![Matt Grou](/img/default-banner.jpg)
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Matt Grou
Canada
Registrace 13. 02. 2012
I'm a music producer and performer from Montreal, Canada. I'm here to help.
1 drum 3 sounds - Capture Different Styles With One Drum Setup.
Is it possible to capture three different drum styles with just one setup? That's what I do in this video. The styles are roomy rock, metal, and dead 70s drums. All using the same microphone selection, same preamps, drum, and room.
🔥 Grab my FREE mixing routing template here: 🎚️
mattgrou.com/store/cubase-modern-mixing-template
Chapters
0:00 Intro
0:40 In this video
1:42 Microphones used
4:47 Preamps used
6:03 The drum setup
7:22 The Cubase session
8:48 Roomy Rock drums
14:22 Metal Drums
20:56 Dead Drums
26:05 Afterthoughts
Need drums? A mix? Consulting?
mattgrou.com
🔥 Grab my FREE mixing routing template here: 🎚️
mattgrou.com/store/cubase-modern-mixing-template
Chapters
0:00 Intro
0:40 In this video
1:42 Microphones used
4:47 Preamps used
6:03 The drum setup
7:22 The Cubase session
8:48 Roomy Rock drums
14:22 Metal Drums
20:56 Dead Drums
26:05 Afterthoughts
Need drums? A mix? Consulting?
mattgrou.com
zhlédnutí: 264
Video
Beyond Mixing: The Skills You Need To Nail Your First Live Gigs.
zhlédnutí 88Před měsícem
You have mixing skills? But can you do it in a live setting? This video shares my tips on how to overcome the challenges of mixing live. All the non-mixing skills one needs to succeed! Grab The Free One Page PDF Here: mattgrou.com/store/live-sound-prep The earplugs I use: amzn.to/459Paha Need a Mix? Help With Production? Consulting? mattgrou.com
The Most Versatile Bus Compressor In 500 Series Format? - Serpent Audio SB4001
zhlédnutí 834Před 2 měsíci
This is my unsponsored review of the Serpent Audio SB4001 stereo compressor. A very versatile unit that boasts a bunch of cool features that are absent from most hardware compressors. It can be very transparent and gentle, but it can also be very aggressive and colorful! Need a Mix? Drums? Coaching? mattgrou.com Check Out Wave And Wire! czcams.com/video/Vp0UpnsZHT8/video.htmlsi=JAJzab06q7VBT6Sf...
Blazing Fast Drum Comping In Cubase -
zhlédnutí 325Před 3 měsíci
If you regularly have to do drum comping, you probably would like to do it faster if you could. This video is for you! Using the power of key bindings and macro creation in Cubase, I make my drum comps faster so I can focus on the creative parts we all love! The FREE PDF of the workflow: tinyurl.com/nna5nwz6 Need a Mix? Drums? Coaching? mattgrou.com timestamps: 0:00 Intro 0:34 What is drum comp...
How To Prepare For Your Next Studio Session - Avoid These Mistakes
zhlédnutí 188Před 3 měsíci
Most artists underestimate the preparation required when they get into the studio. Let's avoid this and get you prepared for your next session! Need Mixing? Killer drum tracks? Consulting? mattgrou.com/ Timestamps: 0:00 Intro 0:42 Who am I? 1:10 The studio reveals everything 1:58 Most are not ready 2:54 The consequences of bad preparation 4:09 The limits of editing 4:49 My first real studio exp...
Drum Preamp Upgrade! Does The Difference Matter To You?
zhlédnutí 7KPřed 4 měsíci
Mix crits and rescues / Production coaching mattgrou.com/store/consulting I'm finally upgrading my drum preamps! First, we take a look at the whole gear list. Then we go and record some real drum tracks. Then it's time to listen to the results and compare them with the old ones. Can you appreciate the difference? Is it time for you to upgrade your preamps? I'd love to know what you do when you ...
Why Skill Acquisition Matters And How To Do It Faster Than Everyone.
zhlédnutí 603Před 5 měsíci
Learning a new skill is the best thing you can do! How should you approach it then? That's what I talk bout. The Art Of Impossible (affiliate link) amzn.to/42RxG8h NEED HELP WITH YOUR PRODUCTION? Let's talk. mattgrou.com/#let-s-chat New World Men, the sound of Rush. @NewWorldMenBand
Fearless Metal Mixing: Overcome Challenges from Routing to Mastering
zhlédnutí 2,4KPřed 6 měsíci
This is an overview of the mix of my latest single. We listen to the raw tracks, identify problems, set an intention on where to take these tracks, and then use the tools we have to get there. Grab the FREE routing template here: mattgrou.com/store/cubase-modern-mixing-template Listen to the full song here: mattgrou.com/ Timestamps 0:00 Intro 0:30 What to expect from this video 0:55 Routing 2:0...
