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Luis Valle Sánchez
Registrace 27. 05. 2008
Video
Verdi - Requiem - Davidsen, Matochkina, De Tommaso, Terfel - Gatti Verbier 2023
zhlédnutí 1,4KPřed 10 měsíci
Verdi - Requiem - Davidsen, Matochkina, De Tommaso, Terfel - Gatti Verbier 2023
Caro Nome - Nino Machaidze - Las Palmas 15.05.2012
zhlédnutí 1,4KPřed 12 lety
Verdi - Rigoletto - Caro nome - Nino Machaidze - Teatro Pérez Galdós Las Palmas 15.05.2012
Rigoletto Acto III La donna e mobile e cuartetto - Ivan Magrì, Gazale, Nino Machaidze, Martin
zhlédnutí 1,1KPřed 12 lety
Verdi - Rigoletto - Ivan Magrì, Alberto Gazale, Nino Machaidze, Martin - Ranzani Las Palmas 15.05.2012
Rigoletto - Ivan Magrì - Acto II - Escena Aria e cabaletta
zhlédnutí 1,4KPřed 12 lety
Verdi - Rigoletto - Gazale, Machaidze, Magrì - Ranzani Las Palmas 15.05.2012
Rigoletto - Duo Acto I - Nino Machaidze; Ivan Magrì - Las Palmas 15.05.2012
zhlédnutí 1,2KPřed 12 lety
Verdi - Rigoletto - Gazale, Machaidze, Magri - Ranzani Las Palmas 15.05.2012
Ivan Magrì - Questa o quella - Las Palmas 15.5.12
zhlédnutí 594Před 12 lety
Rigoletto - Gazale, Machaidze, Magrì - Ranzani Las Palmas 15.5.2012
Ivan Magrì - Parmi veder le lagrime - Las Palmas palcoscenico 17.5.2012
zhlédnutí 281Před 12 lety
Verdi Rigoletto - Alberto Gazale, Nino Machaidze, Ivan Magrì - Ranzani Teatro Pérez Galdós - Las Palmas de Gran Canaria 17.05.2012
Ivan Magrì - La donna e mobile - Las Palmas palcoscenico 17.5.2012
zhlédnutí 715Před 12 lety
Verdi Rigoletto - Alberto Gazale, Nino Machaidze, Ivan Magrì - Ranzani Teatro Pérez Galdós - Las Palmas de Gran Canaria 17.05.2012
Final Rigoletto Las Palmas 17.5.2012 Gazale Machaidze
zhlédnutí 137Před 12 lety
Final Rigoletto Las Palmas 17.5.2012 Gazale Machaidze
Rigoletto Tutte le feste... Si vendetta - Machaidze, Gazale - Las Palmas 17.5.2012
zhlédnutí 1,5KPřed 12 lety
Represantación el 17.05.2012 de Rigoletto de Verdi con Alberto Gazale, Nino Machaidze e Ivan Magrì, entre otros, bajo la batuta del maestro Ranzani. Grabación en el palcoscenico de valor artístico (que no técnico) elevado.
Wagner - Cabalgata de las Walkirias - Met 2011
zhlédnutí 370KPřed 13 lety
Impresionante "descabalgada" de las Walkirias en el Met. La mole que compone la puesta en escena, describe mejor el Walhalla y la roca donde dormirá Brünnhilde que la intimidad de la casa de Sieglinde y Hunding, pero el gran efecto se da en las escenas del bosque y cuando las columnas se transforman en los caballos de las walkyrias, celebradísimas por el arrojo que deben mostrar en escena, al d...
Donizetti - La Fille di Regiment - Ah Mes Ami - Rockwell Blake - Roma 94
zhlédnutí 35KPřed 14 lety
Aqui tenemos al fantástico Blake en la famosa aria de La Fille du Regiment de Donizetti. Además de la dicción, el fraseo, la musicalidad destacar que en vez de 9 Do Sobreagudos da once, espectacular.
Semplicemente DIVINO!!!🥰🥰🥰
I must thank the Corelli haters. If it was not for their comments and disdain for such a great singer, I probably would not have found his legendary art. Rest in peace, Maestro.
Técnica impecable!!!
Wow. I've been listening to early 1930s-1940s singers because they were so good. He's even better!
