Have you ever tried to colourise any of your footage with any of the AI programs? I tried doing a scene from The Hustler and it was amazing. I think I used Pixbim ....it's either open source or a free trial, can't remember which.
I am confident no one will ever be able to cover this performance! The talent of these blues men will never be matched. We are lucky that this performance was preserved.
Bukka White was BB Kings' cousin and he helped BB get his start in Memphis. I got to play with Bukka when he was in Seattle, a very friendly person, he had a very hard life and his recordings in 1940 when Lester Melrose got him out of Parchman Farm were considered the last country blues recording, and it was great and included songs that were political statements about the southern "justice" system.
Man, that must have been an honor unlike any other. These men, with all their struggles and pain, are the true gods of rock and roll. The blues is where it's at.
this is the history of the blues ,seeing these greats live is such a rare treat , so respective of each other , like having mays , mantle and aaron , all in your lineup ! all 3 had their own distinctive styles ,, thank you !
Every person that picks up a guitar need to see this, there was giants way before howling wolf,muddy watters and bb king this is overwhelming to see this history
Believe me all those younger knew about all these guys, and many have the privilege of hearing them in there prime. Take Robert Johnson who tried to sneak around when they were just drinking and playing on their porch. They'd be see''n him and I can't remember if.i was Charley.Patton or who, who kicked in the ass and told him to.get lost. Well young Robert disappeared, and so where he went, pick your forklore, but when he was heard from again, he was doing the laughing,.. Alex.
Thanks for posting this, I saw this a long time ago: "Giants Of Mississippi Delta Blues". Bukka White was in great form, just perfect, like time had never passed since his recordings in the 1930s and especially his 1940 session (Parchman Farm Blues); he might have never met Charley Patton (unlike Howlin' Wolf, John Lee Hooker or Pops Staples), but he might have seen him playing live as his style is derivative of some of Patton's songs (Patton had a huge repertoire made of all kinds of songs: Blues, Rags, ballads, spirituals, Folk songs, etc.. and sold lots of records until his death in 1934). White made good records until he died in the late 1970s. The song he does here - Aberdeen, Mississippi Blues - was his signature song. Son House unfortunately was an alcoholic, he could hardly play in the '60s (his guitar is also out of tune here) and in fact in the '60s he recorded some songs - like John The Revelator - a' cappella. John Hammond Sr managed to get House to record one album for Columbia/CBS - Death Letter Blues - in 1965 (or '66), Canned Heat's Al Wilson had to coach House about playing his old songs; House had stopped playing in the 1940s when his best friend and music partner Willie Brown died. House was a janitor in Rochester, New York when he was "re-discovered" in the 1960s. In the 1920s and '30s he did not play a National, he wasn't even used to play resonator/steel guitars. The guitars he and Patton (who got House to record three 2-part songs in 1930: Preaching The Blues, My Black Mama and Dry Spell Blues) were Stella acoustic guitars which were loud, with great resonance. House was very religious, he had been a preacher, didn't drink and was against playing the Blues until he met Patton... Skip James was somewhat out of form but he could still do it. He was ill, he had a tumor on his penis which he attributed to voodoo done to him by a woman. He died in 1970 after cutting a couple of good albums (Skip James Today and Devil Got My Woman) in the late '60s. Skip James might have killed over 10 people in the 1920s and '30s working on levee camps, etc... He was a pimp and a bootlegger and even in the 1960s always carried a gun; in fact he had money and thought of making records only in 1931. If one pays attention, many of his songs mention killing people by shooting (Crow Jane, 22.20 Blues, etc..). He was as proficient on guitar as he was on piano, a rare instance of that. He tuned his guitar in open E minor and sang either as a soft tenor or in "faux" soprano, like here when he does Cherry Ball, unlike House and White who had the gravelly, rough voice typical of Delta Blues like Charley Patton (or Louie Armstrong who played Jazz in New Orleans, the very bottom of the Mississippi Delta - while Memphis, Tennessee is where the Mississippi Delta starts in the north). They all used open tunings, that's how Delta Blues is played - and used a slide, except for Skip James. There are 2 basic open tunings: open E and G (which they called "Spanish") and open A (which they called "Sevastopol"); Skip James was an exception by playing often in an open E minor tuning. Both House and White did time in prison for murder, committed in self-defence. I don't know about White, but House and James came from relatively well-off families and had a decent education. When I met John Lee Hooker, David "Honeyboy" Edwards, etc.. in the early 1990s, I discovered they were illiterate... Howlin' Wolf learned how to read and write when he was 50. Despite their personal shortcomings as all human beings, these guys laid the basis for all modern music; they were among the first singers/songwriters to record songs tailored for 3-minute long records (78s), with a 4/4 beat and guitar accompaniment. Of course, Robert Johnson is the best-known Delta Blues artist ever and the most innovative one: he laid the foundation of electric Blues and then Rock'n'Roll with his 29 songs recorded in 1936 and '37. When I was growing up these guys were my "heroes". If anyone is interested in hearing a modern, updated version of Delta Blues, my acoustic, Delta Blues-influenced album When My Train Comes is on CZcams... 🙂 czcams.com/play/PLJJEcBp43QgrV43oZ37YFqz7QD2QriAFm.html Terrific job, thanks again for uploading this!
