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Cello Bow Arm Technique (Part 2): Bow Arm Circles | Celloprofessor | Jamie Fiste
Cello Bow Arm Technique Explained (Part 2) looks at the circular motions in the bow arm while playing cello. Circles enable us to change bow directions without completely stopping or starting the motion, much like a swimmer changes directions in the pool in a swim meet.
Part 1: czcams.com/video/M7c0G-fLqmo/video.html
String crossings: czcams.com/video/OXXcMiTuXis/video.htmlsi=uxKP8djLHzWiHyKq
Corresponding webpage: www.celloprofessor.com/bow-arm-circles-cello
Part 1: czcams.com/video/M7c0G-fLqmo/video.html
String crossings: czcams.com/video/OXXcMiTuXis/video.htmlsi=uxKP8djLHzWiHyKq
Corresponding webpage: www.celloprofessor.com/bow-arm-circles-cello
zhlédnutí: 456
Video
Cello Bow Arm Technique Explained (Part 1) | Cello Professor Jamie Fiste
zhlédnutí 678Před 2 měsíci
"Cello Bow Arm Technique Explained” is a detailed exploration into the biomechanics of cello playing. Jamie Fiste, cello professor at Central Michigan University, breaks down the complexities of bow arm movement, offering insights into how leverage, angle, and movement contribute to an efficient technique. The corresponding webpage is "The Movements of the Bow Arm", www.celloprofessor.com/Right...
Crafting Musical Magic: The Artistry of Cello Luthier Steve McCann
zhlédnutí 487Před 6 měsíci
Join us as we delve into the world of stringed instruments with Steve McCann, head luthier at Guarneri House in Grand Rapids, Michigan. With over 35 years of experience, Steve has honed his skills in making, repairing, and restoring violins, violas, and cellos. In this interview, we explore Steve’s meticulous craftsmanship, his passion for creating instruments that sing, and the techniques behi...
The Four Main Motions in Cello Vibrato Explained!
zhlédnutí 597Před 7 měsíci
There are four basic motions in cello vibrato that must coordinate together. This video by Jamie Fiste breaks down the motions individually and shows how they coordinate. For a video and article that covers how to teach vibrato and provides more exercises, please see www.celloprofessor.com/more-cello-vibrato-ideas
How to shift cleanly (without a slide) on the cello.
zhlédnutí 1,2KPřed 7 měsíci
This video covers the clean shift on the cello, variously called the German shift, the anticipated shift, or the old finger shift. This is in contrast to the portamento or "French shift" in which there is an obvious slide between the notes. For the same video without ads with the accompanying article, please visit, www.celloprofessor.com/clean-shifting-cello For general principles of shifting, ...
Left Hand Rotation on the Cello | Professor Jamie Fiste
zhlédnutí 906Před 7 měsíci
"Hand rotation" is a left-hand and arm technique on the cello that utilizes a rotating action in the forearm and hand as a means to lift the fingers from the string and place them down as opposed to relying solely on the flexor and extensor muscles of the forearm. It essentially transfers work from the forearm muscles to other muscles of the arm, dividing the workload. I've seen this technique ...
Releasing Neck and Jaw Tension While Playing Cello
zhlédnutí 312Před 7 měsíci
Releasing neck and jaw tension while playing the cello begins with relaxing the root of the tongue. I picked this up from voice lessons and it has direct application to cello technique. To see the same video without ads and the accompanying article, visit www.celloprofessor.com/release-neck-tension-cello 00:10 Intro 00:29 Importance 00:39 Voice lessons 01:00 Relaxing the root of the tongue. 02:...
String Crossings on the Cello | Professor Jamie Fiste
zhlédnutí 1,1KPřed 8 měsíci
How do I execute string crossings on the cello? This video covers two types of common string crossings on the cello. Learn the techniques in this video by Professor Jamie Fiste of Central Michigan University. See video without ads and accompanying article: www.celloprofessor.com/string-crossings Related videos Developing a relaxed wrist: www.celloprofessor.com/tension-right-wrist-cello.html Pas...