Non me ne vogliano i tantissimi altri bravi tenori apparsi nello scenario della lirica!! Ma Corelli è inarrivabile !!
Espectacular.
Corelli, Primo Tenore di Tutto il Mondo!!!!❤❤😊😊👑👑
Kaufann here is absolutely PERFECT... unsurpassable!!!
The A flat in Tosca Vittoria, some in the audience were not happy with Franco because he held the note so long it caused them to miss dinner reservations
😂👏🏻
Mejor imposible.
00:03 - Mamma, quel vino è generoso | Cavalleria Rusticana | Pietro Mascagni 00:09 - No, no, Principessa altera | Turandot | Giacomo Puccini 00:23 - Vesti La Giubba | Pagliacci | Rugiero Leoncavallo 00:36 - E lucevan le stelle | Tosca | Giacomo Puccini 00:54 - Pur ti riveggo, mia dolce Aida | Aida | Giuseppe Verdi 01:13 - Il Fior Che Avevi A Me Tu Dato (Flower Aria) | Carmen | Georges Bizet 01:23 - Vittoria! | Tosca | Giacomo Puccini 01:43 - Ch'ella Mi Creda | La Fanciulla del West | Giacomo Puccini 01:53 - Addio fiorito asil | Madame Butterfly | Giacomo Puccini [The photo is from Fedora | Umberto Giordano] 02:02 - Mamma, quel vino è generoso | Cavalleria Rusticana | Pietro Mascagni 02:11 - Mi batte il cor... O Paradiso! | L'Africaine | Giacomo Meyerbeer 02:22 - Un di all'azzurro spazio | Andrea Chenier | Umberto Giordano 02:31 - Recondita Armonia | Tosca | Giacomo Puccini 02:41 - ??? [I'm guilty of being ignorant with this aria. But it seems like it's from Verdi's Don Carlo] 02:54 - Cielo e Mar | La Gioconda | Amilcare Ponchielli 03:11 - Ah! leve toi soleil | Roméo et Juliette | Charles Gounod 03:35 - Meco all'altar di venere | Norma | Vincenzo Bellini 03:47 - I' te vurria vasà (Interpolated ending) | Neapolitan song | Eduardo Di Capua 04:00 - Celeste Aida | Aida | Giuseppe Verdi 04:16 - O Sole Mio (Interpolated ending) | Neapolitan song | Giovanni Capurro; music by Eduardo di Capua and Alfredo Mazzucchi 04:29 - La pia materna mano | La Battaglia di Legnano | Giuseppe Verdi 04:39 - La Vita Mi Costasse | Tosca | Giacomo Puccini 04:50 - Core n'grato | Neapolitan Song | Salvatore Cardillo; Riccardo Cordiferro 05:02 - Di quella pira | Il trovatore | Giuseppe Verdi 05:13 - Nessun Dorma | Turandot | Giacomo Puccini 05:27 - Gli'enigmi sono tre uno la vita (In Questa Reggia) | Turandot | Giacomo Puccini 05:51 - Che gelida manina | La Boheme | Giacomo Puccini 06:04 - A te O Cara | I Puritani | Vincezo Bellini 06:15 - Bianca al par di neve alpina | Gli Ugonotti | Giacomo Meyerbeer 06:26 - Giustio ciel, che vegg'io | Gli Ugonotti | Giacomo Meyerbeer 06:34 - Granada | Mexican song | Agustín Lara 06:44 - Dio che nell'alma infondere | Don Carlo | Giuseppe Verdi 06:53 - Act 3: Le Duc! Le Duc ! Roméo et Juliette | Charles Gounod 07:08 - No, no, Principessa altera | Turandot | Giacomo Puccini 07:29 - O Muto Asil Del Pianto | Guglielmo Tell | Gioachino Rossini [Home rehearsal 1961/62] 07:46 - Sfolgoro Divino Raggio | Poliuto | Gaetano Donizetti [Home rehearsal] 07:54 - Act 1 (Terzetto): Di geloso amor sprezzato | Il Trovatore | Giuseppe Verdi 08:10 - Gli'enigmi sono tre uno la vita (In Questa Reggia) | Turandot | Giacomo Puccini [Macerata] 08:30 - Di quella pira | Il trovatore | Giuseppe Verdi [Concert in New York] You're welcome.
