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younglemeshevist
Registrace 3. 11. 2007
My site on Sergei Lemeshev:
sergeilemeshev.blogspot.com/
sergeilemeshev.blogspot.com/
Antonina Nezhdanova, 'Qui la voce sua soave...Vien diletto" (Bellini, I Puritani)
The great Russian soprano, the People's Arttist of the USSR Antonina Nezhdanova (1873-1950) sings Bellini ('Qui la voce sua soave...Vien diletto, from "I Puritani'). Recorded in the 1910's.
Великая русская певица, народная артистка СССР Антонина Нежданова поет Беллини.
Великая русская певица, народная артистка СССР Антонина Нежданова поет Беллини.
zhlédnutí: 5 298
Video
Sparrows / Воробьи
zhlédnutí 745Před 14 lety
During the last winter they ate approximately 30 kilos of millet Natalie Dessay sings in another room. За прошлую зиму они съели около 30 кг пшена
Elena Stepanova, "Shakh-senem" (R. M. Glier) 1937
zhlédnutí 6KPřed 14 lety
Many thanks to " musique0308 " for this recording. Elena Andreyevna Stepanova (1891-1978) , the outstanding Russian soprano, the People's Artist of the USSR, the star of the Bolshoi theater (1912-1924, 1927-1944). Was very successful as Gilda, Violetta, Rosina, the Snowmaid, Volkhova, Shemakhan Tsarina (from the Golden Cockerel). On stage she worked with Sobinov, Chaliapin, Nezhdanova, Lemeshev...
Sergei Lemeshev La Donna e mobile 1945 (in Russian)
zhlédnutí 11KPřed 14 lety
The great Russian/ Soviet tenor Sergei Lemeshev was born in 1902 in a peasant family. 1921-1925 studied in Moscow Conservatory; after that for a year and a half worked in Konstantin Stanislavskys Opera Studio. From 1926 performed in the best provincial theaters for five years. In 1931 he became a leading singer of the Bolshoi ,one of its greatest and most beloved stars. In October 1941 Lemeshev...
Antonina Nezhdanova, Sempre libera, 1910
zhlédnutí 5KPřed 14 lety
The great Russian soprano, the People's Artist of the USSR Antonina Nezhdanova (1873 - 1950)
Elena Stepanova , the aria of Princess Swan from "The Tale of Tsar Saltan" (Rimsky-Korsakov) 1937
zhlédnutí 4,5KPřed 14 lety
Thanks to " musique0308 " for this recording. Elena Andreyevna Stepanova (1891-1978) , the outstanding Russian soprano, the People's Artist of the USSR, the star of the Bolshoi theater (1912-1924, 1927-1944). Was very successful as Gilda, Violetta, Rosina, the Snowmaid, Volkhova, Shemakhan Tsarina (from the Golden Cockerel). On stage she worked with Sobinov, Chaliapin, Nezhdanova, Lemeshev.
Sergei Lemeshev, The Song of The Indian Guest, 1954 (live recording)
zhlédnutí 30KPřed 14 lety
Lyrics: Ne s'chest almazov v kamennyh pesherah Do not count the diamonds in caves of stone Ne s'chest zhemchuzhin v more poludyonnom Do not count the pearls in the southern sea Dalyokoy Indii chudes. Of distant India so full of wonders. Yest na tyoplom morye chudny kamen yahont There is a wondrous stone, a ruby set in the warm sea; Na tom kamne Phoenix ptitsa s likom devy And on that stone ther...
Sergei Lemeshev "Una furtiva lagrima" 1954 (live recording)
zhlédnutí 65KPřed 14 lety
The great Russian /Soviet tenor Sergei Lemeshev (1902 - 1977) sings "Una furtiva..." in Leningrad , i954. It's a live recording, which has never been published on LP or CD. Of course Lemeshev was not at his prime in 1954 after all his troubles (tuberculosis), but I find this recording very expressive and interesting.
