Julia Morneweg
Julia Morneweg
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The Next Level: The Magical World of Sound Colour
In this video, Julia introduces the wonderful range of different sound colours we can create and explains why expression requires not only imagination, but a strong technical toolkit!
00:00 Intro
00:43 Why expression requires technique
02:49 The parameters of sound colour
04:22 Contact point
08:45 Bow speed
11:54 Vibrato
15:50 Manipulating notes while we play
20:22 The foundations of artristy
British cellist Julia Morneweg enjoys a flourishing international career, having performed as a soloist and chamber musician at venues including the Purcell Room, St. John’s Smith Square, St. David’s Hall Cardiff, Zurich Tonhalle, Daning Theatre Shanghai and many others. She is Joint Artistic Director of the London-based ensemble ChamberMusicBox, works as a guest with some of Britain's finest orchestras and can be heard on numerous film and television soundtracks.
Based in London, Julia is a highly sought-after teacher with an exceptional track record of student success. Her past and present students have held music scholarships at many of the most prestigious independent schools including St. Paul’s Boys School, Latymer, Alleyns, Francis Holland, Channing School, Sevenoaks, Godolphin and Latimer, JAGS, Whitgift and many others. She has given masterclasses and led workshops at institutions such as the Royal Welsh College of Music and Drama, Cyprus Youth Symphony Orchestra, Music for the Future (Slovenia), the RCM Summer School, Enterprise Scotland and Tanglin Trust School in Singapore.
Having started teaching online during the pandemic, Julia now works with students worldwide. Visit her website www.juliamorneweg.com for more information about lessons.
zhlédnutí: 530