The distinction between active and passive motions on the cello.
zhlédnutí 377Před 8 měsíci
This video as an update of a 2008 video, "Understanding active and passive motions on the cello" (czcams.com/video/GJ4YuDkxaAc/video.html). This video provides a distinction between active and passive motions while playing the cello. Other related topics include the use of momentum/inertia, and the role gravity can play in our technique as cellists. For the video without ads and full article on...
Finger Spacing on the Cello
zhlédnutí 834Před 8 měsíci
This video addresses the challenges inherent in finger spacing on the cello and how to fix them. For the video without ads and the accompanying article, please see: www.celloprofessor.com/Finger-Spacing.html
Sautillé bow stroke on the cello
zhlédnutí 1,1KPřed 9 měsíci
Learn the techniques involved in the sautillé bow stroke on the cello. Exercises for a relaxed wrist, needed for the sautillé, can be found here: www.celloprofessor.com/tension-right-wrist-cello.html The video without ads along with the accompanying article: www.celloprofessor.com/Sautille.html Website: www.celloprofessor.com 0:11 Definition of sautillé and introduction 0:20 Distinction between...
More cello vibrato exercises!! Yeah!!!!
zhlédnutí 3,5KPřed 2 lety
The same video without any ads and the full article can be seen at www.celloprofessor.com/more-cello-vibrato-ideas. Here are some more ideas for learning or teaching cello vibrato. Dr. Jamie Fiste: Cello Professor, Central Michigan University. www.celloprofessor.com
Drawing a straight bow on the cello - Peanut butter and Jelly anyone??Jamie Fiste
zhlédnutí 3,6KPřed 5 lety
Jamie Fiste is Professor of Cello at Central Michigan University. This video covers the importance of a straight bow that stays in its lane, when a straight bow is *not* necessary, exercises for adjusting the bow angle in the arm and hand, and the Peanut Butter and Jelly game. For articles and videos, please see www.celloprofessor.com.
Releasing tension in the wrist when bowing the cello.
zhlédnutí 12KPřed 5 lety
Jamie Fiste, Professor of Cello at Central Michigan University, discusses the importance of keeping your wrist in your bow hand relaxed and free from tension, allowing freedom of movement via passive motion. For articles and helpful videos, please see www.celloprofessor.com.
Posture and Sitting Position for the Cello, Jamie Fiste
zhlédnutí 3,3KPřed 5 lety
Posture and Sitting Position for the Cello, Jamie Fiste
Basic Bow Hold on the Cello (Battle Against the Amoeba Hand!)
zhlédnutí 4,4KPřed 5 lety
Basic Bow Hold on the Cello (Battle Against the Amoeba Hand!)
Me and My Shadow for Cello Solo by Murray Gross (2015). Performed by Jamie Fiste
zhlédnutí 804Před 7 lety
Me and My Shadow for Cello Solo by Murray Gross (2015). Performed by Jamie Fiste
The loure bow stroke on the cello. Jamie Fiste of Central Michigan University.
zhlédnutí 6KPřed 7 lety
The loure bow stroke on the cello. Jamie Fiste of Central Michigan University.
