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03:42 😉

Thank you and thanks for watching!

The menu 🤯 There's not a perfect camera menu, unfortunately... they all have their own unique ways of burying information and strange ways of laying things out, but once you've been using it for a while and if you're prepared to take a bit of time to learn the systems then you'll be fine and you'll get the most from the camera. Great to hear you're enjoying it and loving the features. Pro-Capture is amazing for wildlife - OM System have a video which will help you get set up (czcams.com/video/RjIKedW43HA/video.htmlsi=H34MH1Y5MqR4DevE) Thanks for watching 😊

Thanks, glad you enjoyed it! We were using the Rode VideoMicro with a Deadcat windshield on the EOS R50 that day, which did a great job of blocking the wind! It's a small and very lightweight shotgun mic, which in the UK costs around £75ish. If you wanted something more versatile which you could also use with your mobile then consider a wireless mic like the Rode Wireless Me or the DJI Mic 2. The downside to a wireless mic is that it's another thing to charge and you have to wear it on you. But you do get the extra versatility. If you're UK based then we stock all of the above at www.wilkinson.co.uk Thanks for watching!

@@WilkinsonCameras Thanks for replying you are so kind. No, actually I'm a night vlogger and using iphone 15 pro max rn and planning to move to canon r50 but i don't know the low light performance of canon r50 so if you could tell me about it than i shall be very thankful to and and also suggest me a good lens for night food vloging.

@@abdulhanan6245 oops, forgot to reply to the original lens question! For general vlogging, the Canon RF-S 10-18mm will give a much wider view than the 18-45mm kit lens, BUT as you've mentioned that you want to do night time... it's not best suited to low light as it's quite a "slow" aperture at F4.5-6.3. You could consider the Sigma 18-50mm F2.8 (which we review here: czcams.com/video/xJrAwVDUBKs/video.html) which would give the same viewpoint as the lens featured in this R50 review, or Sigma are bringing out an RF-S 10-18mm F2.8 later this year which would probably be perfect. Neither of the Sigma lenses have IS, so I would try to find a review of the R50 with the Sigma 24-50mm to see how this affects the stability for vlogging - it's not a combination we've had chance to test. Same with the low light I'm afraid, haven't tested it properly at night to give you a first-hand definitive answer - although that day we filmed wasn't the brightest of days!

@@WilkinsonCameras Thanks for replying. I will try my best to follow what you said. Love from Pakistan 🇵🇰♥️

It is frustrating, the design is very similar to the EOS M50, but the M50 had a bit more room for your thumb and I think this is the issue. When the R50 is refreshed for a Mark II (I don't expect to see this for a while yet, so don't get excited!), I hope they'll address this. But, I do think you will get used to it and you can change how some of the buttons are set (cam.start.canon/en/C011/manual/html/UG-10_Custom_0030.html) so maybe see which you can change and how you get on - thanks for watching ☺

There’s lots of sample images and video in there to demonstrate the camera being reviewed - but how can we film footage of the camera in use or the camera itself… with the camera? For this to be feasible, we’d have to have two of every camera whenever we review something… and most of the time it’s hard enough getting one. We also can’t have endless cameras and lenses for content creation use... we are a business and like any sensible business we don’t have a bottomless pit of money to buy equipment and have budgets to work within. If you watch the review you’ll see the sections shot on the camera are labelled so you can clearly see which are samples from the review camera. Hope you find the review useful 😊

Please don't order from Amazon - please support the independent retailers that go to the trouble of putting these reviews together and who will actually look after you if you have a problem or need help. We're here in the UK, but please find your country or region's experts to buy from... not a soulless box-shifting high-street killer like Amazon 👍

Thanks for watching! 😀

Apologies, yes you are correct! The LP-E6P can be used with the R5 and R6 with no issues. Cameras may need a firmware update.

No problem 👍

You know as a retailer, things like this really hurt us? 😭

Yessss you can you done commented this 100 times

@@Mgpostanything aight, you are the first confirming this, thanks!

Thanks! We wouldn't say it's overkill - it's designed to perform in every setting and you'd really benefit from the register people priority AF and advanced focus, especially for more reportage style wedding photography. Of course you can also switch into video mode to get gorgeous video footage to incorporate as well. Can other cameras with fewer features shoot great weddings? Of course... but this will certainly make it very enjoyable and easy to get great shots and make sure you don't miss the important moments 😊

To shoot weddings get a camera with a tilt screen and not the side hinged rear screen as it’s too conspicuous, slow and obtrusive. And no wedding photographer has ever needed to shoot themselves during a wedding. It really is about time Canon moved away from this screen and give us a choice!

@@davidmurray5926 yes you have a very valid point about the tilt screen!

@@davidmurray5926@davidmurray5926 Shooting video alongside stills - particularly vertical video - is especially vital for most professionals today. This is where a fully articulated screen becomes vital. Shooting vertical video on a tilt-only screen is a pain. Most content is now consumed on mobile phones and wedding clients want to share their images as videos, reels, stories of portrait orientation posts... because that's how most pictures are appreciated now. Yes there are two-way tilt screens which offer vertical tilt, but two-way tilt screens tend to be more faffy to use in our experience. So, fully articulated screens offer the most versatility and cater to the largest type of user.

It will make your life easier. Since you can register faces the camera is less likely to switch focus to some random stranger that passes near the wedding party. With the eye controlled at you can make sure you lock on the right person in a group. It also has a back side illuminated sensor so it should be a lowlight beast. Other features will be great. Can't wait for mine to come though I'll keep my r5 as a second body

In the very simplest terms it means the R6 Mark II can still auto focus in really low light levels. The EOS R6 Mark II can focus even in very low light, with AF working down to -6.5EV, or the equivalent of approximately the amount of light a half-moon provides. EV means exposure value and it's the end result of the amount of light provided by the aperture and shutter speed combined.