Video

Mastering the Basics: Creating a Good Left Hand Shape
zhlédnutí 699Před 10 měsíci
In this video, Julia breaks down how to construct and maintain a good hand shape from the word go. 00:00 Intro 00:32 What is a good shape 02:57 Learning to build the shape 04:41 Mind the thumb! 06:33 Placing it onto the cello 10:02 Correct alignment British cellist Julia Morneweg enjoys a flourishing international career, having performed as a soloist and chamber musician at venues including th...
What makes good practice?
zhlédnutí 511Před 10 měsíci
In this video, Julia talks in depth about what makes good practice, the importance of planning and awareness, nurturing a love for detail and much besides... 00:00 Intro 01:39 Quality over quantity 04:25 The importance of planning 05:55 What should the practice plan entail 10:50 Practice is only practice when done consciously 15:25 Active listening 16:32 Develop a love for detail 19:52 Evaluati...
Mastering the Basics: The Fundamentals of Shifting
zhlédnutí 710Před 11 měsíci
In this video, Julia teaches shifting from scratch, covering how to learn the basic arm movement, releasing finger pressure and how to train the ear to become our navigator. 00:00 Intro 01:27 What is shifting 01:51 The basic arm movement 03:40 Common mistakes 05:28 Basic shifting exercise 09:41 Quality of movement 11:56 The ear as navigator 16:50 Next steps British cellist Julia Morneweg enjoys...
Trio Lalique - Arensky Piano Trio Op. 32 | Elegy (excerpt)
zhlédnutí 584Před 11 měsíci
TRIO LALIQUE Ilya Kondratiev (piano) Yuri Kalnits (violin) Julia Morneweg (cello) Described as 'superb' and 'sensational', the Trio Lalique was founded in 2022 by pianist Ilya Kondratiev, violinist Yuri Kalnits and cellist Julia Morneweg, each already a renowned chamber musician in their own right. Their debut as a group in the prestigious Pharos Arts Foundation series in Nicosia (Cyprus) was p...
Mastering the Basics: Fourth Finger Vibrato
zhlédnutí 1KPřed 11 měsíci
In this video, Julia explains why and how a good fourth finger vibrato can be achieved by anyone. From the fundamentals of good left arm balance to a series of exercises, this video will show you how to take your fourth finger vibrato to the next level! 00:00 Intro 00:50 Fundamentals 05:40 Exercise 1 10:34 Exercise 2 11:57 Exercise 3 13:17 Dos and Don'ts when practising British cellist Julia Mo...
Julia's Cello Chat: Q&A Answers (September 2023)
zhlédnutí 611Před 11 měsíci
Time Stamps 0:00 Intro 0:48 Upgrading strings and bow (Rick) 9:57 Bow rehairs and practising with your eyes closed (Mr JPrax) 18:02 Small hands bow hold (AlexSarah) 25:40 Playing thirds and fifth with small hands (Christina) 33:07 Trouble getting up to speed (Mark) 40:22 What to do if a passage doesn’t improve in practice (Mr JPrax) 47:54 Deteriorating bow hold (BentRoads) 50:55 Strengthening t...
Introducing my favourite teaching materials: ADVANCED (Grade 6 to conservatoire)
zhlédnutí 312Před 11 měsíci
In this video, Julia introduces the books and materials she uses to work with advanced students. *FORGOT TO MENTION* Rick Mooney: Thumb Position for Cello & Thumbs of Steel - both available on Amazon Popper High School of Cello Playing: s9.imslp.org/files/imglnks/usimg/5/53/IMSLP59073-PMLP121199-Popper,_David_-_High_School_of_Cello_Playing._40_Cello_Etudes_op._73.pdf Popper Op. 76: s9.imslp.org...
Introducing my favourite teaching materials: INTERMEDIATE (Grade 4 - 6)
zhlédnutí 395Před 11 měsíci
In this video, Julia introduces the books and materials she uses to work with intermediate students. Position Pieces Book 2: www.amazon.co.uk/Position-Pieces-Cello-Book-2/dp/1589512057/ref=sr_1_1?crid=3ONJBA12VR6O3&keywords=Rick Mooney&qid=1693811711&sprefix=rick mooney,aps,168&sr=8-1 Feuillard Daily Exercises: vmirror.imslp.org/files/imglnks/usimg/6/6f/IMSLP75306-PMLP151184-Feuillard_-_Daily_E...
Introducing my favourite teaching materials: BEGINNERS (Grade 1 - 4)
zhlédnutí 637Před 11 měsíci
In this video, Julia introduces the books and materials she uses to work with beginner students. Cellists' Music Folder: ruslania.com/en/search/general/?e=0&q=Нотная папка виолончелиста&avail=1&screen_type=desktop Position Pieces Book 1: www.amazon.co.uk/Position-Pieces-Cello-Rick-Mooney/dp/0874877628/ref=sr_1_3?crid=SZDRL1WK06BB&keywords=Rick Mooney&qid=1693763900&sprefix=rick mooney,aps,106&s...
NEW: Introducing Julia's Cello Chat - A Q&A around all things cello
zhlédnutí 570Před rokem