@ingridv2118 he definitely said it all, and in particular about Skip James from what I've read over the years. One side note is that the royalties from Cream recording I'm So Glad probably added several years to Skip's life. Cream gave royalties and credits to all their Blues artists covered by them. The money certainly helped with him getting proper medical treatment! I say this because it really bothers the $hit out of me how these Blues masters were extorted! They got the recognition alright, but not the rightfully earned money they had coming?
Man bukka white was legit, he had that sound and rhythm, not only that, he was most definitely about what he talks about in his songs, he talks a lot about him doing crimes in his songs, bukka white is literally like an outlaw in the wild west that plays mad music
That was the year I renewed my friendship with the great Skip James, whom I had just played with and opened for at the blues bag coffee house in Provincetown MA. He intro'd me to Bukka and Son backstage... so awesome... I could just about feel the greatness I was around :) Skippy was a great and supportive musical friend !
Oh man, that’s so cool you knew him. He’s a mysterious figure who I’ve long admired. Can you say what he was like to interact with? I’d love to hear anything at all about Mr. James.
@@AJ-xy5ji Simply put, I had to keep reminding myself that i was with blues Royalty! .........because he was so sweet and unassuming. a man.... he was a regular guy :) ,,,,,,,,another musician, though much ..older....offstage I mean :) for example, one of my tunes was "Sporting Life" that I learned from a Lovin' Spoonful Lp.... (I had no idea that it was.a Brownie McGhee tune at the time..... .but neither did Skip lol ).. At any rate he asked me to teach him the song (my arrangement)... but i said, "Skip, that's against all the rules! You are a great bluesman ... I should be begging you to teach me!!! " But he insisted, and I did teach him the tune as I played it. It shocked me that he learned it so fast and went immediately to the piano situated against the far wall... (I had no clue that he played piano.. and he was great too.. his own style..) as he was playing it, he motioned for me to come over and join him in a duet.. which I did... and for the rest of his tenure ( a week I believe) we played that tune together before his set as segue between my opening set and his own. He invited me to come to Newport, which i did, and he inro'd me to Bukka and Son, and asked me to join him onstage after his set to play our duet together... and then !! to do a set of my own ... (Bukka was none too pleased to hear this invite :) It was at that minute that I realized I had no place on that hallowed stage with those men.... it was their time and .. .FOR REAL-- their music. I never stopped playing or loving the blues, but did entirely stop trying to be in any way a "Bluesman," because I learned what it was to BE one... up close and personal. Of course that moment has stayed with me -- as if it happened yesterday.. I will never forget Skip James.. the great bluesman who befriended me.
How great to see these three giants on stage together, telling their stories. I was at the Newport Folk Festival in '66, but this had faded from my memory. I had discovered Bukka White through John Fahey, and Son House through his record release of new recordings in 1965. It's such a contrast among the guitar and playing styles and voicings of these three. Just think of the influence that their music and personal presence had on a young Howling Wolf and Muddy Waters, and later musicians. So great seeing at the end, White playing with James comping!!
Do you remember a Louisiana Cajun-Creole group that year, Bois Sec Ardoin and Canray Fontenot, with Isom Fontenot and Revon Reed? They played Newport in 66.
@@nealpomea2836 - I was devoted especially to Appalachian, Blues, and conventional Folk music then and hadn't yet cottoned on to Cajun music; that would come a few years later. So, m memories of acts is pretty hazy unless it was something that I was focused on. Were ou there also in '66?
