![Matty Harris | Mix and Master My Song](/img/default-banner.jpg)
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Matty Harris | Mix and Master My Song
United States
Registrace 19. 03. 2014
Learn all kinds of tips and tricks to get the most from Recording, Mixing, and Mastering!
How to Use Mid/Side Compression Like a Pro!
How to Use Mid/Side Compression in your mix using Ozone11.
✅ Have Matty Mix and Master your song: mixandmastermysong.com
✅ Presets and Courses: mixandmastermysong.com/services-and-products/
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🦶 Follow Me!
Instagram: mixedbymatty
Twitter: mixedbymatty
Facebook: mixandmastermysong
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🎙️ My Studio Gear
Crane Song Avocett IIA: [bit.ly/37UXIMG]
McDSP APB 16: [bit.ly/3o0bymA]
Dangerous Music Convert AD+: [bit.ly/37Tsx4n]
Bettermaker Mastering Limiter: [bit.ly/37WZvkk]
Dangerous Music BAX EQ: [bit.ly/2L6C531]
Lynx Aurora (N): [bit.ly/3o0bT8Q]
Apple Imac Pro: [bit.ly/3hrdD8B]
Trinnov ST2 Pro: [bit.ly/2L04NCL]
Overstayer MAS: [bit.ly/3nYPQPX]
Elgato Stream Deck: [amzn.to/38FdPgN]
TC Electronic CLARITY M: [amzn.to/3pttGFW]
Matty Harris is a highly skilled mixing and mastering engineer hailing from the vibrant music scene of Los Angeles, California. With an impressive track record and a diverse clientele, Matty has firmly established himself as a sought-after professional in the industry.
Having honed their craft over years of experience, Matty has had the privilege of working with a multitude of renowned artists, elevating their music to new heights. From Grammy-winning sensation Kelly Clarkson to the prolific talents of Travis Barker, EricDOA, Cuco, Rhea Raj, Sammy Adams, and many others, Matty's impressive list of collaborators is a testament to their exceptional skills and dedication.
As the driving force behind mixandmastermysong.com, Matty has created an invaluable platform that caters to both established artists and budding musicians alike. Through their website and CZcams channel, Matty offers comprehensive mixing and mastering services, ensuring that every song receives the utmost care and attention to detail.
Moreover, Matty is passionate about empowering artists who wish to take the DIY approach. Through his educational content, he provides aspiring musicians with the knowledge and tools necessary to achieve professional-quality mixes and masters from the comfort of their home studios.
Equipped with an extensive arsenal of industry-standard equipment and cutting-edge software, Matty possesses an innate ability to breathe life into every track they touch. Their keen ear for sonic balance, meticulous attention to detail, and unwavering commitment to client satisfaction have garnered them a reputation as a trusted and reliable engineer.
Matty's journey as a mixing and mastering engineer is an ongoing adventure fueled by a love for music and an unwavering dedication to supporting artists in realizing their sonic visions.
✅ Have Matty Mix and Master your song: mixandmastermysong.com
✅ Presets and Courses: mixandmastermysong.com/services-and-products/
----------------------------------
🦶 Follow Me!
Instagram: mixedbymatty
Twitter: mixedbymatty
Facebook: mixandmastermysong
----------------------------------
🎙️ My Studio Gear
Crane Song Avocett IIA: [bit.ly/37UXIMG]
McDSP APB 16: [bit.ly/3o0bymA]
Dangerous Music Convert AD+: [bit.ly/37Tsx4n]
Bettermaker Mastering Limiter: [bit.ly/37WZvkk]
Dangerous Music BAX EQ: [bit.ly/2L6C531]
Lynx Aurora (N): [bit.ly/3o0bT8Q]
Apple Imac Pro: [bit.ly/3hrdD8B]
Trinnov ST2 Pro: [bit.ly/2L04NCL]
Overstayer MAS: [bit.ly/3nYPQPX]
Elgato Stream Deck: [amzn.to/38FdPgN]
TC Electronic CLARITY M: [amzn.to/3pttGFW]
Matty Harris is a highly skilled mixing and mastering engineer hailing from the vibrant music scene of Los Angeles, California. With an impressive track record and a diverse clientele, Matty has firmly established himself as a sought-after professional in the industry.