Posture and Sitting Position for the Cello. Jamie Fiste, Central Michigan University
zhlédnutí 6KPřed 7 lety
Posture and Sitting Position for the Cello. Jamie Fiste, Central Michigan University
Understanding Active and Passive Motions on the Cello. Jamie Fiste, Central Michigan University
zhlédnutí 6KPřed 7 lety
Understanding Active and Passive Motions on the Cello. Jamie Fiste, Central Michigan University
Sonata for Cello and Piano in D minor by Claude Debussy, Jamie Fiste cellist
zhlédnutí 1,7KPřed 9 lety
Sonata for Cello and Piano in D minor by Claude Debussy, Jamie Fiste cellist
Sonata für Violoncello Solo by Paul Hindemith, Jamie Fiste, cellist
zhlédnutí 1,1KPřed 9 lety
Sonata für Violoncello Solo by Paul Hindemith, Jamie Fiste, cellist
Suite No 3 in C major for Cello, BWV 1009 by J.S.. Bach
zhlédnutí 1,7KPřed 10 lety
Suite No 3 in C major for Cello, BWV 1009 by J.S.. Bach
Beethoven Cello Sonata No. 5 in D major, Mvts 2 and 3
zhlédnutí 688Před 10 lety
Beethoven Cello Sonata No. 5 in D major, Mvts 2 and 3
Beethoven Cello Sonata No. 5 in D major, Movement I, Allegro con brio
zhlédnutí 1,5KPřed 10 lety
Beethoven Cello Sonata No. 5 in D major, Movement I, Allegro con brio
Movement 3 of the Fantasy Pieces by Robert Schumann
zhlédnutí 6KPřed 11 lety
Movement 3 of the Fantasy Pieces by Robert Schumann
Left Hand and Arm Position on the Cello. Jamie Fiste, Central Michigan University
zhlédnutí 34KPřed 15 lety
Left Hand and Arm Position on the Cello. Jamie Fiste, Central Michigan University
Teaching Finger Spacing on the Cello. Jamie Fiste, Central Michigan University
zhlédnutí 32KPřed 16 lety
Teaching Finger Spacing on the Cello. Jamie Fiste, Central Michigan University
Teching cello vibrato to beginners Part II. Jamie Fiste, central Michigan University
zhlédnutí 49KPřed 16 lety
Teching cello vibrato to beginners Part II. Jamie Fiste, central Michigan University
Brilliant explanation. BRAVO! 😊
It’s very useful. Thanks!
@@mimiutou Thanks for the feedback! Appreciated!
thank you,it‘s very helpful!🎉
Thank you for watching!
Hey Jamie! I can't remember if I ever commented on your videos. But I've been attentively following you for the past two years. And I can say I am always delighted when I see something new pop on here or your website! You are a remarquable reference in cello technique and talk about very intricate and important stuff that makes all the difference! Really wish I could study with you, but I am glad I have access to these! I will keep a lot of the things you teach with me for a long time, and hopefully teach them someday, along with the discoveries I maie along the way, Oh, and I really like the fact that you talk about your own journey and the evolution of youe though, technique and teaching. I have similar thoughts sometimes and it's really validating and inspiring. Take care!
Thank you so much for taking the time to write your kind and encouraging words! I'm glad to hear you enjoy my videos and website! I will have more videos out this summer. Thanks again!
I am almost positive that most people do NOT know that. I'm not sure if "most people" know who St. Saens is... or even what a cello is. (Also, thanks for more bowing tips! And frogs!)
Haha True, most don't know what even a cello is. Thanks for watching!
The name of the music again, please.
Saint Saens cello concert 1st movement
Yes, the other reply is correct.
Any insight on why my right shoulder goes up and tries to attach itself to my ear when I play? I really appreciate knowing the science behind why it all works the way it does, and that it's all a matter of which choices you make. That means there can be no "perfect" cello technique - only that which works best for you.
Ah yes, I could have covered that! Sounds like you have a case of "helium shoulder" haha. You don't want to use your trapezius muscles to "shrug" your shoulders up when you play. Keep those relaxed. Interrupting your playing with some shoulder shrugs up and down when you feel or see it happening (as in a mirror) can help.
@@CelloProfessor Thanks! I'll have to try that.
As a former massage therapist, your anatomy knowledge is superb and yes, you’re saying things correctly. Thank you so much for this information.! I already have chronic pain so it’s helpful to see ways to mitigate injury.
Thank you! Glad I am getting the anatomy all correct! And I'm happy the video was helpful for you!
Thanks a lot, Mr. Fiste! I really appreciate your light and precise expalanations which help me a lot to understand the complex movements the cello is affording. Please keep posting here your profound and comprehensible knowledge.
Wow, thank you for such kind words! I'm glad the videos are helpful. More videos are planned!
I like to think of the force applied to and by a pool cue. A proper cue hold at the back end is very relaxed and gentle, like a cello bow hold, but force is focused at the point of contact in a myriad of ways.
I like that analogy.
Thanks. I look forward to a full video about the potential risk😊
Yep. Basically, having a pronated hand (palm down) with the elbow up put us at risk for shoulder injuries. I actually have a whole presentation ready that I gave at the MMC (Michigan Music Conference) about these risks but not being a health care specialist I wasn't sure it was a good idea to post the video.. Hmmm....maybe I could have someone from the CMU medical school look it over.