Elena Stepanova, Volkhova's lullaby (from "Sadko") 1937
zhlédnutí 7KPřed 14 lety
Elena Andreyevna Stepanova (1891-1978) , the outstanding Russian soprano, the People's Artist of the USSR, the star of the Bolshoi theater (1912-1924, 1927-1944). Was very successful as Gilda, Violetta, Rosina, the Snowmaid, Volkhova, Shemakhan Tsarina (from the Golden Cockerel). On stage she worked with Sobinov, Chaliapin, Nezhdanova, Lemeshev.
Antonina Nezhdanova, "Elsa's dream" (Lohengrin) 1912
zhlédnutí 2,8KPřed 14 lety
A. Nezhdanova, the great Russian soprano (1873-1950) en.wikipedia.org/wiki/Antonina_Nezhdanova sings Elsa's dream in Russian
Antonina Nezhdanova - Una voce poco fa (in Russian)
zhlédnutí 3,4KPřed 15 lety
The great Russian soprano, the People's Artist of the USSR Antonina Nezhdanova (1873 - 1950) sings Una voce poco fa; recorded in the 1910's. en.wikipedia.org/wiki/Antonina_Nezhdanova
Sergei Lemeshev_Rigoletto_ Parmi veder le lagrime1940
zhlédnutí 49KPřed 16 lety
The great Russian/Soviet tenor Sergei Lemeshev (1902-1977) sings "Ella mi fu rapita! /Parmi veder le lagrime" (in Russian)1940.
Young SERGEI LEMESHEV sings Lensky Aria 1937
zhlédnutí 95KPřed 16 lety
The great Russian tenor Sergei Lemeshev (1902-1977) sings Lensky aria. 35-year-old Lemeshev is on top form here (in 1942 he contracted tuberculosis)
Sergei Lemeshev / Pearlfishers/ Nadir's romance 1938
zhlédnutí 206KPřed 16 lety
The great Russian tenor Sergei Lemeshev (1902-1977) sings Nadir's romance (in Russian)
SERGEI LEMESHEV Werther "Pourquoi me reveiller" 1938
zhlédnutí 51KPřed 16 lety
The great Russian tenor Sergei Lemeshev sings Werther, Pourquoi me reveiller (in Russian).
SERGEI LEMESHEV Questa o Quella +La Donna e Mobile 1941
zhlédnutí 142KPřed 16 lety
SERGEI LEMESHEV Questa o Quella La Donna e Mobile 1941
SERGEI LEMESHEV sings Questa o Quella 1940
zhlédnutí 36KPřed 16 lety
SERGEI LEMESHEV sings Questa o Quella 1940
Almost fell out of my chair!Great vocal fireworks.
Чудо! Самая лучшая! И сила, и нежность - сколько нюансов в голосе..... от его звона и серебра просто волшебное сияние.....
I swear this voice could perform brain surgery. Absolutely mindblowing .
So, Nezhdanova was unsurpassed in her time. Along came Amelita Galli-Curci, and her performance of Sempre Libera surpasses Nezhdanova's. Compare: czcams.com/video/ygHkZQbjJPc/video.html
Amelita isn't as good as Antonina here. I did think that Gwen Cateley was very good, but she sounded too innocent to play Violetta.
НРАВИТСЯ
Wonderful... thank you!
come sarà la traduzione in russo?
Stunning recording quality for 1910.
Великолепно!!!!! Настоящая Царевна - Лебедь! Всё же раньше ответственнее относились к тому, что и кто поёт. Не то, что сейчас - каждая скулит как может, а не могут они никак
Natalia Kulik Как хорошо Вы написали!!!👏👏👏👏
@ MrSkylark1 : I totally agree with you. Most of them were fully underrated. What a shame!
Уникальный не превзойденный голос Спасибо
Браво, Маэстро!!!
согласна!
как всегда - Лемешев - великолепен, такой кантилены нет ни у кого,завораживает абсолютно.
If the singers of Russia back then were singing today, they would surpass all the singers in the operatic world today. Indeed, if they had been allowed to leave Russia then to come to the Metropolitan Opera, they would have been a formidable challenge to the Met singers
I am speaking russian)) Русский голос Сергея Лемешева, будь я хоть хоть кем, но волнует!))) Спасибо Вам за красивый комментарий))
I am speaking russian)) Русский голос Сергея Лемешева, будь я хоть хоть кем, но волнует!))) Спасибо Вам за красивы
Такая кантилена просто нечеловеческая, как можно так петь....это просто завораживает....несколько первых секунд-и ты в плену навсегда....
he sings in russian....a fabulous voice of a young man in love with a foreboding undertones
Спасибо большое за возможность приобщиться к Великому Творчеству Мастера!!!
at the age of 11 - not likely! Galina V. is born 1926!
