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Thanks, great teaching style, easy to follow without being too complex.

When you batch process photos, should they be photos that were all taken in the same condition (ex lighting)? Or is it possible to batch process photos that were taken at different times of day with different lighting conditions?

Hi, both images in this demo are pixel layers not image layers, just some feedback - would be helpful if you point that out, thanks for the handy tutorials.

Excellent. Thank you.

Thompson Ruth Moore Michelle Anderson Donald

Thanks, your audio stops and starts.

I use spot weighted for architectural photos, where there are areas of deep shadow (such as a doorway). It's faster than using using control points/local adjustments.

Although you mentioned the perpetual licence for Photomator, there’s something you didn’t mention. i’m not sure if it was just me, as I know companies can tailor deals to individuals, but I bought Photomator very recently on the lifetime plan and I was offered two different prices depending on whether I bought it through the app on my phone or on my Mac. If I bought it through the phone, they wanted £119.99. However, luckily, I checked on the Mac as well and got it for £79.99 a £40 or approximately $52 difference! if anyone’s thinking of buying it, it’s worth checking if you have a Mac. as the licence is valid across all devices, I’m not sure why there would be a price difference.

Take Better Photos, This made me laugh so hard, thanks for sharing!

🙏

Thanks, I love your tutorial. Busy switching from Photoshop to Affinity.

Watching this fantastic tutorial, it occurred to me to use Smart Lighting Spot Weighted in my bird photographs. Sometimes the background is very light and the bird is very dark with shadows. I have done several tests selecting the area of ​​the bird and the truth is that it also gives very good results. Thank you very much for the tutorial.

Why can’t they make the masking tools in Pixelmator the same as Photomator? OK there may be reasons for some differences but surely the same AI tools could be used and the brilliant edge detection of Pixelmator would be great in Photomator. And why the red mask indicator in Photomator but “marching ants” in Pixelmator?

Thank you, rather interesting seeing I gave up with On1which I found too cluttered and really seems like a little boys play room with lots of toys (presets) that will never be used along too many options to do a similar job (masking for one). After old Lr5 , the DAM system was hard to use . Too old to learn it all again , or just can not be bothered Are the Luminar adds annoying? Is it worth paying to use the app to get away from adds ? Also, can you give me your email address again please ---- let's say the last one disappeared into cyber space with a lots of other stuff --- big computer rebuild . Still haven't found the 2.5 K (Likely more) of photos that disappeared when starting with On1 . Even Everywhere can not find them . Still no answers from On1!

Perez Shirley Martinez Scott Wilson Donna

Un vídeo genial. Estoy aprendiendo mucho de Photolab con tus tutoriales. Muchas gracias.

Johnson Brenda Rodriguez Charles Young Melissa

Jackson Mary Williams George Harris Charles

Smith Stream

Using Lightroom 6 for a while and it is ok! As an alternative Windows ICE is also good - but from memory it does not do RAW images!

Thanks. I will have to watch a few more times

thank you for demonstrating the various editing suites that are available on the market and showing us their best features.

Affinity seems to do a great job of focusing on stacking and much more simple than Photoshop. It may misalign photos sometime, but I have never had that problem with around 100 projects. I keep looking for a problem, but so far it has been great.

Affinity seems to do a great job of focusing on stacking and much more simple than Photoshop. It may misalign photos sometime, but I have never had that problem with around 100 projects. I keep looking for a problem, but so far it has been great.

Gran tutorial. Estoy aprendiendo realmente un montón con tus vídeos.

Muchas gracias, gran tutorial

A plugin for Photoshop would be good...

Excellent explainer, this has indeed saved me hours of experimenting with this tool. Thank you so much.

Fantástico tutorial. Voy a usarlo mucho en mis revelados. Suelo hacer fotografías de aves y muchas veces el fondo de la escena queda mejor si se hace el bokeh. Muchas gracias.

Hernandez Deborah Garcia Gary Clark Timothy

I'm not sure how to ask this question properly, but one thing I wanted in pixelmator pro was the ability to use a green screen function with layers. I know there's a term for it, but I don't know what it is. Basically, I'll add a green mask over something in pixelmator pro and then bring it to final cut pro and use the green screen effect to add a layer over the green (or whatever color I choose to change). Is this something that's in photomator?

Damn, I'm glad I found this video. Very rarely someone making Affinity *ADVANCED* tutorials that very easy to understand not just to experts but also to beginners, because these are still new for someone who using adobe for years like me. But as you can see, many of us are looking for alternatives and I'm using Affinity now, its similar like Adobe, but need a little adjustment with the features that are not as easy and details as new Adobe, for example I noticed we still need to manually using selection brush tool while in new version of Adobe we only need 1 click button and the software will automatically select the object that we want. In the other hand I feel nostalgic using Affinity like the good ol' days in Adobe, but still, despite many "worst things" that's happening in Adobe right now, they brought many good features that Affinity should follow. Once again, thanks for making this video. And I'll subscribe your channel for Affinity contents, nothing wrong to learn from beginning again, because I adore this software right now😁. And I believe Affinity will be huge in the future and many agencies and corps will be using it, so when that time is come I already be prepared😁

HI When are you going to send me a message, I am the DxO Product Liaison that would love to have a chat with you.

Thanks. You are doing a great job here.

I tried Topaz a while ago, but it commits the worst sin... it makes eyes look unnatural. Eyes are very important for photos of your kids, making these tools (currently) not useful for the really important photos.

What would you recommend for the ipad Photo Mator or Luminar

Un gran trabajo de tutorial. Voy a usar mucho tus consejos en mis revelados

It is said that photomator's raw engine (apple's) applies noise reduction you cannot turn off. Some have run tests and get notably softer images with Photomator, which they attribute to this noise reduction. Have you seen anything similar? Thanks

Photopea clearly has the edge over Luminar Neo. In some cases, Photopea is even better than Photoshop. Compared to Photoshop, however, Photopea often produces completely wrong results, with objects, people or animals suddenly appearing, even when regenerated several times.

Are they both local or cloud processing?

Thank you.

Luminar Neo has always produced ridiculous results when these type of editing request are proposed to the software and that is another reason I have not moved past Luminar 4

I love the clarity of your videos. That is how it's done. Thank you for the education.

I like the retouch tool, but I wish DXO would let it remember different settings for clone and repair. I often flip back and forth between them, and the tool retains the same setting for both modes. Thank you for the clear explanation.

Excellent review, very concise and well explained.

As usual, super nice tips and great explanations. Very good for the fans of DxO!

Thanks great tips.

Anderson Carol Johnson Amy Wilson Brenda

Nice😅

Thanks fore the demo. If you have used the generarive AI, which you mentioned, you come to see that DxO is far, far behind in retouching tools.. The Retouch Tool is really old technology similar to what Lightroom was offering 10 years ago. I never use Photolab retouch tools as I have access to Lightroom and Photoshop. Given the advances Adobe has made in the last year I do not know if I will bother upgrading to Photolab 8. Maybe just get the Pure Raw plugin for its superior RAW processing.