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Orlando le Fleming
United Kingdom
Registrace 8. 08. 2014
Sense of the Sacred
The second single from the album Wandering Talk by Orlando le Fleming & Romantic Funk out on Whirlwind Recordings. #jazz #jazzbass #jazzmusician #jazzfusion #jazzfunk
Philip Dizack Trumpet
Nathaniel Facey Alto Sax
Tom Cawley Piano, Prophet
James Maddren Drums
Orlando le Fleming Bass
Tune by Orlando le Fleming (BMI, Focustrate Music)
Video by Dennis Madden
Recorded by Marcus Locock at Livingstone Studios, London
Mixed by Matt Marantz
Mastered by Nate Wood/Kerseboom mastering
www.orlandolefleming.com
Philip Dizack Trumpet
Nathaniel Facey Alto Sax
Tom Cawley Piano, Prophet
James Maddren Drums
Orlando le Fleming Bass
Tune by Orlando le Fleming (BMI, Focustrate Music)
Video by Dennis Madden
Recorded by Marcus Locock at Livingstone Studios, London
Mixed by Matt Marantz
Mastered by Nate Wood/Kerseboom mastering
www.orlandolefleming.com
zhlédnutí: 310
Video
Yesterdays (Romantic Funk live at Zig Zag)
zhlédnutí 225Před 2 měsíci
Will Vinson sax Tom Cawley keys Orlando le Fleming bass James Maddren drums Zig Zag jazz club Berlin www.orlandolefleming.com #jazzbass #jazzstandard #jazzfusion #jazzmusic #bassplayer
Don't Dwell on It
zhlédnutí 1,7KPřed 3 měsíci
The first single from the album Wandering Talk by Orlando le Fleming & Romantic Funk out June 21st 2024 on Whirlwind Recordings. Philip Dizack Trumpet Nathaniel Facey Alto sax Tom Cawley Prophet, Rhodes MK8 James Maddren Drums Orlando le Fleming Bass Tune by Orlando le Fleming (BMI, Focustrate Music) Video by Dennis Madden Recorded by Marcus Locock at Livingstone Studios, London Mixed by Matt M...
F Blues Walking Bass. #jazzbass #walkingbass #basslessons #bass #doublebass #basssolo
zhlédnutí 690Před 5 měsíci
The first thing I get most of my students to do is to walk an F blues. For private lessons, weekly videos lessons, access to the Bass Rumble chatroom (including advice from Matt Brewer, Harish Raghavan, Doug Weiss...) join In the Shed www.shop-orlandolefleming.com/l/hfJNT
Blues for Alice bass solo
zhlédnutí 1,9KPřed 6 měsíci
a few choruses on Charlie Parker's Blues for Alice #jazzbass #doublebass #doublebassplayer #basssolo #bassist #jazzbassist
Jazz Bass-Theist Acronym
zhlédnutí 433Před 6 měsíci
Jazz bass priorities for reference. For more lessons visit www.shop-orlandolefleming.com
Slow triplets with double time swing (full lesson)
zhlédnutí 1,1KPřed 8 měsíci
Slow triplets with double time swing (full lesson)
Intuitive way to get to the 7 over 3 polyrhythm (Full Lesson)
zhlédnutí 796Před rokem
Intuitive way to get to the 7 over 3 polyrhythm (Full Lesson)
5 over 4 Polyrhythm lesson for bass players
zhlédnutí 1,6KPřed rokem
5 over 4 Polyrhythm lesson for bass players
Walking Bass on Rhythm Changes, Walking in one key.
zhlédnutí 1,7KPřed rokem
Walking Bass on Rhythm Changes, Walking in one key.
Sean First Thing (Stella by Starlight) Double bass and synth
zhlédnutí 251Před rokem
Sean First Thing (Stella by Starlight) Double bass and synth
Spirit not Matter (Body and Soul) double bass and synth.
zhlédnutí 159Před rokem
Spirit not Matter (Body and Soul) double bass and synth.
Walking Bass on Rhythm Changes Rhythmic displacement lesson
zhlédnutí 1,2KPřed rokem
Walking Bass on Rhythm Changes Rhythmic displacement lesson
Playing the bass ahead, behind or on the beat
zhlédnutí 3,8KPřed rokem
Playing the bass ahead, behind or on the beat
Major, Melodic and Harmonic Minor exercises for bass guitar
zhlédnutí 1,4KPřed 2 lety
Major, Melodic and Harmonic Minor exercises for bass guitar
Romantic Funk playing Plaza Real by Wayne Shorter
zhlédnutí 901Před 2 lety
Romantic Funk playing Plaza Real by Wayne Shorter
Lesson on Playing Diminished Chords Electric Bass
zhlédnutí 716Před 2 lety
Lesson on Playing Diminished Chords Electric Bass
What's New? (Romantic Funk + Chris Martin)
zhlédnutí 3,3KPřed 2 lety
What's New? (Romantic Funk Chris Martin)
Most common problems with the Blues Bass Challenge
zhlédnutí 1,5KPřed 2 lety
Most common problems with the Blues Bass Challenge
Upright bass solo on I'm Old Fashioned with Drum Genius (Paul Motion)
zhlédnutí 1,4KPřed 3 lety
Upright bass solo on I'm Old Fashioned with Drum Genius (Paul Motion)
true
In your experience how would you describe how Ray Brown sits on the beat with a given drummer versus Paul Chambers? thank you, good video good discussion
This was great, I play this tune like every gig hahaha, but that was real cool
I think that part of the issue is that many students of jazz are not only taught to have the metronome on 2 and 4, but are taught to tap on 2 and 4 as well--regardless if what instrument they play. If everything is 2 and 4, and you have no context for the DOWNBEAT--than NOTHING is 2 and 4. My old teacher had me get OUT of the habit of tapping on 2 and 4. Now I have one foot taping 1 and 3, and the other taping 4. The click can move around to work on different relationships with the meter and pulse, but you gotta know where that DOWNBEAT is at all times. I play guitar, by the way ;)
Sounding good!!!!