Se dice que en una de las funciones de esta temporada, se le atoró el vestido a una de las sopranos pero no pasó de eso el accidente.
Escucho esto y que ganas me dan de invadir Polonia
Por favor, sres. hay comparaciones odiosas. Corelli era el primus inter pares; ciertamente los hubo buenos y buenísimos pero que agrupasen en una sola voz las características más excelsas del canto, sólo hubo uno, FRANCO CORELLI.
Which is the name of the opera in the 6:00 minute ?
I Puritani di Bellini.
Que poderosas ❤❤❤❤❤❤❤ diosas las vi hace años en euskalduna Bilbao ABAO , SOMOS MUY PRIVILEGIADOS !!
Cuantas más veces la escucho más feliz me encuentro, son las 23 horas,no quiero ver nada de guerras ni horrores solo musica OTRO MUNDO GRACIAS POR ESTAR ❤❤
Semplicemente inudibile. Canta malissimo ed emette urla.
これぞ息の柱の共鳴。ベルカントの鏡！
When Franco Corelli's high notes were released, it was like hearing thunder. they were dazzling notes that no other singer could cover. 
The greatest Sigmund since Melchior
SUBLIME
pojebane. trafiłem tu przypadkiem.
Música heroica y maravillosa
❤🌸🌿💮🌼🍓🎶🍋🎨🌻🌹💐🇻🇦✝️🇻🇦💮🍓🌿🌼🌸🎶🍓🎶🍋❤🕊🇵🇸🪢🕯🧭🫐🇦🇲💒🇦🇲💐🌹🌻🪅📚🧸💐🇲🇬⛑🇲🇬💐🍓💮🌿🌼🌸🍒🪢💮🌿🇻🇦✝️🇻🇦🌿💮⛑🌹🎶🌸🍓🌻🍒🇻🇦🌼🇻🇦🌿🪢📚🪅🎶🎨🙋♂️
Really enjoy his voice for Wagner. It was meant for him
supremo !!!!! meraviglioso in ogni aspetto vocale. recitativo, interpretativo. ...e bellissimo!!!!!!!
Ride of the See-Saws.
tremendo. Es un autèntico cañon.
Sublime: Stupor mundi. 💙🤍🧡💜❤️🩵💛💚Gracias por compartir.💚💛🩵❤️💜🧡🤍💙
Sieglinde lives her countless orgasms, and its Ok !
Unicoooo!!!!
... unico ... il più grande di tutti, ... senza se e senza ma ...
Kaufmann is a stunning and also a great looking Siegmund! I would like to see more of this "Valkyrie"! But everybody who loves this, should check out the "Valkyrie" of the Bayreuth Centennial Ring from Patrice Chereau and Pierre Boulez with a still very young Peter Hofmann as Siegmund. I think that at this point in Peter Hofmann's unfortunately not very long career he was even better than Kaufmann, and he looked and acted equally great. Sieglinde is great, too! It's easy to find the Centennial Ring complete and in excerpts on CZcams. I love Jonas Kaufmann, but Peter Hofmann was born for the roles of Siegmund and Lohengrin!
華格納的《尼貝龍根的指環》 .《女武神》(Die Walküre, 1856) 女武神的騎行
The shading is unbelievable
Great tenor!
The best!!!
This is an eye opener. Davidsen almost shouted the Kyrie. Terfel pushes his higher notes and his facial histrionics are just awful. He can't decide where exactly to place the notes. "Should I cover this note or not? How about I do both during one held note?" De Tommaso was very good as was Ms. Matochkina. The Libera Me was strained on Davidsen's part; who BTW has little chest voice considering her dramatic roles. She has not learned that one does not need to almost stretch the mouth to its limits when one sings. The sound goes sideways. And the tension in her throat is taking its toll on her. Notice her tongue, it matches her vibrato. Way too much tension. It's a big voice and she does not need to push. She can still sing a great pianissimo though. Gatti doesn't seem to communicate well with this orchestra and the soloists. Often, they are not in synch. I absolutely hate when musicians close their eyes and focus inwardly. It cuts off the other musicians in a conductor's case and the audience when soloists do it. To me, the Requiem is Verdi's greatest opera. BUT, it is still a religious work and reverence to the text and the music is paramount. IMHO.