Matt Grou - Too Late (Drum Playthrough)
zhlédnutí 269Před 6 měsíci
Welcome to my channel! This is a drum playthrough of my latest collaboration single, sprinkled with production information about microphones, plugins, and hardware used in the process. You can stream or buy the original song here: mattgrou.com My goal with this channel is to bring value to the amazing audio community. Help my peers where they are at in their journey and hopefully have fun doing...
ONE - A TesseracT inspired Collab.
zhlédnutí 470Před 2 lety
This is an original song inspired by the band TesseracT! Lots of love has gone into crafting it so I hope you will enjoy it. If you'd like to work with me on some music, hit me up, and let's talk! CREDITS: Matt Grou (that's me): Music - Drums - Vocals - Lyrics - Mixing & Mastering Merijn Middelweerd: Music - Guitars - Programmed Bass Pankaj Dhyani: Keyboards Lyrics (somewhat psychedelic): This ...
Warframe Tennotunes vol.2 - Wake up Tenno!
zhlédnutí 3,7KPřed 7 lety
This song is my entry to a contest on the game Warframe by Digital Extremes. I composed all the music and my friend helped me with mixing. I love this game very much and I hope you enjoy my inspiration for it! If you like what I do, I'm also in other musical projects, such as this Rush tribute band: czcams.com/video/3KTA7noQaXQ/video.html
Beau travail et de très bonnes explications. Très instructif.
Merci Marc!
To me (meaning it's just some dude's opinion) I really prefer tracking drum mics all through the same topology. When you're doing the kick and snare through API 512s, the rooms through 1073's, the overheads through (etc etc etc), it's really hard to get everything to glue together in the mix. The slew rate of an IC-based pre like the Audient versus a 73-type with magnetic transformers and transistors are markedly different on percussive sources. But again, that's just me.
Which mic pre did you end up using on snare top?
I used the Heritage Audio. The EQ really helped shape the tone and open up the 441 mic on there.
@@mattgrou It sounds amazing! I've been on the fence about purchasing one but now I need to!
Similar rig here. A Camden EC1 with two saturation settings for kick. I have a GAP Pre 73 I use for snare top. Then the Audient ASP800 for toms, hats, overheads. So, it kind of goes from bottom to top in terms of how saturated/vintage the pres I use are. Looking to get a pair of API style pres, maybe CAPI, or Warm Audio WA-12 for toms. And maybe another GAP to use for snare bottom, Or snare top, so I can move the Camden over to room ribbon mic. I used to use the Behringer UMC1820m pres, and they were serviceable but yeah, no mojo, a bit flat.
I never tried the Camden preamps but I love Cranborne's product philosophy. I've had their 500ADAT for a few years and I love it!
@@mattgrou It's cool, probably my most used preamp. Because it's the cleanest/quietest, but also has those two colour options. And it's almost nice and small on so sit on my desk right in front of me. So it's the first thing I'll use as my vocal Mic, DI, mono guitar preamp but also a really good strong headphone amp. So just a really good frontend to an audio interface that brings it up a level. I use it so much, I think I'll get a second one to have a a stereo pair.
Hey nice Rig.. it’s similar to mine. RME 802 Fireface, UA LA610. I have an Audient 800 but if i use this with the 802 it’ll act as Master - 800 AD etc & the RME converters won’t be active on tracking. Audient is good but I prefer RME converters etc. so the Audient is a spare.. I use various Pres etc and line into the RME… 👌
I'm sold on RME for sure. I remember when I upgraded from an id22 to a Babyface. I could hear the difference in the transient response right away.
amazing video! also got one... i would like to use the sidechain filter at 60 combined with the boost... that would be sick
Well done Matt !
Wow! C'est quoi la Fender en-arrière? C'est super rare d'en voir une avec une longue corne.
Une PJ! Full active. Elle est dû pour un checkup mais elle me plaît !
@@mattgrou À toi?
@@dandaris2153 yep
@@mattgrou C'est ma 2e meilleure nouvelle de la journée :) Trop nice!
Awesome mat.
Came here to find out about slope (1k low shelf) and boost (1k high shelf)
Fast and weak hits vs good groovy drum part? I think the opposite comparison would make more sense and probably having the groovy drum part still sounding better…
I get your point. However, as the one who has played both songs, I assure you I played as hard on the older pres. It's not a perfect comparison for sure but to me, the sum of all the preamps is different enough to be worth it.
