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Who was it that introduced HFL to Edwin Edwards? Whistler, or Matthew White Ridley? It seems to say both at different points in the video

Have you heard of Pablo Salinas y Teruel (1871-1946)? He was an interesting painter of XVIII century genre scenes with a unique style; unfortunately is difficult to obtain good-quality reproductions of his paintings.

Wonderful presentation, I recognized the very first painting that appeared but I could not remember his name. Luckily he did not become infected by that disease known as "modernism" which led to all kinds of horrible "artistic" movements: fauvism, expressionism, cubism, etc.

Interesting painter! Thank you!

M A G N I F I C E N T ! I didn't know Ramon Casas. So THX so much for sharing this with us.

I like the original way he posed his models. He lived in a period when art was rapidly changing and it seems he was trying to balance that. Super presentation and information again thank you.

Interesting to note that Casas came from wealth, and did not let it hinder his style explorations. No wonder he could afford to buy a monastery to allow him to restore and develop it to a personal dwelling...

Many thanks for posting. Beautiful artworks.❤❤❤

I so much love his floral still life paintings! Thank you for posting. ❤❤❤

I love it that you said: "We have a new era, one that longs once again to see real talent at work." YES, we do!!

Saturnino Herrán painted as skillfully and dramatically as Sargent.

Thank you for this splendid survey of one of the great, one of the greatest visual geniuses of 20th century art. The world of art went mad in the 20th century. Miraculously real art survived in such figures as William Orpen. The Gammell Lack Institute is playing a major role in the survival and revival of true art. Long may you flourish!

Thanks so much.

Thank you🎉

Sublime

The Flagellants is actually at the Museum of Wisconsin Art in West Bend

As an artist myself, it's almost painful to see Sargent's work, especially his watercolors. His deft hand at drawing and with paint is always a joy to see, but intimidating. One can only hope to come close, within striking distance, to his mastery. Thanks for this detailed insight and offering some of Sargent's comments on his own work. As always, very inspirational.

I wonder what occured with madame x? For some reason, it was like he lashed out in revenge, exposing her true character. Maybe he was insulted, or "stiffed" on commision money? I've really heard no true account as to why he painted her that way.

Who did those drawings @ 0:54?, Jules Lefebvre? or some other artist. Any clarification would be appreciated, thanks.

❤❤❤

Nice video, tomorrow I will go to the Zorn museum in Mora

Your channel is a godsend. Thank you so much for your presentations, i really look forward to them.

Sargent's productivity is mind boggling, because he and his colleagues weren't confronted with all these useless distractions we hav to deal with almost every day! And in our time it is going to get even worse. "Every era has its own art" so while I and all the other current artists are being RAPED by A.I. I try my hardest to remain pure at heart ( my Art loving heart) And when I am able to sell my art I try to support the truth loving segment of our society under threat! Have a nice day every one!

Beautiful work and descriptions of the MASTER! Thanks

Goat

I have the highest regard for Sargent but to compare his work to Michael Angelo's work ( cough, cough ) surely you jest. Let's keep it real folks, there is no comparison.

The artist Marc Dalessio is an admirer of the work of Segantini. That says alot.

Repin was not Russian, but Ukrainian. He deeply loved his motherland, which was Ukraine. He cherished both culture and tradition alike throughout his entire life. I really like the channel and I greatly enjoyed the video, but it is rather sad to see such disinformation. It is by no means unusual, for the soviet heritage is the russification of all great artists, who were from other countries. Ukraine just has a special place in this, because it was involved in Russias imperialism long before the 20th century happened

Now that Artificial "Intelligence" is going to endanger every form of visual art/design and will corrupt and cheapen it on an unthinkable scale without asking, under the guise of so-called 'progress' and 'new art paths', we will need these types of channels like Gammell even more. Channels that continue to draw attention to real art. I am a draftsman myself who needs the internet for exposure and is therefore confronted with the fait accompli regarding the theft of images or renewed iconoclasm caused by corporate forces that are now going all out for AI and wipe their asses concerning the copyrights of all the art available on the internet. Those who have invested the most in AI are now also co-writing bills, together with the so-called governments / media approved by them, so what can we as artists still do?