@@PsychedelicChameleon Sure. At the start, you hear Bukka (Booker) White introducing them. He's at our right. Beside him is Skip James in the centre, quite a different style of player than Bukka and Son House - more refined. At the left end is Son House.
Dang, Bukka's rhythm is so freaking groovy. I know some scholars who studied Charlie Patton were trying to figure out how he plays that rhythmic figure where he slaps his hand on the strings and behind the bridge - Bukka demonstrates and solves the mystery. Skip as spooky and amazing as always, and Son a little shaky but absolutely dripping with soul.
When I first discovered this music in the early 70s here in Austria,Vienna I would have never dreamed that I could see them playing. Even to get the record was an adventure.
I thought that. What can one say...? Where are we now with the smoke police and everything regulated, these guys wouldn't understand anything bout that, nor, frankly do I.
Lol right, Son House was definitely something else. He was also talking too much when Skip first played but I know they all love and respect eachother and are good friends ... I just think Skip's guitar playing is superior to Bukka's and Son House.
@@jdrobinson3468 Yes Booker's slide playing was a hell of a lot more accurate than Son's but then Son was sloppy drunk - like he was most of the time in his later years! Technically Skip's guitar playing was on another level to most of the Delta bluesmen with the exception of RJ!🙂
@@jdrobinson3468 its a bit like comparing oranges and bananas - depends what you like! Booker's guitar slapping in Aberdeen Mississippi and Son's guitar riff in Death Letter are both unique and unequalled!😉
They don't realize that all American music and even all music from Britain, essentially every music and all music that you hear on the radio comes from these kinds of guys. Yep they got good on guitar because they were hungry and they needed food to eat so they sang for their supper 😂😎
@Davis Edison Maybe so but he kicks ass on that pluckin guitar though. So easy to hear the rock and roll in his stuff. Sarcasm and attitude begging for an amplifier. So heavy you can feel the lead.
Booker T. Washington White, conocido en el blues como Bukka White (Aberdeen, Misisipi, 12 de noviembre de 1906-Memphis, Tennessee, 26 de febrero de 1977) fue un guitarrista, famoso por su estilo slide guitar,[1] compositor, pianista y cantante de blues. Su grabación de «Fixin' to die» (1940) fue incorporada al Grammy Hall of Fame en 2012.
I love that there isn't a single dislike on this. I don't believe it's possible. These men were heaven sent. Their souls chose pain and hardship. Warriors of God to inflict purity and strength and honesty on the world. The beauty path🙏
This video gets to the point. So talented. Man how did they learn to play so good without you tube, but thank God we have it so we can experience this.
@@areguapirilearning from experience/by-ear is the reason youtube learners could never be on their level (rhythmically) especially if they came around today
Thanks for posting this. It's amazing that despite the fact they're all from Mississippi and play the blues, all 3 have such distinct guitar playing and singing styles.
Those farmer boys educated and gave the greatest joy to the people all over our world with their stories, their singing, their songs, their playing and their forgiveness for the great wrongs done to them also their great humor, Just like the Irish did after been brutalized, starved, their lands stolen from them by their nearest neighbor during a war,/conflict that lasted for over 800 years
THANK YOU KASPER FOR PUTTING THIS UP , ALL 3 of these cats have given me reason to keep living during some very hard times ,in my past ,and continue to move me, ...stay well my brother through the world government induced Virus crisis ...God Bless The Blues...
Bukka White rocking out! These guys were a big influence on the Stones, who brought this music back home to American kids. And Skip James' vocals, amazing! Then Son House makes you feel like you're right down in the Delta sitting on a porch with him.
Thanx for this upload! Fantastic performance by these bluesmen. I'm most familiar with Skips catalog but I was very impressed with Bukka Whites playing style. Skip gave me goosebumps all over, something about that voice and guitar sound...
Thanks for sharing. I spent post of my life about 20 miles from the Parchman Farm. A friend of mine died there a couple days ago. A horrible place to be. I can’t imagine the 1930s! 💙 this Bukka White! 💙💙
Thank you Kaspar for posting this footage. It took me back to that privileged night in 67 when I enjoyed all three playing in the Folk Blues Festival at the De Montfort Hall, Leicester.