maybe you should have taken a seat and put that upright bass aside if you were not going to play it anyway. I was actually hoping to hear some examples.
Great tune! Nice playing! Found you after hearing the Kevin Field album you played on.
Just amazing!
Beautiful music, as always with this band
thank you!!
POINT VERY WELL TAKEN !!! AND MOST SIMPLY EFFECTIVELY !!! ARTICULATED !!!! EQUINOX IS PLAYLIST FOR LIFETIME CLASSIC MATERIAL INDEED !!!!!!!
The reason to play it the way Ray Brown did: there’s less hand fatigue, and less overall fatigue, if you mostly use the big muscles of your back, shoulder and arm to play. It leaves the fingers with energy when needed for the trickier/faster moments.
This is a beautiful tune rendered beautifully. Great band name!
❤❤❤cool master
great to see you groovin' that e-bass
Good job I know how it fells when you don't get views
Very nice work
Sounds glorious Orlando
Please show us - play Equinox
❤❤❤
czcams.com/video/Ej-x95vqEtg/video.html
😂no because I swiped the exact moment you said that and came back out of offense. I wish I could play more piano man, it's a great instrument!
Here’s a professional musician explaining what you have to do and people on here wanting to learn but aren’t gonna listen and do.
Definitely going to try and incorperate extra hammer-ons into my playing just to wind you up because I can see that you're seething :)
To me, being a bass player is all about mastering the pocket. You can tap, slap, do some mutated Davie504 style, but if you can't master the pocket, it's pointless. Technical practice is good, but mastering the pocket is the path to greatness.
Where do you teach?
Oofff sounding wicked Orlando so musical and a tone and time feel to die for
Damn!
Love it ! I might try to steal some of it ;) the flow in the middle part was really impressive! The sound of the G string really stood out though. Is it from a différent set?
Just trying out an Evah Slap G
Love it
Cool master❤❤❤
Have you ever studied Mike Longo's material, the Polyrhythmic Nature of Jazz? He talks about all the different layers of triplets and tuplets that go beyond the typical eighth note triplet that is commonly taught in jazz pedagogy. CD Ladzekpo rooted everything within the West African conception of polyrhythm. The quarter note triplet, the offset quarter note triplet (starting on the "and" after the downbeat), and the slow three. Funny how I often hear these rhythmic concepts spoken about most by bassist and not drummers...definitely not jazz guitarists ;( We all gotta be responsible for that time, feel, and pulse!
Sorry for the slow reply. No - I will check it out, thanks!
❤❤❤thanks great idea
Really nice. Got a Wayne Shorter Children of the night vibe to it. Great playing.
Hey, Great Vid! I've come across a few examples of this in John Coltrane's playing, but what really brought the idea home to me was when I picked up a copy of "Stick Control" the "Drummers Bible". If you think of the RLRL etc. of a Drummer as a Two Note Melody, say 5 to 1, then the first page abounds in these Rhythmic Displacements. It's kind of like their own Circle of Fifths. I wonder if the guys that played with Melodic Drummers, Drummers who actually play the Melody and the Form, didn't pick this up from Them? I'm a Jazz Violinist, but I learned that Joe Morello was a Prodigy of sorts on violin, before he switched to drums, and he studied personally with the Author of Stick Control. Just picking up a pair of drumsticks and working on a plastic bucket through the first few pages, then taking those Rhythms as Two Note Melodies to my Violin and working on open strings, has me totally convinced that everyone could learn more than a few things from this book. Cheers, Jack
sus
amogus
sounds lovely! could you elaborate more on some of your note choices?
Boot doot boot doot doot boot doot doot boop doop roop doop. Hope this helped.
Yep! 1 finger Index sounds the best! Consistency!
Solid fingering ⭐⭐
Fabulous advice and I’m an amazing lesson
Sounding incredible as always
❤
Please use 180 degree shutter angle for smoother motion. Thanks
What? 🙄
I find choppy video nauseating. When you set the shutter speed to be double the frame rate, you get natural-looking motion blur and no choppiness that comes from higher frame rates that people typically use to reduce exposure which is better done with the lens aperture or neutral-density filter. @@eckie4679
Nice video mate!
Make your voice louder andclear
this is a common clave in traditional Greek music, no?
Promo sm
Love master❤❤
again a very very helpful exercise - thanx for sharing!!!
do you also work on reading? if so, how?