I could probably send through this and achieve everything that that unit has to offer. I want to be able to combine the sounds of that and the sy-200
I really would not go that route as the SY300 is a completely outdated piece of technology. Yes it is basically a super version of the SY200 but in my mind the SY1000 replaces the SY300. Without individual string tracking on the SY300 You won't be playing beautiful chords that sound as good as the GM 800 or SY1000. I think the SY1000 does everything a synth guitar player would want and the GM 800 does everything a synth guitar player would want also without the option to have real guitar sounds on board. I really do believe the SY300 is outdated but if you do like the SY200 sounds and want to customize them then yes you could use the SY300 into an effect system. However I know a lot of those effects were designed for guitar and not for the full range that the synth has to offer.
@@GearSounds is there a way I can overhaul the presets and do user edits to them on the 1000? I think that most of the presets on it sound kind of crappy
Yes, you can edit them but if you find ALL the sounds on the sy 1000 to be crappy you won't be able to make anything better. You sure can add reverb and that will help a lot but it won't be a giant game changer. You can do a LOT more editing on the sy1000 than you can on the sy300 @@boboyamyams
How you doing buddy?!Did I get get a chance to ask you if you could trigger synthesizers that are external and play them with your guitar? I miss those expressions of the number 2 look. Just messing with you lol! Have you made any ambient videos yet with this baby? I’m about to pull the trigger but I just would really like to know why it doesn’t trigger external sense if it doesn’t but if it does, it’s a Home run!
No you can't trigger external synthesizers with this but you can with a new GM 800 and with the SY1000. You really need a hex pickup to do that properly. I think you may be able to convert to MIDI without a hex pickup but I don't know that it would be very good and would only work for single note stuff. Yes I did doing ambient video of this pedal right here. czcams.com/users/liveFcFDYMdKOlk?si=Jy6_s9qwgrVKu_Ov
@@GearSounds thanks for the quick reply and info. Much appreciated. This still looks like it’s worth getting because you could probably totally turn it into soundscapes with good reverb and delay pedals so I will probably still pull a trigger on this and then the GM 800 in the near future because I love synthesizers as much as Guitar, so thanks for the good work and demoing all the sounds. It really helps to pull the trigger on this Little bad boy. But I wonder why they didn’t make it trigger external synthesizers since it’s midi-based and you could trigger the internal sounds with other gear. It doesn’t make sense to me, but maybe they save that type of stuff for the big daddies, and the big mamas,.. Cheers to successful CZcams channel!
Pretty cool,.. but why does it look like your going number 2 when you play? 💩 😂
That's the look of inspiration 💪
That's the proper face for nuanced emotional guitar playing!
Exactly, I'm certain this man hasn't seen Hendrix at Woodstock. When I saw the greatest guitar player who ever lived making whatever expression he felt like making, It was a very freeing moment for my playing.
Have you tried triggering external synths yet? Please share a video when you do.
I haven't and yes I definitely will upload a video when I do that. Anytime I try a new pedal or pedal combo you will see it here.
Thanks I will subscribe.
Thank you for your subscription, I don't think you can trigger other synths with this As the only MIDI messages it can send are timing.
You sure the SY series all need a pickup system for simple applications? I thought the Sy series could be used without a pickup system unless you’re using the 1000 for complicated multi string setups?
No, I would have to say that's technically an incorrect statement as only 2% of the sounds are usable without a pickup. If you plug directly into the SY1000 without the proper pickup you will only have access to about four patches. These are very simple patches and I wouldn't say the sounds are very great. Although those patches do work polyphonically you aren't going to get the best out of the SY1000 without a pickup. Same for the GM 800.
Thanks I’m about to pick up this unit but I’m hoping I don’t regret it because the Sy-300 seems much better than this unit, but if the 200 can trigger other synths with little to no latency,. I will be fine with the 200. Can you confirm this feature for me with little latency? Or should I wait and save for the Sy-300s extra sound design power? And what ac adapter should I get for the Sy-200? Thanks so much for your help man.
In my personal opinion the SY300 is an outdated unit. I really believe that using a hex pickup is the best way to get polyphonic tones. To be honest if you were playing single notes you can get away with not having a hex pickup to individually split the strings up. The power supply is a standard nine volt power supply for this but the amperage is higher than sometimes available on some power supplies.
No, unfortunately I cannot confirm the ability to trigger other synthesizers. I believe in order to do that you need something like the SY1000 which has a MIDI output.
Is there a flute and/or piano sound?
Yes there are both and you can even combine them on top of each other, up to four voices. This gives me a great idea for a CZcams short.
I might just buy this just for the arpeggio mode, it sounds so damn cool
That was originally the reason why I purchased it. That is probably the best use of it in my personal opinion but I don't hear a lot of it out there.
@@GearSounds do you think the arp sounds alone are worth it? I’d love to sprinkle some of that during song parts or solos
How do you like the pedal now that you’ve had it for a while?
That really depends on what type of music you play and how much you enjoy the arpeggio sounds with pedals. I recommend you take a look at some of my other demos where I use the SY1 that is the same algorithm. If you enjoy how that sounds it can absolutely be worth the price but you aren't losing access to the other sounds. Surprisingly, despite the fact that I think the arpeggios are the most powerful portion of the unit I end up using just a few sounds as lead tones in practice. I mostly just use a single sound so I want to find a pedal where I can switch between a couple of sounds or just bring those patches closer together. Now that you can find these used I would say it's absolutely worth it, even for just one sound as it's extremely powerful and you can make that sound your own.
Why is the on/off indicator not lit?
Since I didn't turn the pedal off or touch the knobs I felt no need to show any of those changes and it made editing easier and made the video look better but I hope you can see the screen okay. The screen changes are updated but the pedal itself always stayed the same so it's replaced with a higher resolution photo. I hope you don't hate me for that!
@@GearSounds Gotcha, makes sense to me. Thanks for explaining! No hate here.
@joelpass I'm glad! I hope I earned your subscription with the content! The gm-800 videos are fun too but that's an expensive pedal. It's well worth it in my opinion
theres a lot of guitarests on yourtube that need a good hair cut
This would hit me harder if it was grammatically correct. 🤣
@@GearSounds meaning your shaggy appearance was noticed and you should have considered getting a better look to do this video
I'll be honest, how I look matters little to the end product for 99.9% of people. You are the .1% sir. 😂
The last thing I care about is my appearance. I care far more about audio quality.
Probably the last interesting single pedal out there. This one is very unique and very special sounding. I have Fishman tripple play midi pickup, but this thing dont even need a pickup. It seem to synthesize on the signal that comes straight from the guitar. Thats a must have some day when looking for useless sounds.
Yes, this is the best synth pedal that doesn't need a pickup on earth. I still want to try to use this but now that I have the GM 800 with the hex pickup I find it hard to implement it into my workflow. My main guitar has the pickup so I tend to use the GM 800 now
Is it just me that most of them channels are almost identical?
The patches near each other are meant to sound identical as to arrange them by similar sounds. This makes it easier to remember where your favorite patches are. That being said yes, there are only about 13 voices this can do and many are repeated versions of the same voice with some alterations. I should mention that this massively alters how it performs and this is the reason I demo all of the sounds.
Also.....a musician at this more advanced level of playing will keep within defined musical chords and phrases.......mono playing picks out more detail but essentially a guitarist will find that self defeating
Multi tracked drones and effects loop in and out will turn into a more experimental tool.........but this will be a more personal project than a performance based one
I hope you mean that my playing is advanced lol. That being said you can often hear what the intention of the patch is in mono.