Great video and great playing as well! I have a similar setup but I’m planning an upgrade of the main interface. I’m torn between RME UFX and UFX 2. Would you recommend the UFX even if it’s getting a bit old? Thank you 🥁
Hey Alex, thank you I'm glad you like the video! Depending on what you have right now, upgrading to RME is almost certainly an upgrade. The differences between the UFX and UFX2 are small but non trivial. It comes down to a budget consideration in the end. If you want to check the specs, this will tell you what you want to know: archiv.rme-audio.de/download/tech_info/RME_Fireface_UFX_II_Differences_UFX.pdf
@@mattgrou Much appreciated, thank you for your valuable feedback!
I got the sb4001 after refering to Zen Pro Audio clipalator section, because u re right, not much reviews online about it
Man I’ve really been digging the videos! The quality is amazing! U deserve more views. Keep it up brother 😎
Thank you Josh! It's much appreciated. These comments help me keep going. 💪
What a great review with awesome music taste!Keep what you doing!you definitely will go big one day~
Thank you for your comment ! I'm glad you appreciate the content! :)
Great review
Best content in youtube
Definitely made an improvement in the sound. The drums sound full and more present with the new preamps. More 3d'ish if you will.
I totally agree. The more I use them, the more I appreciate the difference.
This is awesome 💣 cant wait to try it out. Thanks a lot 👍
Glad I could help!
Thanks for this video! Learning a lot with your videos! Keep it up, quality content as usual 🙌🤜
I'm glad I can help my dude!
Merci pour le PDF my dude!
Ça fait très plaisir!
Great vid
Thank you! I'm glad you find value in it.
Back watching this video again because it's been super useful! Wondering what your thoughts are on the Audient ASP800 vs the ASP880. I know one is significantly more costly, but if pretending they were the same price, do you prefer one/the other?
Thanks for coming back! I'm glad my video is of help! The main thing you get from the 880 is a high pass filter, and line inputs on the back. They are both useful features for sure but in my case, not that much. I have a built-in high pass in my RME sound card on every channel so I can use that. As for the line inputs, I can do without them. That being said, if they were the same price, I would go for the 880! The only thing you loose are the 2 saturation channel on 1 and 2.
Sounds frickin great dude! Solid, solid drum sound
Thank you! I'm glad you like it! :)
Dude! The 19a is *such* a great bang for the buck! Have used it hundreds of times for live sound over the ~year+ I've had it. Love it.
At that price point, it's a no-brainer!
I tried an experiment a couple years ago with micing up my drums in my basement, which I assumed/knew would be terrible. Cheap mics into Behringer XR18 (18 in, 18 out USB interface). Fresh heads tuned well, with good mic placement, and I was surprised how usable it was. I then ran the Lindell 80 (Neve plugin) on each input, and was shocked how great it sounded. This extremely modest setup really opened my eyes to how important having the kit setup well and playing well is nearly everything. Great vid, thanks!
Thanks for your comment! What you have to worry about with cheaper preamps is mostly not pushing them too much since most of them have less headroom and start being noisy at louder levels. Also, sometimes impedance can be less favorable for certain types of microphones, like ribbons.
Great video! You have my wish list/future set up! Is it possible to do a video of what those RME preamps sound like!?
Glad you like it! The RME preamps are more clinical but totally reliable. In this video, the Hi hat and room mics are hooked to them. They do a fine job.
The comparisons should play the same thing You jumped from one thing playing ride cymbal to something playing hihat.... Doesnt make for a good way to hear the differences
Thanks for your comment! It's true that the files are not the same. I mentioned at 6:07 that the comparison won't be perfect since it's not the same song. However, it's the same drums, drummer, and microphones. The ideal scenario would have been to play the same song on the same day, but switching preamps. That was not an option. The jumping over to different sections is a common thing to do when referencing in mixing. You purposely listen to little bits of a song just so your ears get a glimpse of the vibe and frequency spectrum. I did this specifically to listen to the sum of the tracks instead on focusing on the details.
Great video! The new preamps really do a better job of representing the drums potential sound in the final recording outcome. Well done, great demonstration on why you should have "better" preamps when recording in digital.
Good comparison, thanks. However, I started to not really care about preamps anymore for drums; unless I was after some distortion. Even then I prefer a dedicated distortion device over distorting the preamp (eg. the old but still usable spl vitalizer or the newer Elektron heat). Reason being that preamps seem to have much more of an impact with delicate sound sources like voices or acoustic instruments. Drums are so loud that even quiet microphones give a healthy signal that just don't need much preamplification. If anything, it is about the transient which in turn (in our times) is mostly about the choice of the microphone. I agree that there is a difference in your comparison, but it is rather subtle. Over the years I've come to realize that these differences, while I do often care about them, are mostly not important for the vibe of a recording. It is more about the broad strokes and decisions and how things fit together, than about subtle differences in preamps, compressors etc. However, being a gearhead myself, I can totally see where your excitement comes from. Thanks again for the effort!