British cellist Julia Morneweg enjoys a flourishing international career, having performed as a soloist and chamber musician at venues including the Purcell Room, St. John’s Smith Square, St. David’s Hall Cardiff, Zurich Tonhalle, Daning Theatre Shanghai and many others. She is Joint Artistic Director of the London-based ensemble ChamberMusicBox, works as a guest with some of Britain's finest o...
How to Fix Common Problems: 3 Reasons Why Shifts Go Wrong
zhlédnutí 1,7KPřed 2 lety
In this video we explore 3 reasons why shifting can misfire - and not all of them are down to your hands! FOLLOW ME ON INSTAGRAM FOR MORE CONTENT: cello_julia Julia Morneweg is a highly sought-after London cello teacher with an exceptional track record of student success. Her past and present students have held music scholarships at many of the most prestigious independent schools...
Lockdown Souvenirs: Strauss - Morgen (excerpt)
zhlédnutí 995Před 2 lety
I recorded this very late one night during the 3rd Covid lockdown in the UK. Of course, this beautiful Strauss song is originally written for the voice with an obbligato violin solo and that day I had just programmed this very piece for what would be the first post-lockdown ChamberMusicBox concert. It is one of my very favourite pieces of music and the text couldn't have been more apt for the t...
How to Fix Common Problems: Getting Back Into Shape
zhlédnutí 1,7KPřed 2 lety
In this video we explore how to get back into shape after a break by focusing on the most important basic movements. FOLLOW ME ON INSTAGRAM FOR MORE CONTENT: cello_julia Julia Morneweg is a highly sought-after London cello teacher with an exceptional track record of student success. Her past and present students have held music scholarships at many of the most prestigious independ...
How to Fix Common Problems: Squeezing Left Thumb
zhlédnutí 3,1KPřed 3 lety
In this video we take a really thorough look at the most common root causes of a squeezing left thumb and explore strategies that will help you get rid of the issue once and for all. FOLLOW ME ON INSTAGRAM FOR MORE CONTENT: cello_julia Julia Morneweg is a highly sought-after London cello teacher with an exceptional track record of student success. Her past and present students hav...
Cello Masterclass: ABRSM Grade 7 Syllabus - Saint-Saëns: The Swan
zhlédnutí 2,9KPřed 3 lety
Cello Masterclass: ABRSM Grade 7 Syllabus - Saint-Saëns: The Swan
How to Fix Common Problems: Small Hands, Short Fourth Fingers and Funny Proportions
zhlédnutí 13KPřed 3 lety
How to Fix Common Problems: Small Hands, Short Fourth Fingers and Funny Proportions
Practice Room Chat: The Mirror and the Camera are Your Friends
zhlédnutí 531Před 3 lety
Practice Room Chat: The Mirror and the Camera are Your Friends
Cello Masterclass: Learning Vibrato
zhlédnutí 22KPřed 3 lety
Cello Masterclass: Learning Vibrato
Cello Masterclass: ABRSM Grade 4/5 Scales - E flat major
zhlédnutí 1,1KPřed 3 lety
Cello Masterclass: ABRSM Grade 4/5 Scales - E flat major
Cello Masterclass: ABRSM Grade 4 Syllabus - Gluck: Dance of the Blessed Spirits
zhlédnutí 2,4KPřed 4 lety
Cello Masterclass: ABRSM Grade 4 Syllabus - Gluck: Dance of the Blessed Spirits
Cello Masterclass: ABRSM Grade 5 Syllabus - Pergolesi: Nina
zhlédnutí 2,9KPřed 4 lety
Cello Masterclass: ABRSM Grade 5 Syllabus - Pergolesi: Nina
Cello Masterclass: ABRSM Grade 3 Syllabus - Gallo: Moderato
zhlédnutí 1,2KPřed 4 lety
Cello Masterclass: ABRSM Grade 3 Syllabus - Gallo: Moderato
Cello Masterclass: ABRSM Grade 2 Syllabus - Bach: Air
zhlédnutí 1,3KPřed 4 lety
Cello Masterclass: ABRSM Grade 2 Syllabus - Bach: Air
Cello Masterclass: Instant Straight Bow & Scratch-Free Sound
zhlédnutí 11KPřed 4 lety
Cello Masterclass: Instant Straight Bow & Scratch-Free Sound
Cello Masterclass: ABRSM Grade 2 Syllabus - Anon: Hornpipe
zhlédnutí 1KPřed 4 lety
Cello Masterclass: ABRSM Grade 2 Syllabus - Anon: Hornpipe
Cello Masterclass: ABRSM Grade 6 Syllabus - Squire: Danse Rustique
zhlédnutí 4,4KPřed 4 lety
Cello Masterclass: ABRSM Grade 6 Syllabus - Squire: Danse Rustique
Cello Masterclass: ABRSM Grade 2 - A major scale and arpeggio
zhlédnutí 965Před 4 lety
Cello Masterclass: ABRSM Grade 2 - A major scale and arpeggio
Cello Masterclass: Forwards Extension of the Left Hand
zhlédnutí 2,1KPřed 4 lety
Cello Masterclass: Forwards Extension of the Left Hand
Cello Masterclass: Grade 6 Thumb Position Scale
zhlédnutí 9KPřed 4 lety
Cello Masterclass: Grade 6 Thumb Position Scale