Having honed their craft over years of experience, Matty has had the privilege of working with a multitude of renowned artists, elevating their music to new heights. From Grammy-winning sensation Kelly Clarkson to the prolific talents of Travis Barker, EricDOA, Cuco, Rhea Raj, Sammy Adams, and many others, Matty's impressive list of collaborators is a testament to their exceptional skills and dedication.
As the driving force behind mixandmastermysong.com, Matty has created an invaluable platform that caters to both established artists and budding musicians alike. Through their website and CZcams channel, Matty offers comprehensive mixing and mastering services, ensuring that every song receives the utmost care and attention to detail.
Moreover, Matty is passionate about empowering artists who wish to take the DIY approach. Through his educational content, he provides aspiring musicians with the knowledge and tools necessary to achieve professional-quality mixes and masters from the comfort of their home studios.
Equipped with an extensive arsenal of industry-standard equipment and cutting-edge software, Matty possesses an innate ability to breathe life into every track they touch. Their keen ear for sonic balance, meticulous attention to detail, and unwavering commitment to client satisfaction have garnered them a reputation as a trusted and reliable engineer.
Matty's journey as a mixing and mastering engineer is an ongoing adventure fueled by a love for music and an unwavering dedication to supporting artists in realizing their sonic visions.
zhlédnutí: 309
Video
When & Why to Use Fast Compresssor Attack Times
zhlédnutí 4,6KPřed 21 hodinou
In this video, I break down four essential scenarios where using a fast compressor attack time can take your mix to the next level. ✅ Have Matty Mix and Master your song: mixandmastermysong.com ✅ Presets and Courses: mixandmastermysong.com/services-and-products/ 🦶 Follow Me! Instagram: mixedbymatty Twitter: mixedbymatty Facebook: mixandmastermysong 🎙️ My S...
If I Could Only Have 5 UAD Plugins. My Essential Picks
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If I could only buy 5 universal audio plugins, these are the 5 I would buy. My list of the Best UAD Plugins. ✅ Have Matty Mix and Master your song: mixandmastermysong.com ✅ Presets and Courses: mixandmastermysong.com/services-and-products/ 🦶 Follow Me! Instagram: mixedbymatty Twitter: mixedbymatty Facebook: mixandmastermysong 🎙️ My Studio Gear Crane Song A...
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Sir you really put so much love and effort into your videos I can‘t tell u how much I appreciate your work man.. thank you so much Matty!
Thanks a ton! That means a lot!
Thanks Matty, was about to release a song but now I gotta do this. I was only ever thinking of mid/side EQ
Niceeeee. glad it was helpful :)
All of the videos of this plugin is paid promotion and received it for free? I dont really see actual examples:/ okay guys thamk you
Ozone sounds like porridge
I have demo'd both Gullfoss and Bloom and I like how Bloom has some adjustments with focus on specific frequencies, compression settings and M/S. Gullfoss sounds great but you basically can only set tame/makeup amounts, bias/high general eq and high/low pass filter. Since they are essentially the same price, I think Bloom wins it slightly.
The NFuse is no longer available. Did Kiive Audio get in trouble with SSL or Neve..?
Think they had to redo the gui. Should be coming back soon.
Genuinely confused on how you were able to use uad plug ins inside studiorack... ive been trying everything and nothing has worked thus far
You need to make sure you have the VST3 versions installed. and then make sure to scan the plugins in studio rack
I do this but with the 76 style compressor what I like to do especially on rap vocals is put it mid attack fast release. This allows the vocals pop out something similar to a kick side chained to a bass.
Matty can you run all acústica Audio plugins and show how many instance’s of you can run ?? I heard acústica is very heavy on CPU .
@mixedbymatty can you share your studio rack presets?
The pre-emphasis to de-emphasis EQ trick?
YES IT NEEDS A MIX KNOB AND OUTPUT MATCH
I already have the LA2A and 1176 plugins. I wanted to buy the LA610 for €163, but I ended up buying the 6176 for €70.
There’s gonna be a ton of people fussing at you about the order of the compressors in serial. For me, the 2A before the 76 has garnered better results on a majority of my songs.
