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Just stumbled onto this performance. I almost did not watch it since this is not one of my favorite trombone pieces. But I am really glad I did. I have heard this piece performed by many trombonists, but this live performance may be the best I have heard. The first movement has so much left to the soloist, and Mr Buchanan handled it with such musical sense! The beautiful second movement was just that - beautiful. And the third movement was perfect. The way I describe this piece is by saying it is the trombone concertino where the beginning of the third movement sort of sounds like the theme from the old animated TV show “The Jetsons”. Wonderful live performance. Beautiful tone, perfect technique, and excellent overall musicality.

What trombone and what mouthpiece is he playing on?

Ein großartiger Posaunist und Interpret dieses Stückes . Hervorragende Technik, Dynamik und bester Ton ! Klasse auch das Orchester!😊❤

Ce soliste est d'un très haut niveau. Mais en plus on ressent qu'il joue avec amour de la belle musicalité.

One of my favourite recordings of this piece. Simply magnificient, congratulations👏👏

15:16

goog

Rapaz, que coisa espetacular!

Fantastic🎉

All the comments here are talking about how elegant this is, meanwhile I’m just here looking for a good high school solo piece

I used to be first chair trombone in high school I should’ve continued it in college and beyond. I love it ❤

Excelente!

Anybody knows what trombone he's playing on?

Bravo Michael!!! 👏❤

1:58

Talented and successful as a trombonist' yes, but that is a low bar! As is the case with 99% of trombonists, the music fails to manifest for being too much buried (and excused) under conspicuous sonic evidence of the musical accommodation 'thought' to be obligated by the instrument's awkward mechanics. To claim that this piece is harder on trombone than any other instrument is untrue, and its an excuse only another trombone player would accept for failing to make music, which is why the trombone as an instrument has never risen to the standard expected of a solo instrument. The problem is with the instrument's performance paradigm. Trombonists 'accept' as obligated the signature of their technical challenges instead of overcoming them. The only way that will change is if trombonists start studying with 'non' trombonists, who care about the music and don't care about the challenges, to stop excusing the current state of unmusical play. No 'non' trombonist' would commend or choose to listen to 'this' performance. Therefore, currently the trombone is only musically suitable for the orchestral parts that were written for them, in conscious accommodation, by composers disinclined to invest in them, for having low expectation, and seeing little sign of evolution. To prove it 'can' be done, here are two different trombonist whose state of play routinely defeats the instruments challenges, such as a 'non' trombonist might be inclined to entertain a general report of the instrument's ambition, claim and aspiration to musicianship. The goal is that there be more music than trombone in the performance: czcams.com/video/GimI1xoV_ys/video.htmlsi=ezqp3VutkvhXpjsZ czcams.com/video/0TrgtuSglLc/video.htmlsi=nxZ7pdMmH9MGMTNA

Very impressive and musically very satisfying. Thank you for this wonderful performance and for posting this here.

Very very nice. You really took me by surprise at 4:01 when you didn't take the higher path on that melody. It's an important climax to the energy you were building!

Sometimes ya just gotta slow it down some. One of the best lessons I ever learned from Jeff Coffin (saxophonist from DMB and Bela Fleck) as we played the blues at 50 bpm

Which model is he using?

why's that trombone player shaking the concertmaster's hand? how come he's on the front of the stage? what's going on here? he's going to throw off the whole balance. oh now he's just playing his own thing. why isn't anybody stopping this madlad? he's just up there playing as loud as the day is long. this is like the trombone equivalent of streaking across a baseball game. just walk in with a trombone and play right on the front of the stage and everyone is just too afraid to do what they should and tackle that poor degenerate. clean though. go play for tips on the corner like usual. i like how all the waiters are all wearing their work clothes. that's real nice of the orchestra to keep going even with all the tromboning. trombone that audience, bro. man if only this was supposed to go like this with the trombone of all instruments up in the front. i almost buy that the song was written like that with that one guy up in front. but then i think, no, it's a trombone. that would be ridiculous and insane. which brings me back to why security just lets whoever up there and play. does the conductor not have any situational awareness? whatever happened to personal space? in other words good job.

boris Becker unter den posaunisten ;-)

Phenomenal!

1:58 for the people who don't want to listen to introduction

Bravo!! No me canso de escucharlo!!

メンデルスゾーンは、確か吹奏楽の為の曲を書いているはずではないかね？ベートーヴェンもトロンボーンの四つのエクアールと言う曲を書いていると思ったけどなぁ？

Good

I can't stop hearing this performance. Absolutly brilliant❤.

Better than every recording on Spotify, so I uploaded it to my local files to listen to in the car with no ads. Currently working on this piece for a potential performance in the beginning of 2024, I love being able to see the many different interpretations of this masterful piece, but this interpretation is by far my favorite. While being a monster-fully technical piece, this recording doesn’t make it sound like positions on a paper, it makes it sound like MUSIC. That is what I hope to achieve in the future. Thank you Michael for all of the inspiration you have given me, as well as everyone else in this comment section and the trombone world. We all hope to catch up to you one day! ❤

Bravo!!!❤

내가 들은 다비드 중에서 제일 감정적이고 진짜 소리고 미친 세심한 표현이다...

1:55

2:22

14:20

Don’t ever stop, keep pushing through. The world needs more talented people like you. Thanks for sharing your beautiful gift.

You inspire me!

1:55

Beautiful playing but my god....larsson remains the ugliest trombone concerto ever ..... What the hell was that guy thinking....

Это фантастическое исполнение, невероятно чистое, всё блестяще выиграно и точно.. Очень понравилось..🖤

beautiful!!!

Просто супер! До слёз!

When somebody says Trombones can only sound goofy.

hard to believe hes 21-22 here... im 19 and i know i couldnt preform like this in hes situation... i dont think ill get there when il be 22 also but ill sure try my best

6:37

Tenha uma uma tarde abençoada e maravilhosa🌼. . .para você que esta vendo esse vídeo Que Deus te abençoe.🌼 . . .o segredo do suseso esta na perseverança. . .nunca desista dos seus sonhos 🌼. . . .Boa tarde!!

🎉

Probably the best interpretation of David recorded yet. Don't get me wrong, I love Lindberg's and Alessi's version, but this one is the most musical, humble and precise one. The second movement really makes you move emotionally, even if you listened to this piece hundreds of times. I hope I'll play David as good when I'll be a professional!

Bravo maestro

прекрасное исполнение концерта Давида🥰

Very nice