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It is helpless if you have many instruments track, you find them all on "other"

As an AV tech with Sony headphones, I can tell you 63 ohms is not high but also definitely not "Low Impedance" You would need a dedicated sound card just to bring out the most out of those headphones. And in mobile devices, you would need like at least an iPad, not just any phone... Low= Less than 20 ohms Mid= More than 20 but less than 200ohms High= More than 200ohms

A real pain here...

Got them all right bar one, l own the cube 80x l don’t record with it, just bedroom level playing keep it clean and add EHX platform compressor, Bell Epoch deluxe delay, specula reverb mk 3 all 3 pedals running into EHX tri parallel mixer pedals are in parallel, Getting a nice ambient mix, The cube is very reliable solid well made and will probably out live me,

This should be the gold standard in tutorial videos.

what's with 2 kHz devils frequency?

The stem splitter doesn't create drums and bass for me, it just makes an empty track.I have an M2 Mini 512 gb.I purchased Logic Pro 11.0.1.Why isn't it working for me?

The vowels arent related to frequency. Each vowel can be at any frequency

"By the end of this video, you will be able to..." Ok, that's overpromising a bit.

first 10 seconds of the video was all i needed! super helpful thanks

Where on earth is this "plugin menu"? You went way too fast and couldn't see it.

When do you use stereo? When Benjamin Orr tells me to (Or Phoebe Cares)

I find the idea of thinking of lyrics as sounds very inspiring and liberating.

Oh wow. I totally disagree about the b section. Sure, there are forgettable b sections. But I would argue that The Beatles, and many songwriters, use the B section to even take the song to equally great heights - but in a slightly different direction. There are indeed "classic" songs whose B sections have generally faded from public memory, but it's more a reflection of the public mainly remembering the chorus hook, as opposed to the B section being outright bad. I would say there are few genuine classics that have a B section that is just "zzzz" or "snore." (Yes, I know that was meant to be somewhat funny.)

Danka!!!

I play Zildjian but compare the A Customs to the Sabians and it would be more accurate.

I love how you can analyze music but can’t make it. You see that takes genius, talent.

I didn't speak a lot of English when the Backstreet Boys and Britney Spears made it big, so I got the basic message but only realized much later how little sense lyrics like the ones for "I Want It That Way" make.

Great video and download. I like the tier list too! Thanks!

What does this have to do with Peter Gabriel? All pop singers that I produced in the 70s and the 80’s sang up to 7 vocal tracks and we just chose the best parts at the mix. This isn’t any kind of magic. This is typically how pop music is glued together.

Check out this video if you'd like to process a regular microphone to sound like a telephone call: czcams.com/video/7vTsABsY7B0/video.html

Very cool project! I plan on doing this myself for textured vocal applications. I was lucky enough that I got a pre-1980s handset from a telephone at a pre-sort thrift store for dirt cheap which will be nice for the fact that telephones pre-1980 used carbon transmitters for the microphone rather than a dynamic microphone which was used in the ear piece. I'm planning on implementing the XLR's phantom power to feed the carbon transmitter and a switch mounted in the handset body to select which microphone sound is desired. I just wish XLR cables were either cheaper or the bulk spools to make your own came in shorter lengths. Cutting up a short XLR cable ends up being relatively expensive for such a simple project, but I guess we gotta do what we've gotta do.

Wow this is excellent- Glued and screwed, sand bags, tweeters at ear level, you really thought this through. I know already that speakers ALWAYS sound best off the ground- This is exactly what i need -

Damn how'd you get that tone? Shits raw af

Per Gessle says the same thing about not being able to predict what song would be a huge hit, and that guy consistently pumped out hits in Swedish, then in English (four Billboard Hot 100 number ones), then in Swedish again. The difference between the two is that since Max Martin writes for others and have to collaborate a lot, he is kind of forced to keep up-to-date with modern pop music. People who only write for themselves don't.

The Beatles did just what they did all those years ago… I’m sure they had no idea that 60 and 50 years later people (and some very advanced music people) would be analyzing them. I’m sure Paul and Ringo are just saying let them go at it… It will always be there.

Be a man and do one for Luna

Can't hear it. What a disappointment.