Lise Davidsen straordinaria.
ha quello che e' cosa rara nelle voci liriche, la riconoscibilita', un tratto distintivo nei colori e tanta roba ancora andrebbe ricordato piu' spesso.
la nota smorzata in celeste aida...epica!
Great compilation.
HE SHOULD HAVE STAYED WITH WAGNER!
This is a very good lesson - Vittoria - @1:28 the O sound and the A sound are exactly the same. And the E of Ardenti in the Turandot contains the same open o/a sound. He only stays true to the I vowel. Vien Pareil, of Roméo - again is the A/O of Vittoria. Once you understand how he does it perfectly every time, then there is no excuse for not learning it. La Vita Mia Costasse (last act Tosca) - that "A" of costasse is EXACTLY THE SAME VOWEL as ARDENTE in Turandot. VinCERo only gets the diphthong right at the end of the note and it is a tiny tiny change to get that diphthong of the E - before that it is the A/O of Vittoria. This is how you do it.
just awful, every singer is utterly terrible!
He always sounded like he forgot to put his false teeth in --- very poor diction
His diction wasn't great, but everything else about the voice was.
This was a consequence of the vocal technique used by Corelli. As far as I know, the sound cannot be directed at the larynx and the lips of the singer at the same time.
@@user-fu4zx9iu1h There have been other tenors that lowered their larynx and have had very good diction. Del Monaco had impeccable diction, as well as Limarilli, and Cechele who came out of the Melocchi school. However, Corelli claims that he used a floating larynx technique, and stated he was born with the mezza voce`, but could not teach it. Corelli also stated that the lowering larynx technique was around for a long time and did not originate with Melocchi. Giacomini studied the Melocchi method under Marcello Del Monaco, but his diction was good but not exemplary. Martinucci and Monsalve also used the The method.
@@sugarbist His dictation was not always bad this is a generalisation. I recently did a translation of Mario Del Monaco in Andrea Chenier and his dictation wasn't that great, some of it was quite sloppy. So he did not always have great dictation, just as a Corelli did not always have bad dictation. Giacomini did not have good diction at all, I also did subtitles for him, they were pretty bad. None of the other Melocchi students had the same facility as Corelli on high notes, so there is probably a pay off somewhere. I have added subtitles to many different videos, and Corelli's dictation is very often some of the best. Yes, he did at times have sloppy dictation but it certainly wasn't as often as some people pretend, I would say it more in his later years. I don't think the bigger voiced tenors ever really had impeccable dictation, from what I have seen lyric tenors just have far better dictation in general. Of course Corelli was right in that the lowered larynx technique have been around for a long time, but he was very wrong with his idea that Melocchi's students could not do diminuendos and mezza voice, Melocchi had a few baritones who had good mezza voce. Maybe if he actually had more lessons with Melocchi he would have understood that. Del Monaco had a very extreme personality, so he took the Melocchi method as far as he possibly could. He taught that same method to his students, thus all of his students had depressed larynxes such as Giacomini. Del Monaco could sing with that extreme method but it didn't work that well for his students. I really like Giacomini but he had some obvious problems.
It is pretty useless making a comment about dictation on high notes, there is no dictation or even words on high notes it is just ahh sounds. Opera singers are not able to sing words on high notes, whereas some contemporary singers can sing whole sentences on C5 notes.
DIE AUSNAHMEERSCHEINUNG SCHLECHTHIN UNERREICHBAR❤
Antonio juvarra: ad accomunare i due tenori c’era la stessa eccezionale potenza vocale naturale… ma a stabilire LA SUPERIORITÀ TECNICO-VOCALE DI CORELLI ERA LA SUA CAPACITÀ DI CANTARE A MEZZA VOCE E DI FARE PRODIGIOSI DIMINUENDI ANCHE IN ZONA ACUTA… Chi di più?
El más grande Tenor Lírico - Spinto del siglo XX .
Non spinto... Di forza!!!
Le robaste ese video a tenorino medici
Es solo una colección de ácido agudos, tampoco es para tanto
Menos mal porque El lo quito
@@alexj.denton7453 si es para tanto, por que el que hizo el vídeo se tomó su tiempo, en editar y buscar. Es como tomar el trabajó de otro sin preguntar. Eso es robo