I just did a few hours of mixing with LCD-Xs. I didn't solve my mix problems. Despite their high quality, these headphones are no replacement for a well treated room. So put your money there first. If making noise in a room is not an option, then do headphones. But, it won't work as well. Eventually you gotta hear your mixes through real speakers.
Surely the 76 should be first as it would work on the transients before the more broad compression of the la2a which would otherwise be reacting to said peaks?
Yes, the classic combo is indeed reversed. This guy just made a whole video about a classic combo that's been used for decades and got it wrong.
I agree
Exactly what I know and been doing. Yields great results tho
Neat Concept
This is very cool and something that’s helpful to people trying to make their workflow faster. There seems to be some concern for longevity in the comments
I don’t know pretty much all CZcamsrs use AUTOGAIN while explaining compression. That way it’s less noticeable than without autogain on
Now do long release times
How abt tube mic
Would a Neve orbit 5057 be needed if I had this?
could you do a follow up video showing a good way to add another EQ on top of this EQ that you did with the fabfilter pro 3?
Thanks for this breakdown. I’m pretty mystified myself but after watching your 1 on 1 comparison I realised I don’t need it either 👍
Sounds really nice!!
This is great, specially for untreated rooms vocals. Why i dont like about soothe is the higly cpu usage. Man that thing can bring your computer down. This is free, has the R VOX inclouded...beautiful
When you parallel the fast attack, what does this do to the transients - does it let some of them through? I rarely like to hear compression grab a note, except for percussion.
yeah so if you want punchy drums 30ms attack, for snappy drums 10ms but if your drums are snappy/punchy and short i would just leave them alone or use a clipper to get rid off the rogue transients. edit sorry im tired i didnt read the parallel part so basically its a dry/wet signal you can add the compressed version back to the original giving it more RMS/body without spiking the transients too much
ever notice how on headphones it's a lot easier to hear compression at lower volumes than at higher?
yeah because your ears naturally compress loud sounds. thats a good way to compress is to listen to low volume just so you barely hear it
@@sac5608 Yeah that's what i do. Interesting stuff
If you have a slow attack you will get punched. Best way to remember that.
I always just choose what feels and sounds best whether its slow or fast
yeah thats the ideal way
Wow you’re a genius
Attack is rate of change not delay of action. More simple way to think of it 🤓
Was thinking the same
I do whatever attack time I want and nobody can stop me. When people try to control my attack times I laugh in their face and do whatever I feel like.
when im in a bad mood i set my threshold to 0
😂
fast attack = more rounded sound, less punch, controlled fast spikes. so its main purpose to round sounds, make it silky and to fight the punch :) plus it's very useful for sound design (layering).
Hello! Excellent video and thanks for the Practical conclusions in comparison. I clearly understand - based on the graphs, that the Audeze LCD-X will be more "linear". Tell me please - I have read a lot of bad reviews about the standard cable - which comes with the Audeze LCD-X. And many people replace it with something more expensive. But I do not see the point in this. After all, all (smart) people and engineers know that cables instantly CHANGE the frequency response. But the Audeze LCD-X were developed specifically for their own branded standard cable. Tell me please, do you work with the standard cable, or have you replaced all the standard cables with the Audeze LCD-X? Thank you!
You forgot about carbon microphones, which are amazing at reproducing really vintage sound; they're perfect for producing period-sounding jazz, swing, early pop and rock, etc.
pls can you share your MH mid range settings?
Props to Will Shanks ! Thank you
Thanks!
Matty you the goat
The Smoother is also available now, which is said to be a less subtle version of Soothe 2, but at a fraction of the cost. I also think RESRES may be better for resonance removal at low cost.
I found the male voice was too thin after processing and upper mids were annoying.
Seriously underrated tip
Song Venom - Rhea Raj Just shazamed it lol
It's hard to admit, but I like your approach. Studio one is for music creating, not for fighting with DAW to make music.
WA production imprint. Thank me later :)
Never used UAD, until I got the Apollo and tried some of their plugins and then I understand what people was talking about. I use them a lot now: - Neve 1073 - Pultec EQP - Ampex tape - 1176 - API channel strip And many more
Is UAD better than McDsp!?