Komentáře

  • @matthewmcdermit8744

    Julia, I like the simplicity of your explanation. . . . Plus, you are WAY prettier than my cello teacher. . . . I appreciate both.

  • @douglas2510
    @douglas2510 Před 8 dny

    Fantastic masterclass. It has helped me a lot. Thanks for taking the time in producing such a good work. I am horrified by after more than 1000 views at the time of writing this 21aug24 there are only 27 likes and 1 comment. Come on people, if you are making use of the video please make some effort of at least give it a like.

  • @lakeninevah
    @lakeninevah Před 20 dny

    Hello Julia! Very much appreciate your generous help! I’m curious to know if you have some thoughts for the tall cellist….in particular, proper parallel bowing on the C string, and the others too, of course! I find that my right wrist has to form. 45 degree angle, which feels extreme! Thank you again for all that you do!!!!

  • @weiderhsu
    @weiderhsu Před měsícem

    Based on your bow hold guideline, that means if comparing the finger power of holding a mark cup and a bow, the power of holding a bow should be lower that holding cup, right? Even playing a hard piece of concerto, there is no much power on fingers. is my understanding correct?

  • @angelacajot-ricci8251
    @angelacajot-ricci8251 Před měsícem

    Hello Julia, thanks for these precious tips ?I have a problem, my 4th and 3rd fingers are almost glued together and I can 't have a nice space between them. Therefore the alignement is never correct. Would you have any suggestions for this problem ? Thanks for your answer !! ❤

  • @RockStarOscarStern634
    @RockStarOscarStern634 Před měsícem

    Julia Morneweg This applies to the CodaBow Joule for Cello too.

  • @xnaao
    @xnaao Před měsícem

    The contact points thing helped me a lot. For several months I struggled a lot with the bow hold because I was focusing on where the tips of my fingers should lay. It never matched what I saw on video (because of the size of my fingers) and was very uncomfortable. But focusing on putting the bow in the "crease" of my middle finger changed everything. Thank you !

  • @Evelyn-zn6td
    @Evelyn-zn6td Před měsícem

    I would really LOVE to see some teaching videos on the popper etudes. My son is working through op. 76 now, but he doesn’t get any instruction on what the teaching points are or what he should focus on. It’s just “learn another line”.

    • @Evelyn-zn6td
      @Evelyn-zn6td Před měsícem

      Another thought, perhaps you could go through the op 73 book and explain the main teaching points of each (or your favorite) etudes. That way students watching can trouble shoot their technique by practicing an etude that focus on the point that they want to work on. I’ve just ordered the book by Mat that you recommended. It sounds like he describes his teaching points, which is so helpful. It would be nice to have this sort of overview for the popper etudes.

    • @juliamorneweg5416
      @juliamorneweg5416 Před měsícem

      Hi Evelyn! Thank you so much for your lovely feedback. The Popper Studies are on my list of videos to create (hopefully this summer). Unfortunately, I barely manage to record anything while the concert season and academic year are in full swing from September to June. In the meantime, I'd be very happy to work with your son online if you'd like some targeted help. Feel free to drop me a message via my website. J

  • @sarahbrzezniak373
    @sarahbrzezniak373 Před 2 měsíci

    Julia, I asked my Mom if I could take the mirror off the wall in the downstairs bedroom and I put it up against the wall in my home’s kitchen. It is very narrow. It helps

  • @sarahbrzezniak373
    @sarahbrzezniak373 Před 2 měsíci

    Julia, I have had 5 private cello lessons, not all the way through Suzuki book one yet, purchased Suzuki book two, have been to four rehearsals with my community strings group. When should I begin working on vibrato? Thank you.

    • @juliamorneweg5416
      @juliamorneweg5416 Před měsícem

      Hi Sarah! That's a LOOONG way off still if you've only just started. As a guide, I start vibrato with my students once the right hand sound production and left hand shape are absolutely settled and all the neck positions have been learned. On average, we are looking at anywhere between 18 months and 2 years (sometimes more, depending on the age and ability of the student) to master all of the above. At the very outset, the top priority is the bow as that's the foundation of everything. Check out my videos on bow hold, straight bow, bow changes etc - they should get you onto the right path quickly. Good luck!

  • @Evelyn-zn6td
    @Evelyn-zn6td Před 2 měsíci

    This video saved my sons playing. Can’t thank you enough.

