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Thank you very much for your kind words.

I guess we'll never know. 😊 Thanks!

You’re welcome 😊

Title Studio fonts have to be TrueType TTF. You'll need to convert them for them to work correctly in Title Studio. Here is an online converter than will transform other formats like OTF to TTF. cloudconvert.com/

@@BorisFXco Thank you very much for your guidance. My problem was solved by your guidance. I wish you and the professional team of Boris FX endless happiness and success.

Sure but in this case you’d have import the egg as a rendered layer. Ae is always going to be more flexible though for these multi-layer looks.

@@Motionworks Thanks for the reply!

Thanks, you’re welcome 😊

Head over to our Video page and you can filter the videos by product, host, or even feature. Hope this helps : borisfx.com/videos/

You only need a minimum of 8GB RAM (16+ GB preferred). RAM is really mainly used for caching. If you want to throw a lot of particles around then your GPU will be more important.

You can grab a free trial right here : bit.ly/30GkwJY

It's not 3D aware in Fusion. It only recognizes 3D camera camera's inside of After Effects. You can use the built-in Particle Illusion camera but it takes a bit of work.

You might be surprised how much you might need some more subtle atmospheric effects like dust or fog. It doesn't always have to be about sparkles! ✨✨✨ If you're in doubt, grab the free Particle Illusion Standalone, and give that a go without any subscription.

Thanks for the question. Yes, there are certain filters that you can use to generate motion graphics elements, for example Particle Illusion. And there are also filters that enhance or stylize other elements. Usually you would use them in combination. And because they are plug-ins , they can be easily stacked together in your host application. Your graphics card must support OpenGL 2.1 or higher to get the benefits of GPU acceleration.

@@BorisFXco thank you brother for your reply.. 😊

Thanks for the feature request. I'll pass it on to the team. Just so you know, Silhouette is available as a plugin for Adobe & OFX already. Might be worth checking out.

Thank you. Yes it does!

I'm glad we could help with this video. That's a great idea about Particle Illusion + Resolve. I will add it to our list.

Here you go : czcams.com/video/Rhrcz2xVURo/video.html

​​@@BorisFXcowow, thanks, Matthew explain it so well amazing you can feell the experience! Just wander why it's not in the playlist?

oh, I watch it already actually.

Thanks for the heads up. It's now added to the playlist.

Thank you so much. That's a lovely comment.

Haha! Yes, it's a lot easier to handle those shots now. Time to invent that time machine and get the job.

It sounds like we should move that one up the list then.

Sorry to hear that. We have another one that has a deeper dive into what AdjustTrack is and when to use it here : borisfx.com/videos/mocha-pro-adjust-track-advanced/ Hopefully this one will be better for you.

That's a great idea. I'll pass it to the team.

Yes some kind of Motion Sketch function would be a useful timesaver 😊

There are other ways to do it, but if you can split the solve into separate parts do that. Use Merge project to bring different parts together in the same project. You can then make sure that your elements are all sharing the same scaling and orientation. Join our Discord channel if you have some more questions : www.borisfxdiscord.com/

Hi! You can purchase BCC+ Color Link as part of the Color and Tone Unit (borisfx.com/products/continuum-units/color-and-tone/?collection=continuum-units&product=continuum-units-color-and-tone/ )

@@BorisFXco thanks 😊 😊

Not at the moment, but I will put it on the tutorial list. It should work in exactly the same way as in other hosts though.

Carlos is so good. Thanks for your comment. I agree completely.

You need to set up some track mattes. Basically, shapes over the top of the screen you are tracking. Have a look at this video (starts at 4:30 and also interesting at 7:09) and it will go through those steps for you : czcams.com/video/TF3XVBy6sD4/video.htmlsi=w1q_mqFnigOsj8Dw&t=271

If it's a 3D shape, then yes. This technique will give you the 2-3 points that you need in 3D space. What you do with them is very flexible.

Yes, that's a good idea for a more detailed tutorial.

@@BorisFXco i would really love that!

1. You can use the Fusion exporter from SynthEyes to create a .comp, then go to File > Import Fusion Composition inside of Resolve. It will create the scene for you with every node you need in the flow. 2. Re-distortion is usually done at the compositing stage. If you're rendering a full comp from Blender, you can do it then. If it's going somewhere else, you'll probably want to render out un-distorted and use the calculated lens to bring all the CG elements together in comp.

@@BorisFXco Thank you for your kind reply. Let me ask you one more thing. If you shoot a video that involves turning your head, there will be a lot of motion blur. Is there a way to track this correctly? When running in the traditional way, there is no tracker at all in areas with severe motion blur.

Severe motion blur is always going to be tricky. If there's no detail at all then you're going to have to manually add points in. In terms of your pixel accuracy, it's going to be quite forgiving in those areas of high motion.

You're welcome!

Which bit? Please can you clarify.

This may be a scenario where setting up more constraints is a good idea. We have a couple of (admittedly rather old) tutorials available here : borisfx.com/videos/?tags=product:SynthEyes&search=constraint If you have some specific questions, please join our Discord community. It's good to get more voices there : www.borisfxdiscord.com/