In Conversation With Tony Banks | Demonstrating the orchestration behind 'An Island In The Darkness'

The use of the piano was a very important part of the template of 'An Island In The Darkness', forming the backbone of the orchestration of the piece. Here, Tony & Nick demonstrate how this provided the undercurrent to the 17-minute-long piece...
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[@blackcreekmusic783]

Somehow this track passed me by years ago. I don't think the album was ever officially released in the U.S.. I bought "A Chord Too Far" and hadn't listened to it until a week ago I made a playlist and I've been playing very morning on my way to work for the past week. Classic Tony 100%!!!!!!

[@mikedenmark]

Once and for all, get this straight, Mr. Banks, and I’m pretty sure I speak
for all Banksians and surely the lot of all true Genesis fans - while we adore
your short tracks, we certainly love all the long tracks, and they are the
main reason one never tires of listening and why we keep coming back!
On a more personal level, I feel that all your symphonic endeavors are
superb pieces of music, because they are exactly as long as they need
to be, and they all come full circle when one listens. They all convey
a feeling of complete fulfillment to me, whenever I play them on my
system - usually I listen to all three of them in a row, and my CD-player
holds six, so keep them coming (4,3,2, & 1??) ☺️. Thank you, Sir

[@axelanas9537]

More CP-70 !!!

[@krissyrose14]

CP-70 + Boss Chorus + intricate melody + dense chords = Tony Banks

[@xxYOURBIJOUxx]

Wonderful mesmerising piece of music. My favourite song by Tony by far, out does all the others. Thank you, and One For the Vine is my favourite song by Genesis.

[@temeralane7867]

🤗 #LoveYou 💛

[@temeralane7867]

🤗💛💋

[@Bravemarbles]

I love this song and wish Genesis had done it/will do it!