  • @isabellegendre7757
    @isabellegendre7757 Před 2 měsíci

    Merci beaucoup 😊

  • @Luis_Santos.
    @Luis_Santos. Před 2 měsíci

    I'm absolutey sure this process will upgrade my vibrato !!! Thank's a lot !!!🙏🏿🌷

  • @Luis_Santos.
    @Luis_Santos. Před 2 měsíci

    Very valuable tip. I'll pay more attention to my arm !!!👏🏿❤🎶🌷

  • @Evelyn-zn6td
    @Evelyn-zn6td Před 2 měsíci

    This is a really excellent educational video!

  • @marz68
    @marz68 Před 3 měsíci

    Thank you for your suggestions which I will be trying. I have a question… at 19.07 of your video, for example, your pinky is flat at the first knuckle and bent only at the second, at the tip. Mine does the same. I cannot keep that finger curved but in my case it hurts. That finger aches constantly. (I am an older beginner.) How is it you play proficiently like that and yet it probably does not hurt? Do you have any suggestions to avoid that finger flattening?

    • @juliamorneweg5416
      @juliamorneweg5416 Před měsícem

      Don't worry about that! Go with what your finger naturally does. Mine clicks and locks at the middle joint and there's nothing I can do about it. The only thing you need to worry about with regard to the fourth finger is that you really shift the full arm weight onto it for maximum support. Good luck!

  • @barriereid9244
    @barriereid9244 Před 3 měsíci

    This is a second visit as I have noticed with my new bowing that it is at times not 90° to the strings. Now to practice...🍧🌹

  • @barriereid9244
    @barriereid9244 Před 3 měsíci

    Along with a new bridge came a new bowing and bow hold....from intermediate student to...doh! 🍧🌹

  • @barriereid9244
    @barriereid9244 Před 3 měsíci

    🍧🍧🍧🍧🍧🌹

  • @barriereid9244
    @barriereid9244 Před 4 měsíci

    🍧🌹

  • @journeymancellist9247
    @journeymancellist9247 Před 4 měsíci

    No one ever mentions that each finger has its own vibrato because of where it is located in the hand. First finger vibrato is different from second, and so on. The oscillation is mainly the first joint of the finger, but that’s trickier with first than with second or third. And ummmm… it’s not difficult, you just need to relax, and if you relax the vibrato will usually begin by itself. Beautiful cello, btw…

  • @felicity7841
    @felicity7841 Před 4 měsíci

    Thank you!!!!!!

  • @barriereid9244
    @barriereid9244 Před 4 měsíci

    Thank you for your honesty. We are not alone after all...🍧🌹,

  • @barriereid9244
    @barriereid9244 Před 4 měsíci

    Another gem. I am concentrating on baroque ( I heard The Brandenberg Comcertos aged 5 and a more than a little Bach orientated) which as you know does not use vibrato...still, it is a fundamental technique and well worth practicing even though I will be trilling. 🍧🌹

  • @barriereid9244
    @barriereid9244 Před 4 měsíci

    13:30 💡

  • @barriereid9244
    @barriereid9244 Před 4 měsíci

    🍧🍧🍧🍧

  • @barriereid9244
    @barriereid9244 Před 4 měsíci

    April 2024 - three months on from a lay off of one month was difficult and painful to recondition my left hand. Still residue discomfort in 3rd & 4th as well the 1st finger extension. Many thanks for your tutorial. 🌹

  • @barriereid9244
    @barriereid9244 Před 4 měsíci

    I have this problem periodically on the A string. Great tutorial. 🌹

  • @bellaheaton3976
    @bellaheaton3976 Před 4 měsíci

    This helped me sooo much thank you!

  • @inemminxy6482
    @inemminxy6482 Před 4 měsíci

    ❤️

  • @HelenA-ow3pw
    @HelenA-ow3pw Před 5 měsíci

    I’m an adult learner who is left-handed and really struggling with bow hold. Does being left-handed make it more difficult, as my right hand is much weaker. Any tips? Fab video by the way 😊

    • @xnaao
      @xnaao Před 2 měsíci

      I don't know about the left hand. But I'm right handed and the bow hold is definitely a big struggle for me.