Very cool guy, respect

Well. I don't like the sparkle at all. I actually hate it. It sounds crap. Especially when I play Jazz. Give the Roland any time.

Ghost writing happens kids.

Calling AABA, Chorus Chorus Bridge Chorus seems completely wrong to me. Should be Verse Verse Chorus Verse I think... then there's a Bridge

While the drums are rough, there’s plenty there to use to convert to midi triggers for alternate kits.

Blown away by the segment of demo-rough mix-final mix.. Even made me check your site,lol. Wish there was some pin-point to prices there though, maybe only speaking for myself but would help for people to know if its something they can afford to fantasize about or not,lol. Anyways. great vid and once again...blown away by the mix process..

Ce CM67se est tout simplement magique !

Learn Audio Engineering but not how to focus a camera

Usless

uff, was about to update the entire system just to get logic 11 for that feature... thought its a breakthrough ... not ready yet

Reaperiani sent me here

Absolutely great video and overview of the Brauerization Method, which IMHO, is just overthinking and over-complicating normal, channel >> bus routing techniques. It may work well for him...in his studio...with his particular hardware...but seeing thresholds readjusted after the "calibration" completely negated that effort. After watching this, the only thing I agree with is "mixing into the compressor," which is a great technique to observe (think master bus comp) the impacts of certain high-energy sounds needing to be turned down while also using your ears...which may also mean keeping the element loud(er) and slightly adjust the threshold/attack/ratio of the bus comp.

How much do you think this will cost( I don’t think I have any of the materials but I really want to do this)

Well, for me 20 to 40 ms is too much for "artificial stereo", for example, when I use 2 mics for a guitar amp (or when I double 1 guitar track), I prefer around 10ms.

Fadr is better. Lalai is better.

Okay the lofi may sound wild but I wonder if when you mix them all together if the bleed evens out and makes it sound like a mixed original.

Although foams are not great, this test was even more so unfair towards them as they were too small in area. It's not just about thickness.

Subbed,, here from Nova Scotia

DIY acoustic treatment can go quite a long way, however, most hobbyists and home-studio owners don't seem to want to sacrifice the necessary space to truly tackle their low-end issues. Rockwool (Safe n' Sound or similar) does a great job of handling everything from maybe 80Hz and above.. given 6 to 10" of depth. In order to truly hit the lowest octaves: fluffy pink insulation (R20 or similar) is actually far more effective, however, it requires thicknesses more like 15" or thicker to get the job done. Corners initially (vertical and horizontal), and likely more. It tends to be more work, cost, and space than most home recording folks are willing to sacrifice for a truly honest listening environment. The trade off is more trips to the car haha.

I tried the premium Moises monthly subscription ($5.99) (thanks for the link, @TonyLFisher!), and it performs quite well. However, I am unsure if the output quality matches what Logic produces. If you could try Moises for just a month, "Learn Audio Engineering," it would help others compare the two platforms for track splitting. Due to space constraints, I don't want to download Logic onto my iPad mini. I haven't yet tried importing the Moises split audio tracks into GarageBand and then converting them into MIDI instrument tracks. This method could significantly enhance the resolution of the instruments (hi-fi) and allow for personalized adjustments with applied levels. Any insights you have, "Learn Audio Engineering", would be greatly appreciated!

Thanks for the video; but the test is very flawed and misleading to people who might not know what they need. With acoustic treatment for rehearsal rooms, mix rooms, etc. -- we're not looking for sound ISOLATION, and that is precisely what you've tested; by measuring what sound goes THROUGH (or doesn't go through) the treatment. We are normally looking for minimising reverberation, reflections. This can only be measured from the same side as the speaker -- not from the other side of the treatment you're applying. Measuring as in your video, the "result" will always be quite striking, making some believe that a similarly "good" result will be achieved for their room when hanging this stuff on the walls. Thinking this way, people start hanging layers of old towels on walls, because they saw an identical test on YT where it purely showed isolation -- and tried to convince people that it's good for acoustic treatment. Which might be, of course -- but that's something completely different, and has little to do with the test you've presented. A cool comparison would be if you put the mic (or two mics, or something omnidirectional) in your target listening position, the speakers placed where they normally are, and take on and off the various acoustic treatment you have. Now that's useful, practical, and shows the actual results!