This is the first time I have seen footage of Skip James performing. He was the greatest of these greats, his guitar technique and complexity of arrangement was second to none. Thank you for sharing this.
Thank you so much, Kaspar. I really appreciate the opportunity to view three legends on stage together, at probably one of the best known and most prestigious music festivals, ever. Go n-eiri an bothar leat, May the road rise before you, Its an old Irish saying of appreciation and good fortune. Best wishes from Belfast.
Remember to Subscribe! That one click goes a long way for creators and blues enthusiasts!
Have you ever tried to colourise any of your footage with any of the AI programs? I tried doing a scene from The Hustler and it was amazing. I think I used Pixbim ....it's either open source or a free trial, can't remember which.
@@MrDazzlerdarren That could be a fun idea!
Yes sir
This is a great example of how individualistic different styles of the blues can be
I am confident no one will ever be able to cover this performance! The talent of these blues men will never be matched. We are lucky that this performance was preserved.
Bukka White was BB Kings' cousin and he helped BB get his start in Memphis. I got to play with Bukka when he was in Seattle, a very friendly person, he had a very hard life and his recordings in 1940 when Lester Melrose got him out of Parchman Farm were considered the last country blues recording, and it was great and included songs that were political statements about the southern "justice" system.
Man, that must have been an honor unlike any other. These men, with all their struggles and pain, are the true gods of rock and roll. The blues is where it's at.
I’m from The Delta. I know how Parchman was - modern day slavery. It’s not much better today! 🙀
It’s like to have Bach, Mozart and Beethoven on stage together.
Dead right. Worlds apart, but equals in their professions.
Who would Lightnin' Hopkins be?
Bukka White wold abviously Bach considering his body fat.
@@smoothoperator7023 Franz Liszt.
@@smoothoperator7023 God.
Skip James, what a timbre/voice!!!!
This is a national treasure and needs to be preserved at any cost. We cannot let performances like this be lost and forgotten.
Skip James is on another planet!
I had never heard of Bukka White until today
Glad I did...
Skip's voice is astonishing. His strings sound like mantra.
He sounds incredibly modern.
His voice is other-worldly.,,, like he was answering a call from another ........ reality
mr White just sat that big National down on his lap and listened. RESPECT!!~
Back when one man played the bass,lead guitar, rythm guitar, and drums at the same time
this is the history of the blues ,seeing these greats live is such a rare treat , so respective of each other , like having mays , mantle and aaron , all in your lineup ! all 3 had their own distinctive styles ,, thank you !
Watching son house bob around on stage looking for a light for his cigarette while bukka and skip shred is the bluesiest thing I’ve ever fucking seen
Every person that picks up a guitar need to see this, there was giants way before howling wolf,muddy watters and bb king this is overwhelming to see this history
BB King didn't even have a guitar until he got an old Stella as a gift from his cousin ... who happened to be Bukka White.
Believe me all those younger knew about all these guys, and many have the privilege of hearing them in there prime. Take Robert Johnson who tried to sneak around when they were just drinking and playing on their porch.
They'd be see''n him and I can't remember if.i was Charley.Patton or who, who kicked in the ass and told him to.get lost. Well young Robert disappeared, and so where he went, pick your forklore, but when he was heard from again, he was doing the laughing,.. Alex.
that Skip James falsetto......holy buckets is that good
His singing gives you chills, it's so on point.
Thanks for posting this, I saw this a long time ago: "Giants Of Mississippi Delta Blues". Bukka White was in great form, just perfect, like time had never passed since his recordings in the 1930s and especially his 1940 session (Parchman Farm Blues); he might have never met Charley Patton (unlike Howlin' Wolf, John Lee Hooker or Pops Staples), but he might have seen him playing live as his style is derivative of some of Patton's songs (Patton had a huge repertoire made of all kinds of songs: Blues, Rags, ballads, spirituals, Folk songs, etc.. and sold lots of records until his death in 1934). White made good records until he died in the late 1970s. The song he does here - Aberdeen, Mississippi Blues - was his signature song.