Лемешев прекрасен, молодой Лемешев божественен.
That coughing reminded me of La Dame aux camélias
i really wish i'll be a good tenor someday.
MOLTO BUONA VOCE E INTERPRETAZIONE ANCHE SE NON IN LINGUA ORIGINALE è sentito MOLTO BELLO E CHE è una registrazione AS vecchio e ha i preparativi tecnici ORA.
'younglemeshevist', To cheer myself, I had found Domingo's rendition of, "Questa o Quella." Quite by accident, I heard a 1940 version as sung by the Russian tenor, Lemenshev, and was utterly transfixed! It was absolutely glorious. Never had I recalled such a brilliant, and sparkly diminuendo and sustain until scarce a hush. Thank you for also providing the Russian text for the second stanza. Most kind of you, and fun to follow. I simply--now--must learn more about this amazing tenor! 'Zahc'
Многие исполняют эту арию, но никто, кроме Лемешева - так душевно.
Très impressionnant, de souffle, de nuances et de phrasé. Un grand technicien du chant, qui mixe registre de poitrine et de gorge avec une souplesse confondante. Historique.
Russian eh
Какое ж чудо ! Ах Лемешев!!!
If Lemeshev and other Russian Opera Artists had come to the United States back then, it would have changed the vocal superiority of the Metropolitan Opera. Is there a book about the great Lemeshev. What a tenor!
Siempre me a fascinado Lemeshev, su fraseo , gracia , su aire aristocrático, aunque en ocasiones su vibrato me resulta un poco molesto , pero es uno de los pocos que se acerca a lanza en esta exquisita versión.
If LEMESHEV WERE ALIVE TODAY, HE WOULD HAVE SURPASSED ALL THE TENORS TODAY, INDEED FROM BACK THEN
Да !А действительно,не успели или не смогли?Не знаете??
this is true greatness
Real master of sul fiato...
Immediately captivating and remains that way throughout the aria.A lesson for singers that truly want to learn something.
amazing!! Russian??
I am a lover of Russion Opera anyway, but after hearing this, I am now a great admirer of Stepanova. Her sensitive, thoughtful and intelligent singing is just beautiful. Thank you for introducing me ot her.
No tenor like this today. Brilliant!
Это и был ЗОЛОТОЙ ГОЛОС России !
"an absolute gem" yes, he was... Russian brilliant, real Russian, i mean his blood and ethnic origin.
Натали, В каком месяце 41-го года был записан этот концерт? Это был концерт фронту? Или это было записано до 22 июня? В октябре немцы стояли под Москвой. Где был саписан этот концерт? Можете ли Вы спросить у Ваших родителей? Спасибо.
That ending is absolutely unbelievable! I mean, the whole of the singing was incredible, but that ending just took it to another level altogether. Fantastic singing.
Thank you very much. I know, it is usual to happen this when it's not the original version: different texts are sung according to the translator.
Не отстает и в наполненности. Сказать , что вполголоса спето никак нельзя
Интересно, в этой конкретной записи где "воркование"? Я сравнивала разные версии, в т.ч. Джильи. Голоса разные по силе и тембру, разная фонетика, но музыкальные качества (кантиленность, собранность голоса, правильность звуковедения) общие. Лемешев тут ни в чем не отстает.
речь идет не о наполненности звучания, а о манере выдавать звуки. Проблема с легкими к данному случаю отношения не имеет. "Воркующая" манера пения была у него всегда, за это его и любили. У Собинова принципиально другой тип звуковода.
Другое звуковедение у него образовалось позже, когда голос уже пострадал. В записях этого периода нет принципиальных отличий - свободная старинная итальянская манера. С Собиновым есть различия , но различия в технике бывают у всех, даже в рамках одной школы.
у меня другая точка зрения. У них звуковедение принципиально разное.