Great lesson. Relieves much the left forearm and the fingers! Since my hands are rather smaller, I can play much better with the rotating technic.
Glad you like the video! Thanks for watching!
Great lesson! Thanks a lot!
Thank you~
Thank you for watching!
Great ❤ thank you for the lesson
Thank you for watching!
I play this way. I was also influenced by Starker. The on,y problem was that he smoked way too much.
Haha Yes, I've heard he smoked a lot. I learned hand rotation from my teacher, who was a Starker student. I have also been influenced by Gerhard Mantel's book "Cello Technique".Thanks for watching!
one way to find it fast is with no pencil or anything, just see where your thumb can "fall" into your hand (and into middle finger) without losing the loose hand and then grab the pencil by leting your thumb fall there again instead of "using" it actively pencil will fly a couple times, guaranteed, but your are now using the thumb without actively pushing it. Probably very useful for violinists left hand and for thumb position
Hmm...interesting idea but I can't get my thumb to oppose the 2nd finger on its own by just relaxing it. Let me know if I am misunderstanding what you are saying. Perhaps for your thumb or others it works so it is definitely worth a try.
@@CelloProfessorI am probably using a different muscle, I just wooble my hand and "guide" the thumb without messing the writs movement, the more I do it the more I can control the thumb around (I am not trying to oppose anything, I just see where it reachs and it falls into the 2nd, at first it only wanted to be near the index) And now, being just 1 day of doing this I can activelly move the thumb and dont mess the wrist movement, it feels like teaching your muscles like you said on the vid
That instrument is exquisite in all aspects! Way to go, Steve! Your artistry and craftsmanship are the best of the best. The instrument's tone and sound color match the visual beauty of the instrument, if that is even possible!
Totally agree!
These exercises are super easy to learn and are helping me thanks
I'm so glad they are helpful!
Complimenti bravissimo
I have quite severe tension on my traps when I am playing, to the point where I can finish a practice session without feeling sore in my traps. I have tried to slow down and play lightly but my traps sort of tense up slightly throughout and I have no idea how to release the tension, as it is very subtle, but it is there for sure. Any advice would be appreciated, cheers.
I saw this video a few years ago when I was starting to play the cello and I am 61 now. Your themes are great! 10:25 Amoeba Hand!
As always, outstanding pedagogy.
Thank you so much, Carolyn! Your words mean a lot!
I found that I often ..how to say it in English..”Grit my teeth” (?) when I play something new or difficult.
Thank you verrrrrrry much for all the videos. “Let it come to you/let it go” helps me a lot for both of hands :)
I'm glad they are helpful! Thank you for warching!
I'm 6'. How high is your seat to the floor measure?
Thank you so much for this video!!! I have been looking for a long time to see a video that would explain to me how relax facial muscles. Really appreciated!
Thank you! Glad it is helpful!
Thank you for this excellent presentation. So very helpful.
No gibberish! 😊 You explained this perfectly. Thank you. I enjoy your videos.
Thank you so much! Glad they are helpful!
For the Robot Wave, does the impetus come from the shoulder or the elbow? That is, is the movement in the shoulder joint active or passive, or is the movement in the elbow active or passive?
In the robot wave, the motion is from the shoulder and is active. The active motion is the upper arm, rotating in the shoulder socket. The other movement is also active. The hinge is the elbow with an active motion in the forearm. I hope that helps!
Please talk about your tailpiece. It looks very interesting.
Good idea! Will do!
First time I watched you absolutely fantastic and very informative video. Love the sound of your cello. Could you tell me about it .?
Thank you so much for these video courses. I love the way you clearly explain the concepts with humor. Wish you a happy new year!
Hello Professor! Glad to see you’re still recording these amazing videos. I always find myself looking back on our lessons together whenever im trying to release some unnecessary tension! I wish you well
Thank you so much!! You’re such a great teacher. Really appreciate your videos.
Thank you for your kind words! I'm glad they are helpful!