Son House unfortunately was an alcoholic, he could hardly play in the '60s (his guitar is also out of tune here) and in fact in the '60s he recorded some songs - like John The Revelator - a' cappella. John Hammond Sr managed to get House to record one album for Columbia/CBS - Death Letter Blues - in 1965 (or '66), Canned Heat's Al Wilson had to coach House about playing his old songs; House had stopped playing in the 1940s when his best friend and music partner Willie Brown died. House was a janitor in Rochester, New York when he was "re-discovered" in the 1960s. In the 1920s and '30s he did not play a National, he wasn't even used to play resonator/steel guitars. The guitars he and Patton (who got House to record three 2-part songs in 1930: Preaching The Blues, My Black Mama and Dry Spell Blues) were Stella acoustic guitars which were loud, with great resonance. House was very religious, he had been a preacher, didn't drink and was against playing the Blues until he met Patton...
Skip James was somewhat out of form but he could still do it. He was ill, he had a tumor on his penis which he attributed to voodoo done to him by a woman. He died in 1970 after cutting a couple of good albums (Skip James Today and Devil Got My Woman) in the late '60s. Skip James might have killed over 10 people in the 1920s and '30s working on levee camps, etc... He was a pimp and a bootlegger and even in the 1960s always carried a gun; in fact he had money and thought of making records only in 1931. If one pays attention, many of his songs mention killing people by shooting (Crow Jane, 22.20 Blues, etc..). He was as proficient on guitar as he was on piano, a rare instance of that. He tuned his guitar in open E minor and sang either as a soft tenor or in "faux" soprano, like here when he does Cherry Ball, unlike House and White who had the gravelly, rough voice typical of Delta Blues like Charley Patton (or Louie Armstrong who played Jazz in New Orleans, the very bottom of the Mississippi Delta - while Memphis, Tennessee is where the Mississippi Delta starts in the north).
They all used open tunings, that's how Delta Blues is played - and used a slide, except for Skip James. There are 2 basic open tunings: open E and G (which they called "Spanish") and open A (which they called "Sevastopol"); Skip James was an exception by playing often in an open E minor tuning. Both House and White did time in prison for murder, committed in self-defence. I don't know about White, but House and James came from relatively well-off families and had a decent education. When I met John Lee Hooker, David "Honeyboy" Edwards, etc.. in the early 1990s, I discovered they were illiterate... Howlin' Wolf learned how to read and write when he was 50. Despite their personal shortcomings as all human beings, these guys laid the basis for all modern music; they were among the first singers/songwriters to record songs tailored for 3-minute long records (78s), with a 4/4 beat and guitar accompaniment. Of course, Robert Johnson is the best-known Delta Blues artist ever and the most innovative one: he laid the foundation of electric Blues and then Rock'n'Roll with his 29 songs recorded in 1936 and '37. When I was growing up these guys were my "heroes". If anyone is interested in hearing a modern, updated version of Delta Blues, my acoustic, Delta Blues-influenced album When My Train Comes is on CZcams... 🙂 czcams.com/play/PLJJEcBp43QgrV43oZ37YFqz7QD2QriAFm.html
Terrific job, thanks again for uploading this!
What song is skip James performing on this video?
@@jdrobinson3468 Cherry Ball (originally recorded in 1931)
@@RobertCarusoOfficial thank you brother
Thank you. Very Informative!!❤❤
@ingridv2118 he definitely said it all, and in particular about Skip James from what I've read over the years. One side note is that the royalties from Cream recording I'm So Glad probably added several years to Skip's life. Cream gave royalties and credits to all their Blues artists covered by them. The money certainly helped with him getting proper medical treatment! I say this because it really bothers the $hit out of me how these Blues masters were extorted! They got the recognition alright, but not the rightfully earned money they had coming?
THIS IS A PHENOMENAL DOCUMENT.....H U G E. THESE 3 GIANTS TOGETHER ON STAGE🔝
Gargantuan Giants.
You got that right !!
Incredible, 3 Master griots, each one by himself sounds like a band !!! Both creators and musical historians !!!!Thank you , brothers
Thanks I learned what griots is
Man bukka white was legit, he had that sound and rhythm, not only that, he was most definitely about what he talks about in his songs, he talks a lot about him doing crimes in his songs, bukka white is literally like an outlaw in the wild west that plays mad music
That was the year I renewed my friendship with the great Skip James, whom I had just played with and opened for at the blues bag coffee house in Provincetown MA. He intro'd me to Bukka and Son backstage... so awesome... I could just about feel the greatness I was around :) Skippy was a great and supportive musical friend !