    • @juliamorneweg5416
      @juliamorneweg5416 Před měsícem

      It doesn't make a huge amount of difference in my experience. Bow hold simply takes time. As I'm saying in the video, it will initially 'melt' hundreds of times. The key here is to diligently start the process I'm showing all over again every time that happens. (Don't try to become faster at it - only better!) With time, you'll notice that the intervals between the meltdowns become longer and longer as you build the necessary muscles.

    • @HelenA-ow3pw
      @HelenA-ow3pw Před měsícem

      @@juliamorneweg5416 thank you so much for reply 😊

  • @anzacFPV
    @anzacFPV Před 5 měsíci

    Great video, I was almost ready to give up. My short fingers have been causing me a lot of stress. I kept pushing through with the pain in the hands trying to ignore it. I will diffidently try these tips.

  • @douglas2510
    @douglas2510 Před 5 měsíci

    Precisely

  • @artiepietv
    @artiepietv Před 5 měsíci

    Thank you, this is so helpful and love the approach re capacity

  • @gregjname7227
    @gregjname7227 Před 6 měsíci

    That was a good run through. Will try it.

  • @user-vc5ny8ih2x
    @user-vc5ny8ih2x Před 6 měsíci

    Thank you. I am doing the wrong way that I keep playing the piece over and over again, and get very frustrated because I don’t like what I play.....

  • @leandro_fds5509
    @leandro_fds5509 Před 6 měsíci

    Saudações do Brasil. Estou amando seus vídeos😊

  • @MrsRand-uv8pr
    @MrsRand-uv8pr Před 6 měsíci

    Very good, thank you! Public school string teacher here. If you could use a mic next time, your videos will be even better.

  • @peyskensandre-marie7604
    @peyskensandre-marie7604 Před 7 měsíci

    Hello Julia! I didnot quite get the référence of the russian music book you talked about in one of your video. Could you confirm it to me? Thks so much. André from Belgium. XX

  • @christinakellenberger9045
    @christinakellenberger9045 Před 7 měsíci

    Do you use the same approach for very young children (4/5 year old) or do you hold the bow closer to balance point?

  • @shengluzhou5936
    @shengluzhou5936 Před 7 měsíci

    Hi Julia, your video really helped. Thank you!

  • @jasminesyou1605
    @jasminesyou1605 Před 7 měsíci

    Thank you so much!!This is really helpful. I have long fingers and big hands which always make me feel easy and comfortable to play the piano, but after I started to play the cello, it's horrible...I never awared that my little fingers are so short...far away from the third fingers. So big hands or long fingers are nothing to playing the cello...shock. It's really hard when practising, just hurt my hands these days. Thanks a lot that I found this video!! And yes seldom teachers will tell you that choose the suitable instruments…but really like this and don’t want to give up. Really thanks for this lesson.

  • @joannathatcares
    @joannathatcares Před 7 měsíci

    I love your bookshelves behid you! Where did you get them?

  • @suzannebrown8500
    @suzannebrown8500 Před 8 měsíci

    Thanks, I’ve just discovered your fantastic videos! I’m wondering what your thoughts are on left hand tension. I can’t play for long due to a sore hand. I’m working on it but would love your perspective. Love your work!

  • @nicolasrahnama6333
    @nicolasrahnama6333 Před 8 měsíci

    thank you very informative video .

  • @ContortionistMandkhai
    @ContortionistMandkhai Před 8 měsíci

    Thank you so much! It was very helpful. 😊

  • @barriereid9244
    @barriereid9244 Před 8 měsíci

    🌹🌹🌹

  • @CelloTube-vs7mf
    @CelloTube-vs7mf Před 8 měsíci

    I have watched a lot of great cellists play on video (Feuermann, Rostropovich, etc) and I have noted that they very often play with an extended thumb. Not a flexed thumb, which you recommened here. How would you explain that they are able to play well with a left hand set up that would be deemed faulty?

  • @brandoncota8132
    @brandoncota8132 Před 9 měsíci

    Thank you for sharing your excellent advice. You give an excellent and clear explanation of how to approach octaves that makes practicing them easy and not daunting.

  • @vereisaac4558
    @vereisaac4558 Před 9 měsíci

    czcams.com/users/shortsKWq49shxMIU