Glad to see you making videos again. You were really useful during my first few months especially. I'd love to see a video on hand tension if you haven't already. I always put loads of pressure on my left thumb to try and press the strings down hard enough and I'm not sure how to correct that
excellent thank you!
Terrific explanation of tendon relief thru pronation/supination!
Thank you for your kind words!
Great video. Would love to see a video on circular vibrato! Bernard Greenhouse comes to mind…circles everywhere.
Thank you for your kind words! Much appreciated!
@@CelloProfessor 👍
Thanks for the video, Mr. Fiste! Regarding your last point: Do you mean that a beginner shouldn't be taught a hand position that is based around the balance of the fourth finger, but that they still should learn to use the fourth from the beginning? Or would you recommend to start solely with the lower fingers and then work your way up to the third, and lastly the fourth? Also unrelated question: What cellists, as well as other musicians, inspire you and your playing the most?
Yes, that last point I said kind of quickly and it wasn't very clear. In the string world there is a point of view that beginners should start on the fourth finger with all four fingers down and work back to the first finger. In my experience, on the cello, a beginner is going to put all four fingers down with the very finger spacing problems I'm addressing in the video. It works great on violin but not so well on the cello, IMO. I much prefer to start with first finger and work my way up to fourth finger. It's much easier for the beginner to correct the spacing problems this way. That's a good question! I think different cellists inspire me in different ways. I love the musicality of Yo-Yo Ma and the way he uses his vibrato. I love Jacqueline du Pre's energy and expression. And I love the vibrato and sound of Rostropovich. I love Janos Starker's approach to the cello and his clean and effortless playing. I love how Navarra approached the bow hand and arm. I love the way Paul Rolland, Hungarian violinist, approached movement on the violin. Those are a few anyway! Thank you for watching and listening!
@@CelloProfessor Ah, I see. Yeah, I can see both point of views on that one. Thanks for claryfing! Also, great list of cellists. I just recently discovered Paul Roland. Seems like an interesting man with interesting ideas. Cheers
Brilliant! My finhsrs ar estiff and im.hurting.my tendons....im loving this..better than.mcd!😢
👌🖖
Thanks a lot ! Although, I struggle more with 3rd and fourth space ! they're almost glued together...makes it very hard for intonation 😢 is there something else you could suggest ? 😊
Me too! 🎻
Thank you so much for your explanations ! I will try ! 😊
Thank you!
You are very welcome. Thank you for watching!
TOTALLY WRONG. HORRIBLE AMATEUR. SROP "teaching", you lame impostor.
@@CelloProfessorno hagas caso, debe ser o un violonchelista frustrado, o alguien que cree tener todas las respuestas y la verdad para tocar el violonchelo. Por ahí es una reencarnación de Starker o de Casal. Este MrAkifusion es común encontrarle comentando a muchos chelistas "que horrible", "está equivocado", "espantoso", "así no se hace". Si fuera un segundo Starker o Casal nos iluminará con videos en CZcams de lo bien que toca, pero hasta ahora es totalmente estéril el canal de MrAkifusion.
TOTALLY WRONG. PATHETIC AMATEUR.
TOTALLY WRONG. PATHETIC AMATEUR. Stop "teaching"!
You claim that the forearm is the active mover and the wrist only moves passively, as a reslut of the forearm moving at the elbow joint. This results in a horizontal movement of the forearm when the arm is in playing position when sitting at the cello. We would then assume that the wrist/hand is going to follow in the same direction and move horizontally as well. However, when I slow down the video and watch you play, it is clear that your wrist is moving more up and down rather than horizontally. Since you claim that the wrist only moves passively in a sautillé stroke, as a result of a horizontal forearm motion, how do you explain that your wrist moves verticaly when playing?
@@CelloTube-vs7mf I think what is confusing you is when I'm playing on the A string. Watch the angle of my forearm when I'm playing on the D string starting at 00:15 or 08:08. The angle will be the same in relation to the A string, but the arm has to come around to reach, resulting in a rise of the elbow. The point about the wrist moving is answered in my previous post to you. I can vouch that I am definitely not moving my wrist actively! It is entirely and only passive.
Congratulations Dr.Fiste,you have your own CZcams channel !!🎉🎉🎉 Nice video!