What year did this show take place, if you don't mind telling? Thank you🙏
@@user-cs3hi8zp7p 1966
Amazing man
Oh man, that’s so cool you knew him. He’s a mysterious figure who I’ve long admired. Can you say what he was like to interact with? I’d love to hear anything at all about Mr. James.
@@AJ-xy5ji Simply put, I had to keep reminding myself that i was with blues Royalty! .........because he was so sweet and unassuming. a man.... he was a regular guy :) ,,,,,,,,another musician, though much ..older....offstage I mean :) for example, one of my tunes was "Sporting Life" that I learned from a Lovin' Spoonful Lp.... (I had no idea that it was.a Brownie McGhee tune at the time..... .but neither did Skip lol ).. At any rate he asked me to teach him the song (my arrangement)... but i said, "Skip, that's against all the rules! You are a great bluesman ... I should be begging you to teach me!!! " But he insisted, and I did teach him the tune as I played it. It shocked me that he learned it so fast and went immediately to the piano situated against the far wall... (I had no clue that he played piano.. and he was great too.. his own style..) as he was playing it, he motioned for me to come over and join him in a duet.. which I did... and for the rest of his tenure ( a week I believe) we played that tune together before his set as segue between my opening set and his own. He invited me to come to Newport, which i did, and he inro'd me to Bukka and Son, and asked me to join him onstage after his set to play our duet together... and then !! to do a set of my own ... (Bukka was none too pleased to hear this invite :) It was at that minute that I realized I had no place on that hallowed stage with those men.... it was their time and .. .FOR REAL-- their music. I never stopped playing or loving the blues, but did entirely stop trying to be in any way a "Bluesman," because I learned what it was to BE one... up close and personal. Of course that moment has stayed with me -- as if it happened yesterday.. I will never forget Skip James.. the great bluesman who befriended me.
Every single note is to be treasured
Real blues. Love electric blues but this is truly the blues.....
No fancy pedals and amps can duplicate the real thing. Awesome
How great to see these three giants on stage together, telling their stories. I was at the Newport Folk Festival in '66, but this had faded from my memory. I had discovered Bukka White through John Fahey, and Son House through his record release of new recordings in 1965. It's such a contrast among the guitar and playing styles and voicings of these three. Just think of the influence that their music and personal presence had on a young Howling Wolf and Muddy Waters, and later musicians.
So great seeing at the end, White playing with James comping!!
Do you remember a Louisiana Cajun-Creole group that year, Bois Sec Ardoin and Canray Fontenot, with Isom Fontenot and Revon Reed? They played Newport in 66.
@@nealpomea2836 - I was devoted especially to Appalachian, Blues, and conventional Folk music then and hadn't yet cottoned on to Cajun music; that would come a few years later. So, m memories of acts is pretty hazy unless it was something that I was focused on. Were ou there also in '66?
@@AntoineMaloney Thanks for your reply! No, I wish I had been there!
Hi Antoine, would you please tell us which performer is which among these three? Thank you.
@@PsychedelicChameleon Sure. At the start, you hear Bukka (Booker) White introducing them. He's at our right. Beside him is Skip James in the centre, quite a different style of player than Bukka and Son House - more refined. At the left end is Son House.
July 22, 1966
What a treasure this is.
Bukka's slappin' that thang like it's Chris Rock.
Hilarious! Son House was toasted! The controlled scorn of his stage mates was a master class in restraint.
Son
Bukka is just grilling him the whole tome
Son is normally great. But, this is way beyond "nicely out of tune".
Hah god damn it's embarrasing, and he's my favourite out of the lot in general.
This is an HISTORIC piece of footage.
Dang, Bukka's rhythm is so freaking groovy. I know some scholars who studied Charlie Patton were trying to figure out how he plays that rhythmic figure where he slaps his hand on the strings and behind the bridge - Bukka demonstrates and solves the mystery. Skip as spooky and amazing as always, and Son a little shaky but absolutely dripping with soul.
son mustve been wasted, hes flopping like catfish on a dock
The only other Legend that coulda shared that stage was Lightnin' Hopkins. Bukka , Lightnin & Mississippi John Hurt are my fav's.
@@rd264 he was a bit inclined to that
Mr. White really picked up where Mr. Patton left off rest their souls
When I first discovered this music in the early 70s here in Austria,Vienna I would have never dreamed that I could see them playing. Even to get the record was an adventure.