Goated quote.

brilliant as always, thank you.

That was great. Thanks!

There is so much emotion in his paintings. Besides, his technique is fantastic, each material feels real.

The colours! The light! The composition! Nobody could top this!

People who do watercolor know the true mastery of Sargent was always displayed in these. There are no oopsie daisy, made a mistake going backsy, in Watercolor, unlike most other mediums.

Amazing 🤩 .. doing THIS with .. Watercolor paints ...😊.. just my opinion

Absolutely my least favorite artist you've showcased so far. Millet makes Segantini look like an amateur by comparison, that you would even mention them in the same breath is offensive. The only thing they had in common was their subject matter but that's it. Someone commented on Segantini's imagination. Please, spare me. It is obvious by looking at the body of his work that if his subject matter was not literally in front of him it was not going to get painted. I thank God I don’t paint like him.

thank you!

Fabulous, great video, great artist.... he looks like Frank Zappa...

Great presentation 👏 as always. His paintings truly captured a sense of life, imagination and hardship

Thank you very much for introducing this marvellous, fairly unknown painter! His paintings are wonderful, very interesting perspectives. His story is told by a very good speaker. I enjoyed this treat - thank you!

Aspettiamo con ansia altri video sui Divisionisti (Pellizza da Volpedo, Morbelli, Previati)

Continua incessante la valorizzazione di Giovanni Segantini ormai collocato tra i più grandi pittori del post-impressionismo europeo. Fu Francesco Arcangeli a recuperare Segantini, rimproverando aspramente la critica italiana di non aver saputo collocare l'artista tra grandi pittori come Van Gogh, Munch, Gauguin. Arcangeli, anzi, istituiva un confronto tra Redon,Munch e Segantini. Cito le sue parole " Chi dirà la vastità sospesa , epica ma inquietante, della grande tela della MORTE, tutta bianca, grigionera, celeste? Segantini sembra stremarvi la sua grafia nella ragnatela delle palizzate o della slitta ancora vuota, quasi relitti sulla neve, o rialzarla nella dentatura potente della catena alpina: tutto a indicare l'indimenticabile apparizione della nube che s'affaccia alla sella montana, gonfia di fato minaccioso, come non fu mai così minaccioso-perché intellettualistico al confronto- nessun Redon; come soltanto è minacciosa e incombente la notte nera di Munch " La storica dell'arte Annie-Paule Quinsac (Columbia University ) ha dedicato più di 50 anni di studio a Giovanni Segantini e al Divisionismo italiano. I risultati dei suoi studi sono fondamentali anche per i critici italiani. Il risultato è che le mostre sul Divisionismo si moltiplicano e i prezzi delle opere dei Divisionisti salgono precipitosamente. Ormai quadri importanti di Segantini non si trovano più sul mercato. L'ultimo è stato acquistato dal Paul Getty Museum. Opere importanti di Segantini si trovano in Italia (Roma, Milano),Svizzera, Germania, Austria, Inghilterra, Giappone. Il Museo d'Orsay si è dovuto accontentare di un disegno per altro molto bello. Il video è ben fatto. Avrei aggiunto più immagini dei quadri di Segantini che si trovano nella Civica Galleria di arte moderna di Milano. Sono opere bellissime.

Yet another great video. Thank you so much. One thing I'd like a little more of is how these artists worked, especially what proportion of time they spent painting outside versus in the studio. For instance, in Segantini's case, clearly he was outside to some extent, but it would be vastly difficult to do these amazing pictures entirely en plein air.

Definitely enjoyed. Thank you

Wonderful, thank you.

What a sad story! Beautiful paintings, skillfully executed. Fascinated by his discovery of putting pure colors together on the canvas as opposed to mixing them on his palette. Am I to understand he knew nothing of Seurat or the science of light that was in vogue during that time? Thanks again for a wonderful tour of this little known painter.

So great i really liked all the info of a Real True Artist. Makes Pollack look like a kindergarter. Too bad he not here. Nobody like hom EVER