"thanks for the effort" you're a dick, bro lol
Thank you for your comment! The difference is definitely subtle between the two. I find myself going more towards the committing route in tracking. Embrassing the saturation, eq or compression I want on the way in. I find that most of the time, I don't regret my decisions. There's also something to be said about turning real knobs instead of a digital fader (which is what I had before). To me, these take part in the broad strokes decisions of how thing will sound in the end. I certainly did not need to upgrade my preamps to make my clients happy with my work. Toying with these make ME happy so it's bound to have a positive downstream effect on the work! :) But as I mentioned : Get good at your instrument, tune it properly, use good mics for the job. After that, as long as you have clean gain, life is peachy!
Honestly such a good take, the less you need to gain in the preamp stage, the less colouration is actually being imprinted into the sound
@@chrissiemilnarskii Yes! If your don't want any saturation, clean preamps with conservative gain will get you there.
Interesting video! Hours of fun! Thank you!
Thank you Mike ! Indeed I'm not done having fun with these!
Nice shirt!
I knew you'd like it! ;)
Nice shirt indeed!
Very refreshing video. Had me glued from the begining. I’ve always been a believer of how to get smarter and keep it. And that’s learning new skills or leveling up ones you have . I’ve been an artist/singwriter/songwriter all my life. I became pro age 21 which was about 25 years ago. Out of need I learned to produce to get my bands music out which ended in a record deal. I focused on making the music, recording, vocal composing, and enough mixing to have it sound good enough which we called a demo back then lol. Fast forward I left music about 7 years ago to have a more “stable” stay home.career because I had 2 others to take care of including a little man. I became a realtor and did really well. About a year ago I went through a why am I doing any of this and what’s the point of any of it. Long story short after a hard reset of my life I came out comforting the person I used to be who left his passion for “. ….” Whatever others think is normal for you to do. And realized in that moment it was the biggest mistake of my life. Even though I had just lost that little family. And not because of music. A selfish act I didn’t take took more from me than anything else or anyone I lost. So I did what any “normal’ person would do. Start making music again. I’ve learned more in the one year I’ve been all in production, mixing and mastering than I did in over a decade of doing it for myself and professionally. And my own music is now light years passed where it used to be because of it. Still yet to release any thing new but released a few older “ older for me only” songs that I look at now and think wow . Sometimes I get into the loop of what ifs….i have not left music how much better would I be now. It’s an imaginary loop that means nothing. Because the answer is who knows ….all kinds of answers are possible even death. So besides my still one year later musical sprint that has not yet slowed down, I’m learning a very important skill rt now, how to appreciate what I have today.
Super intéressant , merci.
I was just recommended you and I must say this is a fantastic video!
Thank you ! I'm glad you appreciate it !
Profound. ~ Curiosity is the best mindset! And who doesn’t love a healthy dopamine loop!
Really interesting Mat!
Wow! Ton extrait vers 6min fait beaucoup penser à Alice In Chains :)
Haha hell yeah ! J'adore Alice in Chains
C'est leur album de retour, en 2009, qui m'a VRAIMENT accroché. Depuis, j'aime tous leurs albums (à part le tout dernier)@@mattgrou
The sound especially clean vocals reminds me of Extol.
I love Extol! They must have woven themselves in my influences. :)
gogogo bro
🙌
Great content Matt and a great mix.
just subscribed
@@brunopradomusic Thank you Bruno, It's much appreciated!
What were those 2 snare samples? They sound great
I believe these were blends of some Jens Bogren and Jacob Hansen sample packs! Quality stuff!
Love the guitar tone in here. Have you used sim or real amp? What kind of amp and speakers have you used?
Sims! Christopher did all the guitars remotely. The rhythms were tracked with a Line 6 HX Stomp, Cali IV Lead amp, with an IR from ML Sound Lab. The lead a similar chain but with variations on the sim and IR.
Have you completed the Mastering as a reference, then sent to a professional mastering studio to see what they did differently? I need to do this.
I often use my masters as a reference point prior to doing revisions. It can help prevent going to far or even backwards!
Fuck yeah bro keep this up
Haha awesome ! I'll do my best!
Loved the video, you earned one humble subscriber
Thank you for the support ! 😊
À 13min27, ça fait penser à un mix entre Hypocrisy et Devin Townsend :)
Deux artistes que j'aime alors tant mieux!
😘
That was very insightful Matt and I love the ''small moves'' approach. Oh and that bass tone is gnnnn---arrrrrrrrrr---lyyyyyy ! It fits the mood of the song perfectly. Thanks for the video =)
Thanks a bunch for the love, Pascal! Gnarly bass tones get my vote! 🤘
Yeah! Good job!
Merci Rock!