Thanks for sharing. Nobody cares who filmed it. 🤘🤯🤘
If only I had seen this when I was a young man, I would be 20 Years Wise older his day!
idk why but it’s crazy to me that this footage (1966 Newport) came after Bob Dylan went electric at Newport (1964).
I love how Skip backs Booker on 2nd guitar while Son gets off stage for a smoke! Priceless.
I thought that. What can one say...? Where are we now with the smoke police and everything regulated, these guys wouldn't understand anything bout that, nor, frankly do I.
Lol right, Son House was definitely something else. He was also talking too much when Skip first played but I know they all love and respect eachother and are good friends ... I just think Skip's guitar playing is superior to Bukka's and Son House.
@@jdrobinson3468 Yes Booker's slide playing was a hell of a lot more accurate than Son's but then Son was sloppy drunk - like he was most of the time in his later years! Technically Skip's guitar playing was on another level to most of the Delta bluesmen with the exception of RJ!🙂
@@christaylor2070 Son House is better than Bukka in my opinion.
@@jdrobinson3468 its a bit like comparing oranges and bananas - depends what you like! Booker's guitar slapping in Aberdeen Mississippi and Son's guitar riff in Death Letter are both unique and unequalled!😉
Killer performance from Bukka. Indeed 3 GIANTS on stage.
i cannot believe im watching this!
That slappin' technique... I love it!
Bukka got that from watching Charley Patton.
@@howdyimhunner Yeah! Can you imagine if there was an existing recorded video of Charley Patton performing??!
@@howdyimhunner No doubt. To think - Charley Patton was doing Michael Hedges before Michael Hedges was even born! :)
How could anyone give a thumbs down on this? I guess some people either don't like the Blues, don't appreciate greatness or are tone deaf.
They don't realize that all American music and even all music from Britain, essentially every music and all music that you hear on the radio comes from these kinds of guys. Yep they got good on guitar because they were hungry and they needed food to eat so they sang for their supper 😂😎
This is seriously footage of historical significance--thanks for posting this!
My God!!! What a trio! Thant second was a case apart : wonderful!!!💖💖💖💖
Son House is the only person who can get away with talking through an entire Skip James performance lol
@Davis Edison Maybe so but he kicks ass on that pluckin guitar though. So easy to hear the rock and roll in his stuff. Sarcasm and attitude begging for an amplifier. So heavy you can feel the lead.
@Davis Edison What man or woman isn't flawed in one way or another? Maybe Mother Theresa but not too many I know of.
Howlin Wolf could, he's very big.
... seemed less like "talking" to me and more like amplification, affirmation, ornamentation... a kinda talkin' blues harmony.
This is the best shit I've heard in ages.... Pouring a whiskey and listening from far north Queensland Australia. Let's go !
I was 18 years old and remember it like it was yesterday. Still listening and collecting their records.
Booker T. Washington White, conocido en el blues como Bukka White (Aberdeen, Misisipi, 12 de noviembre de 1906-Memphis, Tennessee, 26 de febrero de 1977) fue un guitarrista, famoso por su estilo slide guitar,[1] compositor, pianista y cantante de blues. Su grabación de «Fixin' to die» (1940) fue incorporada al Grammy Hall of Fame en 2012.
I love that there isn't a single dislike on this. I don't believe it's possible. These men were heaven sent. Their souls chose pain and hardship. Warriors of God to inflict purity and strength and honesty on the world. The beauty path🙏
This video gets to the point. So talented. Man how did they learn to play so good without you tube, but thank God we have it so we can experience this.
They learned to play so good because they "didn't have youtbe or computers".
@@areguapiri it is a Joke. Think of it the opposite way of what it seems to mean. English is a screwy language , we are both saying the same thing
@@areguapirilearning from experience/by-ear is the reason youtube learners could never be on their level (rhythmically) especially if they came around today
thats american cultural heritage. thats for everybody to acknowledge and respect
I hope people realize the significance of this document. Thank you for this.
EDIT: Happy New Year to you.
Lord have mercy Skip James voice
Thanks for posting this. It's amazing that despite the fact they're all from Mississippi and play the blues, all 3 have such distinct guitar playing and singing styles.
hits you in the gut! stark beauty!
Bukka white reminisce of charley patton. Master of slide. As to skip he s from another world.pure magic.
