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thanks for this great tutorial! for some reason i have a hard time having the same visual result as you. I used your tutorial to do my own and downloaded your patches and the visualisation looks different than your result (somewhat more flat and dense)... what do you think the problem could be ?

Great Video!!

Beautiful! Thank you

Thank you for this great tutorial! Very helpful ❤

thanks for the paper link! I really hope there will be a [codebox~] operator outside of gen in the future.

this ROCKS. thanks. been diving into max and this is exactly what i’ve been looking for. bravo.

Thanks for the Tutorial! Always enjoy these.

Love it when there is some genuine math 🙏🙏

Another great tutorial, clear and to the point.

Keep them coming!

Yay new tutorial!

would you be open to re-uploading the patch? the link is not working

Thanks for sharing... and thanks for being constant with your videos I learn a lot.

good as always! thank you

Hi Umut, Another excellent vid. Coincidentally I was thinking that there might be some way to use matrices in the mc context. I have absolutely no idea how but seeing your use of matrices here makes me think there might be a way. Is there? Cheers Russell

Nice mix operator application. I though the 1st and 2nd inlet worked with vecs and that the 3rd one with uniform only. Norm on it was 🤯🤯

So happy to see a new upload on your tutorial series!!! Thank you!!

Thanks Umut, this is incredibly helpful! One question: How would you attribute colour (ala iZotope analyzer) to the jit.pwindow outcome? A frequency colour map so to speak.

I wonder what the result would be if we used overlap window here?

Great content as always .Do u have a Patreon or Webpage?

brilliant, thank you for sharing

Congratulations, one of the best tutorials I’ve seen recently. Simple you nailed it. Great content

Awesome video, thanks a lot for sharing ! I'm guessing this is how time stretching works ?

Yes, we can’t hear above 20khz, but also most timbre info is below10khz… You divide the fft analysis by 2 for the jit.matrix to get it down to 20khz…but the representation is linear, which makes 0- 10 kHz half the space. Is there a way to represent the bins/frequencies logarithmically so that 0- 10 kHz gets more space? Or some other method? The goal would be to increase the usable space that a user can draw in, to get more fine control where timbre is most affected (0- 10 kHz), and yet process all bins. Like how people usually use Ableton Live’s eq8 in logarithm mode to get more fine control where it matters most. Thanks!

Thanks!

Babe wake up, a new umut eldem max tutorial dropped

Ah there you are!! Glad to see you again! Thank you for all your work ❤

Great Work. Keep it Up!

That's awsome! Thanks for your tutorial!

Excellent work!

Max/MSP tutorials made after 2012 seem to be uncommon for some reason (I can't trust any tutorial "uploaded 11 years ago", "uploaded 14 years ago", etc), so thanks for making these!

What it seems interesting to me is that the random waveforms created here produce tones similar to FM synths. Actually, they have nothing to do with each other, but I guess the complex waveforms produced by FM synths must produce similar complex waves. More precisely, the human ear, or rather the brain, is getting a similar perception. Or I came to such a conclusion because I automatically compared it in between subtraction, additive and FM synth :-), and the winner is FM :-)

Great job. This is straight forward for beginners like me. Thanks for sharing the patch for free 👍.

fantastic tutorial!

Is it possible to recreate this kind of thing not using gen (M4L license only) without getting stack overflows or NaN issues? Perhaps using the js object or just messier patching? Even the upgrade from MaxforLive to full Max ownership is brutal, yet so many of the patches that I want to replicate use gen.

Super usefull and very well explained !

Incredible tutorial! This was my "real" introduction to gen~ and codebox and it was super clear, thank you so much!

I love your videos! They're so clear and informative.

Hi ! Love your patch, looks particularly good :) I've tried to download the repository on git, but seems like you've blocked the access. Do you think I could have an access, I'd like to try it but I only have a free version of Max and can't save the patch i'm doing :/

Im bummed your final product is not what your thumbnail makes it to be with the particle cloud. Despite that, this is a great tutorial, thank you so much.

Umut, I appreciate your sharing this truly amazing patch with people. Teşekkürler!

Very good but it is possible to consider the chords positions (1,2,3 invertions)? instead the root position?

really helpful, thank you

what an absolute dude

I'm a life long visual Artist of over 40 years, recording artist & engineer. I draw with sound based on specific rules such as no sound *no draw* - there would not be a sphere representation, if quiet, draw light/faded (creates distance/depth), draw points or lines to specific side of the page from whatever L/R pan you hear although this is a bit imposed/forced ideology of the music engineer, not the scope of the audio spectrum in 3D space. During the duration of the music you may hear a constant note or a blip a 1/64 for example. I have mapped out other rules. Anyway, ideally, I think that if the interpreting algorithm is correctly made, it should visually produce the same artwork even better than me and if another artists draws by the same rules, they will replicate the same artwork too based on the specific music. Music is math but how to extract it in 3D may reveal hidden images/thoughts and experiences artists had through out the ages.

marvelous! I'm new to max and have a p5js foundation, but I still can't understand the logic of max, and I don't know how to use some nodes. It's difficult to apply my experience in p5js. Your video has helped me a lot, and I will continue to explore. thank you very much for your help!

Thank you for your help. I'm new to max. I try to create work through noise and media, but noise is difficult to control. This is the first time I learned how to use jit.gl.bfg in your video. This completely solved my current doubts and I can finally proceed to the next step of exploration. Thank you very much!