Those farmer boys educated and gave the greatest joy to the people all over our world with their stories, their singing, their songs, their playing and their forgiveness for the great wrongs done to them also their great humor, Just like the Irish did after been brutalized, starved, their lands stolen from them by their nearest neighbor during a war,/conflict that lasted for over 800 years
This is absolute treasure. What an amazing time piece.. I hope more videos of this era are out there.
this is pure precious gold here... thank you for sharing
Son House actually knew Robert Johnson before he could play a note. Robert went away for 6 months, came back, and somehow played like a master.
He practiced!
THANK YOU KASPER FOR PUTTING THIS UP , ALL 3 of these cats have given me reason to keep living during some very hard times ,in my past ,and continue to move me, ...stay well my brother through the world government induced Virus crisis ...God Bless The Blues...
I don't understand a word he is saying, but it sounds great😂
The level of epicness in this video is out of this world.
Bukka White rocking out! These guys were a big influence on the Stones, who brought this music back home to American kids. And Skip James' vocals, amazing! Then Son House makes you feel like you're right down in the Delta sitting on a porch with him.
The Stones? I’ve never heard about those girls, but sure they’re enthusiastic of real blues.
The Rolling Stones wanted to play blues really badly!!
that turnaround at the end of bookers piece......
Glad this is preserved on internet. Awesome. Black Lives Matter! "Did you ever loved somebody when they didn't love you?"
The British tried, but they didn't live that life. This came from a deep place, hard times.
This is fucking incredible!!!!
Thank you very much for this gift. Long Live The Blues!
I'm speechless.
Incredible footage. Thank heaven it still exists. Thanks so much for posting this.
3 gods of music gathered together.
Say what you want Mr. Expert: Son and all the rest are American geniuses. Your analysis falls on ears that are full of wonderful country blues.
Damn! Really doesn't get much better than this.
Skip man...that voice
Thanx for this upload! Fantastic performance by these bluesmen. I'm most familiar with Skips catalog but I was very impressed with Bukka Whites playing style. Skip gave me goosebumps all over, something about that voice and guitar sound...
Remarkable video, thanks for keeping it alive!
Never knew something like this existed. Thank you
Giants of prewar blues. Astounding. Thank you, Mr. Rapkin!
booker t washington white. the original OG!!!!!
Shiiiit! It's going to be hard for generations to come to top this!
What an incredible moment in time. Three true masters. Shivers.
Thank you, very much. Like a relic in the blues history.
Thanks for sharing. I spent post of my life about 20 miles from the Parchman Farm. A friend of mine died there a couple days ago. A horrible place to be. I can’t imagine the 1930s! 💙 this Bukka White! 💙💙
Bukka and Son House have such different rhythmic styles, and energies.
God Bless Claudia Brown, the girl who showed me my world!
Wow. This is incredible. I've never seen this one before
Thank you Kaspar for posting this footage. It took me back to that privileged night in 67 when I enjoyed all three playing in the Folk Blues Festival at the De Montfort Hall, Leicester.
I saw all three back in 1967 on one of the Folk Blues Festivals that used to tour the U.K. and Europe. An absolute privilege.
This is the first time I have seen footage of Skip James performing. He was the greatest of these greats, his guitar technique and complexity of arrangement was second to none. Thank you for sharing this.
There have been many people who copied their style. Nice to see, and hear the originals.
Take us home!🤠
Absolute Icons of Blues History.. Respect!
FABULOUS!!! I love this! They are GREAT!
Thanks for uploading this gem.
If it had been up to me, I wish I had been born about 30 years earlier, and lived in Chicago.
Music that completely transcends genre and period; extraordinary, haunting performances.
Amazing blues history of America
What a Treasure!
LEGENDS!!!
Man what a gem! Thanks for posting it up!
Glad you enjoyed it
@@KBRblues When was this performance recorded?
Thank you so much, Kaspar. I really appreciate the opportunity to view three legends on stage together, at probably one of the best known and most prestigious music festivals, ever. Go n-eiri an bothar leat, May the road rise before you, Its an old Irish saying of appreciation and good fortune. Best wishes from Belfast.
Three of my favorite old blues guys. One my absolute fav in Skip. Never did see this , thanks so much for sharing . WOW! Just Wow!
Feeling the spirituals in all but particularly on the one by Mr Spik